by (W) Chris Ware
Artist, writer and ink pundit F. C. Ware returns to the high-stakes, hard-hitting pageantry of the American comic bookThis new, unasked-for number of the late 20th century experiment The ACME Novelty Library continues its winning run as the time-tested vehicle for delivering sheer disappointment, disgorging wedges of several in progress stories possibly cogent in their completed forms but here rendered disorienting and dissatisfying as fragmentary, incoherent excerpts. Mirroring the disintegrating nation which coddled both the artist’s preadolescent delusions if not the very 20th century fashion for cartooning itself, the 21st volume of The ACME Novelty Library comes of age just in time to stress-test the 250th anniversary of America’s ongoing indulgence of humanity’s most venal appetites behind a threadbare scrim of lofty and perfidious constitutional ideals. A remedy for those weary of regular stage-four cultural botox injections and a last hurrah for sensitive bipeds who have fallen through the cracks of life and who would prefer to stay home with a booklet of cheerfully colored picture stories, it’s what all the kids are talking about.Three (3) securely bound and unaccountably legible 24-page saddle-stitched comic books accompany a large foldout comic strip newspaper section, the whole conveniently compacted into an attractively designed keepsake folio allowing for easy disposal and/or tindering in the event of sudden societal collapse. Alice White, The Last Saturday, and a cast of unnamed and almost completely unfamiliar protagonists are all here in little hand-drawn boxes to keep you company on that upcoming rainy afternoon when you watch your hopes, dreams and perhaps even your country go up in smoke.Onboarding everything Mr. Ware and his team of vendors and their internationally-recognized brand have honed for years to esthetic lethality, The ACME Novelty Library 21 is certain to be this season’s biggest hit, should the season last long enough.
Mature
Chris Ware is a writer and artist and has contributed graphic fiction and thirty-two covers to The New Yorker since 1999. He is the author of Jimmy Corrigan: The Smartest Kid on Earth, which won the Guardian First Book Award in 2001; Building Stories, which was chosen as a Top 10 fiction book by both the Times and Time in 2012; and Rusty Brown which was a finalist for the PEN/Jean Stein award and named among the New York Times’ top 100 Books of 2019.His work has been exhibited at the Hammer Museum, the Museum of Contemporary Art Chicago, and the Whitney Museum of American Art, as well as at the Adam Baumgold Gallery in New York and the Galerie Martel in Paris. In 2021, Ware received the Grand Prix de la Ville d’Angoulême and a solo retrospective of his work was presented at the Centre Pompidou in 2022, traveling on to venues in Switzerland, Italy, Holland, and Spain, before making its only US appearance in May 2026 at the Billy Ireland Library and Museum in Columbus, Ohio.
RESTRICTIONS: World except UK/Ireland (immagine)
Categoria: Books: graphic novels (in preordine)
Uscita: 03/11/26
Ordinabile fino al 05/10/26
By Chris Ware.
Prezzo di copertina: USD 35,00
Prezzo HoVistoCose: EUR 31,58
serie
Data di uscita: 03/11/26
Final Order Cutoff: 05/10/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Yamada Murasaki (CT) Ryan Holmberg
With those piercing eyes and flicks of the tail, house cats observe domesticity poetically, and with sass“Have you ever given birth before?â€â€œMe..? No, not yet.â€â€œWhen it happened to me for the first time, it wasn't just kittens that I birthed, but also me as a mother. So now, as I'm raising them, I am also raising myself as a mother… And it ain’t no joke! So, no! I don't really have the luxury to think about things like whether my children are 'cute’ or not.â€These are the simple musings of a house cat, sprawled on a veranda in the sun, while birds flit and flutter by, as she nurses her most recent litter and chats with a curious yearling. But these are also the musings of Yamada Murasaki.Sassy Cats was the pioneering manga artist’s bold return to comics after a yearslong hiatus, during which time she gave birth to two girls. Engaging sensitively and poetically with domesticity, motherhood, and gender relations, Sassy Cats is the work of a master cartoonist, evident in the silky lines of these felines and the textural play at work on the page.  Originally serialized in the legendary alternative magazine Garo between 1979 and 1980, Sassy Cats is translated by Ryan Holmberg and includes an essay by the cartoonist's daughter Yamada Yu about her mom, cats, and growing up with a cartoonist.
