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by (W) Roy Thomas; Archie Goodwin (A) Howard Chaykin; Carmine Infantino (CA) Howard Chaykin
The original Star Wars comic book returns! As the phenomenon dawned in 1977, Marvel Comics published the very first Star Wars comic-book series. Now, the House of Ideas is re-presenting those original adventures in its wampa-sized Omnibus format! It's the return of the Jedi to Marvel in an opening volume that begins with A New Hope and ends with The Empire Strikes Back. In between, the rebels face a wealth of new perils -- from space pirate Crimson Jack to the bounty hunter Beilert Valance, as well as a surprisingly svelte Jabba the Hut (one "t"). Luke goes back to Tatooine, Leia battles alone, Han and Chewie play the deadly Big Game, and Darth Vader hunts for answers! With all your old favorites and plenty of fresh faces -- hello, Jaxxon! -- there's no doubt, the Force is strong with this one!
Rated T
Roy Thomas joined the Marvel Bullpen as a writer and editor under Stan Lee, scripting key runs of nearly every title of the time: Amazing Spider-Man, Avengers, Daredevil, Doctor Strange, Sub-Mariner, Thor, X-Men and more. He wrote the first 10 years of Marvel’s Conan the Barbarian and Savage Sword of Conan; and launched such series as Defenders, Iron Fist, Invaders and Warlock. At DC, he developed All-Star Squadron, Infinity Inc. and related titles, proving instrumental in reviving the Golden Age Justice Society of America. Thomas later became editor of Alter Ego, a magazine devoted to comic-book history, and co-scripted the sword-and-sorcery films Fire and Ice and Conan the Destroyer.Artist Howard Chaykin has been an industry legend for more than three decades. After introducing Dominic Fortune in Bizarre Adventuresand drawing Marvel’s Star Wars adaptation, he revamped DC’s Blackhawk and lent his unique perspective on past decades to American Century, Twilight, Pulp Fantastic and City of Tomorrow, among others. Chaykin’s seminal work writing and illustrating the politically charged series American Flagg! has influenced a generation of writers and artists. He remains a leading creative force in the industry, having illustrated Punisher War Journal, Wolverine, Blade and more for Marvel Comics.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Uscita: 16/03/27
Ordinabile fino al 05/10/26
By Roy Thomas. Artist Howard Chaykin. Cover by Howard Chaykin.
Prezzo di copertina: USD 125,00
Prezzo HoVistoCose: EUR 112,81
Data di uscita: 16/03/27
Final Order Cutoff: 05/10/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
![Star Wars: The Original Marvel Years Omnibus Vol. 1 Howard Chaykin Cover [New Printing]](/img/loading.gif)
by (W) Roy Thomas (A) Howard Chaykin (CA) Howard Chaykin
The original comic adaptation of the greatest space-fantasy film of all!Weeks before George Lucas’ first Star Wars film hit theatres, Marvel gave fans their first look at Luke Skywalker, boldly asking: “Will he save the galaxy, or destroy it?†You may know the answer, but that doesn’t spoil the fun of seeing A New Hope like never before — including scenes that never made the silver screen! When the Empire takes Princess Leia prisoner, Luke, Obi-Wan Kenobi, Han Solo, Chewbacca, C-3PO and R2-D2 ride to the rescue and take on Darth Vader in his awesome Death Star. It’s six against a galaxy — one that’s far, far away and a long time ago! May the Force be with you, in the mighty Marvel manner!COLLECTING: Star Wars (1977) #1-6
Rated T
Roy Thomas joined the Marvel Bullpen as a writer and editor under Stan Lee, scripting key runs of nearly every title of the time: Amazing Spider-Man, Avengers, Daredevil, Doctor Strange, Sub-Mariner, Thor, X-Men and more. He wrote the first 10 years of Marvel’s Conan the Barbarian and Savage Sword of Conan; and launched such series as Defenders, Iron Fist, Invaders and Warlock. At DC, he developed All-Star Squadron, Infinity Inc. and related titles, proving instrumental in reviving the Golden Age Justice Society of America. Thomas later became editor of Alter Ego, a magazine devoted to comic-book history, and co-scripted the sword-and-sorcery films Fire and Ice and Conan the Destroyer.Artist Howard Chaykin has been an industry legend for more than three decades. After introducing Dominic Fortune in Bizarre Adventuresand drawing Marvel’s Star Wars adaptation, he revamped DC’s Blackhawk and lent his unique perspective on past decades to American Century, Twilight, Pulp Fantastic and City of Tomorrow, among others. Chaykin’s seminal work writing and illustrating the politically charged series American Flagg! has influenced a generation of writers and artists. He remains a leading creative force in the industry, having illustrated Punisher War Journal, Wolverine, Blade and more for Marvel Comics.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Uscita: 27/04/27
Ordinabile fino al 16/11/26
By Roy Thomas. Artist Howard Chaykin. Cover by Howard Chaykin.
