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La ricerca tenterà di individuare termini somiglianti oppure
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Ci sono inoltre le parole chiave @COMICS e @FUMETTI per ottenere solo
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casi vanno inserite le 12 cifre del codice (compreso il numero fra i
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variant e ristampa quindi se la inserite la ricerca è puntuale e troverÃ
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la prime 12 cifre la ricerca vi darà l’intera serie.
Se noto è anche possibile usare il codice Diamond del prodotto
(a volte è possibile reperirlo su ricerche su Internet o
qualche indicazione su un sito specializzato o una recensione).
by (W) Bob Layton; David Michelinie (A) Bob Layton; Mark Bright (CA) John Romita Jr.
Tony Stark goes to war in three epic conflicts sparked by his greatest technology of all: The Iron Man Armor! They stole his technology and now it's war! There are an abundance of tech-based villains in the Marvel Universe: The Beetle, Stilt Man, Titanium Man, Controller, Crimson Dynamo and more use super-advanced weapons and armor to commit their crimes. Tony Stark just found out that his Iron Man technology was stolen and could be the catalyst for the suits these villains use - and he's not happy about it! But when Stark takes drastic action, what will Steve Rogers have to say about that? Plus: The ghost of an old enemy, the machinations of a vengeful madman and a menace from within Tony's own body will come to a head in the cataclysmic sequel! And when every single one of his armors is stolen and then turned against him, Tony must battle his greatest creations - while trying to figure out who could outsmart him! Collecting IRON MAN (1968) #219-232 and #258-266 and IRON MAN & THE ARMOR WARS #1-4.
Rated T
Bob Layton began as a prolific and popular inker for Charlton, Marvel and DC Comics, where he first teamed with longtime collaborator David Michelinie on Claw the Unconquered and Star Hunters. The Michelinie-Layton duo’s writing work on Iron Man (1978-1982 and 1987-1989) is one of the most popular and influential interpretations of that character. Leaving Marvel in 1990, he became a key writer/artist/editor at Valiant Comics, where he co-created characters such as X-O Manowar and rose to the post of editor in chief before departing. He still does occasional freelance work for DC and Marvel, notably Michelinie-Layton reunion projects Iron Man: Bad Blood (2000), Iron Man: Legacy of Doom (2008) and Iron Man: The End (2009).After beginning his writing career on DC horror titles, David Michelinie moved to Marvel. He and co-writer/inker Bob Layton established Iron Man’s battle with alcoholism, use of specialized armor variants and vendetta against Doctor Doom, as well as other aspects of the character that endure to this day. Michelinie’s unique blend of action, suspense and humor distinguished not only Iron Man, but also Amazing Spider-Man. With artist Todd McFarlane, he introduced the vicious vigilante Venom; he also wrote the first Venom limited series, Lethal Protector. Michelinie’s run as Amazing writer was second in length only to that of Stan Lee himself, while he also authored tie-in titles Spectacular Spider-Man, Web of Spider-Man and Spider-Man. He moved from Marvel’s flagship character to DC’s with a stint on Superman’s Action Comics, later returning to the world of Tony Stark for writing collaborations with Bob Layton on Iron Man: Legacy of Doom and Iron Man: The End.John Byrne has worked continuously in the comics industry as both writer and artist since 1975. After he initially collaborated with writer Chris Claremont on Iron Fist, Byrne and Claremont moved on to X-Men for a run still regarded as one of the title’s finest. Byrne contributed an equally famed stint on Fantastic Four, earning comparisons to the original Lee/Kirby issues for his