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UNIVERSITY PRESS OF MISSISSIPP

Jack Kent (1920-1985) had two distinct and successful careers: newspaper cartoonist and author of children's books. For each of these he drew upon different aspects of his personality and life experiences. From 1950 to 1965 he wrote and drew King Aroo, a nationally syndicated comic strip beloved by fans for its combination of absurdity, fantasy, wordplay, and wit. In 1968, he published his first children's book, Just Only John, and began a career in kids' books that would result in over sixty published works, among them such classics as The Fat Cat and There's No Such Thing as a Dragon. Jack Kent: The Wit, Whimsy, and Wisdom of a Comic Storyteller illuminates how Kent's life experiences informed his art and his storytelling in both King Aroo and his children's books. Paul V. Allen draws from archival research, brand-new interviews, and in-depth examinations of Kent's work. (immagine) Categoria: Books: novel/sci fi/horror

By Allen, Paul V. Artist Kent, Jack.

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UNIVERSITY PRESS OF MISSISSIPP

The first collection of its kind about Bill Hanna and Joe Barbera, likely the most prolific animation producers of the twentieth century: Hanna and Barbera: Conversations presents a lively portrait of Bill Hanna and Joe Barbera, the influential producers behind Tom and Jerry, the Flintstones, Scooby-Doo, the Smurfs, and hundreds of other cartoon characters who continue to entertain the world today. Encompassing more than fifty years of film and television history, the conversations in this volume include first-person accounts by the namesakes of the Hanna-Barbera studio as well as recollections by artists and executives who worked closely with the pair for decades. (immagine) Categoria: Books: novel/sci fi/horror

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UNIVERSITY PRESS OF MISSISSIPP

Copyright Vigilantes: Intellectual Property and the Hollywood Superhero, 1998-2018 explains superhero blockbusters as allegories of intellectual property relations. In movies based on characters owned by the comics duopoly of DC and Marvel, no narrative recurs more often than a villain's attempt to copy the superhero's unique powers. Since the 1930s, the dominant American comics publishers have treated the creations of artists and writers as work for hire, such that stories and characters become company property. Thus, publishers avoided sharing the profits both from magazine sales and from licensing characters into other media. For decades, creators have challenged this regime, demanding either shares of profits or outright ownership of their creations. Now that the duopoly rents, licenses, and adapts superheroes for increasingly expensive franchises, and for growing international audiences, any challenge to intellectual property relations threatens a production regime worth billions of dollars. Weaving together legal analysis, Marxist political economy, and close readings of movies, Copyright Vigilantes explains the preoccupations of Hollywood's leading genre. (immagine) Categoria: Books: novel/sci fi/horror

By Claverie, Ezra.

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UNIVERSITY PRESS OF MISSISSIPP

Chris Claremont (b. 1950) is best known for his landmark sixteen-year author run on Uncanny X-Men. This is the longest author run in Marvel comics history, one that saw X-Men go from a title on the verge of cancellation to one of the most popular comics for over a decade and, eventually, a multibillion-dollar film franchise. The story of Chris Claremont is the story of a creator who achieved popular success whilst making a significant artistic contribution to his chosen medium, including the first African American superheroine, the first Black superhero team leader, the first canonically Jewish Marvel superhero, extensive queer subtext, extensive BDSM imagery, the first superhero team with a strong female roster, and the best-selling single-issue comic of all time. This volume heralds an impressive career and marvels at how Claremont accomplished all of this within mainstream comics. (immagine) Categoria: Books: novel/sci fi/horror

By Deman, J Andrew.

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UNIVERSITY PRESS OF MISSISSIPP

(E) Jeet Heer, (E) Kent Worcestera A Comics Studies Reader offers the best of the new comics scholarship in nearly thirty essays on a wide variety of such comics forms as gag cartoons, editorial cartoons, comic strips, comic books, manga, and graphic novels. Introducing readers to the major debates and points of reference that continue to shape the field, this anthology covers the pioneering work of Rodolphe T (immagine) Categoria: Books: novel/sci fi/horror

By Various. Artist Various. Cover by Various.

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UNIVERSITY PRESS OF MISSISSIPP

(E) Paul Williams, James Lyons An exploration of an art form's transformation from adolescent charms to adult aesthetics, contributors to this book start in the 1980s when a talented set of comics creators changed the industry forever in America. These writers survey the production, distribution, and reception of American comics to the present. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 05/10/10
By Williams, Lyons (Ed.). Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

A wide-ranging survey of how comics have portrayed Southern ways of life, these essays seek to discover what Captain America can reveal about Southern regionalism, and how slave narratives can help us reread Swamp Thing; others examine how creators such as Walt Kelly (Pogo), Howard Cruse (Stuck Rubber Baby), Kyle Baker (Nat Turner), and Josh Neufeld (A.D.: New Orleans After the Deluge) draw upon the unique formal properties of the comics to question and revise familiar narratives of race, class, and sexuality. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 02/12/11
By Brannon Costello (Ed.). Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

We Go Pogo is the first comprehensive study of Kelly's cartoon art and his larger career in the comics business. Author Kerry D. Soper examines all aspects of Kelly's career, including high school drawings, his work on such animated Disney movies as Dumbo, Pinocchio, and Fantasia, and his 1930s editorial cartoons for Life and the New York Herald Tribune. Soper taps Kelly's extensive personal and professional correspondence and interviews with family members, friends, and cartoonists to create a complex portrait of one of the art form's true geniuses. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/07/12
By Soper, Kerry D.. Artist Kelly, Walt. Cover by Kelly, Walt.

