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UNIVERSITY PRESS OF MISSISSIPP

Crockett Johnson and Ruth Krauss were a husband-and-wife team that created such popular children's books as The Carrot Seed and How to Make an Earthquake. Separately, Johnson created the enduring children's classic Harold and the Purple Crayon and the groundbreaking comic strip Barnaby. This critical biography examines their lives and careers, including their separate achievements when not collaborating. Philip Nel draws a compelling portrait of a couple whose output encompassed children's literature, comics, graphic design, and the fine arts. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 03/08/12
By Nel, Philip. Artist Johnson, Crockett. Cover by Ware, Chris.

Prezzo di copertina: USD 70,00
Prezzo HoVistoCose: EUR 66,50

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UNIVERSITY PRESS OF MISSISSIPP

Though the Marvel-verse is becoming much more racially, ethnically, and gender diverse, many of these comics remain shy about religion. The new Ms. Marvel, Kamala Khan, is a notable exception, not only because she is written and conceived by two women, Sana Amanat and G. Willow Wilson, but also because both of these women bring their own experiences as Muslim Americans to the character. This distinct collection brings together scholars from a range of disciplines to engage with a single character, exploring Khan's significance for a broad readership. With essays from and about diverse voices on an array of topics from fashion to immigration history to fandom, this volume includes an exclusive interview with Wilson by gender studies scholar Shabana Mir. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 31/01/20
By Baldanzi, Jessica.

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50

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UNIVERSITY PRESS OF MISSISSIPP

In Thierry Groensteen's The System of Comics, the comics theorist set out to investigate how the medium functions, introducing the principle of iconic solidarity, and showing the systems that underlie the articulation between panels at three levels: page layout, linear sequence, and nonsequential links woven through the comic book as a whole. He now develops that analysis further, using examples from a very wide range of comics, including the work of American artists such as Chris Ware and Robert Crumb. He tests out his theoretical framework by bringing it up against cases that challenge it, such as abstract comics, digital comics, and shoujo manga. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/02/15
By Gronesteen, Thierry. Artist N/A. Cover by N/A.

Prezzo di copertina: USD 30,00
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UNIVERSITY PRESS OF MISSISSIPP

This book is the follow-up to Thierry Groensteen's ground-breaking The System of Comics, in which the leading French-language comics theorist set out to investigate how the medium functions. He now develops that analysis further, using examples from a very wide range of comics, including the work of American artists such as Chris Ware and Robert Crumb. He tests out his theoretical framework by bringing it up against cases that challenge it, such as abstract comics, digital comics and shojo manga, and offers insightful reflections on these innovations. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 01/02/13
By Gronesteen, Thierry. Artist N/A. Cover by N/A. (NOTE: Early solicitation , on sale april 2013.)

Prezzo di copertina: USD 55,00
Prezzo HoVistoCose: EUR 52,25

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UNIVERSITY PRESS OF MISSISSIPP

Lynda Barry (b. 1956) is best known for her distinctive style and unique voice, first popularized in her underground weekly comic Ernie Pook's Comeek. Since then, she has published prolifically, including numerous comics, illustrated novels, and nonfiction books exploring the creative process. Barry's work is genre- and form-bending, often using collage to create what she calls 'word with drawing' vignettes. Her art, imaginative and self-reflective, allows her to discuss gender, race, relationships, memory, and her personal, everyday lived experience. The essays in Contagious Imagination study the pedagogy of Barry's work and its application academically and practically. (immagine) Categoria: Books: novel/sci fi/horror

By Gabilliet; Beaty; Nguyen. Artist Na. Cover by Na.

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50

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UNIVERSITY PRESS OF MISSISSIPP

The recipient of a 2000 MacArthur fellowship, Ben Katchor (b. 1951) is a beloved comics artist with a career spanning four decades. Published in indie weeklies across the United States, his comics are known for evoking the sensorium of the modern metropolis. In some of his early strips published in the 1980s in the New York Press and Forward, Katchor introduced one of his quintessential characters, Julius Knipl, a real estate photographer. By crafting Knipl as an urban flâneur prone to wandering, Katchor was able to variously demonstrate his absurd humor and linguistic whimsy alongside narratives packed with social critique. Rooted in close analyses of the artist's numerous series and collections, each chapter in Ben Katchor is dedicated to a distinct aspect of the urban experience. (immagine) Categoria: Books: novel/sci fi/horror

By Fraser, Benjamin. Artist Katchor, Ben.

