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UNIVERSITY PRESS OF MISSISSIPP

The early 1980s saw a revolution in mainstream comics - in subject matter, artistic integrity, and creators' rights - as new methods of publishing and distribution broadened the possibilities. Among those artists utilizing these new methods, Chester Brown quickly developed a cult following due to the undeniable quality and originality of his Yummy Fur (1983-1994). Chester Brown: Conversations collects interviews covering all facets of the cartoonist's long career and includes several pieces from now-defunct periodicals and fanzines. (immagine) Categoria: Books: novel/sci fi/horror Annullato/esaurito

Ordinabile fino al 06/02/15
By Brannon Costello (Ed.). Artist Brown, Chester. Cover by Brown, Chester.

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UNIVERSITY PRESS OF MISSISSIPP

Copyright Vigilantes: Intellectual Property and the Hollywood Superhero, 1998-2018 explains superhero blockbusters as allegories of intellectual property relations. In movies based on characters owned by the comics duopoly of DC and Marvel, no narrative recurs more often than a villain's attempt to copy the superhero's unique powers. Since the 1930s, the dominant American comics publishers have treated the creations of artists and writers as work for hire, such that stories and characters become company property. Thus, publishers avoided sharing the profits both from magazine sales and from licensing characters into other media. For decades, creators have challenged this regime, demanding either shares of profits or outright ownership of their creations. Now that the duopoly rents, licenses, and adapts superheroes for increasingly expensive franchises, and for growing international audiences, any challenge to intellectual property relations threatens a production regime worth billions of dollars. Weaving together legal analysis, Marxist political economy, and close readings of movies, Copyright Vigilantes explains the preoccupations of Hollywood's leading genre. (immagine) Categoria: Books: novel/sci fi/horror

By Claverie, Ezra.

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UNIVERSITY PRESS OF MISSISSIPP

Along with Batman, Spider-Man, and Superman, the Joker stands out as one of the most recognizable comics characters in popular culture. This is the first academic work to provide a comprehensive study of this villain, illustrating why the Joker appears so relevant to audiences today. The Joker debuted in Batman #1 (1940) as the typical gangster, but the character evolved steadily into one of the most ominous in the history of sequential art. Scholars from a wide array of disciplines look at the Joker through the lens of feature films, video games, comics, politics, magic and mysticism, psychology, animation, television, performance studies, and philosophy. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/03/15

Prezzo di copertina: USD 60,00
Prezzo HoVistoCose: EUR 57,00

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UNIVERSITY PRESS OF MISSISSIPP

Hannah Miodrag challenges many of the key assumptions about the 'grammar' and formal characteristics of comics and offers a more nuanced theoretical framework that she argues will better communicate. Through engaging close readings and accessible use of theory, this book exposes the problems in previous critical takes. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 31/05/13
By Gabilliet; Beaty; Nguyen. Artist Na. Cover by Na.

Prezzo di copertina: USD 55,00
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UNIVERSITY PRESS OF MISSISSIPP

Born in the South Bronx to Puerto Rican parents, artist and writer George Pérez (1954-2022) cut his teeth in the 1970s as an artist at Marvel who worked on lesser titles like The Deadly Hands of Kung Fu and Creatures on the Loose, and then mainstays like Fantastic Four and The Avengers. In the 1980s, Pérez jumped ship to DC where he helped turn The New Teen Titans into a top-selling title and co-created Crisis on Infinite Earths, which marked the publisher's fiftieth anniversary and consolidated its sprawling universe. As writer and artist, Pérez relaunched DC's Wonder Woman, a run that later inspired much of the 2017 film. Though Pérez's style is highly recognizable, his contributions to comic art and history have not been fully acknowledged. In George Pérez, author Patrick L. Hamilton addresses this neglect, first, by discussing Pérez's artistic style within the context of Bronze Age superhero art, and second, by analyzing Pérez's work for its representations of race, disability, and gender. Though he struggled with deadlines and health issues in the 1990s, Pérez would reintroduce himself and his work to a new generation of comics fans with a return to Marvel's The Avengers, as well as attempts at various creator-owned comics, the last of these being Sirens from Boom! Studios in 2014. Throughout his career, Pérez established a dynamic and minutely detailed style of comic art that was both unique and influential. (immagine) Categoria: Books: novel/sci fi/horror

By Hamilton, Patrick L. Artist Perez, George.