Prezzo di copertina: USD 29,99
Prezzo HoVistoCose: EUR 27,06
Data di uscita: 27/04/27
Final Order Cutoff: 16/11/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Roy Thomas; Archie Goodwin (A) Howard Chaykin; Carmine Infantino (CA) Greg Hildebrandt
The original Star Wars comic book returns! As the phenomenon dawned in 1977, Marvel Comics published the very first Star Wars comic-book series. Now, the House of Ideas is re-presenting those original adventures in its wampa-sized Omnibus format! It's the return of the Jedi to Marvel in an opening volume that begins with A New Hope and ends with The Empire Strikes Back. In between, the rebels face a wealth of new perils -- from space pirate Crimson Jack to the bounty hunter Beilert Valance, as well as a surprisingly svelte Jabba the Hut (one "t"). Luke goes back to Tatooine, Leia battles alone, Han and Chewie play the deadly Big Game, and Darth Vader hunts for answers! With all your old favorites and plenty of fresh faces -- hello, Jaxxon! -- there's no doubt, the Force is strong with this one!
Rated T
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Uscita: 16/03/27
Ordinabile fino al 05/10/26
By Roy Thomas. Artist Howard Chaykin. Cover by Greg Hildebrandt.
Prezzo di copertina: USD 125,00
Prezzo HoVistoCose: EUR 112,81
Data di uscita: 16/03/27
Final Order Cutoff: 05/10/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Roy Thomas; Dann Thomas (A) Andrew Currie; David Ross (CA) David Ross
Say a tearful farewell to Mockingbird - and the whole West Coast Avengers! As the cosmic events of INFINITY CRUSADE pit Avenger against Avenger, Clint Barton picks up the bow and arrows once again and returns to the role of Hawkeye! But the Hangman and his fellow members of the Lethal Legion have targeted the Whackos for death, and soon Mephisto will put them through Hell. What does it take to kill a Mockingbird? In the wake of tragedy, the team comes to a forceful end! Plus: solo adventures of three soon-to-be ex-West Coast Avengers! Discover the origin of Julia "Spider-Woman" Carpenter! U.S.Agent hunts the murderous Scourge of the Underworld and seeks answers about his past! And plagued by horrifying nightmares, the Scarlet Witch seeks the mystical aid of mentor Agatha Harkness! Collecting AVENGERS WEST COAST (1989) #96-102, U.S.AGENT (1993) #1-4, SPIDER-WOMAN (1993) #1-4 and SCARLET WITCH (1994) #1-4.
Rated T
Roy Thomas joined the Marvel Bullpen as a writer and editor under Stan Lee, scripting key runs of nearly every title of the time: Amazing Spider-Man, Avengers, Daredevil, Doctor Strange, Sub-Mariner, Thor, X-Men and more. He wrote the first 10 years of Marvel’s Conan the Barbarian and Savage Sword of Conan; and launched such series as Defenders, Iron Fist, Invaders and Warlock. At DC, he developed All-Star Squadron, Infinity Inc. and related titles, proving instrumental in reviving the Golden Age Justice Society of America. Thomas later became editor of Alter Ego, a magazine devoted to comic-book history, and co-scripted the sword-and-sorcery films Fire and Ice and Conan the Destroyer.Dann Thomas has written or co-written stories in multiple Avengers titles. At DC, she collaborated with husband Roy to create Infinity Inc., Jonni Thunder, Young All-Stars, and other Golden Age character tie-ins.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Uscita: 15/12/26
Ordinabile fino al 05/10/26
By Roy Thomas. Artist Andrew Currie. Cover by David Ross.