Prezzo di copertina: USD 20,00
Prezzo HoVistoCose: EUR 19,00

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UNIVERSITY PRESS OF MISSISSIPP

Over the past forty years, American film has entered into a formal interaction with the comic book. Such comic book adaptations as Sin City, 300, and Scott Pilgrim vs. the World have adopted components of their source materials' visual style. The screen has been fractured into panels, the photographic has given way to the graphic, and the steady rhythm of cinematic time has evolved into a far more malleable element. In other words, films have begun to look like comics. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 30/11/18
By Morton, Drew. Artist N/A. Cover by N/A.

Prezzo di copertina: USD 30,00
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UNIVERSITY PRESS OF MISSISSIPP

A noted comics artist himself, Santiago García follows the history of the graphic novel from early 19th-century European sequential art, through the development of newspaper strips in the United States, to the development of the twentieth-century comic book and its subsequent crisis. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 10/03/17
By García, Santiago.

Prezzo di copertina: USD 30,00
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UNIVERSITY PRESS OF MISSISSIPP

The LGBTQ+ Comics Studies Reader explores the exemplary trove of LGBTQ+ comics that coalesced in the underground and alternative comix scenes of the mid-1960s and in the decades after. Through insightful essays and interviews with leading comics figures, volume contributors illuminate the critical opportunities, current interactions, and future directions of these comics. This heavily illustrated volume engages with the work of preeminent artists across the globe, such as Howard Cruse, Edie Fake, Justin Hall, Jennifer Camper, and Alison Bechdel, whose iconic artwork is reproduced within the volume (immagine) Categoria: Books: novel/sci fi/horror

By Gabilliet; Beaty; Nguyen. Artist Na. Cover by Na.

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50

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UNIVERSITY PRESS OF MISSISSIPP

In Drawing the Past, Volume 2: Comics and the Historical Imagination in the World, contributors seek to examine the many ways in which history worldwide has been explored and (re)represented through comics and how history is a complex construction of imagination, reality, and manipulation. Through a close analysis of such works as V for Vendetta, Maus, and Persepolis, this volume contends that comics are a form of mediation between sources (both primary and secondary) and the reader. Historical comics are not drawn from memory but offer a nonliteral interpretation of an object (re)constructed in the creator's mind. Indeed, when it comes to history, stretching the limits of the imagination only serves to aid in our understanding of the past and, through that understanding, shape ourselves and our futures. This volume, the second in a two-volume series, is divided into three sections: History and Form, Historical Trauma, and Mythic Histories. The first section considers the relationship between history and the comic book form. The second section engages academic scholarship on comics that has recurring interest in the representation of war and trauma. The final section looks at mythic histories that consciously play with events that did not occur but nonetheless inflect our understanding of history. Contributors to the volume also explore questions of diversity and relationality, addressing differences between nations and the cultural, historical, and economic threads that bind them together, however loosely, and however much those bonds might chafe. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world. (immagine) Categoria: Books: novel/sci fi/horror

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50

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UNIVERSITY PRESS OF MISSISSIPP

Ed Brubaker has emerged as one of the most popular, significant figures in comics since the 1990s. Most famous as the man who killed Captain America in 2007, Brubaker's work on company-owned properties such as Batman and Captain America and creator-owned series like Criminal and Fatale live up to the usual expectations for the superhero and crime genres. This collection of interviews explores the sophisticated artist's work, drawing upon the entire length of the award-winning Brubaker's career. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/03/16
By Brubaker, Ed. Artist N/A. Cover by N/A.

Prezzo di copertina: USD 40,00
Prezzo HoVistoCose: EUR 38,00

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UNIVERSITY PRESS OF MISSISSIPP

Copyright Vigilantes: Intellectual Property and the Hollywood Superhero, 1998-2018 explains superhero blockbusters as allegories of intellectual property relations. In movies based on characters owned by the comics duopoly of DC and Marvel, no narrative recurs more often than a villain's attempt to copy the superhero's unique powers. Since the 1930s, the dominant American comics publishers have treated the creations of artists and writers as work for hire, such that stories and characters become company property. Thus, publishers avoided sharing the profits both from magazine sales and from licensing characters into other media. For decades, creators have challenged this regime, demanding either shares of profits or outright ownership of their creations. Now that the duopoly rents, licenses, and adapts superheroes for increasingly expensive franchises, and for growing international audiences, any challenge to intellectual property relations threatens a production regime worth billions of dollars. Weaving together legal analysis, Marxist political economy, and close readings of movies, Copyright Vigilantes explains the preoccupations of Hollywood's leading genre. (immagine) Categoria: Books: novel/sci fi/horror

By Claverie, Ezra.

