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UNIVERSITY PRESS OF MISSISSIPP

An unparalleled gathering of research devoted to one of the world's most influential comic strips, The Comics of Charles Schulz collects new essays on the work of the creator of the immensely popular Peanuts comic strip. Despite Schulz's celebrity, few scholarly books on his work and career have been published. This collection serves as a foundation for future study not only of Charles Schulz (1922-2000) but, more broadly, of the understudied medium of newspaper comics. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 02/02/18
By Gardner, Jared. Artist Schulz, Charles M.. Cover by Schulz, Charles M..

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UNIVERSITY PRESS OF MISSISSIPP

(W) Charles M. Schulz, (E) M. Thomas Inge While best known as the creator of Peanuts, Charles M. Schulz (1922-2000) was also a thoughtful and precise prose writer who knew how to explain his craft in clear and engaging ways. My Life with Charlie Brown brings together his major prose writings, many published here for the first time. Schulz's autobiographical articles, book introductions, magazine pieces, lectures, and commentary elucidate his life and his art, and clarify themes of modern life, philosophy, and religion that are interwoven into his beloved, groundbreaking comic strip. (immagine) Categoria: Books: novel/sci fi/horror

By Charles Schulz, M. Thomas Inge. Artist Charles Schulz. Cover by Charles Schulz.

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UNIVERSITY PRESS OF MISSISSIPP

A thoroughly researched collection designed to engage with the social sciences in order to expand comics studies as a field Contributions by Bart Beaty, T. Keith Edmunds, Eike Exner, Christopher J. Galdieri, Ivan Lima Gomes, Charles Hatfield, Franny Howes, John A. Lent, Amy Louise Maynard, Shari Sabeti, Rob Salkowitz, Kalervo A. Sinervo, Jeremy Stoll, Valerie Wieskamp, Adriana Estrada Wilson, and Benjamin Woo The Comics World: Comic Books, Graphic Novels, and Their Publics is the first collection to explicitly examine the production, circulation, and reception of comics from a social-scientific point of view. Designed to promote interdisciplinary dialogue about theory and methods in comics studies, this volume draws on approaches from fields as diverse as sociology, political science, history, folklore, communication studies, and business, among others, to study the social life of comics and graphic novels. Taking the concept of a 'comics world'-that is, the collection of people, roles, and institutions that 'produce' comics as they are-as its organizing principle, the book asks readers to attend to the contexts that shape how comics move through societies and cultures. Each chapter explores a specific comics world or particular site where comics meet one of their publics, such as artists and creators; adaptors; critics and journalists; convention-goers; scanners; fans; and comics scholars themselves. Through their research, contributors demonstrate some of the ways that people participate in comics worlds and how the relationships created in these spaces can provide different perspectives on comics and comics studies. Moving beyond the page, The Comics World explores the complexity of the lived reality of the comics world: how comics and graphic novels matter to different people at different times, within a social space shared with others. (immagine) Categoria: Books: novel/sci fi/horror

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UNIVERSITY PRESS OF MISSISSIPP

Collected interviews with the award-winning Canadian comic writer and artist whose credits include Marvel's Extraordinary X-Men and DC's Justice League Dark Many cartoonists deflect from questions about one's history with comics and the influences of other artists, while others indulge the interviewer briefly before attempting to steer the questions in another direction. But Jeff Lemire, creator of Essex County Trilogy, Sweet Tooth, The Nobody, and Trillium, seems to bask in these discussions. Before he was ever a comics professional, he was a fan. What can be traced in these interviews is the story of the movement from comics fan to comics professional. In the twenty-nine interviews collected in Jeff Lemire: Conversations, readers see Lemire come to understand the process of collaboration, the balancing act involved in working for different kinds of comics publishers like DC and Marvel, the responsibilities involved in representing characters outside his own culture, and the possibilities that exist in the comics medium. We see him embrace a variety of genres, using each of them to explore the issues and themes most important to him. And we see a cartoonist and writer growing in confidence, a working professional coming into his own. (immagine) Categoria: Books: novel/sci fi/horror

Artist Lemire, Jeff.

