HoVistoCose
Acquista i tuoi fumetti
dalla tua Fumetteria online

UNIVERSITY PRESS OF MISSISSIPP

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research - trauma studies and comics studies - to provide a new interpretation of a long-standing theme. Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres's American Widow, Doug Murray's The 'Nam, and Art Spiegelman's much-lauded Maus. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/09/19
By Earle, Harriet E.H.. Artist Torres, Alissa.

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

In a follow-up to Comics as Philosophy, international contributors address two questions: Which philosophical insights, concepts, and tools can shed light on the graphic novel? And how can the graphic novel cast light on the concerns of philosophy? Each contributor ponders a well-known graphic novel to illuminate ways in which philosophy can untangle particular combinations of image and written word for deeper understanding. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/08/17
By McLaughlin, Jeff. Cover by Mack,David,.

Prezzo di copertina: USD 65,00
Prezzo HoVistoCose: EUR 61,75

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

Fans still remember and love the British girls' comic Misty for its bold visuals and narrative complexities. Yet its unique history has drawn little critical attention. In the first book on this topic, Round closely analyzes Misty's content, including its creation and production, its cultural and historical context, key influences, and the comic itself. Largely based on Round's own archival research of this comic and richly illustrated with previously unpublished photos, scripts, and letters, this book uses Misty as a lens to explore the use of Gothic themes and symbols in girls' comics and other media. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/09/19
By Round, Julia. Artist Mills, Pat.

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

How comics, graphic novels, and sacred texts work in concert to expand our sense of the holy. Comics and Sacred Texts explores how comics and notions of the sacred interweave new modes of seeing and understanding the sacral. Comics and graphic narratives help readers see religion in the everyday and in depictions of God, in transfigured, heroic selves as much as in the lives of saints and the meters of holy languages. Coeditors Assaf Gamzou and Ken Koltun-Fromm reveal the graphic character of sacred narratives, imagining new vistas for both comics and religious texts. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 05/10/18

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

An unparalleled gathering of research devoted to one of the world's most influential comic strips. The Comics of Charles Schulz collects new essays on the work of the creator of the immensely popular Peanuts comic strip. Despite Schulz's celebrity, few scholarly books on his work and career have been published. This collection serves as a foundation for future study not only of Charles Schulz (1922-2000) but, more broadly, of the understudied medium of newspaper comics. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 07/07/17
By Gardner, Jared. Artist Schulz, Charles M.. Cover by Schulz, Charles M..

Prezzo di copertina: USD 65,00
Prezzo HoVistoCose: EUR 61,75

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

Best known for her long-running comic strip Ernie Pook's Comeek, illustrated fiction (Cruddy, The Good Times Are Killing Me), and graphic novels (One! Hundred! Demons!), the art of Lynda Barry (b. 1956) has branched out to incorporate plays, paintings, radio commentary, and lectures. With a combination of seemingly simple, raw drawings and mature, eloquent text, Barry's oeuvre blurs the boundaries between fiction and memoir, comics and literary fiction, and fantasy and reality. In Lynda Barry: Girlhood through the Looking Glass, Susan E. Kirtley examines the artist's career and contributions to the field of comic art and beyond. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 03/02/12
By Kirtley, Susan E.. Artist Barry, Lynda. Cover by Barry, Lynda.

Prezzo di copertina: USD 25,00
Prezzo HoVistoCose: EUR 23,75

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

Along with Batman, Spider-Man, and Superman, the Joker stands out as one of the most recognizable comics characters in popular culture. This is the first academic work to provide a comprehensive study of this villain, illustrating why the Joker appears so relevant to audiences today. The Joker debuted in Batman #1 (1940) as the typical gangster, but the character evolved steadily into one of the most ominous in the history of sequential art. Scholars from a wide array of disciplines look at the Joker through the lens of feature films, video games, comics, politics, magic and mysticism, psychology, animation, television, performance studies, and philosophy. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/03/16

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

In Drawing the Past, Volume 2: Comics and the Historical Imagination in the World, contributors seek to examine the many ways in which history worldwide has been explored and (re)represented through comics and how history is a complex construction of imagination, reality, and manipulation. Through a close analysis of such works as V for Vendetta, Maus, and Persepolis, this volume contends that comics are a form of mediation between sources (both primary and secondary) and the reader. Historical comics are not drawn from memory but offer a nonliteral interpretation of an object (re)constructed in the creator's mind. Indeed, when it comes to history, stretching the limits of the imagination only serves to aid in our understanding of the past and, through that understanding, shape ourselves and our futures. This volume, the second in a two-volume series, is divided into three sections: History and Form, Historical Trauma, and Mythic Histories. The first section considers the relationship between history and the comic book form. The second section engages academic scholarship on comics that has recurring interest in the representation of war and trauma. The final section looks at mythic histories that consciously play with events that did not occur but nonetheless inflect our understanding of history. Contributors to the volume also explore questions of diversity and relationality, addressing differences between nations and the cultural, historical, and economic threads that bind them together, however loosely, and however much those bonds might chafe. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world. (immagine) Categoria: Books: novel/sci fi/horror

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

Crockett Johnson and Ruth Krauss were a husband-and-wife team that created such popular children's books as The Carrot Seed and How to Make an Earthquake. Separately, Johnson created the enduring children's classic Harold and the Purple Crayon and the groundbreaking comic strip Barnaby. This critical biography examines their lives and careers, including their separate achievements when not collaborating. Philip Nel draws a compelling portrait of a couple whose output encompassed children's literature, comics, graphic design, and the fine arts. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 03/08/12
By Nel, Philip. Artist Johnson, Crockett. Cover by Ware, Chris.

