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UNIVERSITY PRESS OF MISSISSIPP

Though the Marvel-verse is becoming much more racially, ethnically, and gender diverse, many of these comics remain shy about religion. The new Ms. Marvel, Kamala Khan, is a notable exception, not only because she is written and conceived by two women, Sana Amanat and G. Willow Wilson, but also because both of these women bring their own experiences as Muslim Americans to the character. This distinct collection brings together scholars from a range of disciplines to engage with a single character, exploring Khan's significance for a broad readership. With essays from and about diverse voices on an array of topics from fashion to immigration history to fandom, this volume includes an exclusive interview with Wilson by gender studies scholar Shabana Mir. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 31/01/20
By Baldanzi, Jessica.

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UNIVERSITY PRESS OF MISSISSIPP

Collected interviews with the graphic designer and comic book scholar who is best known for his collaboration with Damian Duffy on the New York Times bestseller and Eisner Award-winning graphic novel adaptation of Octavia Butler's Kindred John Jennings (b. 1970) is perhaps best known for his collaboration with Damian Duffy on the New York Times bestseller and Eisner Award-winning graphic novel adaptation of Octavia Butler's Kindred. However, Jennings is also a graphic designer and comic book scholar who, throughout his career, has conducted several interviews that shed light on the importance of Black Speculative narratives. The most enlightening of his interviews are brought together in John Jennings: Conversations. As a collective these interviews explore folklore, systemic racism, his Mississippi roots, and the phrase Jennings cocreated, the Ethnogothic. Jennings discusses the necessity for black heroes, not just for the sake of diversity, but for inclusiveness, touching on the conventions he has cofounded, such as the Schomburg Center's Black Comic Book Festival in Harlem. He addresses the struggle to be financially compensated for work, and he speaks at length about how being a professor informs his craft where he continues to examine black stereotypes in popular culture with courses of his own design. As a group the interviews in John Jennings: Conversations give a picture of a black man forging a way where comic books have afforded him a means to carve out an important space for people of color. (immagine) Categoria: Books: novel/sci fi/horror

By Washington, Donna-lyn. Artist Jennings, John. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

How a creator transformed the hero and forever forged a brooding bond between philosophy and comics Steve Ditko (1927-2018) is one of the most important contributors to American comic books. As the cocreator of Spider-Man and sole creator of Doctor Strange, Ditko made an indelible mark on American popular culture. Mysterious Travelers: Steve Ditko and the Search for a New Liberal Identity resets the conversation about his heady and powerful work. Always inward facing, Ditko's narratives employed superhero and supernatural fantasy in the service of self-examination, and with characters like the Question, Mr. A, and Static, Ditko turned ordinary superhero comics into philosophic treatises. Many of Ditko's philosophy-driven comics show a clear debt to ideas found in Ayn Rand's Objectivism. Unfortunately, readers often reduce Ditko's work to a mouthpiece for Rand's vision. Mysterious Travelers unsettles this notion. In this book, Zack Kruse argues that Ditko's philosophy draws on a complicated network of ideas that is best understood as mystic liberalism. Although Ditko is not the originator of mystic liberalism, his comics provide a unique window into how such an ideology operates in popular media. Examining selections of Ditko's output from 1953 to 1986, Kruse demonstrates how Ditko's comics provide insight into a unique strand of American thought that has had a lasting impact. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/12/20
By Kruse, Zack. Artist Ditko, Steve.

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UNIVERSITY PRESS OF MISSISSIPP

Collected interviews with the comics fan-turned-creator best known for The Walking Dead and Invincible Robert Kirkman (b. 1978) is probably best known as the creator of The Walking Dead. The comic book and its television adaptation have reinvented the zombie horror story, transforming it from cult curiosity and parody to mainstream popularity and critical acclaim. In some ways, this would be enough to justify this career-spanning collection of interviews. Yet Kirkman represents much more than this single comic book title. Kirkman's story is a fanboy's dream that begins with him financing his irreverent, independent comic book Battle Pope with credit cards. After writing major titles with Marvel comics (Spider-Man, Captain America, and X-Men), Kirkman rejected companies like DC and Marvel and publicly advocated for creator ownership as the future of the comics industry. As a partner at Image, Kirkman wrote not only The Walking Dead but also Invincible, a radical reinvention of the superhero genre. Robert Kirkman: Conversations gives insight to his journey and explores technique, creativity, collaboration, and the business of comics as a multimedia phenomenon. For instance, while continuing to write genre-based comics in titles like Outcast and Oblivion Song, Kirkman explains his writerly bias for complex characters over traditional plot development. As a fan-turned-creator, Kirkman reveals a creator's complex relationship with fans in a comic-con era that breaks down the consumer/producer dichotomy. And after rejecting company-ownership practices, Kirkman articulates a vision of the creator-ownership model and his goal of organic creativity at Skybound, his multimedia company. While Stan Lee was the most prominent comic book everyman of the previous era of comics production, Kirkman is the most prominent comic book everyman of this dynamic, evolving new era. (immagine) Categoria: Books: novel/sci fi/horror

By Wandtke, Terrence R..