Mature
Yamada Murasaki (1948–2009) debuted as a cartoonist in 1969. Informed by her upbringing—she was raised mainly by her grandmother—and a background in design and poetry, Yamada’s early work was unique in form and content, offering realistic portraits of young women negotiating complicated family situations and the passage to adulthood. In the late ’70s, after having a family of her own, her work shifted to young mothers negotiating children, husbands, and the balance between social responsibilities as a housewife and self-respect as a woman. Yamada published manga in practically every issue of Garo from 1978 to 1986, and is considered the first cartoonist to use the artistic freedoms of alternative manga to explore motherhood and domesticity with an unromantic eye. She is the cartoonist of Talk to My Back and Second Hand Love.Â
RESTRICTIONS: World except UK/Ireland (immagine)
Categoria: Books: graphic novels (in preordine)
Uscita: 03/11/26
Ordinabile fino al 05/10/26
By Yamada Murasaki.
Prezzo di copertina: USD 22,00
Prezzo HoVistoCose: EUR 19,85
Data di uscita: 03/11/26
Final Order Cutoff: 05/10/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Yoshiharu Tsuge (CT) Ryan Holmberg; Mitsuhiro Asakawa
A revealing glimpse into the life and times of alt-manga’s most intriguing comics auteurTsuge Yoshiharu remains an elusive and highly influential character as he moves into the final phase of his career. A Nobody Artist features a number of loosely (and disputably) semiautobiographical vignettes often concerning a young cartoonist trying to make a go of it in the shifting manga market. True to form, Tsuge delivers much more than a straight accounting of a cartoonist’s life. Lust routinely distracts our young artists while older artists again and again provide a model for what not to do, or more likely, where a cartoonist’s life will lead you. Fleeting moments of domestic happiness are upset by bouts of self-doubt. As always, Tsuge’s art is succinct and glorious—a beautiful document of a changing Japan.This penultimate volume in Drawn and Quarterly’s complete collection of the manga-ka’s oeuvre collects richly-detailed and deeply human comics stories originally published between 1981 and 1985. Translated by prolific manga scholar and art historian Ryan Holmberg.
Mature
Yoshiharu Tsuge was born in Tokyo, Japan in 1937. Influenced by the realistic and gritty rental manga of Yoshihiro Tatsumi, he began making his own comics. He was also briefly recruited to assist Shigeru Mizuki during his explosion of popularity in the 60s. In 1968, working for Garo magazine, Tsuge published the ground-breaking story “Neji-shiki†(commonly called “Screw Style†for Western readers.) This story established Tsuge as not only an influential manga-ka but he also became a cultural touchstone in the changing Japanese art world. He is considered the originator and greatest practitioner of the “I-novel†method of comics-making. In 2005, Tsuge was nominated for the Best Album Award at Angouleme International and in 2017 he won the Japan Cartoonists Association Grand Award for Yume to tabi no sekai. Tsuge passed away in early 2026.
RESTRICTIONS: World except UK/Ireland (immagine)
Categoria: Books: graphic novels (in preordine)
Uscita: 10/11/26
Ordinabile fino al 12/10/26
By Yoshiharu Tsuge.
Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 27,07
serie
Data di uscita: 10/11/26
Final Order Cutoff: 12/10/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Hideshi Hino (CT) Zack Davisson
A pioneering voice in Horror manga’s best works come roaring off the page.Before there was Junji Ito there was Hideshi Hino. Hino Hideshi: A Lullaby From Hell is the first of two forthcoming collections by the master of classic Japanese horror. The atmosphere is relentlessly grim and the terror is ramped up on every page. Hino set a standard for pure grossness that still hasn’t been matched. His mixture of cute and terrifying remains a trademark of Japanese horror to this day. Characters with misshapen heads stare out at the reader with bugged-out and bloodshot eyes. Severed limbs abound and fluids spill across the pages. Hino’s mix of grimness and whimsy creates an unsettling oppressive atmosphere that has made his comics the most disgusting and most widely loved for decades. Each story in this collection unfolds like a fairy tale—a fairy tale soaked in pus and blood. Hino’s parade of malformed beasts, oozing corpses, and deviant killers is unmatched in Japanese horror.Translated by Zack Davisson
Mature
Hideshi Hino was born in Japanese-occupied China in 1946. His tumultuous, post-war childhood introduced him to devastated, apocalyptic Japan–a vision of horror that would inspire his life’s work. Hideshi began contributing to Tezuka Osamu’s COM in the late 60s, and GARO in the early 70s. Upon publishing his first standalone work in 1978, Hideshi’s popularity kicked off a total horror revival. A Lullaby from Hell is his first book with Drawn & Quarterly.
