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UNIVERSITY PRESS OF MISSISSIPP

Beginning in the Silver Age, the super-hero genre increasingly challenged and complicated its hypermasculine, quasi-eugenicist biases through such disabled figures as Ben Grimm/The Thing, Matt Murdock/Daredevil, and the Doom Patrol. Alaniz traces how the superhero became increasingly vulnerable, ill, and mortal in this era. He then proceeds to a reinterpretation of characters and series - some familiar (Superman), some obscure (She-Thing). Death and disability, presumed routinely absent or denied in the superhero genre, emerge to form a core theme and defining function of the Silver Age and beyond. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/11/15
By Alaniz, José.

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UNIVERSITY PRESS OF MISSISSIPP

One of the most overlooked aspects of the World War II effort involved a surprising initiative - comic book propaganda. Even before Pearl Harbor, the comic book industry enlisted its formidable army of artists, writers, and editors to dramatize the conflict for readers of every age and interest. The 10 Cent War presents a riveting analysis of how different types of comic books and comic book characters supplied reasons and means to support the war effort. The book discusses the role of such major characters as Superman, Wonder Woman, and Uncle Sam along with a host of such minor characters as kid gangs and superhero sidekicks. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/11/16
By Brannon Costello (Ed.). Artist N/A. Cover by N/A.

Prezzo di copertina: USD 65,00
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UNIVERSITY PRESS OF MISSISSIPP

In the summer of 2000 X-Men surpassed all box office expectations and ushered in an era of unprecedented production of comic book film adaptations. This trend, now in its second decade, has blossomed into Hollywood's leading genre. From superheroes to Spartan warriors, The Comic Book Film Adaptation offers the first dedicated study to examine how comic books moved from the fringes of popular culture to the center of mainstream film production. It considers the cultural traumas, business demands, and digital possibilities that Hollywood faced at the dawn of the twenty-first century. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/11/16
By Burke, Liam. Artist N/A. Cover by N/A.

Prezzo di copertina: USD 30,00
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UNIVERSITY PRESS OF MISSISSIPP

Ed Brubaker has emerged as one of the most popular, significant figures in art comics since the 1990s. Most famous as the man who killed Captain America in 2007, Brubaker's work on company-owned properties such as Batman and Captain America and creator-owned series like Criminal and Fatale live up to the usual expectations for the superhero and crime genres. Brubaker layers his stories with a keen self-awareness, applying his expansive knowledge of American comic book history to invigorate his work and challenge the dividing line between popular entertainment and high art. This collection of interviews explores his work, drawing upon the entire length of the award-winning Brubaker's career. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 03/11/17
By Brubaker, Ed. Artist N/A. Cover by N/A.

Prezzo di copertina: USD 25,00
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UNIVERSITY PRESS OF MISSISSIPP

Michael Allred stands out for his blend of spiritual and philosophical approaches with an art style reminiscent of 1960s era superhero comics, which creates a mixture of both postmodernism and nostalgia. His childhood came during an era where pop art and camp embraced elements of kitsch and pastiche and introduced them into the lexicon of popular culture. Allred's use of both in his work as a cartoonist on his signature comic book Madman in the early 1990s offset the veiled autobiography of his own spiritual journey through Mormonism and struggles with existentialism. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 03/11/17
By Irving, Christopher. Artist Allred, Michael.

Prezzo di copertina: USD 25,00
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UNIVERSITY PRESS OF MISSISSIPP

Alison Bechdel is both a driver and beneficiary of the welcoming of comics into the mainstream. Indeed, the seemingly simple binary of outside/inside seems perpetually troubled throughout the career of this important comics artist, known for Fun Home, Are You My Mother?, and Dykes to Watch Out For. This volume extends the body of scholarship on her work from a range of interdisciplinary perspectives. In a definitive collection of original essays, scholars cover the span of Bechdel's career, providing insights on major themes in Bechdel's work, such as gender performativity, masculinity, lesbian politics and representation, trauma, life writing, and queer theory. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 01/11/19
By Utell, Janine. Artist Bechdel, Alison. Cover by Bechdel, Alison.

Prezzo di copertina: USD 30,00
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UNIVERSITY PRESS OF MISSISSIPP

The Supervillain Reader, featuring both reprinted and original essays, reveals why we are so fascinated with the villain. The obsession with the villain is not a new phenomenon, and, in fact, one finds villains who are 'super' going as far back as ancient religious and mythological texts. This innovative collection brings together essays, book excerpts, and original content from a wide variety of scholars and writers, weaving a rich tapestry of thought regarding villains in all their manifestations, including film, literature, television, games, and, of course, comics and sequential art. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 01/11/19
By Peaslee, Robert Moses.

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UNIVERSITY PRESS OF MISSISSIPP

Why so many American comics fans avidly follow medieval heroes The comic book has become an essential icon of the American Century, an era defined by optimism in the face of change and by recognition of the intrinsic value of democracy and modernization. For many, the Middle Ages stand as an antithesis to these ideals, and yet medievalist comics have emerged and endured, even thrived alongside their superhero counterparts. Chris Bishop presents a reception history of medievalist comics, setting them against a greater backdrop of modern American history. From its genesis in the 1930s to the present, Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 30/10/20
By Bishop, Chris.

