HoVistoCose
Acquista i tuoi fumetti
dalla tua Fumetteria online

UNIVERSITY PRESS OF MISSISSIPP

Jack Kent (1920-1985) had two distinct and successful careers: newspaper cartoonist and author of children's books. For each of these he drew upon different aspects of his personality and life experiences. From 1950 to 1965 he wrote and drew King Aroo, a nationally syndicated comic strip beloved by fans for its combination of absurdity, fantasy, wordplay, and wit. In 1968, he published his first children's book, Just Only John, and began a career in kids' books that would result in over sixty published works, among them such classics as The Fat Cat and There's No Such Thing as a Dragon. Jack Kent: The Wit, Whimsy, and Wisdom of a Comic Storyteller illuminates how Kent's life experiences informed his art and his storytelling in both King Aroo and his children's books. Paul V. Allen draws from archival research, brand-new interviews, and in-depth examinations of Kent's work. (immagine) Categoria: Books: novel/sci fi/horror

By Allen, Paul V. Artist Kent, Jack.

Prezzo di copertina: USD 25,00
Prezzo HoVistoCose: EUR 23,75

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

In a self-reflexive way, Julie Doucet's and Gabrielle Bell's comics defy easy categorization. In this volume, editors Tahneer Oksman and Seamus O'Malley regard Doucet's and Bell's art as actively feminist, not only because they offer women's perspectives, but because they do so by provocatively bringing up the complicated, multivalent frameworks of such engagements. While each artist has a unique perspective, style, and worldview, the essays in this book investigate their shared investments in formal innovation and experimentation, and in playing with questions of the autobiographical, the fantastic, and the spaces in between. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 30/11/18
By Brannon Costello (Ed.). Artist Doucet, Julie. Cover by N/A.

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

Never before have comics seemed so popular or diversified, proliferating across a broad spectrum of genres, experimenting with a variety of techniques, and gaining recognition as a legitimate, rich form of art. Maaheen Ahmed examines this trend by taking up philosopher Umberto Eco's notion of the open work of art, whereby the reader (or listener or viewer, as the case may be) is offered several possibilities of interpretation in a cohesive narrative and aesthetic structure. Ahmed delineates the visual, literary, and other medium-specific features used by comics to form open rather than closed works, methods by which comics generate or limit meaning as well as increase and structure the scope of reading into a work. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/01/19
By Ahmed, Maaheen.

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

Chris Murray reveals the largely unknown and rather surprising history of the British superhero. It is often thought that Britain did not have its own superheroes, yet Murray demonstrates that there were a great many in Britain and that they were often used as a way to comment on the relationship between Britain and America. Sometimes they emulated the style of American comics, but they also frequently became sites of resistance to perceived American political and cultural hegemony, drawing upon satire and parody as a means of critique. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 30/11/18
By Murray, Chris. Artist N/A. Cover by N/A.

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

It has become an axiom in comic studies that 'comics is a language, not a genre.' But what exactly does that mean, and how is discourse on the form both aided and hindered by thinking of it in linguistic terms? In Comics and Language, Hannah Miodrag challenges many of the key assumptions about the 'grammar' and formal characteristics of comics and offers a more nuanced, theoretical framework that she argues will better serve the field by providing a consistent means for communicating critical theory in the scholarship. She exposes the problems embedded in the ways critics have used ideas of language, literature, structuralism, and semiotics, and sets out a new and more theoretically sound way of understanding how comics communicate. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/02/15
By Miodrag, Hannah. Artist Na. Cover by Na.

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

Contributor of covers to Time, Newsweek, The New Yorker, Harper's, and Mother Jones, longtime contributor to Mad Magazine as the writer and artist of Spy vs. Spy, and co-creator of World War 3 Illustrated, Peter Kuper reveals his art and practice in ten interviews and a new, career-spanning conversation. This volume also includes 24 black and white illustrations by Kuper as well as a self-portrait cover by Kuper. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 05/08/16
By Brannon Costello (Ed.). Artist Kuper, Peter. Cover by Kuper, Peter.

Prezzo di copertina: USD 40,00
Prezzo HoVistoCose: EUR 38,00

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

(E) Paul Williams, James Lyons An exploration of an art form's transformation from adolescent charms to adult aesthetics, contributors to this book start in the 1980s when a talented set of comics creators changed the industry forever in America. These writers survey the production, distribution, and reception of American comics to the present. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 05/10/10
By Williams, Lyons (Ed.). Artist N/A. Cover by N/A.