Prezzo di copertina: USD 54,99
Prezzo HoVistoCose: EUR 49,62
Data di uscita: 15/12/26
Final Order Cutoff: 05/10/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Tim Seeley (A) Philip Tan; Michael Sta. Maria; Roi Mercado (CA) R.B. Silva
Cable assembles a new squad!Cable returns from the future with a handful of clues — and gaping holes in his memory. An assassination is at hand, and he needs a new team to follow him into the fire. Hellverine, Archangel and OG X-Forcer Boom-Boom will be by his side — but who are they after, and what secret does Cable’s faulty memory hide? As Hellverine must face demonic temptation, thankfully Boom-Boom is one of Cable’s most trusted allies — or is she? A mission into a secret safehouse reveals a startling seed of doubt, and a hidden agent is stalking X-Force from the shadows. The mysteries deepen, and the action amplifies as the true mission comes into focus. Can X-Force get their target before their own assassin catches up with them?
Rated T+
Writer/artist Tim Seeley has penciled New Exiles and Weapon X: First Class, and wrote and drew Ant-Man & Wasp. He has also written and illustrated various G.I. Joe series for Image and Devil’s Due. Other credits include Hack/Slash and Loaded Bible, as well as the webcomic Colt Noble and the Megalords.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Uscita: 19/01/27
Ordinabile fino al 09/11/26
By Tim Seeley. Artist Philip Tan. Cover by R.B. Silva.
Prezzo di copertina: USD 24,99
Prezzo HoVistoCose: EUR 22,55
serie
Data di uscita: 19/01/27
Final Order Cutoff: 09/11/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Stan Lee; Roy Thomas (A) Gene Colan; Bill Everett (CA) Marie Severin
Sub-Mariner gets his own title in the heyday of the Marvel Age! It's undersea action at its finest as a roster of legendary creators guides the Sub-Mariner to glory! First, Stan Lee and Gene Colan continue their triumphant TALES TO ASTONISH run as Namor is driven to madness - first by the Puppet Master, then by political intrigue with Warlord Krang. Next, Namor becomes the prime target of the shadowy Secret Empire in an astonishing crossover with the Incredible Hulk. Another clash with Iron Man further elevates these iconic tales, featuring art by Jack "King" Kirby himself! Sub-Mariner creator Bill Everett makes a celebrated return to illustrate an epic war against Attuma. And finally, Roy Thomas and "Big" John Buscema launch Namor into his solo series with a historic team-up alongside the Inhumans' Triton! COLLECTING TALES TO ASTONISH #77-101, TALES OF SUSPENSE #79-80, IRON MAN AND SUB-MARINER #1, SUB-MARINER #1-3 AND MATERIAL FROM NOT BRAND ECHH #1, #4, #9 & #11.