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UNIVERSITY PRESS OF MISSISSIPP

A carefully curated, wide-ranging edited volume tracing Art Spiegelman's exceptional trajectory from underground rebellion to mainstream success, Artful Breakdowns: The Comics of Art Spiegelman reveals his key role in the rise of comics as an art form and of the cartoonist as artist. The collection grapples with Spiegelman's astonishing versatility, from his irreverent underground strips, influential avant-garde magazine RAW, the expressionist style of the comics classic Maus, the illustrations to the Jazz Age poem 'The Wild Party,' and his response to the September 11 terrorist attacks to his iconic cover art for the New Yorker, his children's books, and various cross-media collaborations. (immagine) Categoria: Books: novel/sci fi/horror

By Joseph Witek. Artist Spiegelman, Art.

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UNIVERSITY PRESS OF MISSISSIPP

Antisemitic caricatures had existed in Polish society since at least the mid-19th-century. But never had the devastating impacts of this imagery been fully realized or so blatantly apparent than on the eve of the Second World War. In Cartoons and Antisemitism: Visual Politics of Interwar Poland, scholar Ewa Stanczyk explores how illustrators conceived of Jewish people in satirical drawing and reflected on the burning political questions of the day. Incorporating hundreds of cartoons, satirical texts, and newspaper articles from the 1930s, Stanczyk investigates how a visual culture that was essentially hostile to Jews penetrated deep and wide into Polish print media. In her sensitive analysis of these sources, the author examines how major satirical magazines intervened in the ongoing events and contributed to the racialized political climate of the time. (immagine) Categoria: Books: graphic novels

By Stanczyk, Ewa.

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UNIVERSITY PRESS OF MISSISSIPP

Between the 1930s and the invention of the internet, American comics reached readers in a few distinct physical forms: the familiar monthly stapled pamphlet, the newspaper comics section, bubblegum wrappers, and bound books. From Gum Wrappers to Richie Rich: The Materiality of Cheap Comics places the history of four representative comics-Watchmen, Uncle Scrooge, Richie Rich, and Fleer Funnies featuring Pud-in the larger contexts of book history, children's culture, and consumerism to understand the roles that comics have played as very specific kinds of books. Examining the bibliographical histories of each title, Barnholden demonstrates how the materiality of consumer culture suggests meanings to comics texts beyond the narratives. (immagine) Categoria: Books: graphic novels

By Barnholden, Neale.

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UNIVERSITY PRESS OF MISSISSIPP

Writers' and Artists' Names: Edited by M. Thomas Inge Synopsis: The best interviews from 1965-2004 with the classic comics creator of The Spirit and a pioneer of the graphic novel in A Contract with God and Other Tenement Stories. Eisner, for whom the industry's awards are named, was also the mentor to Jules Feiffer, Wally Wood, Lou Fine, and Jack Cole and the author of the seminal comics studies book, Comics and Sequential Art. Product Description Will Eisner's innovations in the comics, especially the comic book and the graphic novel, as well as his devotion to comics analysis, make him one of comics' first true auteurs and the cartoonist so revered and influential that cartooning's highest honor is named after him. His newspaper feature The Spirit (1940-1952) introduced the now-common splash page to the comic book, as well as dramatic angles and lighting effects that were influenced by, and influenced in turn, the conventions of film noir. Even in his tales of crime fighting, Eisner's writing focused on everyday details of city life and on contemporary social issues. In 1976, he premiered A Contract with God, and Other Tenement Stories, a collection of realist cartoon stories that paved the way for the modern 'graphic novel.' His 1985 book, Comics and Sequential Art, was among the first sustained analyses and overviews of the comics form, articulating theories of the art's grammar and structure. Eisner's studio nurtured such comics legends as Jules Feiffer, Wally Wood, Lou Fine, and Jack Cole. Will Eisner: Conversations, edited by comics scholar M. Thomas Inge, collects the best interviews with Eisner (1917-2005) from 1965 to 2004. Taken together, the interviews cover the breadth of Eisner's career with in-depth information about his creation of The Spirit and other well-known comic book characters, his devotion to the educational uses of the comics medium, and his contributions to the development of the graphic novel. From the Inside Flap Conversations with the influential and revered comics artist (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 09/09/11
By M. Thomas Inge ( Ed). Artist Eisner. Cover by Eisner.