Prezzo di copertina: USD 28,00
Prezzo HoVistoCose: EUR 26,60

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

(E) Eric L. Berlatsky Alan Moore: Conversations includes ten interviews with the legendary comics creator, beginning with Moore's first published conversation, conducted by V for Vendetta co-creator David Lloyd in 1981. The remainder cover nearly all of his major work, including Watchmen, Swamp Thing, Marvelman, From Hell, Lost Girls, and the unfinished Big Numbers. While Moore's personal life and fraught business relations are discussed occasionally, the interviews chosen are principally devoted to Moore's creative practices and techniques, along with his shifting social, political, and philosophical beliefs. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 09/09/11
By Brannon Costello (Ed.). Artist N/A. Cover by N/A.

Prezzo di copertina: USD 25,00
Prezzo HoVistoCose: EUR 23,75

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. In Comics, Trauma, and the New Art of War, Harriet E. H. Earle brings together two distinct areas of research-trauma studies and comics studies-to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in post-Vietnam War American comics, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 07/07/17
By Earle, Harriet E.H.. Artist Charles Schulz. Cover by Charles Schulz.

Prezzo di copertina: USD 65,00
Prezzo HoVistoCose: EUR 61,75

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

Comics and Catharsis: Exploring Graphic Narratives of Trauma and Healing explores the idea that trauma and healing hold an imbalance in many forms of literature-but especially in the world of comics. Whether it be war-based, national, physical, or sexual trauma, this volume looks at a wide variety of trauma and the psychological pain and devastation that arise during and-crucially for the question of trauma narratives-following the events as the psychological (and often physical) wounds are processed. Viewing trauma through the lens of comics such as Maus, Persepolis, and Fun Home, as well as works by comics writers who are little-known or unknown outside their communities, contributors analyze how trauma is used in artistic style, writing, and overall storytelling. (immagine) Categoria: Books: novel/sci fi/horror

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

Every living American adult likely prized one childhood toy that featured the happy image of an animated cartoon or comic strip character. Tim Hollis examines the entire story of character licensing and merchandising from a historical view. Toons in Toyland focuses mainly on the post-World War II years, circa 1946-1980. During those years, the mass merchandising of cartoon characters peaked. Chapters examine storybooks (such as Little Golden Books), comic books, records, board games, jigsaw puzzles, optical toys (including View-Master and Kenner's Give-a-Show Projector), and holiday paraphernalia. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/02/15
By Hollis, Tim. Artist N/A. Cover by N/A.

Prezzo di copertina: USD 40,00
Prezzo HoVistoCose: EUR 38,00

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

Shaolin Brew: Race, Comics, and the Evolution of the Superhero looks at how the comic book industry developed from a white perspective and how minority characters were and are viewed through a stereotypical white gaze. Further, the book explores how voices of color have launched a shift in the industry, taking nonwhite characters who were originally viewed through a white lens and situating them outside the framework of whiteness. The financial success of Blaxploitation and Kung Fu films in the early 1970s led to major comics publishers creating, for the first time, Black and Asian superhero characters who headlined their own comics. Author Troy D. Smith focuses on Asian, Black, and Latinx representation in the comic industry and how it has evolved over the years. (immagine) Categoria: Books: novel/sci fi/horror

By Smith, Troy D..

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

One of the most eclectic and distinctive writers currently working in comics, Grant Morrison (b. 1960) brings the auteurist sensibility of alternative comics and graphic novels to the popular genres-superhero, science fiction, and fantasy-that dominate the American and British comics industries. His comics range from bestsellers featuring the most universally recognized superhero franchises (All-Star Superman, New X-Men, Batman) to more independent, creator-owned work (The Invisibles, The Filth, We3) that defies any generic classification. In Grant Morrison: Combining the Worlds of Contemporary Comics, author Marc Singer examines how Morrison uses this fusion of styles to intervene in the major political, aesthetic, and intellectual challenges of our time. His comics blur the boundaries between fantasy and realism, mixing autobiographical representation and cultural critique with heroic adventure. They offer self-reflexive appraisals of their own genres while they experiment with the formal elements of comics. Perhaps most ambitiously, they challenge contemporary theories of language and meaning, seeking to develop new modes of expression grounded in comics' capacity for visual narrative and the fantasy genres' ability to make figurative meanings literal. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/11/11
By Singer, Marc. Artist N/A. Cover by N/A.