All Ages
Writer/editor Stan Lee (1922-2018) made comic-book history together with Jack Kirby in 1961 with Fantastic Four #1. The monumental popularity of its new style inspired Lee to develop similarly themed characters — including the Hulk and X-Men with Kirby, Spider-Man and Doctor Strange with Steve Ditko, and Daredevil with Bill Everett. After shepherding his creations through dozens of issues — in some cases a hundred or more — Lee allowed other writers to take over, but he maintained steady editorial control. Eventually, he helped expand Marvel into a multimedia empire. In recent years, his frequent cameo appearances in Marvel’s films established Lee as one of the world’s most famous faces.Roy Thomas joined the Marvel Bullpen as a writer and editor under Stan Lee, scripting key runs of nearly every title of the time: Amazing Spider-Man, Avengers, Daredevil, Doctor Strange, Sub-Mariner, Thor, X-Men and more. He wrote the first 10 years of Marvel’s Conan the Barbarian and Savage Sword of Conan; and launched such series as Defenders, Iron Fist, Invaders and Warlock. At DC, he developed All-Star Squadron, Infinity Inc. and related titles, proving instrumental in reviving the Golden Age Justice Society of America. Thomas later became editor of Alter Ego, a magazine devoted to comic-book history, and co-scripted the sword-and-sorcery films Fire and Ice and Conan the Destroyer.As both writer and artist, Archie Goodwin (d. 1998) got his start in comic strips and cartoons before moving to Warren Publishing’s Vampirella — and from there to Marvel, where he eventually succeeded Gerry Conway as editor in chief. He has been credited with saving Marvel from financial ruin, with Roy Thomas, by securing adaptation rights to the legendary Star Wars franchise, perceiving its potential long before later merchandisers. He also wrote comic-book adaptations of Alien, Blade Runner and other hit films. He created both Marvel’s Graphic Novel line and its Epic Comics imprint — where, as editor, he occasionally appeared in caricature as alien, elf or other. He also edited early English translations of the Akira series and the works of Moebius. At DC Comics, he guided the destinies of Batman and Starman; one of his most memorable bodies of work was his collaboration with Walter Simonson on the “Manhunter†backup feature in Detective Comics, which won five Shazam Awards.Guaranteed immortality for introducing Johnny Blaze, the Ghost Rider, Gary Friedrich also played a pivotal role in Marvel’s 1970s Western and war comics, penning memorable tales of Sgt. Fury and launching the Marine series Captain Savage. In addition, Friedrich wrote issues of Incredible Hulk, Captain America, Captain Marvel, Daredevil, X-Men and more. With Steve Ditko, he co-created Charlton’s Blue Beetle, now a DC character. With Len Brown, he has written a series of books on popular music.Arnold Drake (1924-2007) helped shape the Silver Age both at Marvel with Captain Marvel and X-Men; and at DC with Batman, Doom Patrol and “Stanley and His Monster.†His media tie-in work ranged from Star Trek to Bob Hope and Jerry Lewis. He wrote, produced and directed the 1964 horror film The Flesh Eaters, and wrote lyrics for several musicals. He won 1967 Alley Awards for Best Full-Length Story and Best New Strip (both for Deadman in Strange Adventures), as well as the Bill Finger Award for Excellence in Comics Writing.The unique, shadowy style of Gene Colan (1926-2011) most memorably appeared in long stints on Captain America and Daredevil, and all 70 issues of Tomb of Dracula — among the dozens of other Marvel titles he has drawn. His DC work on Detective Comics and Night Force is equally well remembered. During the Golden Age, he drew multiple war stories for Marvel and DC alike. Colan has earned several Eagle Awards and had professional art showings in New York City. His work on Ed Brubaker’s Captain America at the age of 82 drew well-deserved raves.An unparalleled talent, Bill Everett created Prince Namor, the Sub-Mariner, comics’ original anti-hero, whose ongoing adventures set the bar for sophisticated comic-book serials. Equally as skilled at illustrating horror and war comics, Everett continued as one of Timely’s top artists until 1957. Once the Marvel Age kicked off, Stan Lee brought Everett back into the fold to co-create Daredevil and return once more to his signature creation, the Sub-Mariner.John Buscema (1927-2002) literally wrote the book on being a Marvel artist — namely, How To Draw Comics the Marvel Way — and few were better qualified. His career dated back to the Timely/Atlas era of the late ’40s and early ’50s. Soon after beginning the Marvel Age of Comics, Stan Lee recruited Buscema from the advertising field to the Marvel Bullpen. Buscema followed a long run on Avengers with the long-anticipated first Silver Surfer series. He subsequently succeeded Jack Kirby on Fantastic Four, Thor and other titles. By the