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UNIVERSITY PRESS OF MISSISSIPP

As the creator of Tintin, Hergé (1907-1983) remains one of the most important and influential figures in the history of comics. When Hergé, born Georges Prosper Remi in Belgium, emerged from the controversy surrounding his actions after World War II, his most famous work leapt to international fame and set the standard for European comics. While his style popularized what became known as the 'clear line' in cartooning, this edited volume shows how his life and art turned out much more complicated than his method. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 02/02/18
By Geoffrey Hayes. Artist Herge,. Cover by Herge,.

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UNIVERSITY PRESS OF MISSISSIPP

In Thierry Groensteen's The System of Comics, the comics theorist set out to investigate how the medium functions, introducing the principle of iconic solidarity, and showing the systems that underlie the articulation between panels at three levels: page layout, linear sequence, and nonsequential links woven through the comic book as a whole. He now develops that analysis further, using examples from a very wide range of comics, including the work of American artists such as Chris Ware and Robert Crumb. He tests out his theoretical framework by bringing it up against cases that challenge it, such as abstract comics, digital comics, and shoujo manga. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/02/15
By Gronesteen, Thierry. Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

Crockett Johnson and Ruth Krauss were a husband-and-wife team that created such popular children's books as The Carrot Seed and How to Make an Earthquake. Separately, Johnson created the enduring children's classic Harold and the Purple Crayon and the groundbreaking comic strip Barnaby. This critical biography examines their lives and careers, including their separate achievements when not collaborating. Philip Nel draws a compelling portrait of a couple whose output encompassed children's literature, comics, graphic design, and the fine arts. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 03/08/12
By Nel, Philip. Artist Johnson, Crockett. Cover by Ware, Chris.

Prezzo di copertina: USD 40,00
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UNIVERSITY PRESS OF MISSISSIPP

Grand in its scope, Asian Comics dispels the myth that, outside of Japan, the continent is nearly devoid of comic strips and comic books. Relying on his fifty years of Asian mass communication and comic art research, John A. Lent shows that nearly every country had a golden age of cartooning and has experienced a recent rejuvenation of the art form. Lent covers the nations and regions of Bangladesh, Cambodia, China, Hong Kong, India, Indonesia, Korea, Malaysia, Myanmar, Nepal, the Philippines, Singapore, Sri Lanka, Taiwan, Thailand, and Vietnam. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 31/10/14
By Lent, John A. Artist N/A. Cover by N/A.

Prezzo di copertina: USD 60,00
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UNIVERSITY PRESS OF MISSISSIPP

In the most comprehensive and authoritative source on this subject, Comics Art in China covers almost all comics art forms in mainland China, providing the history from the 19th-century to the present as well as perspectives on both the industry and the art form. Winner of the International Convention of Asia Scholars 2019 Book Prize - Best Art Publication. (immagine) Categoria: Books: novel/sci fi/horror

By Lent, John A. Artist Charles Schulz. Cover by Charles Schulz.

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UNIVERSITY PRESS OF MISSISSIPP

Howard Cruse tells the life story of one of the most important figures in LGBTQ+ comics. A preacher's kid from Alabama who became 'the godfather of queer comics,' Cruse (1944-2019) was a groundbreaking underground cartoonist, a wicked satirist, an LGBTQ+ activist, and a mentor to a vast network of queer comics artists. His comic strip Wendel, published in The Advocate throughout the 1980s, is considered a revolutionary moment in the development of LGBTQ+ comics, as is his inaugurating the editorship of Gay Comix with Kitchen Sink Press in 1979, which furthered the careers of important artists like Jennifer Camper and Alison Bechdel. Cruse's graphic novel Stuck Rubber Baby, published in 1995, fictionalizes his own coming out in the context of the civil rights movement in 1960s Birmingham and was a significant forerunner to contemporary graphic novels and memoirs. (immagine) Categoria: Books: novel/sci fi/horror

By Utell, Janine. Artist Cruse, Howard.

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UNIVERSITY PRESS OF MISSISSIPP

After Midnight: 'Watchmen' after 'Watchmen' looks specifically at the three adaptations of Moore's and Gibbons's Watchmen-Zack Snyder's Watchmen film (2009), Geoff Johns's comic book sequel Doomsday Clock (2017), and Damon Lindelof's Watchmen series on HBO (2019). The anthology considers how the sequels, especially the limited series, have prompted a reevaluation of the original text and successfully harnessed the politics of the contemporary moment into a potent relevancy. The first part considers the various texts through conceptions of adaptation, remediation, and transmedia storytelling. Part two considers the HBO series through its thematic focus on the relationship between American history and African American trauma. Finally, the book considers the themes of nostalgia and trauma, both firmly rooted in the original Moore and Gibbons series, and how the sequel texts reflect and refract upon those often-intertwined phenomena. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 02/09/22

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UNIVERSITY PRESS OF MISSISSIPP

Originally published in France, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/01/13
By Beaty, Bart. Artist Na. Cover by Na.

Prezzo di copertina: USD 35,00
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UNIVERSITY PRESS OF MISSISSIPP

Interviews with Dave Sim, the creator of Cerebus, one of the earliest and most important independent comics. Many of these interviews have been out of print for years, and include career-spanning exploration of Sim's work. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 01/02/13
By Sim, Dave. Artist Sim, Dave. Cover by Sim, Dave. (NOTE: Early solicitation , on sale april 2013.)