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UNIVERSITY PRESS OF MISSISSIPP

In Autobiographical Comics: Life Writing in Pictures, Elisabeth El Refaie offers a long overdue assessment of the key conventions, formal properties, and narrative patterns of this fascinating genre. She discusses the techniques, achievements, and power of such famed comics artists as Lynda Barry, Chris Ware, and Art Spiegelman, Marjane Satrapi, Alison Bechdel, Craig Thompson, Chester Brown, and many more. The book considers eighty-five works of North American and European provenance, works that cover a broad range of subject matters and employ many different artistic styles. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 03/10/14
By El Refaie, Elisabeth. Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

Near the end of World War II and after, a small-town Nebraska youth, Jimmy Kugler, drew more than a hundred double-sided sheets of comic strip stories. Over half of these six-panel tales retold the Pacific War as fought by 'Frogs' and 'Toads,' humanoid creatures brutally committed to a kill-or-be-killed struggle. Michael Kugler reproduces the never-before-published comics of his father's adolescent imagination as a microhistory of American youth in that formative era. Also included in Into the Jungle! A Boy's Comic Strip History of World War II are the likely comic book models for these stories and inspiration from news coverage in newspapers, radio, movies, and newsreels. (immagine) Categoria: Books: novel/sci fi/horror

By Kugler, Jimmy.

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UNIVERSITY PRESS OF MISSISSIPP

(E) Eric L. Berlatsky Alan Moore: Conversations includes ten interviews with the legendary comics creator, beginning with Moore's first published conversation, conducted by V for Vendetta co-creator David Lloyd in 1981. The remainder cover nearly all of his major work, including Watchmen, Swamp Thing, Marvelman, From Hell, Lost Girls, and the unfinished Big Numbers. While Moore's personal life and fraught business relations are discussed occasionally, the interviews chosen are principally devoted to Moore's creative practices and techniques, along with his shifting social, political, and philosophical beliefs. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 09/09/11
By Brannon Costello (Ed.). Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

Canadian cartoonist Gregory Gallant, pen name Seth, emerged as a cartoonist in the fertile period of the 1980s, when the alternative comics market boomed. Though he was influenced by mainstream comics in his teen years and did his earliest comics work on Mister X, a mainstream-style melodrama, Seth remains one of the least mainstream-inflected figures of the alternative comics' movement. These interviews, including one career-spanning, definitive interview between the volume editors and the artist published here for the first time, delve into Seth's output from its earliest days to the present. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/03/16
By Brannon Costello (Ed.). Artist Seth,. Cover by Seth,.

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UNIVERSITY PRESS OF MISSISSIPP

Chris Murray reveals the largely unknown and rather surprising history of the British superhero. It is often thought that Britain did not have its own superheroes, yet Murray demonstrates that there were a great many in Britain and that they were often used as a way to comment on the relationship between Britain and America. Sometimes they emulated the style of American comics, but they also frequently became sites of resistance to perceived American political and cultural hegemony, drawing upon satire and parody as a means of critique. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 30/11/18
By Murray, Chris. Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

As an American comic book writer, editor, and businessman, Jim Shooter (b. 1952) remains among the most important figures in the history of the medium. Starting in 1966 at the age of fourteen, Shooter, as the young protégé of verbally abusive DC editor Mort Weisinger, helped introduce themes and character development more commonly associated with DC competitor Marvel Comics. Shooter created several characters for The Legion of Super-Heroes, introduced Superman's villain the Parasite, and jointly devised the first race between The Flash and Superman. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 07/07/17
By Sacks, Jason. Artist N/A. Cover by N/A.

