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UNIVERSITY PRESS OF MISSISSIPP

Hannah Miodrag challenges many of the key assumptions about the 'grammar' and formal characteristics of comics and offers a more nuanced theoretical framework that she argues will better communicate. Through engaging close readings and accessible use of theory, this book exposes the problems in previous critical takes. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 31/05/13
By Gabilliet; Beaty; Nguyen. Artist Na. Cover by Na.

Prezzo di copertina: USD 55,00
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UNIVERSITY PRESS OF MISSISSIPP

For the first time in English, an essential history of the narrative art form's global rise. A noted comics artist himself, Santiago García follows the history of the graphic novel from early nineteenth-century European sequential art, through the development of newspaper strips in the United States, to the development of the twentieth-century comic book and its subsequent crisis. With such examples from around the world as Spain, France, Germany, and Japan, García illustrates how the graphic novel represents a new model for graphic narrative production that empowers authors and challenges longstanding social prejudices against comics. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 05/06/15
By García, Santiago.

Prezzo di copertina: USD 60,00
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UNIVERSITY PRESS OF MISSISSIPP

Both comics studies and adaptation studies have grown separately over the past twenty years. Yet there are few in-depth studies of comic books and adaptations together. Available for the first time in English, this collection pores over the phenomenon of comic books and adaptation, sifting through comics as both sources and results of adaptation. Essays shed light on the many ways adaptation studies inform research on comic books and content adapted from them. Contributors concentrate on fidelity to the source materials, comparative analysis, forms of media, adaptation and myth, adaptation and intertextuality, as well as adaptation and ideology. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 01/06/18
By Roche, David.

Prezzo di copertina: USD 70,00
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UNIVERSITY PRESS OF MISSISSIPP

Kerry D. Soper reminds us of The Far Side's groundbreaking qualities and cultural significance in Gary Larson and The Far Side. In the 1980s, Gary Larson (b. 1950) shook up a staid comics page by introducing a set of aesthetic devices, comedic tones, and philosophical frames that challenged and delighted many readers, even while upsetting and confusing others. His irreverent, single panels served as an alternative reality to the tame comedy of the family-friendly newspaper comics page, as well as the pervasive, button-down consumerism and conformity of the Reagan era. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 01/06/18
By Soper, Kerry D.. Artist Larson, Gary. Cover by N/A.

Prezzo di copertina: USD 25,00
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UNIVERSITY PRESS OF MISSISSIPP

As an American comic book writer, editor, and businessman, Jim Shooter (b. 1951) remains among the most important figures in the history of the medium. Starting in 1966 at the age of fourteen, Shooter, as the young protégé of verbally abusive DC editor Mort Weisinger, helped introduce themes and character development more commonly associated with DC competitor Marvel Comics. Shooter created several characters for the Legion of Super-Heroes, introduced Superman's villain the Parasite, and jointly devised the first race between the Flash and Superman. The collected interviews in this volume span the career of a writer, editor, and businessman who remains one of the most important figures in the history of the medium. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 01/06/18
By Sacks, Jason. Artist N/A. Cover by N/A.

Prezzo di copertina: USD 25,00
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UNIVERSITY PRESS OF MISSISSIPP

A thoroughly researched collection designed to engage with the social sciences in order to expand comics studies as a field Contributions by Bart Beaty, T. Keith Edmunds, Eike Exner, Christopher J. Galdieri, Ivan Lima Gomes, Charles Hatfield, Franny Howes, John A. Lent, Amy Louise Maynard, Shari Sabeti, Rob Salkowitz, Kalervo A. Sinervo, Jeremy Stoll, Valerie Wieskamp, Adriana Estrada Wilson, and Benjamin Woo The Comics World: Comic Books, Graphic Novels, and Their Publics is the first collection to explicitly examine the production, circulation, and reception of comics from a social-scientific point of view. Designed to promote interdisciplinary dialogue about theory and methods in comics studies, this volume draws on approaches from fields as diverse as sociology, political science, history, folklore, communication studies, and business, among others, to study the social life of comics and graphic novels. Taking the concept of a 'comics world'-that is, the collection of people, roles, and institutions that 'produce' comics as they are-as its organizing principle, the book asks readers to attend to the contexts that shape how comics move through societies and cultures. Each chapter explores a specific comics world or particular site where comics meet one of their publics, such as artists and creators; adaptors; critics and journalists; convention-goers; scanners; fans; and comics scholars themselves. Through their research, contributors demonstrate some of the ways that people participate in comics worlds and how the relationships created in these spaces can provide different perspectives on comics and comics studies. Moving beyond the page, The Comics World explores the complexity of the lived reality of the comics world: how comics and graphic novels matter to different people at different times, within a social space shared with others. (immagine) Categoria: Books: novel/sci fi/horror