imaginative plotlines and dynamic artwork. He also spun Alpha Flight into its own title. In 1986, he revamped DC’s flagship hero, Superman, reimagining the Man of Steel in a historic project heralded by a Time magazine cover. His remarkable contribution to the Marvel Universe extends to memorable associations with virtually every major hero, including celebrated runs on Captain America, Iron Man, Sensational She-Hulk, Namor the Sub-Mariner and Thing. In the 21st century, Byrne’s considerable body of work includes IDW’s Star Trek and Angel.Formerly a regular artist on Solo Avengers, as well as West Coast, Mark Bright is noted for working with writer Christopher Priest on Falcon, Power Man and Iron Fist, Quantum and Woody and other titles. He has also drawn Marvel’s incarnation of G.I. Joe and several DC flagship characters in Action Comics Weekly, Batman and Green Lantern.Barry Windsor-Smith — best known for Marvel’s Conan and Red Sonja — also illustrated memorable Uncanny X-Men, Iron Man and Daredevil stories; he revealed Wolverine’s origin in the “Weapon X” serial. Windsor-Smith has also published several art books in the tradition of Dante Gabriel Rossetti.John Romita Jr. is a modern-day comic-art master, following in his legendary father’s footsteps. Timeless runs on Iron Man, Uncanny X-Men, Amazing Spider-Man and Daredevil established him as his own man artistically, and his work on Wolverine and World War Hulk is among the most explosive comic art of the 21st century. In addition to Eternals with writer Neil Gaiman, JRJR teamed with Mark Millar on the creator-owned Kick-Ass, later developed into a blockbuster feature film starring Nicolas Cage. Spidey fans rejoiced at the artist’s return to Amazing Spider-Man with the “Brand New Day” storylines “New Ways To Die” and “Character Assassination.” He later helped relaunch Avengers with writer Brian Michael Bendis and Captain America with Rick Remender, and contributed to the blockbuster crossover Avengers vs. X-Men. For DC Comics, he drew big-name characters such as Superman, Batman and the Suicide Squad before making a welcome return home to Marvel and Amazing Spider-Man.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Ordinabile fino al 04/08/25
By Bob Layton. Artist Bob Layton. Cover by John Romita Jr..
Prezzo di copertina: USD 100,00
Prezzo HoVistoCose: EUR 90,25
Data di uscita: 13/01/26
Final Order Cutoff: 04/08/25 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Bob Layton; David Michelinie (A) Bob Layton; Mark Bright (CA) Mark Bright
Tony Stark goes to war in three epic conflicts sparked by his greatest technology of all: the Iron Man armor!They stole his technology and now it’s war! There are an abundance of tech-based villains in the Marvel Universe: The Beetle, Stilt Man, Titanium Man, Controller, Crimson Dynamo and more use super-advanced weapons and armor to commit their crimes. Tony Stark just found out that his Iron Man technology was stolen and could be the catalyst for the suits these villains use — and he’s not happy about it! But when Stark takes drastic action, what will Steve Rogers have to say about that? Plus: The ghost of an old enemy, the machinations of a vengeful madman and a menace from within Tony’s own body will come to a head in the cataclysmic sequel! And when every single one of his armors is stolen and then turned against him, Tony must battle his greatest creations — while trying to figure out who could outsmart him!COLLECTING: Iron Man (1968) 219-232, 258-266; Iron Man & the Armor Wars (2009) 1-4
Rated T
