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UNIVERSITY PRESS OF MISSISSIPP

One of the most eclectic and distinctive writers currently working in comics, Grant Morrison (b. 1960) brings the auteurist sensibility of alternative comics and graphic novels to the popular genres-superhero, science fiction, and fantasy-that dominate the American and British comics industries. His comics range from bestsellers featuring the most universally recognized superhero franchises (All-Star Superman, New X-Men, Batman) to more independent, creator-owned work (The Invisibles, The Filth, We3) that defies any generic classification. In Grant Morrison: Combining the Worlds of Contemporary Comics, author Marc Singer examines how Morrison uses this fusion of styles to intervene in the major political, aesthetic, and intellectual challenges of our time. His comics blur the boundaries between fantasy and realism, mixing autobiographical representation and cultural critique with heroic adventure. They offer self-reflexive appraisals of their own genres while they experiment with the formal elements of comics. Perhaps most ambitiously, they challenge contemporary theories of language and meaning, seeking to develop new modes of expression grounded in comics' capacity for visual narrative and the fantasy genres' ability to make figurative meanings literal. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/11/11
By Singer, Marc. Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

Throughout the first half of the twentieth century, the medium was enjoyed equally by both sexes, and girls were the protagonists of some of the earliest, most successful, and most influential comics. In Funny Girls: Guffaws, Guts, and Gender in Classic American Comics, Michelle Ann Abate examines the important but long-overlooked cadre of young female protagonists in US comics during the first half of the twentieth century. She treats characters ranging from Little Orphan Annie and Nancy to Little Lulu, Little Audrey of the Harvey Girls, and Li'l Tomboy, a group that collectively forms a tradition of funny girls in American comics. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 30/11/18
By Abate, Michelle Ann. Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

Comics and Catharsis: Exploring Graphic Narratives of Trauma and Healing explores the idea that trauma and healing hold an imbalance in many forms of literature-but especially in the world of comics. Whether it be war-based, national, physical, or sexual trauma, this volume looks at a wide variety of trauma and the psychological pain and devastation that arise during and-crucially for the question of trauma narratives-following the events as the psychological (and often physical) wounds are processed. Viewing trauma through the lens of comics such as Maus, Persepolis, and Fun Home, as well as works by comics writers who are little-known or unknown outside their communities, contributors analyze how trauma is used in artistic style, writing, and overall storytelling. (immagine) Categoria: Books: novel/sci fi/horror

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UNIVERSITY PRESS OF MISSISSIPP

Jack Kent (1920-1985) had two distinct and successful careers: newspaper cartoonist and author of children's books. For each of these he drew upon different aspects of his personality and life experiences. From 1950 to 1965 he wrote and drew King Aroo, a nationally syndicated comic strip beloved by fans for its combination of absurdity, fantasy, wordplay, and wit. In 1968, he published his first children's book, Just Only John, and began a career in kids' books that would result in over sixty published works, among them such classics as The Fat Cat and There's No Such Thing as a Dragon. Jack Kent: The Wit, Whimsy, and Wisdom of a Comic Storyteller illuminates how Kent's life experiences informed his art and his storytelling in both King Aroo and his children's books. Paul V. Allen draws from archival research, brand-new interviews, and in-depth examinations of Kent's work. (immagine) Categoria: Books: novel/sci fi/horror

By Allen, Paul V. Artist Kent, Jack.

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UNIVERSITY PRESS OF MISSISSIPP

Every living American adult likely prized one childhood toy that featured the happy image of an animated cartoon or comic strip character. Tim Hollis examines the entire story of character licensing and merchandising from a historical view. Toons in Toyland focuses mainly on the post-World War II years, circa 1946-1980. During those years, the mass merchandising of cartoon characters peaked. Chapters examine storybooks (such as Little Golden Books), comic books, records, board games, jigsaw puzzles, optical toys (including View-Master and Kenner's Give-a-Show Projector), and holiday paraphernalia. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/02/15
By Hollis, Tim. Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

One of the most significant transformations in literature for children and young adults during the last twenty years has been the resurgence of comics. Educators and librarians extol the benefits of comics reading, and increasingly, children's and YA comics and comics hybrids have won major prizes, including the Printz Award and the National Book Award. Despite the popularity and influence of children's and YA graphic novels, the genre has not received adequate scholarly attention. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/04/18

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UNIVERSITY PRESS OF MISSISSIPP

In the summer of 2000 X-Men surpassed all box office expectations and ushered in an era of comic book film adaptations. This trend, now in its second decade, has blossomed into Hollywood's leading genre. From superheroes to Spartan warriors, The Comic Book Film Adaptation offers the first dedicated study to examine how comic books moved from the fringes of popular culture to the center of mainstream film production. The Comic Book Film Adaptation explores this unique moment in which cinema is stimulated, challenged, and enriched by the once-dismissed medium of comics. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/03/15
By Burke, Liam.

