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UNIVERSITY PRESS OF MISSISSIPP

The first collection of its kind about Bill Hanna and Joe Barbera, likely the most prolific animation producers of the twentieth century: Hanna and Barbera: Conversations presents a lively portrait of Bill Hanna and Joe Barbera, the influential producers behind Tom and Jerry, the Flintstones, Scooby-Doo, the Smurfs, and hundreds of other cartoon characters who continue to entertain the world today. Encompassing more than fifty years of film and television history, the conversations in this volume include first-person accounts by the namesakes of the Hanna-Barbera studio as well as recollections by artists and executives who worked closely with the pair for decades. (immagine) Categoria: Books: novel/sci fi/horror

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UNIVERSITY PRESS OF MISSISSIPP

History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fuelling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world. (immagine) Categoria: Books: novel/sci fi/horror

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UNIVERSITY PRESS OF MISSISSIPP

In a self-reflexive way, Julie Doucet's and Gabrielle Bell's comics defy easy categorization. In this volume, editors Tahneer Oksman and Seamus O'Malley regard Doucet's and Bell's art as actively feminist, not only because they offer women's perspectives, but because they do so by provocatively bringing up the complicated, multivalent frameworks of such engagements. While each artist has a unique perspective, style, and worldview, the essays in this book investigate their shared investments in formal innovation and experimentation, and in playing with questions of the autobiographical, the fantastic, and the spaces in between. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 30/11/18
By Brannon Costello (Ed.). Artist Doucet, Julie. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

As the creator of Tintin, Hergé (1907-1983) remains one of the most important and influential figures in the history of comics. When Hergé, born Georges Prosper Remi in Belgium, emerged from the controversy surrounding his actions after World War II, his most famous work leapt to international fame and set the standard for European comics. While his style popularized what became known as the 'clear line' in cartooning, this edited volume shows how his life and art turned out much more complicated than his method. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 02/02/18
By Geoffrey Hayes. Artist Herge,. Cover by Herge,.

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UNIVERSITY PRESS OF MISSISSIPP

A legendary figure of underground comix, Robert Williams (b. 1943) is an important social chronicler of American popular culture. The interviews assembled in Robert Williams: Conversations attest to his rhetorical powers, which match the high level of energy evident in his underground comix and action-filled canvases. One of the founders of the original ZAP Comix collective in the 1960s, Williams drew inspiration from pulp fiction, hot rod culture, pin-up girls, and traditional academic art. He has often been described as a figure courting scandal and controversy, a reputation on which he commentates repeatedly in some of the interviews here. Since the 1980s, Williams has emerged as a force in the fine art world, raising interesting questions about how painting and comic art interrelate. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 01/09/23

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UNIVERSITY PRESS OF MISSISSIPP

The first in-depth study of acclaimed work by a pioneer of Israeli comics. The Comics of Rutu Modan: War, Love, and Secrets conducts a close reading of her work and examines her role in creating a comics arts scene in Israel. Drawing upon archival research, Kevin Haworth traces the history of Israeli comics from its beginning as 1930s cheap children's stories, through the counterculture movement of the 1970s, to the burst of creativity that began in the 1990s and continues full force today. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 01/02/19
By Haworth, Kevin. Artist Modan, Rutu. Cover by Modan, Rutu.

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UNIVERSITY PRESS OF MISSISSIPP

Superheroes such as Superman and Spider-Man have spread all over the world. As this edited volume shows, many national cultures have created or reimagined the idea of the superhero, while the realm of superheroes now contains many icons whose histories borrow from local folklore and legends. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 03/04/15

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UNIVERSITY PRESS OF MISSISSIPP

How comics, graphic novels, and sacred texts work in concert to expand our sense of the holy. Comics and Sacred Texts explores how comics and notions of the sacred interweave new modes of seeing and understanding the sacral. Comics and graphic narratives help readers see religion in the everyday and in depictions of God, in transfigured, heroic selves as much as in the lives of saints and the meters of holy languages. Coeditors Assaf Gamzou and Ken Koltun-Fromm reveal the graphic character of sacred narratives, imagining new vistas for both comics and religious texts. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 05/10/18

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UNIVERSITY PRESS OF MISSISSIPP

Superman began in comic books, but people have so embraced the character that he has now become part of folklore. This transition from popular to folk culture signals the importance of Superman to fans and to a larger American populace. Superman's story has become a myth dramatizing identity, morality, and politics. Through examinations of tattoos, humor, costuming, and festivals, Peretti portrays Superman as a corporate-owned intellectual property and a model for behavior, a means for expression and performance of individual identity, and the focal point for disparate members of fan communities. As fans apply Superman stories to their lives, they elevate him to a mythical status. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/09/19
By Peretti, Daniel.