Bob Layton began as a prolific and popular inker for Charlton, Marvel and DC Comics, where he first teamed with longtime collaborator David Michelinie on Claw the Unconquered and Star Hunters. The Michelinie-Layton duo’s writing work on Iron Man (1978-1982 and 1987-1989) is one of the most popular and influential interpretations of that character. Leaving Marvel in 1990, he became a key writer/artist/editor at Valiant Comics, where he co-created characters such as X-O Manowar and rose to the post of editor in chief before departing. He still does occasional freelance work for DC and Marvel, notably Michelinie-Layton reunion projects Iron Man: Bad Blood (2000), Iron Man: Legacy of Doom (2008) and Iron Man: The End (2009).After beginning his writing career on DC horror titles, David Michelinie moved to Marvel. He and co-writer/inker Bob Layton established Iron Man’s battle with alcoholism, use of specialized armor variants and vendetta against Doctor Doom, as well as other aspects of the character that endure to this day. Michelinie’s unique blend of action, suspense and humor distinguished not only Iron Man, but also Amazing Spider-Man. With artist Todd McFarlane, he introduced the vicious vigilante Venom; he also wrote the first Venom limited series, Lethal Protector. Michelinie’s run as Amazing writer was second in length only to that of Stan Lee himself, while he also authored tie-in titles Spectacular Spider-Man, Web of Spider-Man and Spider-Man. He moved from Marvel’s flagship character to DC’s with a stint on Superman’s Action Comics, later returning to the world of Tony Stark for writing collaborations with Bob Layton on Iron Man: Legacy of Doom and Iron Man: The End.John Byrne has worked continuously in the comics industry as both writer and artist since 1975. After he initially collaborated with writer Chris Claremont on Iron Fist, Byrne and Claremont moved on to X-Men for a run still regarded as one of the title’s finest. Byrne contributed an equally famed stint on Fantastic Four, earning comparisons to the original Lee/Kirby issues for his imaginative plotlines and dynamic artwork. He also spun Alpha Flight into its own title. In 1986, he revamped DC’s flagship hero, Superman, reimagining the Man of Steel in a historic project heralded by a Time magazine cover. His remarkable contribution to the Marvel Universe extends to memorable associations with virtually every major hero, including celebrated runs on Captain America, Iron Man, Sensational She-Hulk, Namor the Sub-Mariner and Thing. In the 21st century, Byrne’s considerable body of work includes IDW’s Star Trek and Angel.Formerly a regular artist on Solo Avengers, as well as West Coast, Mark Bright is noted for working with writer Christopher Priest on Falcon, Power Man and Iron Fist, Quantum and Woody and other titles. He has also drawn Marvel’s incarnation of G.I. Joe and several DC flagship characters in Action Comics Weekly, Batman and Green Lantern.Barry Windsor-Smith — best known for Marvel’s Conan and Red Sonja — also illustrated memorable Uncanny X-Men, Iron Man and Daredevil stories; he revealed Wolverine’s origin in the “Weapon X” serial. Windsor-Smith has also published several art books in the tradition of Dante Gabriel Rossetti.John Romita Jr. is a modern-day comic-art master, following in his legendary father’s footsteps. Timeless runs on Iron Man, Uncanny X-Men, Amazing Spider-Man and Daredevil established him as his own man artistically, and his work on Wolverine and World War Hulk is among the most explosive comic art of the 21st century. In addition to Eternals with writer Neil Gaiman, JRJR teamed with Mark Millar on the creator-owned Kick-Ass, later developed into a blockbuster feature film starring Nicolas Cage. Spidey fans rejoiced at the artist’s return to Amazing Spider-Man with the “Brand New Day” storylines “New Ways To Die” and “Character Assassination.” He later helped relaunch Avengers with writer Brian Michael Bendis and Captain America with Rick Remender, and contributed to the blockbuster crossover Avengers vs. X-Men. For DC Comics, he drew big-name characters such as Superman, Batman and the Suicide Squad before making a welcome return home to Marvel and Amazing Spider-Man.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Ordinabile fino al 04/08/25
By Bob Layton. Artist Bob Layton. Cover by Mark Bright.