RESTRICTIONS: World except UK/Ireland (immagine)
Categoria: Books: graphic novels
Uscita: 27/10/26
Ordinabile fino al 28/09/26
By Hideshi Hino.
Prezzo di copertina: USD 25,00
Prezzo HoVistoCose: EUR 22,56
Data di uscita: 27/10/26
Final Order Cutoff: 28/09/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Edward Steed
A generational talent’s old cartooning soul returns for a second roundEdward Steed continues his winning streak as the most exciting cartoonist in The New Yorker’s pages in the 21st century. Hailed as the last great hope of the single panel gag strip, the sole saving grace of a print media taking its last dying breaths, Steed brings a deftly scrawled lacerating sense of humour that alludes to classic New Yorker cartoonists like Charles Addams, William Steig, and Sol Stenberg as well as modern cringe alt-comedy. With Happy Hour out hot on the heels of his best-selling and critically-lauded debut collection, Forces of Nature, Steed proves he’s no flash in the pan but an enduring comedic talent. Every page in this collection is a hilarious master class on how to tickle a funnybone.
Mature
Edward Steed has been contributing cartoons and covers to the New Yorker since 2013. He won a Grammy for Best Recording Package for his Father John Misty album cover. Steed is also the author of Forces of Nature.
RESTRICTIONS: World except UK/Ireland (immagine)
Categoria: Books: graphic novels
Uscita: 20/10/26
Ordinabile fino al 21/09/26
By Edward Steed.
Prezzo di copertina: USD 22,00
Prezzo HoVistoCose: EUR 19,85
Data di uscita: 20/10/26
Final Order Cutoff: 21/09/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Lisa Hanawalt
From the creative mind behind Bojack Horseman and Tuca & Bertie comes a fragmented memoir — poignant, punchy, and sometimes just plain gross! A deliciously candid and juicy exploration of platonic and romantic fixations, heartbreak, and the allure of horses.I Can't Stop Thinking About Horses and Sex marks the long-awaited return of Tuca & Bertie creator and BoJack Horseman producer/production designer Lisa Hanawalt to comics. This is the honest, silly, horny and vulnerable memoir of a horse girl, now in her forties and reflecting back on a lifetime of obsessions.Whether Hanawalt is confronting large life issues like whether or not to have kids, being an anxious lil freak, caring for a sick horse, revisiting childhood trauma, or dealing with a major breakup and the ensuing lustfulness—she delivers a reading experience that’s relatable, affirming, and almost always hilarious. In lush colors and kinetic lines, she charts the strange terrain of life, one bumpy, dusty horseback ride at a time.
Mature
Lisa Hanawalt is an artist and writer living in Los Angeles, CA. She is the creator of the animated series Tuca & Bertie and the production designer/producer on BoJack Horseman and Long Story Short. Lisa has published four books with Drawn & Quarterly: My Dirty Dumb Eyes, Hot Dog Taste Test, Coyote Doggirl, and I Want You. Her fifth book, I Can't Stop Thinking About Horses and Sex comes out later this fall.
RESTRICTIONS: World except UK/Ireland (immagine)
Categoria: Books: graphic novels
Uscita: 20/10/26
Ordinabile fino al 21/09/26
By Lisa Hanawalt.
Prezzo di copertina: USD 25,00
Prezzo HoVistoCose: EUR 22,56
Data di uscita: 20/10/26
Final Order Cutoff: 21/09/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Keum Suk Gendry-Kim (CT) Janet Hong
Award-winning cartoonist Keum Suk Gendry-Kim contemplates and explores the long shadow North Korea casts over Korean societyOn an island located an hour from Seoul, North Korea sits visible from cartoonist Keum Suk Gendry-Kim’s home and studio. The specter of the infamous dictatorship and nuclear power looms over daily life. Artillery fire, helicopters, and sirens from a nearby military base paint the acoustic landscape. In her award-winning books Grass and The Waiting, Gendry-Kim documents the pain and heartbreak of Korea’s history. In My Friend Kim Jong-Un, she looks to the present—to the man currently responsible for upholding the national divide created after World War Two. While the rest of the world partakes in the popularity of Korean culture, a certain unease and anxiety hangs in the air in South Korea as its people still grapple with the distrust and anger of one culture split into two distinct societies. Gendry-Kim explores the life of the supreme leader, searching for commonalities to make sense of the daily fear: from his birth to his international education, his hobbies, and his relationships. She weaves her personal accounts and includes interviews with former South Korean president Moon Jae-in, North Korean defectors, researchers, journalists, and even Kim’s former chef.Translated by the award-winning Janet Hong, My Friend… is a cautionary tale on what makes a dictator, at a time when these lessons are more relevant in the West than ever.