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UNIVERSITY PRESS OF MISSISSIPP

Jack Kirby (1917-1994) is one of the most influential and popular artists in comics history. With Stan Lee, he created the Fantastic Four and defined the drawing and narrative style of Marvel Comics from the 1960s to the present day. Kirby is credited with creating or cocreating a number of Marvel's mainstay properties, among them the X-Men, the Hulk, Thor, and the Silver Surfer. His earlier work with Joe Simon led to the creation of Captain America, the popular kid gang and romance comic genres, and one of the most successful comics studios of the 1940s and 1950s. Kirby's distinctive narrative drawing, use of bold abstraction, and creation of angst-ridden and morally flawed heroes mark him as one of the most influential mainstream creators in comics. In this book, Charles Hatfield examines the artistic legacy of one of America's true comic book giants. He analyzes the development of Kirby's cartooning technique, his use of dynamic composition, the recurring themes and moral ambiguities in his work, his eventual split from Lee, and his later work as a solo artist. Against the backdrop of Kirby's earlier work in various genres, Hand of Fire examines the peak of Kirby's career, when he introduced a new sense of scope and sublimity to comic book fantasy. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/11/11
By Hatfield, C.. Artist Kirby, Jack. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

Cham, real name Count Amédée de Noé and a serious rival to Daumier, may have been the epitome of a célèbre inconnu, a famous unknown. He is one much deserving, at last, of this fi rst account of his huge oeuvre as a caricaturist. This book concentrates on his mastery of the important newcomer to the field of caricature, which we call comic strip, picture story, and graphic novel. The volume features facsimiles of nearly twenty of these from 1839 to 1863 and ranging from one page to forty (this last a parody of Victor Hugo's Les Misérables). In addition, summaries and sample illustrations of twenty-seven 'minor works' demonstrate that Cham is by far the most important specialist of what was then a new genre in Europe. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/01/19
By Kunzle, David.

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UNIVERSITY PRESS OF MISSISSIPP

Despite Neil Gaiman's incredible contributions to comics, his work remains underrepresented in sustained fashion in comics studies. The thirteen essays and two interviews with Gaiman and his frequent collaborator, artist P. Craig Russell, examine the work of Gaiman and his many illustrators. The essays discuss Gaiman's oeuvre regarding the qualities that make his work unique in his eschewing of typical categories, his proclamations to 'make good art,' and his own constant efforts to do so however the genres and audiences may slip into one another. The Artistry of Neil Gaiman forms a complicated portrait of a man who has always seemed fully assembled virtually from the start of his career, but only came to feel comfortable in his own voice far later in life. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 01/02/19
By Sommers, Joseph Michael. Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

A comprehensive history of how comics and comic art gained recognition as art Contributions by Kenneth Baker, Jaqueline Berndt, Albert Boime, John Carlin, Benoit Crucifix, David Deitcher, Michael Dooley, Damian Duffy, M. C. Gaines, Paul Gravett, Diana Green, Karen Green, Doug Harvey, Charles Hatfield, M. Thomas Inge, Leslie Jones, Denis Kitchen, Jonah Kinigstein, John A. Lent, Dwayne McDuffie, Andrei Molotiu, Alvaro de Moya, Kim A. Munson, Cullen Murphy, Gary Panter, Trina Robbins, Antoine Sausverd, Rob Salkowitz, Art Spiegelman, Scott Timberg, Carol Tyler, Brian Walker, Alexi Worth, Joe Wos, and Craig Yoe Through essays and interviews, Kim A. Munson's anthology tells the story of the over-thirty-year history of the artists, art critics, collectors, curators, journalists, and academics who championed the serious study of comics, the trends and controversies that produced institutional interest in comics, and the wax and wane and then return of comic art in museums. Audiences have enjoyed displays of comic art in museums as early as 1930. In the mid-1960s, after a period when most representational and commercial art was shunned, comic art began a gradual return to art museums as curators responded to the appropriation of comics characters and iconography by such famous pop artists as Andy Warhol and Roy Lichtenstein. From the first-known exhibit to show comics in art historical context in 1942 to the evolution of manga exhibitions in Japan, this volume regards exhibitions both in the United States and internationally. With over eighty images and thoughtful essays by Denis Kitchen, Brian Walker, Andrei Molotiu, Paul Gravett, Art Spiegelman, Trina Robbins, and Charles Hatfield, among others, this anthology shows how exhibitions expanded the public dialogue about comic art and our expectation of 'good art'-displaying how dedicated artists, collectors, fans, and curators advanced comics from a frequently censored low-art medium to a respected art form celebrated worldwide. (immagine) Categoria: Books: novel/sci fi/horror