Prezzo di copertina: USD 40,00
Prezzo HoVistoCose: EUR 38,00

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

Both comics studies and adaptation studies have grown separately over the past twenty years. Yet there are few in-depth studies of comic books and adaptations together. Available for the first time in English, this collection pores over the phenomenon of comic books and adaptation, sifting through comics as both sources and results of adaptation. Essays shed light on the many ways adaptation studies inform research on comic books and content adapted from them. Contributors concentrate on fidelity to the source materials, comparative analysis, forms of media, adaptation and myth, adaptation and intertextuality, as well as adaptation and ideology. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 31/01/20
By Rommens, Aarnoud.

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fuelling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world. (immagine) Categoria: Books: novel/sci fi/horror

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

A comprehensive history of how comics and comic art gained recognition as art Contributions by Kenneth Baker, Jaqueline Berndt, Albert Boime, John Carlin, Benoit Crucifix, David Deitcher, Michael Dooley, Damian Duffy, M. C. Gaines, Paul Gravett, Diana Green, Karen Green, Doug Harvey, Charles Hatfield, M. Thomas Inge, Leslie Jones, Denis Kitchen, Jonah Kinigstein, John A. Lent, Dwayne McDuffie, Andrei Molotiu, Alvaro de Moya, Kim A. Munson, Cullen Murphy, Gary Panter, Trina Robbins, Antoine Sausverd, Rob Salkowitz, Art Spiegelman, Scott Timberg, Carol Tyler, Brian Walker, Alexi Worth, Joe Wos, and Craig Yoe Through essays and interviews, Kim A. Munson's anthology tells the story of the over-thirty-year history of the artists, art critics, collectors, curators, journalists, and academics who championed the serious study of comics, the trends and controversies that produced institutional interest in comics, and the wax and wane and then return of comic art in museums. Audiences have enjoyed displays of comic art in museums as early as 1930. In the mid-1960s, after a period when most representational and commercial art was shunned, comic art began a gradual return to art museums as curators responded to the appropriation of comics characters and iconography by such famous pop artists as Andy Warhol and Roy Lichtenstein. From the first-known exhibit to show comics in art historical context in 1942 to the evolution of manga exhibitions in Japan, this volume regards exhibitions both in the United States and internationally. With over eighty images and thoughtful essays by Denis Kitchen, Brian Walker, Andrei Molotiu, Paul Gravett, Art Spiegelman, Trina Robbins, and Charles Hatfield, among others, this anthology shows how exhibitions expanded the public dialogue about comic art and our expectation of 'good art'-displaying how dedicated artists, collectors, fans, and curators advanced comics from a frequently censored low-art medium to a respected art form celebrated worldwide. (immagine) Categoria: Books: novel/sci fi/horror

By Brannon Costello (Ed.). Artist N/A. Cover by N/A.

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

For ten years before the creation of Mickey Mouse, Walt Disney struggled with, failed at, and eventually mastered the art and business of animation. Most biographies of his career begin in 1928 when 'Steamboat Willie' was released. But 'Steamboat Willie' was neither Disney's first cartoon nor Mickey Mouse's first appearance. Timothy S. Susanin paints the until-now unknown portrait of the artist from age seventeen to the cusp of worldwide renown. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 01/08/14
By Susannin, Timothy S.. Artist N/A. Cover by N/A.

Prezzo di copertina: USD 25,00
Prezzo HoVistoCose: EUR 23,75

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

(E) M. Thomas Inge Will Eisner's innovations in the comics, especially the comic book and the graphic novel, as well as his devotion to comics analysis, make him one of comics' first true auteurs and the cartoonist so revered and influential that cartooning's highest honor is named after him. Will Eisner: Conversations collects the best interviews with Eisner from 1965 to 2004. Taken together, the interviews cover the breadth of Eisner's career with in-depth information about his creation of The Spirit and other well-known comic book characters, his devotion to the educational uses of the comics medium, and his contributions to the development of the graphic novel. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 09/09/11
By M. Thomas Inge ( Ed). Artist N/A. Cover by N/A.

Prezzo di copertina: USD 65,00
Prezzo HoVistoCose: EUR 61,75

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

Syndicated cartoonist and illustrator Tim Jackson offers an unprecedented look at the rich yet largely untold story of African American cartoon artists. This book provides a historical record of the men and women who created seventy-plus comic strips, many editorial cartoons, and illustrations for articles. The volume covers the mid-1880s, the early years of the self-proclaimed black press, to 1968, when African American cartoon artists were accepted in the so-called mainstream. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 01/01/16
By Jackson, Tim.

Prezzo di copertina: USD 35,00
Prezzo HoVistoCose: EUR 33,25

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

(E) Paul Williams, James Lyons An exploration of an art form's transformation from adolescent charms to adult aesthetics, contributors to this book start in the 1980s when a talented set of comics creators changed the industry forever in America. These writers survey the production, distribution, and reception of American comics to the present. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 05/10/10
By Williams, Lyons (Ed.). Artist N/A. Cover by N/A.

Prezzo di copertina: USD 28,00
Prezzo HoVistoCose: EUR 26,60

(torna su)