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UNIVERSITY PRESS OF MISSISSIPP

History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fuelling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world. (immagine) Categoria: Books: novel/sci fi/horror

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UNIVERSITY PRESS OF MISSISSIPP

In Drawing the Past, Volume 2: Comics and the Historical Imagination in the World, contributors seek to examine the many ways in which history worldwide has been explored and (re)represented through comics and how history is a complex construction of imagination, reality, and manipulation. Through a close analysis of such works as V for Vendetta, Maus, and Persepolis, this volume contends that comics are a form of mediation between sources (both primary and secondary) and the reader. Historical comics are not drawn from memory but offer a nonliteral interpretation of an object (re)constructed in the creator's mind. Indeed, when it comes to history, stretching the limits of the imagination only serves to aid in our understanding of the past and, through that understanding, shape ourselves and our futures. This volume, the second in a two-volume series, is divided into three sections: History and Form, Historical Trauma, and Mythic Histories. The first section considers the relationship between history and the comic book form. The second section engages academic scholarship on comics that has recurring interest in the representation of war and trauma. The final section looks at mythic histories that consciously play with events that did not occur but nonetheless inflect our understanding of history. Contributors to the volume also explore questions of diversity and relationality, addressing differences between nations and the cultural, historical, and economic threads that bind them together, however loosely, and however much those bonds might chafe. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world. (immagine) Categoria: Books: novel/sci fi/horror

Prezzo di copertina: USD 30,00
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UNIVERSITY PRESS OF MISSISSIPP

he first collection to engage with the fascinating overlap between comics and modernism. Since the early 1990s, cartoonist Art Spiegelman has made the case that comics are the natural inheritor of the aesthetic tradition associated with the modernist movement of the early twentieth century. In recent years, scholars have begun to place greater import on the shared historical circumstances of early comics and literary and artistic modernism. Comics and Modernism: History, Form, and Culture is an interdisciplinary consideration of myriad social, cultural, and aesthetic connections. Filling a gap in current scholarship, an impressively diverse group of scholars approaches the topic from a variety of disciplinary backgrounds and methodologies. Drawing on work in literary studies, art history, film studies, philosophy, and material culture studies, contributors attend to the dynamic relationship between avant-garde art, literature, and comics. Essays by both established and emerging voices examine topics as divergent as early twentieth-century film, museum exhibitions, newspaper journalism, magazine illustration, and transnational literary circulation. In presenting varied critical approaches, this book highlights important interpretive questions for the field. Contributors sometimes arrive at thoughtful consensus and at other times settle on productive disagreements. Ultimately, this collection aims to extend traditional lines of inquiry in both comics studies and modernist studies and to reveal overlaps between ostensibly disparate artistic practices and movements. (immagine) Categoria: Books: graphic novels

Prezzo di copertina: USD 30,00
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UNIVERSITY PRESS OF MISSISSIPP

The first English-language volume to explore the career of the comics artist who inspired Blade Runner, Akira, and Hayao Miyazaki, this seventh volume in the Biographix Series features Jean Giraud (1938-2012) started drawing comics in the late 1950s for a variety of French comics magazines. Under his real name, he found success in 1963 with the western series Blueberry, written by Jean-Michel Charlier and published in Pilote magazine. In the 1970s, he started producing science fiction works under the name of Moebius, which brought him international success, and which included works such as Arzach. He died in 2012, as a global celebrity in the comics world and a major influence across visual media. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 25/10/24
By Labarre, Nicolas. Artist Moebius,. Cover by Hare, Anthony.

Prezzo di copertina: USD 20,00
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UNIVERSITY PRESS OF MISSISSIPP

The definitive volume on the rich and dynamic field of Korean comics, in Comics Art in Korea, comics scholar John A. Lent embarks on a comprehensive exploration of the vibrant world of Korean comics, cartoons, comic strips, graphic novels, webcomics, and animation. This meticulously researched work delves deep into the intricate history, cultural significance, and artistic innovations that have shaped the comics landscape in both North and South Korea. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 25/10/24
By Lent, John A.

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UNIVERSITY PRESS OF MISSISSIPP

(E) Paul Williams, James Lyons An exploration of an art form's transformation from adolescent charms to adult aesthetics, contributors to this book start in the 1980s when a talented set of comics creators changed the industry forever in America. These writers survey the production, distribution, and reception of American comics to the present. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 05/10/10
By Williams, Lyons (Ed.). Artist N/A. Cover by N/A.

Prezzo di copertina: USD 28,00
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UNIVERSITY PRESS OF MISSISSIPP

Career-spanning, Chester Brown: Conversations gathers hard-to-find interviews with the creator of Yummy Fur, The Playboy, I Never Liked You, Louis Riel, and his best-selling Paying for It. The volue includes several pieces from now defunct periodicals and fanzines as well as 40 line drawings by the comics artist. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/10/13
By Brannon Costello (Ed.). Artist Brown, Chester. Cover by Brown, Chester.

Prezzo di copertina: USD 40,00
Prezzo HoVistoCose: EUR 38,00

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UNIVERSITY PRESS OF MISSISSIPP

In Autobiographical Comics: Life Writing in Pictures, Elisabeth El Refaie offers a long overdue assessment of the key conventions, formal properties, and narrative patterns of this fascinating genre. She discusses the techniques, achievements, and power of such famed comics artists as Lynda Barry, Chris Ware, and Art Spiegelman, Marjane Satrapi, Alison Bechdel, Craig Thompson, Chester Brown, and many more. The book considers eighty-five works of North American and European provenance, works that cover a broad range of subject matters and employ many different artistic styles. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 03/10/14
By El Refaie, Elisabeth. Artist N/A. Cover by N/A.

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50

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