Prezzo di copertina: USD 40,00
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UNIVERSITY PRESS OF MISSISSIPP

Throughout the first half of the twentieth century, the medium was enjoyed equally by both sexes, and girls were the protagonists of some of the earliest, most successful, and most influential comics. In Funny Girls: Guffaws, Guts, and Gender in Classic American Comics, Michelle Ann Abate examines the important but long-overlooked cadre of young female protagonists in US comics during the first half of the twentieth century. She treats characters ranging from Little Orphan Annie and Nancy to Little Lulu, Little Audrey of the Harvey Girls, and Li'l Tomboy, a group that collectively forms a tradition of funny girls in American comics. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 30/11/18
By Abate, Michelle Ann. Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

Jack Kirby is one of the most influential and popular artists in comics history. With Stan Lee, he created the Fantastic Four and defined the drawing and narrative style of Marvel Comics from the 1960s to the present day. Kirby's distinctive narrative drawing, use of bold abstraction, and creation of angst-ridden and morally flawed heroes mark him as one of the most influential mainstream creators in comics. Charles Hatfield analyzes the development of Kirby's cartooning technique, his use of dynamic composition, the recurring themes and moral ambiguities in his work, his eventual split from Lee, and his later work as a solo artist. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/11/11
By Hatfield, C.. Artist Kirby, Jack. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

A thoroughly researched collection designed to engage with the social sciences in order to expand comics studies as a field Contributions by Bart Beaty, T. Keith Edmunds, Eike Exner, Christopher J. Galdieri, Ivan Lima Gomes, Charles Hatfield, Franny Howes, John A. Lent, Amy Louise Maynard, Shari Sabeti, Rob Salkowitz, Kalervo A. Sinervo, Jeremy Stoll, Valerie Wieskamp, Adriana Estrada Wilson, and Benjamin Woo The Comics World: Comic Books, Graphic Novels, and Their Publics is the first collection to explicitly examine the production, circulation, and reception of comics from a social-scientific point of view. Designed to promote interdisciplinary dialogue about theory and methods in comics studies, this volume draws on approaches from fields as diverse as sociology, political science, history, folklore, communication studies, and business, among others, to study the social life of comics and graphic novels. Taking the concept of a 'comics world'-that is, the collection of people, roles, and institutions that 'produce' comics as they are-as its organizing principle, the book asks readers to attend to the contexts that shape how comics move through societies and cultures. Each chapter explores a specific comics world or particular site where comics meet one of their publics, such as artists and creators; adaptors; critics and journalists; convention-goers; scanners; fans; and comics scholars themselves. Through their research, contributors demonstrate some of the ways that people participate in comics worlds and how the relationships created in these spaces can provide different perspectives on comics and comics studies. Moving beyond the page, The Comics World explores the complexity of the lived reality of the comics world: how comics and graphic novels matter to different people at different times, within a social space shared with others. (immagine) Categoria: Books: novel/sci fi/horror

Prezzo di copertina: USD 30,00
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UNIVERSITY PRESS OF MISSISSIPP

Crockett Johnson and Ruth Krauss were a husband-and-wife team that created such popular children's books as The Carrot Seed and How to Make an Earthquake. Separately, Johnson created the enduring children's classic Harold and the Purple Crayon and the groundbreaking comic strip Barnaby. This critical biography examines their lives and careers, including their separate achievements when not collaborating. Philip Nel draws a compelling portrait of a couple whose output encompassed children's literature, comics, graphic design, and the fine arts. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 03/08/12
By Nel, Philip. Artist Johnson, Crockett. Cover by Ware, Chris.

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UNIVERSITY PRESS OF MISSISSIPP

Between the 1930s and the invention of the internet, American comics reached readers in a few distinct physical forms: the familiar monthly stapled pamphlet, the newspaper comics section, bubblegum wrappers, and bound books. From Gum Wrappers to Richie Rich: The Materiality of Cheap Comics places the history of four representative comics-Watchmen, Uncle Scrooge, Richie Rich, and Fleer Funnies featuring Pud-in the larger contexts of book history, children's culture, and consumerism to understand the roles that comics have played as very specific kinds of books. Examining the bibliographical histories of each title, Barnholden demonstrates how the materiality of consumer culture suggests meanings to comics texts beyond the narratives. (immagine) Categoria: Books: graphic novels

By Barnholden, Neale.

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 27,07

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