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La ricerca restituisce articoli che abbiano nel titolo tutte le parole, includendo anche parole simili o assonanti.
Per perfezionare la ricerca, puoi utilizzare anche questi comandi:
"testo fra virgolette": cerca esattamente il testo senza
varianti. Per esempio: "Batman e
Robin"
-parola: esclude i risultati che contengono la parola
attaccata al trattino. Per esempio:
-Robin
Puoi aggiungere, dopo la parola da ricercare, una o più di queste ricerche
specifiche:
@title parole: cerca solo nel titolo (altrimenti la ricerca
si estende a tutti i campi compresa la descrizione)
@author autore: cerca solo articoli di questo autore. Per
esempio: @author Stan Lee
@artist artista: cerca solo articoli di questo artista. Per
esempio: @artist John Romita
Jr.
@cover copertinista: cerca solo articoli di questo
copertinista. Per esempio: @cover Alex
Ross
@publisher editore: cerca solo articoli di questo editore.
Per esempio: @publisher Marvel
Nota:1 potete anche usare le varianti in italiani: @autore,
@artista, @editore, @titolo (mentre @cover rimane uguale!)
La ricerca tenterà di individuare termini somiglianti oppure
grammaticalmente simili (Man/Men ad esempio).
Ci sono inoltre le parole chiave @COMICS e @FUMETTI per ottenere solo
ricerche dal mercato USA o Italiano rispettivamente (tutte maiuscole!)
La parole chiave @30 e @90 vi permetteranno di limitare la ricerca agli
articoli presentanti negli ultimi 30 / 90 giorni mentre @mese a quelli
presentati nel mese in corso e @YEAR all'ultimo anno (inteso come "gli
ultimi 365 giorni).
È possibile effettuare la ricerca anche inserendo direttamente il
codice a barre.
Quando inizia per 978 è un ISBN: vanno inserite tutte
le 11 cifre senza trattini o altro e va ignorata, se c’è, l’estensione
(le altre 5 cifre messe su un codice separato, a fianco). Negli altri
casi vanno inserite le 12 cifre del codice (compreso il numero fra i
due codici a barre, se presente) oppure tutti e 17 (compresa l’estensione,
questo vale per gli albi): considerate che l’estensione indica numero,
variant e ristampa quindi se la inserite la ricerca è puntuale e troverÃ
solo quell’articolo mentre se, per un albo o una rivista, inserite solo
la prime 12 cifre la ricerca vi darà l’intera serie.
Se noto è anche possibile usare il codice Diamond del prodotto
(a volte è possibile reperirlo su ricerche su Internet o
qualche indicazione su un sito specializzato o una recensione).
A wide-ranging survey of how comics have portrayed Southern ways of life, these essays seek to discover what Captain America can reveal about Southern regionalism, and how slave narratives can help us reread Swamp Thing; others examine how creators such as Walt Kelly (Pogo), Howard Cruse (Stuck Rubber Baby), Kyle Baker (Nat Turner), and Josh Neufeld (A.D.: New Orleans After the Deluge) draw upon the unique formal properties of the comics to question and revise familiar narratives of race, class, and sexuality. (immagine) Categoria: Books: novel/sci fi/horror
Ordinabile fino al 02/12/11
By Brannon Costello (Ed.). Artist N/A. Cover by N/A.
Prezzo di copertina: USD 55,00
Prezzo HoVistoCose: EUR 52,25
Pagina del Previews (NOV/2011): 320
Data di uscita: 25/01/12 (può ritardare di 30 giorni)
Final Order Cutoff: 02/12/11 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
One of the most overlooked aspects of the World War II effort involved a surprising initiative - comic book propaganda. Even before Pearl Harbor, the comic book industry enlisted its formidable army of artists, writers, and editors to dramatize the conflict for readers of every age and interest. The 10 Cent War presents a riveting analysis of how different types of comic books and comic book characters supplied reasons and means to support the war effort. The book discusses the role of such major characters as Superman, Wonder Woman, and Uncle Sam along with a host of such minor characters as kid gangs and superhero sidekicks. (immagine) Categoria: Books: novel/sci fi/horror
Ordinabile fino al 04/11/16
By Brannon Costello (Ed.). Artist N/A. Cover by N/A.
