Cartoonist Winsor McCay (1869-1934) is rightfully celebrated for the skillful draftmanship and inventive design sense he displayed in the comic strips Little Nemo in Slumberland and Dreams of the Rarebit Fiend. McCay crafted narratives of anticipation, abundance, and unfulfilled longing. This book explores McCay's interest in dream imagery in relation to the larger preoccupation with fantasy that dominated the popular culture of early twentieth-century urban America. McCay's role as a pioneer of early comics has been documented; yet, no existing study approaches him and his work from an art historical perspective, giving close readings of individual artworks while situating his output within the larger visual culture and the rise of modernism. From circus posters and vaudeville skits to department store window displays and amusement park rides, McCay found fantastical inspiration in New York City's burgeoning entertainment and retail districts. Wide Awake in Slumberland connects McCay's work to relevant children's literature, advertising, architecture, and motion pictures in order to demonstrate the artist's sophisticated blending and remixing of multiple forms from mass culture. Studying this interconnection in McCay's work and, by extension, the work of other early twentieth-century cartoonists, Roeder traces the web of relationships connecting fantasy, leisure, and consumption. Readings of McCay's drawings and the eighty-one black and white and color illustrations reveal a man who was both a ready participant and an incisive critic of the rising culture of fantasy and consumerism. (immagine) Categoria: Books: novel/sci fi/horror
Ordinabile fino al 07/03/14
By Roeder, Katherine. Artist McCay, Winsor. Cover by McCay, Winsor.
Prezzo di copertina: USD 60,00
Prezzo HoVistoCose: EUR 57,00
Pagina del Previews (FEB/2014): 398
Data di uscita: 30/04/14 (può ritardare di 30 giorni)
Final Order Cutoff: 07/03/14 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. In Comics, Trauma, and the New Art of War, Harriet E. H. Earle brings together two distinct areas of research-trauma studies and comics studies-to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in post-Vietnam War American comics, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. (immagine) Categoria: Books: novel/sci fi/horror
Ordinabile fino al 07/07/17
By Earle, Harriet E.H.. Artist Charles Schulz. Cover by Charles Schulz.
Prezzo di copertina: USD 65,00
Prezzo HoVistoCose: EUR 61,75
Pagina del Previews (JUN/2017): 473
Data di uscita: 16/08/17
Final Order Cutoff: 07/07/17 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
A look at the controversies and changes in the role of gender in comics. Gender and the Superhero Narrative launches ten essays that explore the point where social justice meets the Justice League. Ranging from comics such as Ms. Marvel, Batwoman: Elegy, and Bitch Planet to video games, Netflix, and cosplay, this volume builds a platform for important voices in comics research, engaging with controversy and community to provide deeper insight and thus inspire change. (immagine) Categoria: Books: novel/sci fi/horror
Ordinabile fino al 03/08/18
Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50
Pagina del Previews (JUL/2018): 433
Data di uscita: 31/10/18
Final Order Cutoff: 03/08/18 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
A thoroughly researched collection designed to engage with the social sciences in order to expand comics studies as a field Contributions by Bart Beaty, T. Keith Edmunds, Eike Exner, Christopher J. Galdieri, Ivan Lima Gomes, Charles Hatfield, Franny Howes, John A. Lent, Amy Louise Maynard, Shari Sabeti, Rob Salkowitz, Kalervo A. Sinervo, Jeremy Stoll, Valerie Wieskamp, Adriana Estrada Wilson, and Benjamin Woo The Comics World: Comic Books, Graphic Novels, and Their Publics is the first collection to explicitly examine the production, circulation, and reception of comics from a social-scientific point of view. Designed to promote interdisciplinary dialogue about theory and methods in comics studies, this volume draws on approaches from fields as diverse as sociology, political science, history, folklore, communication studies, and business, among others, to study the social life of comics and graphic novels. Taking the concept of a 'comics world'-that is, the collection of people, roles, and institutions that 'produce' comics as they are-as its organizing principle, the book asks readers to attend to the contexts that shape how comics move through societies and cultures. Each chapter explores a specific comics world or particular site where comics meet one of their publics, such as artists and creators; adaptors; critics and journalists; convention-goers; scanners; fans; and comics scholars themselves. Through their research, contributors demonstrate some of the ways that people participate in comics worlds and how the relationships created in these spaces can provide different perspectives on comics and comics studies. Moving beyond the page, The Comics World explores the complexity of the lived reality of the comics world: how comics and graphic novels matter to different people at different times, within a social space shared with others. (immagine) Categoria: Books: novel/sci fi/horror
Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50
Pagina del Previews (MAY/2021): 367
Data di uscita: 18/08/21 (può ritardare di 30 giorni)
East Asian critiques and discussions of a powerful Japanese export and art form. Japanese Animation: East Asian Perspectives gathers and makes available for the first time viewpoints from media practitioners, designers, educators, and scholars working in the East Asian Pacific. (immagine) Categoria: Books: novel/sci fi/horror
Ordinabile fino al 03/10/14
By Brannon Costello (Ed.). Artist N/A. Cover by N/A.
Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50
Pagina del Previews (SEP/2014): 435
Data di uscita: 03/12/14
Final Order Cutoff: 03/10/14 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
Benjamin Fraser explores the representation of the city in a range of comics from across the globe. Comics address the city as an idea, a historical fact, a social construction, a material-built environment, a shared space forged from the collective imagination, or as a social arena navigated according to personal desire. The works selected comprise a variety of international, alternative, and independent small-press comics artists, from engravings and early comics to single-panel work, graphic novels, manga, and trading cards. Fraser touches on many themes of modern urban life: activism, alienation, consumerism, flânerie, gentrification, the mystery story, science fiction, sexual orientation, and working-class labor. (immagine) Categoria: Books: novel/sci fi/horror
Ordinabile fino al 06/09/19
By Fraser, Benjamin. Cover by Masereel, Frans.
Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50
Pagina del Previews (AUG/2019): 402
Data di uscita: 16/10/19
Final Order Cutoff: 06/09/19 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
Comics scholars engage the roles of trust, truth, family memoirs and autobiography in works from such greats as Art Spiegelman, Marjane Satrapi, and Alison Bechdel; from cult-status figures such as Martin Vaughn James; and from lesser-known works by artists such as Frédéric Boilet. Contributing scholars include Jan Baetens, David M. Ball, Lopamudra Basu, Christopher Bush, Isaac Cates Michael A. Chaney, Alisia Chase, Sharon O'Brien, Davida Paens, Yaël Scjlick, Rachel Trousdale, and Benjamin Widiss. (immagine) Categoria: Books: novel/sci fi/horror
Ordinabile fino al 01/11/13
By Gabilliet; Beaty; Nguyen. Artist Na. Cover by Na.
Prezzo di copertina: USD 60,00
Prezzo HoVistoCose: EUR 57,00
Pagina del Previews (OCT/2013): 374
Data di uscita: 04/12/13 (può ritardare di 30 giorni)
Final Order Cutoff: 01/11/13 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
Career-spanning interviews with the creator of the contemporary American comic strip Julius Knipl, Real Estate Photographer and other works. (immagine) Categoria: Books: novel/sci fi/horror
Ordinabile fino al 01/02/19
By Gordon, Ian. Artist Katchor, Ben. Cover by Katchor, Ben.
Prezzo di copertina: USD 25,00
Prezzo HoVistoCose: EUR 23,75
Pagina del Previews (JAN/2019): 376
Data di uscita: 24/04/19
Final Order Cutoff: 01/02/19 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
Jack Kirby (1917-1994) is one of the most influential and popular artists in comics history. With Stan Lee, he created the Fantastic Four and defined the drawing and narrative style of Marvel Comics from the 1960s to the present day. Kirby is credited with creating or cocreating a number of Marvel's mainstay properties, among them the X-Men, the Hulk, Thor, and the Silver Surfer. His earlier work with Joe Simon led to the creation of Captain America, the popular kid gang and romance comic genres, and one of the most successful comics studios of the 1940s and 1950s. Kirby's distinctive narrative drawing, use of bold abstraction, and creation of angst-ridden and morally flawed heroes mark him as one of the most influential mainstream creators in comics. In this book, Charles Hatfield examines the artistic legacy of one of America's true comic book giants. He analyzes the development of Kirby's cartooning technique, his use of dynamic composition, the recurring themes and moral ambiguities in his work, his eventual split from Lee, and his later work as a solo artist. Against the backdrop of Kirby's earlier work in various genres, Hand of Fire examines the peak of Kirby's career, when he introduced a new sense of scope and sublimity to comic book fantasy. (immagine) Categoria: Books: novel/sci fi/horror
Ordinabile fino al 04/11/11
By Hatfield, C.. Artist Kirby, Jack. Cover by N/A.