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UNIVERSITY PRESS OF MISSISSIPP

Collected interviews with the comics fan-turned-creator best known for The Walking Dead and Invincible Robert Kirkman (b. 1978) is probably best known as the creator of The Walking Dead. The comic book and its television adaptation have reinvented the zombie horror story, transforming it from cult curiosity and parody to mainstream popularity and critical acclaim. In some ways, this would be enough to justify this career-spanning collection of interviews. Yet Kirkman represents much more than this single comic book title. Kirkman's story is a fanboy's dream that begins with him financing his irreverent, independent comic book Battle Pope with credit cards. After writing major titles with Marvel comics (Spider-Man, Captain America, and X-Men), Kirkman rejected companies like DC and Marvel and publicly advocated for creator ownership as the future of the comics industry. As a partner at Image, Kirkman wrote not only The Walking Dead but also Invincible, a radical reinvention of the superhero genre. Robert Kirkman: Conversations gives insight to his journey and explores technique, creativity, collaboration, and the business of comics as a multimedia phenomenon. For instance, while continuing to write genre-based comics in titles like Outcast and Oblivion Song, Kirkman explains his writerly bias for complex characters over traditional plot development. As a fan-turned-creator, Kirkman reveals a creator's complex relationship with fans in a comic-con era that breaks down the consumer/producer dichotomy. And after rejecting company-ownership practices, Kirkman articulates a vision of the creator-ownership model and his goal of organic creativity at Skybound, his multimedia company. While Stan Lee was the most prominent comic book everyman of the previous era of comics production, Kirkman is the most prominent comic book everyman of this dynamic, evolving new era. (immagine) Categoria: Books: novel/sci fi/horror

By Wandtke, Terrence R..

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UNIVERSITY PRESS OF MISSISSIPP

Lynda Barry (b. 1956) is best known for her distinctive style and unique voice, first popularized in her underground weekly comic Ernie Pook's Comeek. Since then, she has published prolifically, including numerous comics, illustrated novels, and nonfiction books exploring the creative process. Barry's work is genre- and form-bending, often using collage to create what she calls 'word with drawing' vignettes. Her art, imaginative and self-reflective, allows her to discuss gender, race, relationships, memory, and her personal, everyday lived experience. The essays in Contagious Imagination study the pedagogy of Barry's work and its application academically and practically. (immagine) Categoria: Books: novel/sci fi/horror

By Gabilliet; Beaty; Nguyen. Artist Na. Cover by Na.

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UNIVERSITY PRESS OF MISSISSIPP

Jack Kent (1920-1985) had two distinct and successful careers: newspaper cartoonist and author of children's books. For each of these he drew upon different aspects of his personality and life experiences. From 1950 to 1965 he wrote and drew King Aroo, a nationally syndicated comic strip beloved by fans for its combination of absurdity, fantasy, wordplay, and wit. In 1968, he published his first children's book, Just Only John, and began a career in kids' books that would result in over sixty published works, among them such classics as The Fat Cat and There's No Such Thing as a Dragon. Jack Kent: The Wit, Whimsy, and Wisdom of a Comic Storyteller illuminates how Kent's life experiences informed his art and his storytelling in both King Aroo and his children's books. Paul V. Allen draws from archival research, brand-new interviews, and in-depth examinations of Kent's work. (immagine) Categoria: Books: novel/sci fi/horror

By Allen, Paul V. Artist Kent, Jack.

