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UNIVERSITY PRESS OF MISSISSIPP

How Indigenous creators impact the landscape of superhero, science fiction, historical, and experimental comics: In recent years, studios like Marvel and DC have seen enormous success transforming comics into major motion pictures. At the same time, bookstores such as Barnes & Noble in the US and Indigo in Canada have made more room for comic books and graphic novels on their shelves. Yet despite the sustained popular appeal and the heightened availability of these media, Indigenous artists continue to find their work given little attention by mainstream publishers, booksellers, production houses, and academics. Nevertheless, Indigenous artists are increasingly turning to graphic narratives, with publishers like Native Realities LLC and Highwater Press carving out ever more space for Indigenous creators. In Indigenous Comics and Graphic Novels: Studies in Genre, James J. Donahue aims to interrogate and unravel the disparities of representation in the fields of comics studies and comics publishing. (immagine) Categoria: Books: novel/sci fi/horror

By Donahue, James J. Artist VARIOUS,.

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UNIVERSITY PRESS OF MISSISSIPP

A beautifully illustrated study of the crucial role movie posters play in shaping the trajectory of films Contributions by Vlad Dima, Laura Hatry, Alicia Kozma, Lynette Kuliyeva, Madhuja Mukherjee, Frank Percaccio, Gary D. Rhodes, Courtney Ruffner Grieneisen, Marlisa Santos, Michael L. Shuman, and Robert Singer Movie posters, regardless of their country of origin, have become indelibly linked with the films they represent, often assuming a status as visual encapsulations of films within collective memory. Long after their initial role in promotion is complete, these posters endure as iconic images, etched into film history and cultural consciousness. One can hardly hear mention of Steven Spielberg's landmark production Jaws, for example, without immediately picturing the evocative poster art of Roger Kastel. Film by Design: The Art of the Movie Poster is a groundbreaking and comprehensive exploration of the international and Hollywood movie poster as a dynamic artistic and cultural formation. Drawing inspiration from such prominent genres as horror, science fiction, and noir, the twelve essays in this collection provide insightful analyses of the movie poster as a vital component of the cinematic landscape from the silent era to the contemporary period. Crucially, this anthology rejects the notion of movie posters as mere historical artifacts or advertising tools and instead examines them as integral parts of a broader aesthetic framework interwoven into their respective film narratives. Each chapter, whether focusing on controversies, Cubism, or Cuba, is accessible to scholars, students, and fans alike. Through its intervention in film studies, Film by Design reveals the movie poster to be an ever-evolving medium, firmly grounded in both theory and practice, while serving as an essential and enduring element within the realm of film art. (immagine) Categoria: Books: novel/sci fi/horror

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UNIVERSITY PRESS OF MISSISSIPP

Fans still remember and love the British girls' comic Misty for its bold visuals and narrative complexities. Yet its unique history has drawn little critical attention. In the first book on this topic, Round closely analyzes Misty's content, including its creation and production, its cultural and historical context, key influences, and the comic itself. Largely based on Round's own archival research of this comic and richly illustrated with previously unpublished photos, scripts, and letters, this book uses Misty as a lens to explore the use of Gothic themes and symbols in girls' comics and other media. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/09/19
By Round, Julia. Artist Mills, Pat.

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UNIVERSITY PRESS OF MISSISSIPP

A noted comics artist himself, Santiago García follows the history of the graphic novel from early 19th-century European sequential art, through the development of newspaper strips in the United States, to the development of the twentieth-century comic book and its subsequent crisis. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 10/03/17
By García, Santiago.

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UNIVERSITY PRESS OF MISSISSIPP

Jack Kirby (1917-1994) is one of the most influential and popular artists in comics history. With Stan Lee, he created the Fantastic Four and defined the drawing and narrative style of Marvel Comics from the 1960s to the present day. Kirby is credited with creating or cocreating a number of Marvel's mainstay properties, among them the X-Men, the Hulk, Thor, and the Silver Surfer. His earlier work with Joe Simon led to the creation of Captain America, the popular kid gang and romance comic genres, and one of the most successful comics studios of the 1940s and 1950s. Kirby's distinctive narrative drawing, use of bold abstraction, and creation of angst-ridden and morally flawed heroes mark him as one of the most influential mainstream creators in comics. In this book, Charles Hatfield examines the artistic legacy of one of America's true comic book giants. He analyzes the development of Kirby's cartooning technique, his use of dynamic composition, the recurring themes and moral ambiguities in his work, his eventual split from Lee, and his later work as a solo artist. Against the backdrop of Kirby's earlier work in various genres, Hand of Fire examines the peak of Kirby's career, when he introduced a new sense of scope and sublimity to comic book fantasy. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/11/11
By Hatfield, C.. Artist Kirby, Jack. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

Despite Neil Gaiman's incredible contributions to comics, his work remains underrepresented in sustained fashion in comics studies. The thirteen essays and two interviews with Gaiman and his frequent collaborator, artist P. Craig Russell, examine the work of Gaiman and his many illustrators. The essays discuss Gaiman's oeuvre regarding the qualities that make his work unique in his eschewing of typical categories, his proclamations to 'make good art,' and his own constant efforts to do so however the genres and audiences may slip into one another. The Artistry of Neil Gaiman forms a complicated portrait of a man who has always seemed fully assembled virtually from the start of his career, but only came to feel comfortable in his own voice far later in life. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 01/02/19
By Sommers, Joseph Michael. Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

