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UNIVERSITY PRESS OF MISSISSIPP

It is often thought that Britain did not have its own superheroes, yet there were a great many in Britain. Sometimes they emulated the style of American comics, but they also frequently became sites of resistance to perceived American political and cultural hegemony, drawing upon satire and parody as a means of critique. From the emergence of British superheroes in the 1940s, the advent of 'fake' American comics, and the reformatting of reprinted material to the British Invasion of the 1980s, and the pivotal roles in American superhero comics and film production held by British artists today, this book will challenge views about British superheroes and the comics' creators who fashioned them. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/01/17
By Murray, Chris. Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

One of the most overlooked aspects of the World War II effort involved a surprising initiative - comic book propaganda. Even before Pearl Harbor, the comic book industry enlisted its formidable army of artists, writers, and editors to dramatize the conflict for readers of every age and interest. The 10 Cent War presents a riveting analysis of how different types of comic books and comic book characters supplied reasons and means to support the war effort. The book discusses the role of such major characters as Superman, Wonder Woman, and Uncle Sam along with a host of such minor characters as kid gangs and superhero sidekicks. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/11/16
By Brannon Costello (Ed.). Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

Born in the South Bronx to Puerto Rican parents, artist and writer George Pérez (1954-2022) cut his teeth in the 1970s as an artist at Marvel who worked on lesser titles like The Deadly Hands of Kung Fu and Creatures on the Loose, and then mainstays like Fantastic Four and The Avengers. In the 1980s, Pérez jumped ship to DC where he helped turn The New Teen Titans into a top-selling title and co-created Crisis on Infinite Earths, which marked the publisher's fiftieth anniversary and consolidated its sprawling universe. As writer and artist, Pérez relaunched DC's Wonder Woman, a run that later inspired much of the 2017 film. Though Pérez's style is highly recognizable, his contributions to comic art and history have not been fully acknowledged. In George Pérez, author Patrick L. Hamilton addresses this neglect, first, by discussing Pérez's artistic style within the context of Bronze Age superhero art, and second, by analyzing Pérez's work for its representations of race, disability, and gender. Though he struggled with deadlines and health issues in the 1990s, Pérez would reintroduce himself and his work to a new generation of comics fans with a return to Marvel's The Avengers, as well as attempts at various creator-owned comics, the last of these being Sirens from Boom! Studios in 2014. Throughout his career, Pérez established a dynamic and minutely detailed style of comic art that was both unique and influential. (immagine) Categoria: Books: novel/sci fi/horror

By Hamilton, Patrick L. Artist Perez, George.

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UNIVERSITY PRESS OF MISSISSIPP

As the creator of Tintin, Hergé (1907-1983) remains one of the most important and influential figures in the history of comics. When Hergé, born Georges Prosper Remi in Belgium, emerged from the controversy surrounding his actions after World War II, his most famous work leapt to international fame and set the standard for European comics. While his style popularized what became known as the 'clear line' in cartooning, this edited volume shows how his life and art turned out much more complicated than his method. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 02/02/18
By Geoffrey Hayes. Artist Herge,. Cover by Herge,.

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UNIVERSITY PRESS OF MISSISSIPP

In a self-reflexive way, Julie Doucet's and Gabrielle Bell's comics defy easy categorization. In this volume, editors Tahneer Oksman and Seamus O'Malley regard Doucet's and Bell's art as actively feminist, not only because they offer women's perspectives, but because they do so by provocatively bringing up the complicated, multivalent frameworks of such engagements. While each artist has a unique perspective, style, and worldview, the essays in this book investigate their shared investments in formal innovation and experimentation, and in playing with questions of the autobiographical, the fantastic, and the spaces in between. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 30/11/18
By Brannon Costello (Ed.). Artist Doucet, Julie. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

How Indigenous creators impact the landscape of superhero, science fiction, historical, and experimental comics: In recent years, studios like Marvel and DC have seen enormous success transforming comics into major motion pictures. At the same time, bookstores such as Barnes & Noble in the US and Indigo in Canada have made more room for comic books and graphic novels on their shelves. Yet despite the sustained popular appeal and the heightened availability of these media, Indigenous artists continue to find their work given little attention by mainstream publishers, booksellers, production houses, and academics. Nevertheless, Indigenous artists are increasingly turning to graphic narratives, with publishers like Native Realities LLC and Highwater Press carving out ever more space for Indigenous creators. In Indigenous Comics and Graphic Novels: Studies in Genre, James J. Donahue aims to interrogate and unravel the disparities of representation in the fields of comics studies and comics publishing. (immagine) Categoria: Books: novel/sci fi/horror

By Donahue, James J. Artist VARIOUS,.