By Brannon Costello (Ed.). Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

Why so many American comics fans avidly follow medieval heroes The comic book has become an essential icon of the American Century, an era defined by optimism in the face of change and by recognition of the intrinsic value of democracy and modernization. For many, the Middle Ages stand as an antithesis to these ideals, and yet medievalist comics have emerged and endured, even thrived alongside their superhero counterparts. Chris Bishop presents a reception history of medievalist comics, setting them against a greater backdrop of modern American history. From its genesis in the 1930s to the present, Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 30/10/20
By Bishop, Chris.

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UNIVERSITY PRESS OF MISSISSIPP

In Drawing the Past, Volume 2: Comics and the Historical Imagination in the World, contributors seek to examine the many ways in which history worldwide has been explored and (re)represented through comics and how history is a complex construction of imagination, reality, and manipulation. Through a close analysis of such works as V for Vendetta, Maus, and Persepolis, this volume contends that comics are a form of mediation between sources (both primary and secondary) and the reader. Historical comics are not drawn from memory but offer a nonliteral interpretation of an object (re)constructed in the creator's mind. Indeed, when it comes to history, stretching the limits of the imagination only serves to aid in our understanding of the past and, through that understanding, shape ourselves and our futures. This volume, the second in a two-volume series, is divided into three sections: History and Form, Historical Trauma, and Mythic Histories. The first section considers the relationship between history and the comic book form. The second section engages academic scholarship on comics that has recurring interest in the representation of war and trauma. The final section looks at mythic histories that consciously play with events that did not occur but nonetheless inflect our understanding of history. Contributors to the volume also explore questions of diversity and relationality, addressing differences between nations and the cultural, historical, and economic threads that bind them together, however loosely, and however much those bonds might chafe. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world. (immagine) Categoria: Books: novel/sci fi/horror

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UNIVERSITY PRESS OF MISSISSIPP

A superb compendium of definitions for over one thousand terms related to comics studies, collecting, and publishing Written in straightforward, jargon-free language, A Concise Dictionary of Comics guides students, researchers, readers, and educators of all ages and at all levels of comics expertise. It provides them with a dictionary that doubles as a compendium of comics scholarship. A Concise Dictionary of Comics provides clear and informative definitions for each term. It includes twenty-five witty illustrations, and pairs most defined terms with references to books, articles, book chapters, and other relevant critical sources. All references are dated and listed in an extensive, up-to-date bibliography of comics scholarship. Each term is also categorized according to type in an index of thematic groupings. This organization serves as a pedagogical aid for teachers and students learning about a specific facet of comics studies and as a research tool for scholars who are unfamiliar with a particular term but know what category it falls into. These features make A Concise Dictionary of Comics especially useful for critics, students, teachers, and researchers, and a vital reference to anyone else who wants to learn more about comics (immagine) Categoria: Books: novel/sci fi/horror

By Pedri, Nancy. Artist Howitt, Chuck. Cover by Howitt, Chuck.

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UNIVERSITY PRESS OF MISSISSIPP

Collected interviews with the award-winning Canadian comic writer and artist whose credits include Marvel's Extraordinary X-Men and DC's Justice League Dark Many cartoonists deflect from questions about one's history with comics and the influences of other artists, while others indulge the interviewer briefly before attempting to steer the questions in another direction. But Jeff Lemire, creator of Essex County Trilogy, Sweet Tooth, The Nobody, and Trillium, seems to bask in these discussions. Before he was ever a comics professional, he was a fan. What can be traced in these interviews is the story of the movement from comics fan to comics professional. In the twenty-nine interviews collected in Jeff Lemire: Conversations, readers see Lemire come to understand the process of collaboration, the balancing act involved in working for different kinds of comics publishers like DC and Marvel, the responsibilities involved in representing characters outside his own culture, and the possibilities that exist in the comics medium. We see him embrace a variety of genres, using each of them to explore the issues and themes most important to him. And we see a cartoonist and writer growing in confidence, a working professional coming into his own. (immagine) Categoria: Books: novel/sci fi/horror

Artist Lemire, Jeff.

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