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UNIVERSITY PRESS OF MISSISSIPP

In the summer of 2000 X-Men surpassed all box office expectations and ushered in an era of comic book film adaptations. This trend, now in its second decade, has blossomed into Hollywood's leading genre. From superheroes to Spartan warriors, The Comic Book Film Adaptation offers the first dedicated study to examine how comic books moved from the fringes of popular culture to the center of mainstream film production. The Comic Book Film Adaptation explores this unique moment in which cinema is stimulated, challenged, and enriched by the once-dismissed medium of comics. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/03/15
By Burke, Liam.

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UNIVERSITY PRESS OF MISSISSIPP

In the summer of 2000 X-Men surpassed all box office expectations and ushered in an era of unprecedented production of comic book film adaptations. This trend, now in its second decade, has blossomed into Hollywood's leading genre. From superheroes to Spartan warriors, The Comic Book Film Adaptation offers the first dedicated study to examine how comic books moved from the fringes of popular culture to the center of mainstream film production. It considers the cultural traumas, business demands, and digital possibilities that Hollywood faced at the dawn of the twenty-first century. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 04/11/16
By Burke, Liam. Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

Published in partnership with the Library of Congress, Drawn to Purpose: American Women Illustrators and Cartoonists presents an overarching survey of women in American illustration, from the late nineteenth into the twenty-first century. Martha H. Kennedy brings special attention to forms that have heretofore received scant notice-cover designs, editorial illustrations, and political cartoons-and reveals the contributions of acclaimed cartoonists and illustrators, along with many whose work has been overlooked. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 02/02/18
By Kennedy, Martha. Artist Chast, Roz. Cover by Charles Schulz.

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UNIVERSITY PRESS OF MISSISSIPP

Literary scholar Michael A. Chaney examines graphic novels to illustrate that in form and function they inform readers on how they ought to be read. His arguments result in an innovative analysis of the various knowledges that comics produce and the methods artists and writers employ to convey them. Theoretically eclectic, this study attends to the lessons taught by both the form and content of today's most celebrated graphic novels. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/04/18
By Chaney, Michael A. Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

One of the most overlooked aspects of the Allied war effort involved a surprising initiative - comic book propaganda. Even before Pearl Harbor, the comic book industry enlisted its formidable army of artists, writers, and editors to dramatize the conflict for readers of every age and interest. Comic book superheroes and everyday characters modeled positive behaviors and encouraged readers to keep scrapping. Ultimately, those characters proved to be persuasive icons in the war's most colorful and indelible propaganda campaign. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/04/18
By Brannon Costello (Ed.). Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

Kerry D. Soper reminds us of The Far Side's groundbreaking qualities and cultural significance in Gary Larson and The Far Side. In the 1980s, Gary Larson (b. 1950) shook up a staid comics page by introducing a set of aesthetic devices, comedic tones, and philosophical frames that challenged and delighted many readers, even while upsetting and confusing others. His irreverent, single panels served as an alternative reality to the tame comedy of the family-friendly newspaper comics page, as well as the pervasive, button-down consumerism and conformity of the Reagan era. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 01/06/18
By Soper, Kerry D.. Artist Larson, Gary. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

By the 1980s, animation seemed a dying art. Not even the Walt Disney Company, which had already won over thirty Academy Awards, could stop what appeared to be the end of an animation era. To revitalize popular interest in animation, Disney needed to reach outside its own studio and create the distinctive film that helped usher in a Disney Renaissance. That film, Who Framed Roger Rabbit?, though expensive and controversial, achieved huge success at the box office in 1988. Who Framed Roger Rabbit? magically blended live action and animation, carrying with it a humor that still resonates with audiences. Author Ross Anderson interviewed over 140 artists to tell the story of how they created something truly magical. (immagine) Categoria: Books: novel/sci fi/horror

By Anderson, Ross. Artist N/A. Cover by N/A.

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UNIVERSITY PRESS OF MISSISSIPP

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research - trauma studies and comics studies - to provide a new interpretation of a long-standing theme. Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres's American Widow, Doug Murray's The 'Nam, and Art Spiegelman's much-lauded Maus. (immagine) Categoria: Books: novel/sci fi/horror

Ordinabile fino al 06/09/19
By Earle, Harriet E.H.. Artist Torres, Alissa.

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