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UNIVERSITY PRESS OF MISSISSIPP

The first English-language volume to explore the career of the comics artist who inspired Blade Runner, Akira, and Hayao Miyazaki, this seventh volume in the Biographix Series features Jean Giraud (1938-2012) started drawing comics in the late 1950s for a variety of French comics magazines. Under his real name, he found success in 1963 with the western series Blueberry, written by Jean-Michel Charlier and published in Pilote magazine. In the 1970s, he started producing science fiction works under the name of Moebius, which brought him international success, and which included works such as Arzach. He died in 2012, as a global celebrity in the comics world and a major influence across visual media. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 25/10/24
By Labarre, Nicolas. Artist Moebius,. Cover by Hare, Anthony.

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UNIVERSITY PRESS OF MISSISSIPP

Never before have comics seemed so popular or diversified, proliferating across a broad spectrum of genres, experimenting with a variety of techniques, and gaining recognition as a legitimate, rich form of art. Maaheen Ahmed examines this trend by taking up philosopher Umberto Eco's notion of the open work of art, whereby the reader (or listener or viewer, as the case may be) is offered several possibilities of interpretation in a cohesive narrative and aesthetic structure. Ahmed delineates the visual, literary, and other medium-specific features used by comics to form open rather than closed works, methods by which comics generate or limit meaning as well as increase and structure the scope of reading into a work. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/01/19
By Ahmed, Maaheen.

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UNIVERSITY PRESS OF MISSISSIPP

In The Expanding Art of Comics: Ten Modern Masterpieces, prominent scholar Thierry Groensteen offers a distinct perspective on important evolutions in comics since the 1960s through close readings of ten seminal works. He covers over half a century of comics production, sampling a single work from the sixties (Ballad of the Salt Sea by Hugo Pratt), seventies (The Airtight Garage of Jerry Cornelius by Moebius), eighties (Watchmen by Alan Moore and Dave Gibbons), and nineties (Epileptic by David B.). Then this remarkable critic and scholar delves into recent masterpieces, such as Building Stories by Chris Ware. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/01/19
By Gronesteen, Thierry. Artist Geoffrey Hayes. Cover by Harder, Jens.

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UNIVERSITY PRESS OF MISSISSIPP

Writers' and Artists' Names: Edited by Eric L. Berlatsky Synopsis: Alan Moore: Conversations includes ten interviews, beginning with Moore's first published conversation, conducted by V for Vendetta cocreator David Lloyd in 1981. The remainder cover nearly all of his major work, including Watchmen, V for Vendetta, Swamp Thing, Marvelman, The League of Extraordinary Gentleman, Promethea, From Hell, Lost Girls, and the unfinished Big Numbers. While Moore's personal life and fraught business relations are discussed occasionally, the interviews chosen are principally devoted to Moore's creative practices and techniques, along with his shifting social, political, and philosophical beliefs. As such, Alan Moore: Conversations should add to any reader's enjoyment and understanding of Moore's work. Writers' and Artists' Names: Edited by Eric L. Berlatsky Product Description British comics writer Alan Moore (b. 1953) has a reputation for equal parts brilliance and eccentricity. Living hermit-like in the same Midlands town for his entire life, he supposedly refuses contact with the outside world while creating his strange, dense comics, fiction, and performance art. While Moore did declare himself a wizard on his fortieth birthday and claims to have communed with extradimensional beings, reticence and seclusion have never been among his eccentricities. On the contrary, for long stretches of his career Moore seemed to be willing to chat with all comers: fanzines, industry magazines, other artists, newspapers, magazines, and personal websites. Well over one hundred interviews in the past thirty years serve as testimony to Moore's willingness to be engaged in productive conversation. Alan Moore: Conversations includes ten substantial interviews, beginning with Moore's first published conversation, conducted by V for Vendetta cocreator David Lloyd in 1981. The remainder cover nearly all of his major works, including Watchmen, V for Vendetta, Swamp Thing, Marvelman, The League of Extraordinary Gentlemen, Promethea, From Hell, Lost Girls, and the unfinished Big Numbers. While Moore's personal life and fraught business relations are discussed occasionally, the interviews chosen are principally devoted to Moore's creative practices and techniques, along with his shifting social, political, and philosophical beliefs. As such, Alan Moore: Conversations should add to any reader's enjoyment and understanding of Moore's work. From the Inside Flap Conversations with the brilliant and eccentric comics writer (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 09/09/11
By Brannon Costello (Ed.). Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