Prezzo di copertina: USD 100,00
Prezzo HoVistoCose: EUR 90,25
Data di uscita: 13/01/26
Final Order Cutoff: 04/08/25 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) John Tarachine (A) John Tarachine (CT) Jocelyne Allen
For the first time in English comes the critically acclaimed manga from John Tarachine, the author of Witch of Thistle Castle, that's perfect for fans of BL Metamorphosis and Hirayasumi! Umiko, a grandma, realizes that she has the same desire to make movies as university student Kai—and soon she enrolls in Kai’s film school!“It’s not the movies you like…you like watching the people watching the movies.”Just what are you going to do with the rest of your life? It’s the question you’ll always have to answer, no matter your age. Umiko Chino is a 65 year-old retired woman in mourning for her late husband. Remembering how they used to watch films together, Umiko goes to the movie theater for the first time in years, where she meets Kai, an attractive, ambiguous young man who studies filmmaking at a nearby art school.They would seem to have nothing in common, except for this—both of them sometimes like to look more at the way the audience reacts to a movie than the movie itself. Kai believes Umiko has the same deep desire he possesses to experience how people respond to something they made… and challenges her to stake the rest of her life discovering that thrill.Soon Umiko surprises herself by enrolling in the same film school as Kai. But sailing into this new sea, she’s suddenly inside the currents of her fellow students’ lives, a much younger generation that she struggles to understand, driven by their own passions and their own relationships. Who’s really experienced at life, and is it old age or observation that brings wisdom? And does what you’re looking for change when you look with your eyes instead of through a camera lens…?
Rated T+
John Tarachine (a pen name) was born in 1989 in Hyogo prefecture in the Kansai region of Japan. While at art school, she tried her hand at filmmaking, but realized she was better suited to working alone and decided to pursue manga as a career. After graduating, she set out on a trip around the world, promising herself that she would get a real job if she didn’t make it as a manga artist by the time she was twenty-five. She narrowly met that personal deadline when she made her debut in 2015 with Good Night, I Love You, a tale of a man who travels to London to fulfill his mother’s dying wish. She followed this up with a manga adaptation of the Netflix series Sex Education before tackling fantasy in Witch of Thistle Castle. She came to feel that she was more interested in drawing shojo manga, however, and when an editor at the shojo magazine Mystery Bonita reached out to her about working together, the result was the critically acclaimed The Credits Roll into the Sea. She also draws BL manga under the name John Taratsumi.Jocelyne Allen is a Japanese translator and interpreter who splits her time between Toronto and Tokyo. She has translated hundreds of short stories, novels, and manga, including the Eisner Award-winning titles Lovesickness by Junji Ito and Onward Toward Our Noble Deaths by Shigeru Mizuki, and the Harvey Award-winning My Lesbian Experience With Loneliness by Nagata Kabi, as well as the critically acclaimed Our Dreams at Dusk by Yuhki Kamatani, and the classic shojo manga The Rose of Versailles by Riyoko Ikeda. As an interpreter, she has worked with Japan’s most celebrated authors and artists, including Sayaka Murata, Inio Asano, Mieko Kawakami, and Natsume Ono. She can be found online at kaikatsu.ca, blogging about books at brainvsbook.com, or noodling about translation and manga on Blue Sky (@brainvsbook). The Credits Roll Into the Sea is the acclaimed translator’s first work for Dark Horse!
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Ordinabile fino al 01/12/25
By John Tarachine. Artist John Tarachine.
Prezzo di copertina: USD 14,99
Prezzo HoVistoCose: EUR 13,52
serie
Data di uscita: 21/04/26
Final Order Cutoff: 01/12/25 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) John Tarachine (A) John Tarachine (CT) Jocelyne Allen
For the first time in English comes the critically acclaimed manga from John Tarachine, the author of Witch of Thistle Castle, that's perfect for fans of BL Metamorphosis and Hirayasumi! Umiko, a grandma, realizes that she has the same desire to make movies as university student Kai—and soon she enrolls in Kai’s film school!“It’s not the movies you like…you like watching the people watching the movies.”Just what are you going to do with the rest of your life? It’s the question you’ll always have to answer, no matter your age. Umiko Chino is a 65 year-old retired woman in mourning for her late husband. Remembering how they used to watch films together, Umiko goes to the movie theater for the first time in years, where she meets Kai, an attractive, ambiguous young man who studies filmmaking at a nearby art school.They would seem to have nothing in common, except for this—both of them sometimes like to look more at the way the audience reacts to a movie than the movie itself. Kai believes Umiko has the same deep desire he possesses to experience how people respond to something they made… and challenges her to stake the rest of her life discovering that thrill.Soon Umiko surprises herself by enrolling in the same film school as Kai. But sailing into this new sea, she’s suddenly inside the currents of her fellow students’ lives, a much younger generation that she struggles to understand, driven by their own passions and their own relationships. Who’s really experienced at life, and is it old age or observation that brings wisdom? And does what you’re looking for change when you look with your eyes instead of through a camera lens…?