Prezzo di copertina: USD 30,00
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UNIVERSITY PRESS OF MISSISSIPP

A superb compendium of definitions for over one thousand terms related to comics studies, collecting, and publishing Written in straightforward, jargon-free language, A Concise Dictionary of Comics guides students, researchers, readers, and educators of all ages and at all levels of comics expertise. It provides them with a dictionary that doubles as a compendium of comics scholarship. A Concise Dictionary of Comics provides clear and informative definitions for each term. It includes twenty-five witty illustrations, and pairs most defined terms with references to books, articles, book chapters, and other relevant critical sources. All references are dated and listed in an extensive, up-to-date bibliography of comics scholarship. Each term is also categorized according to type in an index of thematic groupings. This organization serves as a pedagogical aid for teachers and students learning about a specific facet of comics studies and as a research tool for scholars who are unfamiliar with a particular term but know what category it falls into. These features make A Concise Dictionary of Comics especially useful for critics, students, teachers, and researchers, and a vital reference to anyone else who wants to learn more about comics (immagine) Categoria: Books: novel/sci fi/horror

By Pedri, Nancy. Artist Howitt, Chuck. Cover by Howitt, Chuck.

Prezzo di copertina: USD 25,00
Prezzo HoVistoCose: EUR 23,75

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UNIVERSITY PRESS OF MISSISSIPP

How Indigenous creators impact the landscape of superhero, science fiction, historical, and experimental comics: In recent years, studios like Marvel and DC have seen enormous success transforming comics into major motion pictures. At the same time, bookstores such as Barnes & Noble in the US and Indigo in Canada have made more room for comic books and graphic novels on their shelves. Yet despite the sustained popular appeal and the heightened availability of these media, Indigenous artists continue to find their work given little attention by mainstream publishers, booksellers, production houses, and academics. Nevertheless, Indigenous artists are increasingly turning to graphic narratives, with publishers like Native Realities LLC and Highwater Press carving out ever more space for Indigenous creators. In Indigenous Comics and Graphic Novels: Studies in Genre, James J. Donahue aims to interrogate and unravel the disparities of representation in the fields of comics studies and comics publishing. (immagine) Categoria: Books: novel/sci fi/horror

By Donahue, James J. Artist VARIOUS,.

Prezzo di copertina: USD 25,00
Prezzo HoVistoCose: EUR 23,75

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UNIVERSITY PRESS OF MISSISSIPP

In The Origins of Comics: From William Hogarth to Winsor McCay, Thierry Smolderen presents a cultural landscape whose narrative differs in many ways from those presented by other historians of the comic strip. Rather than beginning his inquiry with the popularly accepted 'sequential art' definition of the comic strip, Smolderen instead engages with the historical dimensions that inform that definition. His goal is to understand the processes that led to the 20th-century comic strip, the highly recognizable species of picture stories that crystallized around 1900 in the United States. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/12/13
By Smolderen, Thierry. Artist Dirks, Rudolph. Cover by Na.

Prezzo di copertina: USD 50,00
Prezzo HoVistoCose: EUR 47,50

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UNIVERSITY PRESS OF MISSISSIPP

By the 1980s, animation seemed a dying art. Not even the Walt Disney Company, which had already won over thirty Academy Awards, could stop what appeared to be the end of an animation era. To revitalize popular interest in animation, Disney needed to reach outside its own studio and create the distinctive film that helped usher in a Disney Renaissance. That film, Who Framed Roger Rabbit?, though expensive and controversial, achieved huge success at the box office in 1988. Who Framed Roger Rabbit? magically blended live action and animation, carrying with it a humor that still resonates with audiences. Author Ross Anderson interviewed over 140 artists to tell the story of how they created something truly magical. (immagine) Categoria: Books: novel/sci fi/horror

By Anderson, Ross. Artist N/A. Cover by N/A.

Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50

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