(W) Annalisa Di Liddo Eclectic British author Alan Moore is one of the most acclaimed and controversial comics writers to emerge in the past thirty years. Author Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Di Liddo analyzes his best-known works - Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea, and Lost Girls - and highlights lesser-known works such as Voice of the Fire, Big Numbers, and others. This volume reveals Moore to be one of the most significant and distinctly post-modern comics creators of the last quarter century. (immagine) Categoria: Books: novel/sci fi/horror

By Annalisa Di Liddo. Artist Na. Cover by Na.

Prezzo di copertina: USD 22,00
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UNIVERSITY PRESS OF MISSISSIPP

An unparalleled gathering of top educators, comics artists, and writers advocating the vital utility of comics in the classroom. Building upon interdisciplinary approaches to teaching comics and teaching with comics, this book brings together diverse voices to share key theories and research on comics pedagogy. By gathering scholars, creators, and educators across various fields and in K-12 as well as university settings, editors Susan Kirtley, Antero Garcia, and Peter Carlson significantly expand scholarship. This valuable resource offers both critical pieces and engaging interviews with key comics professionals who reflect on their own teaching experience and on considerations of the benefits of creating comics in education. Included are interviews with acclaimed comics writers Lynda Barry, Brian Michael Bendis, Kelly Sue DeConnick, and David Walker, as well as essays spanning from studying the use of superhero comics in the classroom to the ways comics can enrich and empower young readers. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 03/01/20

Prezzo di copertina: USD 30,00
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UNIVERSITY PRESS OF MISSISSIPP

Comics and Catharsis: Exploring Graphic Narratives of Trauma and Healing explores the idea that trauma and healing hold an imbalance in many forms of literature-but especially in the world of comics. Whether it be war-based, national, physical, or sexual trauma, this volume looks at a wide variety of trauma and the psychological pain and devastation that arise during and-crucially for the question of trauma narratives-following the events as the psychological (and often physical) wounds are processed. Viewing trauma through the lens of comics such as Maus, Persepolis, and Fun Home, as well as works by comics writers who are little-known or unknown outside their communities, contributors analyze how trauma is used in artistic style, writing, and overall storytelling. (immagine) Categoria: Books: novel/sci fi/horror

Prezzo di copertina: USD 30,00
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UNIVERSITY PRESS OF MISSISSIPP

Career-spanning, Chester Brown: Conversations gathers hard-to-find interviews with the creator of Yummy Fur, The Playboy, I Never Liked You, Louis Riel, and his best-selling Paying for It. The volue includes several pieces from now defunct periodicals and fanzines as well as 40 line drawings by the comics artist. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/10/13
By Brannon Costello (Ed.). Artist Brown, Chester. Cover by Brown, Chester.

Prezzo di copertina: USD 40,00
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UNIVERSITY PRESS OF MISSISSIPP

(E) Jeet Heer, (E) Kent Worcestera A Comics Studies Reader offers the best of the new comics scholarship in nearly thirty essays on a wide variety of such comics forms as gag cartoons, editorial cartoons, comic strips, comic books, manga, and graphic novels. Introducing readers to the major debates and points of reference that continue to shape the field, this anthology covers the pioneering work of Rodolphe T (immagine) Categoria: Books: novel/sci fi/horror

By Various. Artist Various. Cover by Various.

Prezzo di copertina: USD 25,00
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UNIVERSITY PRESS OF MISSISSIPP

As an American comic book writer, editor, and businessman, Jim Shooter (b. 1951) remains among the most important figures in the history of the medium. Starting in 1966 at the age of fourteen, Shooter, as the young protégé of verbally abusive DC editor Mort Weisinger, helped introduce themes and character development more commonly associated with DC competitor Marvel Comics. Shooter created several characters for the Legion of Super-Heroes, introduced Superman's villain the Parasite, and jointly devised the first race between the Flash and Superman. The collected interviews in this volume span the career of a writer, editor, and businessman who remains one of the most important figures in the history of the medium. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 01/06/18
By Sacks, Jason. Artist N/A. Cover by N/A.

Prezzo di copertina: USD 25,00
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