Prezzo di copertina: USD 65,00
Prezzo HoVistoCose: EUR 61,75
Pagina del Previews (OCT/2016): 463
Data di uscita: 25/01/17
Final Order Cutoff: 04/11/16 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
It is often thought that Britain did not have its own superheroes, yet there were a great many in Britain. Sometimes they emulated the style of American comics, but they also frequently became sites of resistance to perceived American political and cultural hegemony, drawing upon satire and parody as a means of critique. From the emergence of British superheroes in the 1940s, the advent of 'fake' American comics, and the reformatting of reprinted material to the British Invasion of the 1980s, and the pivotal roles in American superhero comics and film production held by British artists today, this book will challenge views about British superheroes and the comics' creators who fashioned them. (immagine) Categoria: Books: novel/sci fi/horror
Ordinabile fino al 06/01/17
By Murray, Chris. Artist N/A. Cover by N/A.
Prezzo di copertina: USD 65,00
Prezzo HoVistoCose: EUR 61,75
Pagina del Previews (DEC/2016): 448
Data di uscita: 01/03/17
Final Order Cutoff: 06/01/17 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
Literary scholar Michael A. Chaney examines graphic novels to illustrate that in form and function they inform readers on how they ought to be read. His arguments result in an innovative analysis of the various knowledges that comics produce and the methods artists and writers employ to convey them. Theoretically eclectic, this study attends to the lessons taught by both the form and content of today's most celebrated graphic novels. (immagine) Categoria: Books: novel/sci fi/horror
Ordinabile fino al 06/04/18
By Chaney, Michael A. Artist N/A. Cover by N/A.
Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50
Pagina del Previews (MAR/2018): 496
Data di uscita: 23/05/18
Final Order Cutoff: 06/04/18 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
One of the most overlooked aspects of the Allied war effort involved a surprising initiative - comic book propaganda. Even before Pearl Harbor, the comic book industry enlisted its formidable army of artists, writers, and editors to dramatize the conflict for readers of every age and interest. Comic book superheroes and everyday characters modeled positive behaviors and encouraged readers to keep scrapping. Ultimately, those characters proved to be persuasive icons in the war's most colorful and indelible propaganda campaign. (immagine) Categoria: Books: novel/sci fi/horror
Ordinabile fino al 06/04/18
By Brannon Costello (Ed.). Artist N/A. Cover by N/A.
Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50
Pagina del Previews (MAR/2018): 497
Data di uscita: 23/05/18
Final Order Cutoff: 06/04/18 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
Chris Murray reveals the largely unknown and rather surprising history of the British superhero. It is often thought that Britain did not have its own superheroes, yet Murray demonstrates that there were a great many in Britain and that they were often used as a way to comment on the relationship between Britain and America. Sometimes they emulated the style of American comics, but they also frequently became sites of resistance to perceived American political and cultural hegemony, drawing upon satire and parody as a means of critique. (immagine) Categoria: Books: novel/sci fi/horror
Ordinabile fino al 30/11/18
By Murray, Chris. Artist N/A. Cover by N/A.
Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50
Pagina del Previews (NOV/2018): 367
Data di uscita: 09/01/19
Final Order Cutoff: 30/11/18 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
Over the past forty years, American film has entered into a formal interaction with the comic book. Such comic book adaptations as Sin City, 300, and Scott Pilgrim vs. the World have adopted components of their source materials' visual style. The screen has been fractured into panels, the photographic has given way to the graphic, and the steady rhythm of cinematic time has evolved into a far more malleable element. In other words, films have begun to look like comics. (immagine) Categoria: Books: novel/sci fi/horror
Ordinabile fino al 30/11/18
By Morton, Drew. Artist N/A. Cover by N/A.
Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50
Pagina del Previews (NOV/2018): 367
Data di uscita: 09/01/19
Final Order Cutoff: 30/11/18 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
(E) Paul Williams, James Lyons An exploration of an art form's transformation from adolescent charms to adult aesthetics, contributors to this book start in the 1980s when a talented set of comics creators changed the industry forever in America. These writers survey the production, distribution, and reception of American comics to the present. (immagine) Categoria: Books: novel/sci fi/horror
Ordinabile fino al 05/10/10
By Williams, Lyons (Ed.). Artist N/A. Cover by N/A.
Prezzo di copertina: USD 28,00
Prezzo HoVistoCose: EUR 26,60
Pagina del Previews (SEP/2010): 329
Data di uscita: 01/12/10 (può ritardare di 60 giorni)
Final Order Cutoff: 05/10/10 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
Over the past forty years, American film has entered into a formal interaction with the comic book. Comic book adaptations as Sin City, 300, and Scott Pilgrim vs. the World have adopted components of their source materials' visual style. The screen has been fractured into panels, the photographic has given way to the graphic, and the steady rhythm of cinematic time has evolved into a far more malleable element. In other words, films have begun to look like comics. Yet, this interplay also occurs in the other direction. In order to retain cultural relevancy, comic books have begun to look like films. Film and comic books continuously lean on one another to reimagine their formal attributes and stylistic possibilities. (immagine) Categoria: Books: novel/sci fi/horror
Ordinabile fino al 07/10/16
By Morton, Drew. Artist N/A. Cover by N/A.
Prezzo di copertina: USD 65,00
Prezzo HoVistoCose: EUR 61,75
Pagina del Previews (SEP/2016): 476
Data di uscita: 07/12/16
Final Order Cutoff: 07/10/16 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
By the 1980s, animation seemed a dying art. Not even the Walt Disney Company, which had already won over thirty Academy Awards, could stop what appeared to be the end of an animation era. To revitalize popular interest in animation, Disney needed to reach outside its own studio and create the distinctive film that helped usher in a Disney Renaissance. That film, Who Framed Roger Rabbit?, though expensive and controversial, achieved huge success at the box office in 1988. Who Framed Roger Rabbit? magically blended live action and animation, carrying with it a humor that still resonates with audiences. Author Ross Anderson interviewed over 140 artists to tell the story of how they created something truly magical. (immagine) Categoria: Books: novel/sci fi/horror
By Anderson, Ross. Artist N/A. Cover by N/A.
Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50
Pagina del Previews (APR/2019): 377
Data di uscita: 12/06/19 (può ritardare di 30 giorni)
Despite Neil Gaiman's incredible contributions to comics, his work remains underrepresented in sustained fashion in comics studies. The thirteen essays and two interviews with Gaiman and his frequent collaborator, artist P. Craig Russell, examine the work of Gaiman and his many illustrators. The essays discuss Gaiman's oeuvre regarding the qualities that make his work unique in his eschewing of typical categories, his proclamations to 'make good art,' and his own constant efforts to do so however the genres and audiences may slip into one another. The Artistry of Neil Gaiman forms a complicated portrait of a man who has always seemed fully assembled virtually from the start of his career, but only came to feel comfortable in his own voice far later in life. (immagine) Categoria: Books: novel/sci fi/horror
Ordinabile fino al 01/02/19
By Sommers, Joseph Michael. Artist N/A. Cover by N/A.
Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50
Pagina del Previews (JAN/2019): 376
Data di uscita: 10/04/19
Final Order Cutoff: 01/02/19 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
Writers' and Artists' Names: Edited by Eric L. Berlatsky Synopsis: Alan Moore: Conversations includes ten interviews, beginning with Moore's first published conversation, conducted by V for Vendetta cocreator David Lloyd in 1981. The remainder cover nearly all of his major work, including Watchmen, V for Vendetta, Swamp Thing, Marvelman, The League of Extraordinary Gentleman, Promethea, From Hell, Lost Girls, and the unfinished Big Numbers. While Moore's personal life and fraught business relations are discussed occasionally, the interviews chosen are principally devoted to Moore's creative practices and techniques, along with his shifting social, political, and philosophical beliefs. As such, Alan Moore: Conversations should add to any reader's enjoyment and understanding of Moore's work. Writers' and Artists' Names: Edited by Eric L. Berlatsky Product Description British comics writer Alan Moore (b. 1953) has a reputation for equal parts brilliance and eccentricity. Living hermit-like in the same Midlands town for his entire life, he supposedly refuses contact with the outside world while creating his strange, dense comics, fiction, and performance art. While Moore did declare himself a wizard on his fortieth birthday and claims to have communed with extradimensional beings, reticence and seclusion have never been among his eccentricities. On the contrary, for long stretches of his career Moore seemed to be willing to chat with all comers: fanzines, industry magazines, other artists, newspapers, magazines, and personal websites. Well over one hundred interviews in the past thirty years serve as testimony to Moore's willingness to be engaged in productive conversation. Alan Moore: Conversations includes ten substantial interviews, beginning with Moore's first published conversation, conducted by V for Vendetta cocreator David Lloyd in 1981. The remainder cover nearly all of his major works, including Watchmen, V for Vendetta, Swamp Thing, Marvelman, The League of Extraordinary Gentlemen, Promethea, From Hell, Lost Girls, and the unfinished Big Numbers. While Moore's personal life and fraught business relations are discussed occasionally, the interviews chosen are principally devoted to Moore's creative practices and techniques, along with his shifting social, political, and philosophical beliefs. As such, Alan Moore: Conversations should add to any reader's enjoyment and understanding of Moore's work. From the Inside Flap Conversations with the brilliant and eccentric comics writer (immagine) Categoria: Books: novel/sci fi/horror
Ordinabile fino al 09/09/11
By Brannon Costello (Ed.). Artist N/A. Cover by N/A.
Prezzo di copertina: USD 65,00
Prezzo HoVistoCose: EUR 61,75
Pagina del Previews (AUG/2011): 346
Data di uscita: 02/11/11 (può ritardare di 60 giorni)
Final Order Cutoff: 09/09/11 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
A comprehensive history of how comics and comic art gained recognition as art Contributions by Kenneth Baker, Jaqueline Berndt, Albert Boime, John Carlin, Benoit Crucifix, David Deitcher, Michael Dooley, Damian Duffy, M. C. Gaines, Paul Gravett, Diana Green, Karen Green, Doug Harvey, Charles Hatfield, M. Thomas Inge, Leslie Jones, Denis Kitchen, Jonah Kinigstein, John A. Lent, Dwayne McDuffie, Andrei Molotiu, Alvaro de Moya, Kim A. Munson, Cullen Murphy, Gary Panter, Trina Robbins, Antoine Sausverd, Rob Salkowitz, Art Spiegelman, Scott Timberg, Carol Tyler, Brian Walker, Alexi Worth, Joe Wos, and Craig Yoe Through essays and interviews, Kim A. Munson's anthology tells the story of the over-thirty-year history of the artists, art critics, collectors, curators, journalists, and academics who championed the serious study of comics, the trends and controversies that produced institutional interest in comics, and the wax and wane and then return of comic art in museums. Audiences have enjoyed displays of comic art in museums as early as 1930. In the mid-1960s, after a period when most representational and commercial art was shunned, comic art began a gradual return to art museums as curators responded to the appropriation of comics characters and iconography by such famous pop artists as Andy Warhol and Roy Lichtenstein. From the first-known exhibit to show comics in art historical context in 1942 to the evolution of manga exhibitions in Japan, this volume regards exhibitions both in the United States and internationally. With over eighty images and thoughtful essays by Denis Kitchen, Brian Walker, Andrei Molotiu, Paul Gravett, Art Spiegelman, Trina Robbins, and Charles Hatfield, among others, this anthology shows how exhibitions expanded the public dialogue about comic art and our expectation of 'good art'-displaying how dedicated artists, collectors, fans, and curators advanced comics from a frequently censored low-art medium to a respected art form celebrated worldwide. (immagine) Categoria: Books: novel/sci fi/horror
By Brannon Costello (Ed.). Artist N/A. Cover by N/A.
Prezzo di copertina: USD 30,00
Prezzo HoVistoCose: EUR 28,50
Pagina del Previews (JUN/2020): 376
Data di uscita: 05/08/20