Rated T+
John Tarachine (a pen name) was born in 1989 in Hyogo prefecture in the Kansai region of Japan. While at art school, she tried her hand at filmmaking, but realized she was better suited to working alone and decided to pursue manga as a career. After graduating, she set out on a trip around the world, promising herself that she would get a real job if she didn’t make it as a manga artist by the time she was twenty-five. She narrowly met that personal deadline when she made her debut in 2015 with Good Night, I Love You, a tale of a man who travels to London to fulfill his mother’s dying wish. She followed this up with a manga adaptation of the Netflix series Sex Education before tackling fantasy in Witch of Thistle Castle. She came to feel that she was more interested in drawing shojo manga, however, and when an editor at the shojo magazine Mystery Bonita reached out to her about working together, the result was the critically acclaimed The Credits Roll into the Sea. She also draws BL manga under the name John Taratsumi.Jocelyne Allen is a Japanese translator and interpreter who splits her time between Toronto and Tokyo. She has translated hundreds of short stories, novels, and manga, including the Eisner Award-winning titles Lovesickness by Junji Ito and Onward Toward Our Noble Deaths by Shigeru Mizuki, and the Harvey Award-winning My Lesbian Experience With Loneliness by Nagata Kabi, as well as the critically acclaimed Our Dreams at Dusk by Yuhki Kamatani, and the classic shojo manga The Rose of Versailles by Riyoko Ikeda. As an interpreter, she has worked with Japan’s most celebrated authors and artists, including Sayaka Murata, Inio Asano, Mieko Kawakami, and Natsume Ono. She can be found online at kaikatsu.ca, blogging about books at brainvsbook.com, or noodling about translation and manga on Blue Sky (@brainvsbook). The Credits Roll Into the Sea is the acclaimed translator’s first work for Dark Horse!
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Ordinabile fino al 19/01/26
By John Tarachine. Artist John Tarachine.
Prezzo di copertina: USD 14,99
Prezzo HoVistoCose: EUR 13,52
serie
Data di uscita: 21/04/26
Final Order Cutoff: 19/01/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) John Tarachine (A) John Tarachine (CT) Jocelyne Allen
For the first time in English comes the critically acclaimed manga from John Tarachine, the author of Witch of Thistle Castle, that's perfect for fans of BL Metamorphosis! Umiko, a grandma, realizes that she has the same desire to make movies as university student Kai—and soon she enrolls in Kai’s film school!“It’s not the movies you like…you like watching the people watching the movies.”Just what are you going to do with the rest of your life? It’s the question you’ll always have to answer, no matter your age. Umiko Chino is a 65 year-old retired woman in mourning for her late husband. Remembering how they used to watch films together, Umiko goes to the movie theater for the first time in years, where she meets Kai, an attractive, ambiguous young man who studies filmmaking at a nearby art school.They would seem to have nothing in common, except for this—both of them sometimes like to look more at the way the audience reacts to a movie than the movie itself. Kai believes Umiko has the same deep desire he possesses to experience how people respond to something they made… and challenges her to stake the rest of her life discovering that thrill.Soon Umiko surprises herself by enrolling in the same film school as Kai. But sailing into this new sea, she’s suddenly inside the currents of her fellow students’ lives, a much younger generation that she struggles to understand, driven by their own passions and their own relationships. Who’s really experienced at life, and is it old age or observation that brings wisdom? And does what you’re looking for change when you look with your eyes instead of through a camera lens…?