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UNIVERSITY PRESS OF MISSISSIPP

It has become an axiom in comic studies that 'comics is a language, not a genre.' But what exactly does that mean, and how is discourse on the form both aided and hindered by thinking of it in linguistic terms? In Comics and Language, Hannah Miodrag challenges many of the key assumptions about the 'grammar' and formal characteristics of comics and offers a more nuanced, theoretical framework that she argues will better serve the field by providing a consistent means for communicating critical theory in the scholarship. She exposes the problems embedded in the ways critics have used ideas of language, literature, structuralism, and semiotics, and sets out a new and more theoretically sound way of understanding how comics communicate. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/02/15
By Miodrag, Hannah. Artist Na. Cover by Na.

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UNIVERSITY PRESS OF MISSISSIPP

by Kerry D. Soper Since 1968, Garry Trudeau (b. 1948) has brought his brand of political satire to bear on public figures, movie stars, heads of state, and even on himself. In Garry Trudeau: Doonesbury and the Aesthetics of Satire, Kerry D. Soper traces the contribution of this groundbreaking artist. (immagine) Categoria: Books: graphic novels

By KERRY D SOPER. Artist NA. Cover by NA.

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UNIVERSITY PRESS OF MISSISSIPP

(E) Ken Parille, Isaac Cates Daniel Clowes emerged from the 'alternative comics' boom of the 1980s as one of the most significant cartoonists and most distinctive voices in the development of the graphic novel. In this collection of interviews spanning two decades, the cartoonist discusses his earliest experiences reading superhero comics, his time at the Pratt Institute, his groundbreaking comics career, and his screenplays for Ghost World and Art School Confidential. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 09/12/10
By Ed. Ken Parille, Isaac Cates. Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

In Autobiographical Comics: Life Writing in Pictures, Elisabeth El Refaie offers a long overdue assessment of the key conventions, formal properties, and narrative patterns of this fascinating genre. She discusses the techniques, achievements, and power of such famed comics artists as Lynda Barry, Chris Ware, and Art Spiegelman, Marjane Satrapi, Alison Bechdel, Craig Thompson, Chester Brown, and many more. The book considers eighty-five works of North American and European provenance, works that cover a broad range of subject matters and employ many different artistic styles. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 03/10/14
By El Refaie, Elisabeth. Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

What do the comic book figures Static, Hardware, and Icon all have in common? Black Superheroes, Milestone Comics, and Their Fans gives an answer that goes far beyond 'tights and capes.' Milestone was the brainchild of four young black creators who wanted to part from the mainstream and do their stories their own way. Milestone focused on the African American heroes in a town called Dakota. Milestone's creators aimed for exceptional stories that addressed racial issues without alienating readers. Tracing the company's history and discussing its creators, their works, and the fans, this book gauges Milestone alongside other black comic book publishers, mainstream publishers, and the history of costumed characters. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 08/03/19
By Brown, Jeffery A.

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UNIVERSITY PRESS OF MISSISSIPP

In The Origins of Comics: From William Hogarth to Winsor McCay, Thierry Smolderen presents a cultural landscape whose narrative differs in many ways from those presented by other historians of the comic strip. Rather than beginning his inquiry with the popularly accepted 'sequential art' definition of the comic strip, Smolderen instead engages with the historical dimensions that inform that definition. His goal is to understand the processes that led to the 20th-century comic strip, the highly recognizable species of picture stories that crystallized around 1900 in the United States. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/12/13
By Smolderen, Thierry. Artist Dirks, Rudolph. Cover by Na.

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UNIVERSITY PRESS OF MISSISSIPP

Many fans and insiders alike have never heard of Bill Hume, Bailin' Wire Bill, Abe Martin, AWOL Wally, the Texas History Movies, or the Weatherbird at the St. Louis Post-Dispatch. And many insiders do not know why we call comic books 'comics' even though lots of them are not at all funny. Robert C. Harvey, cartoonist and a veteran comics critic, author of several histories of comics and biographies of cartoonists, tells forgotten stories of a dozen now obscure but once famous cartoonists and their creations. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 03/10/14
By Harvey, R. C.. Artist N/A. Cover by Harvey, R. C..