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UNIVERSITY PRESS OF MISSISSIPP

(W) Jos (immagine) Categoria: Books: novel/sci fi/horror

By Jos. Artist Various. Cover by Na.

Prezzo di copertina: USD 38,00
Prezzo HoVistoCose: EUR 36,10

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UNIVERSITY PRESS OF MISSISSIPP

A wide-ranging survey of how comics have portrayed Southern ways of life, these essays seek to discover what Captain America can reveal about Southern regionalism, and how slave narratives can help us reread Swamp Thing; others examine how creators such as Walt Kelly (Pogo), Howard Cruse (Stuck Rubber Baby), Kyle Baker (Nat Turner), and Josh Neufeld (A.D.: New Orleans After the Deluge) draw upon the unique formal properties of the comics to question and revise familiar narratives of race, class, and sexuality. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 02/12/11
By Brannon Costello (Ed.). Artist N/A. Cover by N/A.

Prezzo di copertina: USD 55,00
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UNIVERSITY PRESS OF MISSISSIPP

In The Origins of Comics: From William Hogarth to Winsor McCay, Thierry Smolderen presents a cultural landscape whose narrative differs in many ways from those presented by other historians of the comic strip. Rather than beginning his inquiry with the popularly accepted 'sequential art' definition of the comic strip, Smolderen instead engages with the historical dimensions that inform that definition. His goal is to understand the processes that led to the 20th-century comic strip, the highly recognizable species of picture stories that crystallized around 1900 in the United States. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/12/13
By Smolderen, Thierry. Artist Dirks, Rudolph. Cover by Na.

Prezzo di copertina: USD 50,00
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UNIVERSITY PRESS OF MISSISSIPP

Displaying both Ware's erudition and his quirky self-deprecation, these collected interviews span his career from 1993 to 2015, creating a time-lapse portrait of the artist as he matures. Brand-new interviews with both Chris and Marnie Ware conclude the volume. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 02/12/16
By Ware, Chris. Artist Ware, Chris. Cover by Ware, Chris.

Prezzo di copertina: USD 40,00
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UNIVERSITY PRESS OF MISSISSIPP

Chris Murray reveals the largely unknown and rather surprising history of the British superhero. It is often thought that Britain did not have its own superheroes, yet Murray demonstrates that there were a great many in Britain and that they were often used as a way to comment on the relationship between Britain and America. Sometimes they emulated the style of American comics, but they also frequently became sites of resistance to perceived American political and cultural hegemony, drawing upon satire and parody as a means of critique. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 30/11/18
By Murray, Chris. Artist N/A. Cover by N/A.

Prezzo di copertina: USD 30,00
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UNIVERSITY PRESS OF MISSISSIPP

In a self-reflexive way, Julie Doucet's and Gabrielle Bell's comics defy easy categorization. In this volume, editors Tahneer Oksman and Seamus O'Malley regard Doucet's and Bell's art as actively feminist, not only because they offer women's perspectives, but because they do so by provocatively bringing up the complicated, multivalent frameworks of such engagements. While each artist has a unique perspective, style, and worldview, the essays in this book investigate their shared investments in formal innovation and experimentation, and in playing with questions of the autobiographical, the fantastic, and the spaces in between. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 30/11/18
By Brannon Costello (Ed.). Artist Doucet, Julie. Cover by N/A.

Prezzo di copertina: USD 30,00
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UNIVERSITY PRESS OF MISSISSIPP

Throughout the first half of the twentieth century, the medium was enjoyed equally by both sexes, and girls were the protagonists of some of the earliest, most successful, and most influential comics. In Funny Girls: Guffaws, Guts, and Gender in Classic American Comics, Michelle Ann Abate examines the important but long-overlooked cadre of young female protagonists in US comics during the first half of the twentieth century. She treats characters ranging from Little Orphan Annie and Nancy to Little Lulu, Little Audrey of the Harvey Girls, and Li'l Tomboy, a group that collectively forms a tradition of funny girls in American comics. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 30/11/18
By Abate, Michelle Ann. Artist N/A. Cover by N/A.

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50

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