Rated T+
John Tarachine (a pen name) was born in 1989 in Hyogo prefecture in the Kansai region of Japan. While at art school, she tried her hand at filmmaking, but realized she was better suited to working alone and decided to pursue manga as a career. After graduating, she set out on a trip around the world, promising herself that she would get a real job if she didn’t make it as a manga artist by the time she was twenty-five. She narrowly met that personal deadline when she made her debut in 2015 with Good Night, I Love You, a tale of a man who travels to London to fulfill his mother’s dying wish. She followed this up with a manga adaptation of the Netflix series Sex Education before tackling fantasy in Witch of Thistle Castle. She came to feel that she was more interested in drawing shojo manga, however, and when an editor at the shojo magazine Mystery Bonita reached out to her about working together, the result was the critically acclaimed The Credits Roll into the Sea. She also draws BL manga under the name John Taratsumi.Jocelyne Allen is a Japanese translator and interpreter who splits her time between Toronto and Tokyo. She has translated hundreds of short stories, novels, and manga, including the Eisner Award-winning titles Lovesickness by Junji Ito and Onward Toward Our Noble Deaths by Shigeru Mizuki, and the Harvey Award-winning My Lesbian Experience With Loneliness by Nagata Kabi, as well as the critically acclaimed Our Dreams at Dusk by Yuhki Kamatani, and the classic shojo manga The Rose of Versailles by Riyoko Ikeda. As an interpreter, she has worked with Japan’s most celebrated authors and artists, including Sayaka Murata, Inio Asano, Mieko Kawakami, and Natsume Ono. She can be found online at kaikatsu.ca, blogging about books at brainvsbook.com, or noodling about translation and manga on Blue Sky (@brainvsbook). The Credits Roll Into the Sea is the acclaimed translator’s first work for Dark Horse!
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Uscita: 07/07/26
Ordinabile fino al 23/03/26
By John Tarachine. Artist John Tarachine.
Prezzo di copertina: USD 14,99
Prezzo HoVistoCose: EUR 13,52
serie
Data di uscita: 07/07/26
Final Order Cutoff: 23/03/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) David Michelinie; Bob Layton (A) John Romita Jr.; Bob Layton (CA) Bob Layton
The trio of David Michelinie, Bob Layton and John Romita Jr. make comics history in this iconic run!A new era begins for Iron Man — and for comics! Visionary creators Bob Layton, David Michelinie and John Romita Jr. launch a character-defining run that proves Tony Stark is far more than a technological genius. Stark’s true strength shines through perseverance in the face of personal demons and relentless enemies. This groundbreaking era also introduces a dynamic new cast — including Jim Rhodes, the future War Machine — and showcases bold new Iron Man armors. While the Michelinie/Layton/Romita Jr. collaboration reaches its emotional peak with “Demon in a Bottle,” the saga soars even further with epic clashes against Titanium Man, the All-Devourer and Madame Masque! Guest-starring the Hulk in a three-issue conflict between armor and raw power!COLLECTING: Iron Man (1968) #115-139Written by David Michelinie & Bob Layton with Bill Mantlo, Peter Palmer, Jim Shooter & Roger SternPenciled by John Romita Jr., Bob Layton & Jerry Bingham with John Byrne, Carmine Infantino, Sal Buscema & Alan Weiss
Rated T
After beginning his writing career on DC horror titles, David Michelinie moved to Marvel. He and co-writer/inker Bob Layton established Iron Man’s battle with alcoholism, use of specialized armor variants and vendetta against Doctor Doom, as well as other aspects of the character that endure to this day. Michelinie’s unique blend of action, suspense and humor distinguished not only Iron Man, but also Amazing Spider-Man. With artist Todd McFarlane, he introduced the vicious vigilante Venom; he also wrote the first Venom limited series, Lethal Protector. Michelinie’s run as Amazing writer was second in length only to that of Stan Lee himself, while he also authored tie-in titles Spectacular Spider-Man, Web of Spider-Man and Spider-Man. He moved from