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UNIVERSITY PRESS OF MISSISSIPP

Grand in its scope, Asian Comics dispels the myth that, outside of Japan, the continent is nearly devoid of comic strips and comic books. Relying on his fifty years of Asian mass communication and comic art research, John A. Lent shows that nearly every country had a golden age of cartooning and has experienced a recent rejuvenation of the art form. Lent covers the nations and regions of Bangladesh, Cambodia, China, Hong Kong, India, Indonesia, Korea, Malaysia, Myanmar, Nepal, the Philippines, Singapore, Sri Lanka, Taiwan, Thailand, and Vietnam. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 31/10/14
By Lent, John A. Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

Kerry D. Soper reminds us of The Far Side's groundbreaking qualities and cultural significance in Gary Larson and The Far Side. In the 1980s, Gary Larson (b. 1950) shook up a staid comics page by introducing a set of aesthetic devices, comedic tones, and philosophical frames that challenged and delighted many readers, even while upsetting and confusing others. His irreverent, single panels served as an alternative reality to the tame comedy of the family-friendly newspaper comics page, as well as the pervasive, button-down consumerism and conformity of the Reagan era. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 01/06/18
By Soper, Kerry D.. Artist Larson, Gary. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

Rebirth of the English Comic Strip: A Kaleidoscope, 1847-1870 enters deep into an era of comic history that has been entirely neglected. This buried cache of mid-Victorian graphic humor is marvelously rich in pictorial narratives of all kinds. Author David Kunzle calls this period a 'rebirth' because of the preceding long hiatus in use of the new genre, since the Great Age of Caricature (c. 1780-c. 1820) when the comic strip was practiced as a sideline. Suddenly in 1847, a new, post-Töpffer comic strip sparks to life in Britain,, mostly in periodicals, and especially in Punch, where all the best artists of the period participated, if only sporadically: Richard Doyle, John Tenniel, John Leech, Charles Keene, and George Du Maurier. Until now, this aspect of the extensive oeuvre of the well-known masters of the new journal cartoon in Punch has been almost completely ignored. Exceptionally, George Cruikshank revived just once, in The Bottle, independently, the whole serious, contrasting Hogarthian picture story. Numerous comic strips and picture stories appeared in periodicals other than Punch by artists who were likewise largely ignored. Like the Punch luminaries, they adopt in semirealistic style sociopolitical subject matter easily accessible to their (lower-)middle-class readership. The topics covered in and out of Punch by these strips and graphic novels range from French enemies King Louis-Philippe and Emperor Napoleon III to farcical treatment of major historical events: the Bayeux tapestry (1848), the Great Exhibition of 1851, and the Franco-Prussian War 1870. Artists explore a great variety of social types, occupations, and situations such as the emigrant, the tourist, fox hunting and Indian big game hunting, dueling, the forlorn lover, the student, the artist, the toothache, the burglar, the paramilitary volunteer, Darwinian animal metamorphoses, and even nightmares. In Rebirth of the English Comic Strip, Kunzle analyzes these much neglected works down to the precocious modernist and absurdist scribbles of Marie Duval, Europe's first female professional cartoonist. (immagine) Categoria: Books: novel/sci fi/horror

By Kunzle, David.

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UNIVERSITY PRESS OF MISSISSIPP

Besides Walt Disney, no one seemed more key to the development of animation at the Disney Studios than Ward Kimball (1914-2002), Kimball was Disney's friend and confidant. In this engaging, cradle-to-grave biography, award-winning author Todd James Pierce explores the life of Ward Kimball, a lead Disney animator who worked on characters such as Mickey Mouse, Donald Duck, Jiminy Cricket, the Cheshire Cat, and the Mad Hatter. Through unpublished excerpts from Kimball's personal writing, material from unpublished interviews, and new information based on interviews conducted by the author, Pierce defines the life of perhaps the most influential animator of the twentieth century. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 30/11/18
By Pierce, Todd James. Artist Kimball, Ward. Cover by N/A.

Prezzo di copertina: USD 30,00
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UNIVERSITY PRESS OF MISSISSIPP

Best known for his alternative comics, Chester Brown (b. 1960) is one of the most acclaimed and influential cartoonists of the last half century. Characterized by often minimalist art and unconventional themes, comics such as Yummy Fur, Ed the Happy Clown, I Never Liked You, Louis Riel, and Paying for It have consistently pushed boundaries and confronted taboos. This first biography provides a critical account of Brown's life and career, highlighting his role in the evolving comics landscape and tracing his journey from self-publishing minicomics on the streets of Toronto to creating award-winning graphic novels. (immagine) Categoria: Books: novel/sci fi/horror

By Hamilton, Patrick L. Artist Brown, Chester.

Prezzo di copertina: USD 20,00
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