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UNIVERSITY PRESS OF MISSISSIPP

History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fuelling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world. (immagine) Categoria: Books: novel/sci fi/horror

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UNIVERSITY PRESS OF MISSISSIPP

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. In Comics, Trauma, and the New Art of War, Harriet E. H. Earle brings together two distinct areas of research-trauma studies and comics studies-to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in post-Vietnam War American comics, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 07/07/17
By Earle, Harriet E.H.. Artist Charles Schulz. Cover by Charles Schulz.

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UNIVERSITY PRESS OF MISSISSIPP

(E) Eric L. Berlatsky Alan Moore: Conversations includes ten interviews with the legendary comics creator, beginning with Moore's first published conversation, conducted by V for Vendetta co-creator David Lloyd in 1981. The remainder cover nearly all of his major work, including Watchmen, Swamp Thing, Marvelman, From Hell, Lost Girls, and the unfinished Big Numbers. While Moore's personal life and fraught business relations are discussed occasionally, the interviews chosen are principally devoted to Moore's creative practices and techniques, along with his shifting social, political, and philosophical beliefs. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 09/09/11
By Brannon Costello (Ed.). Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

Best known for his alternative comics, Chester Brown (b. 1960) is one of the most acclaimed and influential cartoonists of the last half century. Characterized by often minimalist art and unconventional themes, comics such as Yummy Fur, Ed the Happy Clown, I Never Liked You, Louis Riel, and Paying for It have consistently pushed boundaries and confronted taboos. This first biography provides a critical account of Brown's life and career, highlighting his role in the evolving comics landscape and tracing his journey from self-publishing minicomics on the streets of Toronto to creating award-winning graphic novels. (immagine) Categoria: Books: novel/sci fi/horror

By Hamilton, Patrick L. Artist Brown, Chester.

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UNIVERSITY PRESS OF MISSISSIPP

by Robert J. McKinnon In a career spanning seven decades, Maurice Noble (1911-2001) developed a unique, creative philosophy that enabled him to play an integral role in many of the best-loved animated films ever made, including Snow White and the Seven Dwarfs, What's Opera, Doc?, Duck Dodgers in the 24 1/2th Century, and How the Grinch Stole Christmas. Stepping into the Picture reveals the extraordinary personal journey of this pioneer of the Golden Age of Animation. (immagine) Categoria: Books: novel/sci fi/horror

By ROBERT MCKINNON. Artist NA. Cover by NA.

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UNIVERSITY PRESS OF MISSISSIPP

Why so many American comics fans avidly follow medieval heroes The comic book has become an essential icon of the American Century, an era defined by optimism in the face of change and by recognition of the intrinsic value of democracy and modernization. For many, the Middle Ages stand as an antithesis to these ideals, and yet medievalist comics have emerged and endured, even thrived alongside their superhero counterparts. Chris Bishop presents a reception history of medievalist comics, setting them against a greater backdrop of modern American history. From its genesis in the 1930s to the present, Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 30/10/20
By Bishop, Chris.

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UNIVERSITY PRESS OF MISSISSIPP

In Drawing the Past, Volume 2: Comics and the Historical Imagination in the World, contributors seek to examine the many ways in which history worldwide has been explored and (re)represented through comics and how history is a complex construction of imagination, reality, and manipulation. Through a close analysis of such works as V for Vendetta, Maus, and Persepolis, this volume contends that comics are a form of mediation between sources (both primary and secondary) and the reader. Historical comics are not drawn from memory but offer a nonliteral interpretation of an object (re)constructed in the creator's mind. Indeed, when it comes to history, stretching the limits of the imagination only serves to aid in our understanding of the past and, through that understanding, shape ourselves and our futures. This volume, the second in a two-volume series, is divided into three sections: History and Form, Historical Trauma, and Mythic Histories. The first section considers the relationship between history and the comic book form. The second section engages academic scholarship on comics that has recurring interest in the representation of war and trauma. The final section looks at mythic histories that consciously play with events that did not occur but nonetheless inflect our understanding of history. Contributors to the volume also explore questions of diversity and relationality, addressing differences between nations and the cultural, historical, and economic threads that bind them together, however loosely, and however much those bonds might chafe. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world. (immagine) Categoria: Books: novel/sci fi/horror

Prezzo di copertina: USD 30,00
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UNIVERSITY PRESS OF MISSISSIPP

Interviews with Dave Sim, the creator of Cerebus, one of the earliest and most important independent comics. Many of these interviews have been out of print for years, and include career-spanning exploration of Sim's work. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 01/02/13
By Sim, Dave. Artist Sim, Dave. Cover by Sim, Dave. (NOTE: Early solicitation , on sale april 2013.)

Prezzo di copertina: USD 40,00
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UNIVERSITY PRESS OF MISSISSIPP

An unparalleled gathering of research devoted to one of the world's most influential comic strips, The Comics of Charles Schulz collects new essays on the work of the creator of the immensely popular Peanuts comic strip. Despite Schulz's celebrity, few scholarly books on his work and career have been published. This collection serves as a foundation for future study not only of Charles Schulz (1922-2000) but, more broadly, of the understudied medium of newspaper comics. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 02/02/18
By Gardner, Jared. Artist Schulz, Charles M.. Cover by Schulz, Charles M..

Prezzo di copertina: USD 25,00
Prezzo HoVistoCose: EUR 23,75

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