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UNIVERSITY PRESS OF MISSISSIPP

Displaying both Ware's erudition and his quirky self-deprecation, these collected interviews span his career from 1993 to 2015, creating a time-lapse portrait of the artist as he matures. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/08/17
By Ware, Chris. Artist Ware, Chris. Cover by Ware, Chris.

Prezzo di copertina: USD 25,00
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UNIVERSITY PRESS OF MISSISSIPP

Chris Murray reveals the largely unknown and rather surprising history of the British superhero. It is often thought that Britain did not have its own superheroes, yet Murray demonstrates that there were a great many in Britain and that they were often used as a way to comment on the relationship between Britain and America. Sometimes they emulated the style of American comics, but they also frequently became sites of resistance to perceived American political and cultural hegemony, drawing upon satire and parody as a means of critique. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 30/11/18
By Murray, Chris. Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

Copyright Vigilantes: Intellectual Property and the Hollywood Superhero, 1998-2018 explains superhero blockbusters as allegories of intellectual property relations. In movies based on characters owned by the comics duopoly of DC and Marvel, no narrative recurs more often than a villain's attempt to copy the superhero's unique powers. Since the 1930s, the dominant American comics publishers have treated the creations of artists and writers as work for hire, such that stories and characters become company property. Thus, publishers avoided sharing the profits both from magazine sales and from licensing characters into other media. For decades, creators have challenged this regime, demanding either shares of profits or outright ownership of their creations. Now that the duopoly rents, licenses, and adapts superheroes for increasingly expensive franchises, and for growing international audiences, any challenge to intellectual property relations threatens a production regime worth billions of dollars. Weaving together legal analysis, Marxist political economy, and close readings of movies, Copyright Vigilantes explains the preoccupations of Hollywood's leading genre. (immagine) Categoria: Books: novel/sci fi/horror

By Claverie, Ezra.

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UNIVERSITY PRESS OF MISSISSIPP

he first collection to engage with the fascinating overlap between comics and modernism. Since the early 1990s, cartoonist Art Spiegelman has made the case that comics are the natural inheritor of the aesthetic tradition associated with the modernist movement of the early twentieth century. In recent years, scholars have begun to place greater import on the shared historical circumstances of early comics and literary and artistic modernism. Comics and Modernism: History, Form, and Culture is an interdisciplinary consideration of myriad social, cultural, and aesthetic connections. Filling a gap in current scholarship, an impressively diverse group of scholars approaches the topic from a variety of disciplinary backgrounds and methodologies. Drawing on work in literary studies, art history, film studies, philosophy, and material culture studies, contributors attend to the dynamic relationship between avant-garde art, literature, and comics. Essays by both established and emerging voices examine topics as divergent as early twentieth-century film, museum exhibitions, newspaper journalism, magazine illustration, and transnational literary circulation. In presenting varied critical approaches, this book highlights important interpretive questions for the field. Contributors sometimes arrive at thoughtful consensus and at other times settle on productive disagreements. Ultimately, this collection aims to extend traditional lines of inquiry in both comics studies and modernist studies and to reveal overlaps between ostensibly disparate artistic practices and movements. (immagine) Categoria: Books: graphic novels

Prezzo di copertina: USD 30,00
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UNIVERSITY PRESS OF MISSISSIPP

How comics, graphic novels, and sacred texts work in concert to expand our sense of the holy. Comics and Sacred Texts explores how comics and notions of the sacred interweave new modes of seeing and understanding the sacral. Comics and graphic narratives help readers see religion in the everyday and in depictions of God, in transfigured, heroic selves as much as in the lives of saints and the meters of holy languages. Coeditors Assaf Gamzou and Ken Koltun-Fromm reveal the graphic character of sacred narratives, imagining new vistas for both comics and religious texts. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 05/10/18

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UNIVERSITY PRESS OF MISSISSIPP

Antisemitic caricatures had existed in Polish society since at least the mid-19th-century. But never had the devastating impacts of this imagery been fully realized or so blatantly apparent than on the eve of the Second World War. In Cartoons and Antisemitism: Visual Politics of Interwar Poland, scholar Ewa Stanczyk explores how illustrators conceived of Jewish people in satirical drawing and reflected on the burning political questions of the day. Incorporating hundreds of cartoons, satirical texts, and newspaper articles from the 1930s, Stanczyk investigates how a visual culture that was essentially hostile to Jews penetrated deep and wide into Polish print media. In her sensitive analysis of these sources, the author examines how major satirical magazines intervened in the ongoing events and contributed to the racialized political climate of the time. (immagine) Categoria: Books: graphic novels

By Stanczyk, Ewa.

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UNIVERSITY PRESS OF MISSISSIPP

(W) Joel E. Vessels In France, Belgium, and other Francophone countries, comic strips, called bande dessinee or 'BD' in French, have long been considered a major art form capable of addressing a host of contemporary issues. Among French-speaking intelligentsia, graphic narratives were deemed worthy of canonization and critical study decades before the academy and the press in the United States embraced comics. Author Joel E. Vessels examines the trek of BD from it being considered a fomenter of rebellion, to a medium suitable only for semi-literates, to an impediment to education, and most recently to an art capable of addressing social concerns. (immagine) Categoria: Books: novel/sci fi/horror

By Joel E Vessels. Artist N/A. Cover by N/A.

Prezzo di copertina: USD 50,00
Prezzo HoVistoCose: EUR 47,50

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