Prezzo di copertina: USD 65,00
Prezzo HoVistoCose: EUR 61,75

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

One of the most significant transformations in literature for children and young adults during the last twenty years has been the resurgence of comics. Educators and librarians extol the benefits of comics reading, and increasingly, children's and YA comics and comics hybrids have won major prizes, including the Printz Award and the National Book Award. Despite the popularity and influence of children's and YA graphic novels, the genre has not received adequate scholarly attention. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/04/18

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

A comprehensive history of how comics and comic art gained recognition as art Contributions by Kenneth Baker, Jaqueline Berndt, Albert Boime, John Carlin, Benoit Crucifix, David Deitcher, Michael Dooley, Damian Duffy, M. C. Gaines, Paul Gravett, Diana Green, Karen Green, Doug Harvey, Charles Hatfield, M. Thomas Inge, Leslie Jones, Denis Kitchen, Jonah Kinigstein, John A. Lent, Dwayne McDuffie, Andrei Molotiu, Alvaro de Moya, Kim A. Munson, Cullen Murphy, Gary Panter, Trina Robbins, Antoine Sausverd, Rob Salkowitz, Art Spiegelman, Scott Timberg, Carol Tyler, Brian Walker, Alexi Worth, Joe Wos, and Craig Yoe Through essays and interviews, Kim A. Munson's anthology tells the story of the over-thirty-year history of the artists, art critics, collectors, curators, journalists, and academics who championed the serious study of comics, the trends and controversies that produced institutional interest in comics, and the wax and wane and then return of comic art in museums. Audiences have enjoyed displays of comic art in museums as early as 1930. In the mid-1960s, after a period when most representational and commercial art was shunned, comic art began a gradual return to art museums as curators responded to the appropriation of comics characters and iconography by such famous pop artists as Andy Warhol and Roy Lichtenstein. From the first-known exhibit to show comics in art historical context in 1942 to the evolution of manga exhibitions in Japan, this volume regards exhibitions both in the United States and internationally. With over eighty images and thoughtful essays by Denis Kitchen, Brian Walker, Andrei Molotiu, Paul Gravett, Art Spiegelman, Trina Robbins, and Charles Hatfield, among others, this anthology shows how exhibitions expanded the public dialogue about comic art and our expectation of 'good art'-displaying how dedicated artists, collectors, fans, and curators advanced comics from a frequently censored low-art medium to a respected art form celebrated worldwide. (immagine) Categoria: Books: novel/sci fi/horror

By Brannon Costello (Ed.). Artist N/A. Cover by N/A.

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50

(torna su)

UNIVERSITY PRESS OF MISSISSIPP

A thoroughly researched collection designed to engage with the social sciences in order to expand comics studies as a field Contributions by Bart Beaty, T. Keith Edmunds, Eike Exner, Christopher J. Galdieri, Ivan Lima Gomes, Charles Hatfield, Franny Howes, John A. Lent, Amy Louise Maynard, Shari Sabeti, Rob Salkowitz, Kalervo A. Sinervo, Jeremy Stoll, Valerie Wieskamp, Adriana Estrada Wilson, and Benjamin Woo The Comics World: Comic Books, Graphic Novels, and Their Publics is the first collection to explicitly examine the production, circulation, and reception of comics from a social-scientific point of view. Designed to promote interdisciplinary dialogue about theory and methods in comics studies, this volume draws on approaches from fields as diverse as sociology, political science, history, folklore, communication studies, and business, among others, to study the social life of comics and graphic novels. Taking the concept of a 'comics world'-that is, the collection of people, roles, and institutions that 'produce' comics as they are-as its organizing principle, the book asks readers to attend to the contexts that shape how comics move through societies and cultures. Each chapter explores a specific comics world or particular site where comics meet one of their publics, such as artists and creators; adaptors; critics and journalists; convention-goers; scanners; fans; and comics scholars themselves. Through their research, contributors demonstrate some of the ways that people participate in comics worlds and how the relationships created in these spaces can provide different perspectives on comics and comics studies. Moving beyond the page, The Comics World explores the complexity of the lived reality of the comics world: how comics and graphic novels matter to different people at different times, within a social space shared with others. (immagine) Categoria: Books: novel/sci fi/horror

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50

(torna su)