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UNIVERSITY PRESS OF MISSISSIPP

Chris Claremont (b. 1950) is best known for his landmark sixteen-year author run on Uncanny X-Men. This is the longest author run in Marvel comics history, one that saw X-Men go from a title on the verge of cancellation to one of the most popular comics for over a decade and, eventually, a multibillion-dollar film franchise. The story of Chris Claremont is the story of a creator who achieved popular success whilst making a significant artistic contribution to his chosen medium, including the first African American superheroine, the first Black superhero team leader, the first canonically Jewish Marvel superhero, extensive queer subtext, extensive BDSM imagery, the first superhero team with a strong female roster, and the best-selling single-issue comic of all time. This volume heralds an impressive career and marvels at how Claremont accomplished all of this within mainstream comics. (immagine) Categoria: Books: novel/sci fi/horror

By Deman, J Andrew.

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UNIVERSITY PRESS OF MISSISSIPP

Jack Kirby is one of the most influential and popular artists in comics history. With Stan Lee, he created the Fantastic Four and defined the drawing and narrative style of Marvel Comics from the 1960s to the present day. Kirby's distinctive narrative drawing, use of bold abstraction, and creation of angst-ridden and morally flawed heroes mark him as one of the most influential mainstream creators in comics. Charles Hatfield analyzes the development of Kirby's cartooning technique, his use of dynamic composition, the recurring themes and moral ambiguities in his work, his eventual split from Lee, and his later work as a solo artist. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/11/11
By Hatfield, C.. Artist Kirby, Jack. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

The LGBTQ+ Comics Studies Reader explores the exemplary trove of LGBTQ+ comics that coalesced in the underground and alternative comix scenes of the mid-1960s and in the decades after. Through insightful essays and interviews with leading comics figures, volume contributors illuminate the critical opportunities, current interactions, and future directions of these comics. This heavily illustrated volume engages with the work of preeminent artists across the globe, such as Howard Cruse, Edie Fake, Justin Hall, Jennifer Camper, and Alison Bechdel, whose iconic artwork is reproduced within the volume (immagine) Categoria: Books: novel/sci fi/horror

By Gabilliet; Beaty; Nguyen. Artist Na. Cover by Na.

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UNIVERSITY PRESS OF MISSISSIPP

Many fans and insiders alike have never heard of Bill Hume, Bailin' Wire Bill, Abe Martin, AWOL Wally, the Texas History Movies, or the Weatherbird at the St. Louis Post-Dispatch. And many insiders do not know why we call comic books 'comics' even though lots of them are not at all funny. Robert C. Harvey, cartoonist and a veteran comics critic, author of several histories of comics and biographies of cartoonists, tells forgotten stories of a dozen now obscure but once famous cartoonists and their creations. Available in Hardcover and Softcover editions. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 03/10/14
By Harvey, R. C.. Artist N/A. Cover by Harvey, R. C..

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UNIVERSITY PRESS OF MISSISSIPP

he first collection to engage with the fascinating overlap between comics and modernism. Since the early 1990s, cartoonist Art Spiegelman has made the case that comics are the natural inheritor of the aesthetic tradition associated with the modernist movement of the early twentieth century. In recent years, scholars have begun to place greater import on the shared historical circumstances of early comics and literary and artistic modernism. Comics and Modernism: History, Form, and Culture is an interdisciplinary consideration of myriad social, cultural, and aesthetic connections. Filling a gap in current scholarship, an impressively diverse group of scholars approaches the topic from a variety of disciplinary backgrounds and methodologies. Drawing on work in literary studies, art history, film studies, philosophy, and material culture studies, contributors attend to the dynamic relationship between avant-garde art, literature, and comics. Essays by both established and emerging voices examine topics as divergent as early twentieth-century film, museum exhibitions, newspaper journalism, magazine illustration, and transnational literary circulation. In presenting varied critical approaches, this book highlights important interpretive questions for the field. Contributors sometimes arrive at thoughtful consensus and at other times settle on productive disagreements. Ultimately, this collection aims to extend traditional lines of inquiry in both comics studies and modernist studies and to reveal overlaps between ostensibly disparate artistic practices and movements. (immagine) Categoria: Books: graphic novels

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UNIVERSITY PRESS OF MISSISSIPP

Kerry D. Soper reminds us of The Far Side's groundbreaking qualities and cultural significance in Gary Larson and The Far Side. In the 1980s, Gary Larson (b. 1950) shook up a staid comics page by introducing a set of aesthetic devices, comedic tones, and philosophical frames that challenged and delighted many readers, even while upsetting and confusing others. His irreverent, single panels served as an alternative reality to the tame comedy of the family-friendly newspaper comics page, as well as the pervasive, button-down consumerism and conformity of the Reagan era. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 01/06/18
By Soper, Kerry D.. Artist Larson, Gary. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

The Supervillain Reader, featuring both reprinted and original essays, reveals why we are so fascinated with the villain. The obsession with the villain is not a new phenomenon, and, in fact, one finds villains who are 'super' going as far back as ancient religious and mythological texts. This innovative collection brings together essays, book excerpts, and original content from a wide variety of scholars and writers, weaving a rich tapestry of thought regarding villains in all their manifestations, including film, literature, television, games, and, of course, comics and sequential art. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 01/11/19
By Peaslee, Robert Moses.

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