Cartoonist Winsor McCay (1869-1934) is rightfully celebrated for the skillful draftmanship and inventive design sense he displayed in the comic strips Little Nemo in Slumberland and Dreams of the Rarebit Fiend. McCay crafted narratives of anticipation, abundance, and unfulfilled longing. This book explores McCay's interest in dream imagery in relation to the larger preoccupation with fantasy that dominated the popular culture of early twentieth-century urban America. McCay's role as a pioneer of early comics has been documented; yet, no existing study approaches him and his work from an art historical perspective, giving close readings of individual artworks while situating his output within the larger visual culture and the rise of modernism. From circus posters and vaudeville skits to department store window displays and amusement park rides, McCay found fantastical inspiration in New York City's burgeoning entertainment and retail districts. Wide Awake in Slumberland connects McCay's work to relevant children's literature, advertising, architecture, and motion pictures in order to demonstrate the artist's sophisticated blending and remixing of multiple forms from mass culture. Studying this interconnection in McCay's work and, by extension, the work of other early twentieth-century cartoonists, Roeder traces the web of relationships connecting fantasy, leisure, and consumption. Readings of McCay's drawings and the eighty-one black and white and color illustrations reveal a man who was both a ready participant and an incisive critic of the rising culture of fantasy and consumerism. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 07/03/14
By Roeder, Katherine. Artist McCay, Winsor. Cover by McCay, Winsor.

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UNIVERSITY PRESS OF MISSISSIPP

(W) Natsu Onoda Power, (A) Osamu Tezuka God of Comics: Osamu Tezuka and the Creation of Post-World War II Manga is a critical biography and assessment of the Japanese innovator who made Manga mainstream with his character Astro Boy and his more than 150,000 pages of comics and animated films. This is the first critical examination of his entire body of work, ranking him as the single most important figure in Japanese post-World War II comics. (immagine) Categoria: Books: novel/sci fi/horror

By Natsu Onoda Power. Artist Osamu Tezuka. Cover by Osamu Tezuka.

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UNIVERSITY PRESS OF MISSISSIPP

In Thierry Groensteen's The System of Comics, the comics theorist set out to investigate how the medium functions, introducing the principle of iconic solidarity, and showing the systems that underlie the articulation between panels at three levels: page layout, linear sequence, and nonsequential links woven through the comic book as a whole. He now develops that analysis further, using examples from a very wide range of comics, including the work of American artists such as Chris Ware and Robert Crumb. He tests out his theoretical framework by bringing it up against cases that challenge it, such as abstract comics, digital comics, and shoujo manga. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/02/15
By Gronesteen, Thierry. Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

Originally published in France, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/01/13
By Beaty, Bart. Artist Na. Cover by Na.

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UNIVERSITY PRESS OF MISSISSIPP

More than just escapist entertainment, comics offer a popular yet complicated vision of the American political tableau. Politics in the Gutters considers the political myths, moments, and mimeses, in comic books-from nonfiction to science fiction, superhero to supernatural, serious to satirical, golden age to present day-to consider how they represent, re-present, underpin, and/or undermine ideas and ideals about American electoral politics. (immagine) Categoria: Books: novel/sci fi/horror

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UNIVERSITY PRESS OF MISSISSIPP

In the summer of 2000 X-Men surpassed all box office expectations and ushered in an era of unprecedented production of comic book film adaptations. This trend, now in its second decade, has blossomed into Hollywood's leading genre. From superheroes to Spartan warriors, The Comic Book Film Adaptation offers the first dedicated study to examine how comic books moved from the fringes of popular culture to the center of mainstream film production. It considers the cultural traumas, business demands, and digital possibilities that Hollywood faced at the dawn of the twenty-first century. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/11/16
By Burke, Liam. Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

Interviews with the creator behind Madman, Red Rocket 7, The G-Men from Hell, iZombie, The Atomics, and other inventive, evocative superhero lines that mingle postmodernism with nostalgia, and an art style eminiscent of the great 1960s superheroes. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 31/07/15
By Irving, Christopher. Artist Allred, Michael.

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UNIVERSITY PRESS OF MISSISSIPP

In Drawing the Past, Volume 2: Comics and the Historical Imagination in the World, contributors seek to examine the many ways in which history worldwide has been explored and (re)represented through comics and how history is a complex construction of imagination, reality, and manipulation. Through a close analysis of such works as V for Vendetta, Maus, and Persepolis, this volume contends that comics are a form of mediation between sources (both primary and secondary) and the reader. Historical comics are not drawn from memory but offer a nonliteral interpretation of an object (re)constructed in the creator's mind. Indeed, when it comes to history, stretching the limits of the imagination only serves to aid in our understanding of the past and, through that understanding, shape ourselves and our futures. This volume, the second in a two-volume series, is divided into three sections: History and Form, Historical Trauma, and Mythic Histories. The first section considers the relationship between history and the comic book form. The second section engages academic scholarship on comics that has recurring interest in the representation of war and trauma. The final section looks at mythic histories that consciously play with events that did not occur but nonetheless inflect our understanding of history. Contributors to the volume also explore questions of diversity and relationality, addressing differences between nations and the cultural, historical, and economic threads that bind them together, however loosely, and however much those bonds might chafe. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world. (immagine) Categoria: Books: novel/sci fi/horror

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UNIVERSITY PRESS OF MISSISSIPP

(E) David Lavery, Cynthia Burkhead Conversations and interviews with Joss Whedon, critically acclaimed creator of the television phenomena Buffy the Vampire Slayer, Angel, and more, comic book author, director, and screenwriter. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 01/04/11
By Ed. David Lavery, C. Burkhead. Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

In a follow-up to Comics as Philosophy, international contributors address two questions: Which philosophical insights, concepts, and tools can shed light on the graphic novel? And how can the graphic novel cast light on the concerns of philosophy? Each contributor ponders a well-known graphic novel to illuminate ways in which philosophy can untangle particular combinations of image and written word for deeper understanding. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/08/17
By McLaughlin, Jeff. Cover by Mack,David,.

Prezzo di copertina: USD 65,00
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