Mature
Keum Suk Gendry-Kim was born in Goheung in Jeolla Province. A prolific cartoonist, her books have been translated around the world, and her graphic novels Grass, The Waiting, The Naked Tree, Dog Days, and soon, My friend Kim Jong-Un have been translated to English. Grass appeared on Best of the Year lists from The New York Times and The Guardian, and received the Cartoonist Studio Prize for the Best Print Comic of the Year, the Big Other Book Award for Best Graphic Novel, the Harvey Award for Best International Book, and the Krause Essay Prize.
RESTRICTIONS: World except UK/Ireland (immagine)
Categoria: Books: graphic novels
Uscita: 27/10/26
Ordinabile fino al 28/09/26
By Keum Suk Gendry-Kim.
Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 27,07
Data di uscita: 27/10/26
Final Order Cutoff: 28/09/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Nathan Gelgud
Your favorite gang of militant movie lovers are back for an all-new season of hijinks and takeovers from their small town single screen cinema.The Reel Politik guerillas discuss how to be an effective revolutionary while fighting the all-consuming evils of corporate Hollywood. Meditate! Fight your inner urge to binge watch! Engage in a cinema fast to truly appreciate the oeuvre of an auteur! Realism is bourgeois!In an attempt to thwart a Hollywood studio from coopting the story of the Weather Underground, the gang then pursues its own cinematic celebration of their hero Bernardine Dohrn. “There are no good or bad movies, only correct or false ones.” Along the way the gang gets sidetracked to start the MLIB, the Marxist Leninist International Baseball league.With his trademark slapstick zingers, Gelgud lovingly skewers leftist radical politics while simultaneously illustrating how late stage capitalism has made ethical decision making fraught with compromise. At once a celebration of what makes Hollywood and independent local cinema great and a call to arms to protect it.
Mature
Nathan Gelgud has been a projectionist, a video store clerk, and a movie critic. In 2012, he came in second place for the AltWeekly Award in Arts Criticism. He pretty much quit film criticism right after that. He makes comics about the arts for the New York Times and Hyperallergic when they let him. He used to live in New York, now he lives in Los Angeles. He is also the author of Reel Politik.
RESTRICTIONS: World except UK/Ireland (immagine)
Categoria: Books: graphic novels
Uscita: 06/10/26
Ordinabile fino al 07/09/26
By Nathan Gelgud.
Prezzo di copertina: USD 20,00
Prezzo HoVistoCose: EUR 18,05
serie
Data di uscita: 06/10/26
Final Order Cutoff: 07/09/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Brecht Evens (CT) François Vigneault
The author of Panther and The City of Belgium returns with another unconventional coming of age story.A child is born and slowly opens his eyes to a cruel world. His mother is dead and his father has retreated into himself. Seeking the approval of his father, the child begins to draw: to create, to document what he sees. This awakens his father from his grief and he begins to educate his child in the ways of the world. Our hero is educated in the arts and sciences and survival skills and is taught to beware of the outside sinister forces at play behind everything. Every pattern is a code, every acquaintance a betrayer waiting to be exposed.Brecht Evens returns with a lucid detailed shining bildungsroman that looks deep into the heart of generational trauma, miseducation, and conspiracy-minded thinking. Page after page of complicated brilliant tableaus mixing symbols modern and ancient unfold revealing an ever complex and sinister world. Evens is a master at mixing humour and horror in what will surely be the year’s most gorgeous and transfixing graphic novel.Translated by François Vigneault and Brecht Evens
Mature
Brecht Evens is a Belgian cartoonist living in Paris. The Wrong Place, his first graphic novel, was nominated for an Eisner Award for Best Painter. He has since received five more nominations. He has also won the Special Jury Prize in Angoulême for the original edition of his fourth graphic novel The City of Belgium. Evens is also the author of The Making Of and Panther.
RESTRICTIONS: World except UK/Ireland (immagine)
Categoria: Books: graphic novels
Uscita: 06/10/26
Ordinabile fino al 07/09/26
By Brecht Evens.
Prezzo di copertina: USD 35,00
Prezzo HoVistoCose: EUR 31,58
serie
Data di uscita: 06/10/26
Final Order Cutoff: 07/09/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
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