Marvel’s flagship character to DC’s with a stint on Superman’s Action Comics, later returning to the world of Tony Stark for writing collaborations with Bob Layton on Iron Man: Legacy of Doom and Iron Man: The End.Bob Layton began as a prolific and popular inker for Charlton, Marvel and DC Comics, where he first teamed with longtime collaborator David Michelinie on Claw the Unconquered and Star Hunters. The Michelinie-Layton duo’s writing work on Iron Man (1978-1982 and 1987-1989) is one of the most popular and influential interpretations of that character. Leaving Marvel in 1990, he became a key writer/artist/editor at Valiant Comics, where he co-created characters such as X-O Manowar and rose to the post of editor in chief before departing. He still does occasional freelance work for DC and Marvel, notably Michelinie-Layton reunion projects Iron Man: Bad Blood (2000), Iron Man: Legacy of Doom (2008) and Iron Man: The End (2009).Bill Mantlo began his Marvel career on Deadly Hands of Kung Fu, in which he introduced White Tiger, one of the industry’s earliest Hispanic super heroes. Eventually writing stories for almost every Marvel title, he did some of his most fondly remembered work on Incredible Hulk and Spectacular Spider-Man. He also created Rocket Raccoon, launched Cloak & Dagger in a pair of miniseries and guided Alpha Flight through some of its most harrowing ordeals. Mantlo excelled at integrating licensed properties into the Marvel Universe, as demonstrated by Micronauts and Rom, both of which he wrote from start to finish. At DC, he wrote the Invasion miniseries for one of the company’s biggest crossover events.John Romita Jr. is a modern-day comic-art master, following in his legendary father’s footsteps. Timeless runs on Iron Man, Uncanny X-Men, Amazing Spider-Man and Daredevil established him as his own man artistically, and his work on Wolverine and World War Hulk is among the most explosive comic art of the 21st century. In addition to Eternals with writer Neil Gaiman, JRJR teamed with Mark Millar on the creator-owned Kick-Ass, later developed into a blockbuster feature film starring Nicolas Cage. Spidey fans rejoiced at the artist’s return to Amazing Spider-Man with the “Brand New Day” storylines “New Ways To Die” and “Character Assassination.” He later helped relaunch Avengers with writer Brian Michael Bendis and Captain America with Rick Remender, and contributed to the blockbuster crossover Avengers vs. X-Men. For DC Comics, he drew big-name characters such as Superman, Batman and the Suicide Squad before making a welcome return home to Marvel and Amazing Spider-Man.Bob Layton began as a prolific and popular inker for Charlton, Marvel and DC Comics, where he first teamed with longtime collaborator David Michelinie on Claw the Unconquered and Star Hunters. The Michelinie-Layton duo’s writing work on Iron Man (1978-1982 and 1987-1989) is one of the most popular and influential interpretations of that character. Leaving Marvel in 1990, he became a key writer/artist/editor at Valiant Comics, where he co-created characters such as X-O Manowar and rose to the post of editor in chief before departing. He still does occasional freelance work for DC and Marvel, notably Michelinie-Layton reunion projects Iron Man: Bad Blood (2000), Iron Man: Legacy of Doom (2008) and Iron Man: The End (2009).Jerry Bingham has penciled covers and/or stories for Black Panther, Iron Man and several Spider-Man titles. At DC, he penciled, inked and colored Mike Barr’s controversial Batman: Son of the Demon graphic novel, and penciled covers for Spectre, Warlord and DC’s Babylon 5 adaptation. He has also illustrated stories for Batman Confidential and First Comics’ Warp. During the 1990s, he became a production artist in the film industry, designing props and special effects.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Uscita: 01/09/26
Ordinabile fino al 22/06/26
By David Michelinie. Artist John Romita Jr.. Cover by Bob Layton.
Prezzo di copertina: USD 54,99
Prezzo HoVistoCose: EUR 49,62
Data di uscita: 01/09/26
Final Order Cutoff: 22/06/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
$100,00
$100,00
$14,99
$14,99
$14,99
$54,99