Prezzo di copertina: USD 65,00
Prezzo HoVistoCose: EUR 61,75
Pagina del Previews (OCT/2011): 342
Data di uscita: 11/01/12 (può ritardare di 60 giorni)
Final Order Cutoff: 04/11/11 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
Why so many American comics fans avidly follow medieval heroes The comic book has become an essential icon of the American Century, an era defined by optimism in the face of change and by recognition of the intrinsic value of democracy and modernization. For many, the Middle Ages stand as an antithesis to these ideals, and yet medievalist comics have emerged and endured, even thrived alongside their superhero counterparts. Chris Bishop presents a reception history of medievalist comics, setting them against a greater backdrop of modern American history. From its genesis in the 1930s to the present, Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context. (immagine) Categoria: Books: novel/sci fi/horror
Ordinabile fino al 30/10/20
By Bishop, Chris.
Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50
Pagina del Previews (OCT/2020): 323
Data di uscita: 20/01/21
Final Order Cutoff: 30/10/20 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
An unparalleled gathering of top educators, comics artists, and writers advocating the vital utility of comics in the classroom. Building upon interdisciplinary approaches to teaching comics and teaching with comics, this book brings together diverse voices to share key theories and research on comics pedagogy. By gathering scholars, creators, and educators across various fields and in K-12 as well as university settings, editors Susan Kirtley, Antero Garcia, and Peter Carlson significantly expand scholarship. This valuable resource offers both critical pieces and engaging interviews with key comics professionals who reflect on their own teaching experience and on considerations of the benefits of creating comics in education. Included are interviews with acclaimed comics writers Lynda Barry, Brian Michael Bendis, Kelly Sue DeConnick, and David Walker, as well as essays spanning from studying the use of superhero comics in the classroom to the ways comics can enrich and empower young readers. (immagine) Categoria: Books: novel/sci fi/horror
Ordinabile fino al 03/01/20
Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50
Pagina del Previews (DEC/2019): 351
Data di uscita: 11/03/20
Final Order Cutoff: 03/01/20 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
A dynamic collection acknowledging a powerful diversity of superheroes outside of expected boundaries, Superheroes Beyond moves superhero research beyond expected examples. In this innovative collection, contributors unmask international crimefighters, track superheroes outside of the comic book page, and explore heroes whose secret identities are not cisgender men. (immagine) Categoria: Books: novel/sci fi/horror
Ordinabile fino al 29/12/23
By Various,. Cover by Brouwer, James.
Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50
Articolo in stock alla Diamond (affrettati a ordinarlo!)
Pagina del Previews (DEC/2023): 395
Data di uscita: 06/03/24 (può ritardare di 30 giorni)
Final Order Cutoff: 29/12/23 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
In Thierry Groensteen's The System of Comics, the comics theorist set out to investigate how the medium functions, introducing the principle of iconic solidarity, and showing the systems that underlie the articulation between panels at three levels: page layout, linear sequence, and nonsequential links woven through the comic book as a whole. He now develops that analysis further, using examples from a very wide range of comics, including the work of American artists such as Chris Ware and Robert Crumb. He tests out his theoretical framework by bringing it up against cases that challenge it, such as abstract comics, digital comics, and shoujo manga. (immagine) Categoria: Books: novel/sci fi/horror
Ordinabile fino al 06/02/15
By Gronesteen, Thierry. Artist N/A. Cover by N/A.
Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50
Pagina del Previews (JAN/2015): 421
Data di uscita: 25/03/15
Final Order Cutoff: 06/02/15 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
A comprehensive history of how comics and comic art gained recognition as art Contributions by Kenneth Baker, Jaqueline Berndt, Albert Boime, John Carlin, Benoit Crucifix, David Deitcher, Michael Dooley, Damian Duffy, M. C. Gaines, Paul Gravett, Diana Green, Karen Green, Doug Harvey, Charles Hatfield, M. Thomas Inge, Leslie Jones, Denis Kitchen, Jonah Kinigstein, John A. Lent, Dwayne McDuffie, Andrei Molotiu, Alvaro de Moya, Kim A. Munson, Cullen Murphy, Gary Panter, Trina Robbins, Antoine Sausverd, Rob Salkowitz, Art Spiegelman, Scott Timberg, Carol Tyler, Brian Walker, Alexi Worth, Joe Wos, and Craig Yoe Through essays and interviews, Kim A. Munson's anthology tells the story of the over-thirty-year history of the artists, art critics, collectors, curators, journalists, and academics who championed the serious study of comics, the trends and controversies that produced institutional interest in comics, and the wax and wane and then return of comic art in museums. Audiences have enjoyed displays of comic art in museums as early as 1930. In the mid-1960s, after a period when most representational and commercial art was shunned, comic art began a gradual return to art museums as curators responded to the appropriation of comics characters and iconography by such famous pop artists as Andy Warhol and Roy Lichtenstein. From the first-known exhibit to show comics in art historical context in 1942 to the evolution of manga exhibitions in Japan, this volume regards exhibitions both in the United States and internationally. With over eighty images and thoughtful essays by Denis Kitchen, Brian Walker, Andrei Molotiu, Paul Gravett, Art Spiegelman, Trina Robbins, and Charles Hatfield, among others, this anthology shows how exhibitions expanded the public dialogue about comic art and our expectation of 'good art'-displaying how dedicated artists, collectors, fans, and curators advanced comics from a frequently censored low-art medium to a respected art form celebrated worldwide. (immagine) Categoria: Books: novel/sci fi/horror
By Brannon Costello (Ed.). Artist N/A. Cover by N/A.
Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50
Pagina del Previews (JUN/2020): 376
Data di uscita: 05/08/20
Born in the South Bronx to Puerto Rican parents, artist and writer George Pérez (1954-2022) cut his teeth in the 1970s as an artist at Marvel who worked on lesser titles like The Deadly Hands of Kung Fu and Creatures on the Loose, and then mainstays like Fantastic Four and The Avengers. In the 1980s, Pérez jumped ship to DC where he helped turn The New Teen Titans into a top-selling title and co-created Crisis on Infinite Earths, which marked the publisher's fiftieth anniversary and consolidated its sprawling universe. As writer and artist, Pérez relaunched DC's Wonder Woman, a run that later inspired much of the 2017 film. Though Pérez's style is highly recognizable, his contributions to comic art and history have not been fully acknowledged. In George Pérez, author Patrick L. Hamilton addresses this neglect, first, by discussing Pérez's artistic style within the context of Bronze Age superhero art, and second, by analyzing Pérez's work for its representations of race, disability, and gender. Though he struggled with deadlines and health issues in the 1990s, Pérez would reintroduce himself and his work to a new generation of comics fans with a return to Marvel's The Avengers, as well as attempts at various creator-owned comics, the last of these being Sirens from Boom! Studios in 2014. Throughout his career, Pérez established a dynamic and minutely detailed style of comic art that was both unique and influential. (immagine) Categoria: Books: novel/sci fi/horror
Uscita: 19/06/24
By Hamilton, Patrick L. Artist Perez, George.
Prezzo di copertina: USD 20,00
Prezzo HoVistoCose: EUR 19,00
Pagina del Previews (MAR/2024): 377
Data di uscita: 19/06/24 (può ritardare di 30 giorni)
A wide-ranging survey of how comics have portrayed Southern ways of life, these essays seek to discover what Captain America can reveal about Southern regionalism, and how slave narratives can help us reread Swamp Thing; others examine how creators such as Walt Kelly (Pogo), Howard Cruse (Stuck Rubber Baby), Kyle Baker (Nat Turner), and Josh Neufeld (A.D.: New Orleans After the Deluge) draw upon the unique formal properties of the comics to question and revise familiar narratives of race, class, and sexuality. (immagine) Categoria: Books: novel/sci fi/horror
Ordinabile fino al 02/12/11
By Brannon Costello (Ed.). Artist N/A. Cover by N/A.
Prezzo di copertina: USD 55,00
Prezzo HoVistoCose: EUR 52,25
Pagina del Previews (NOV/2011): 320
Data di uscita: 25/01/12 (può ritardare di 30 giorni)
Final Order Cutoff: 02/12/11 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)