time of his retirement in 1996, Buscema had penciled nearly every Marvel title — including his personal favorite, Conan the Barbarian.During the 1960s, when males dominated the industry, Marie Severin earned the respect of her peers with her seemingly limitless talents in every facet of comic-book production — from penciling to inking to lettering to coloring. Her earliest recorded work was for EC Comics in 1949, and she went on to contribute coloring across the famous publisher’s line before moving to Marvel’s predecessor Atlas Comics. In the Silver Age of comics, Severin made her mark in the Bullpen, drawing the adventures of Doctor Strange and becoming the company’s head colorist before going on to concentrate on penciling. Her extensive contribution to Marvel across a wide array of titles includes providing the original design for Spider-Woman. Severin was inducted into the Will Eisner Comics Hall of Fame in 2001.Dan Adkins (1937-2013) worked on comic books and science-fiction magazines from an early age; as the Silver Age of comics dawned, he joined the Wally Wood Studio as Wood’s assistant, their collaborations including stories in such titles as Creepy and Eerie. Adkins arrived at Marvel in 1967 and worked primarily as an inker on an array of titles, including an extensive run on Conan the Barbarian. He also penciled the adventures of Doctor Strange, Ka-Zar and others. Also famed for his cover paintings, Adkins was inducted into the Joe Sinnott Hall of Fame in the Inkwell Awards of 2019.Born Jacob Kurtzberg in 1917 to Jewish-Austrian parents on New York’s Lower East Side, Jack Kirby came of age at the birth of the American comic book industry. Beginning his career during the rising tide of Nazism, Kirby and fellow artist Joe Simon created the patriotic hero Captain America. Cap’s exploits on the comic book page entertained millions of American readers at home and inspired U.S. troops fighting the enemy abroad. When World War II ended, the public’s interest in super heroes waned; Kirby turned his artistic talents during the 1950s to other genres, such as monsters, Westerns and crime — as well as the first-of-its-kind Young Romance Comics. In 1961, Kirby returned to super heroes to illustrate what would become the defining issue in Marvel Comics history: Fantastic Four #1. Written by Stan Lee, the team’s debut revolutionized the industry overnight. In contrast to the staid artwork of his predecessors, Kirby’s illustrations seemed to leap off the page with eye-popping action and drama. For the next decade, Kirby and Lee would introduce a mind-boggling array of new characters — including the Avengers, the Hulk, Thor, Iron Man, the Silver Surfer and the X-Men. Taken together, Kirby’s groundbreaking work with Lee formed the foundation of the Marvel Universe. In the early 1970s, Kirby moved to DC Comics, where his boundless creativity continued. He returned to Marvel in 1975, writing and illustrating Captain America and introducing his final major concept, the Eternals. With the explosion of TV animation during the 1980s, Kirby’s talents turned to the small screen. Comic fans quickly recognized his work on such series as Thundarr the Barbarian and Turbo Teen. Kirby died in 1994, but his influence on the comic book industry is as strong as ever. His work has inspired a generation of professional artists and modern writers who continue to explore his vast universe of concepts and characters.The industry lost an icon with the passing of Tom Sutton (1937-2002), best remembered as the original artist of the cult-classic icon Vampirella. Having begun his career with the comic strip Johnny Craig and contributions to underground comics, Sutton worked in multiple genres at Marvel — including Western (Kid Colt Outlaw, Rawhide Kid), humor (Arrgh, Crazy, Not Brand Ecch), super heroes (Doctor Strange, Ghost Rider), and the licensed Planet of the Apes titles. During a run on Amazing Adventures, he and writer Steve Englehart revamped the X-Men’s Beast into his better-known furry form. Moving to DC Comics, he penciled nearly every issue of the 1984-1988 series Star Trek and, with J.M. DeMatteis, co-created “I, Vampire†for House of Mystery before returning to Marvel to pencil a Man-Thing serial in Marvel Comics Presents. Sutton’s additional body of work includes art for Charlton Comics, Eros Comics, First Comics and Skywald Publications.In 1976, Ross Andru (1927-1993) made comic-book history by penciling the first large-scale intercompany crossover, Superman vs. the Amazing Spider-Man, having spent years illustrating both characters in various titles. He also made Marvel history in Marvel Feature, drawing the Defenders’ first appearance. At DC, he spent nine years collaborating with Bob Kanigher on Wonder Woman. With Marv Wolfman and Mike Esposito, he co-created Vigilante (Adrian Chase).
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Uscita: 05/01/27
Ordinabile fino al 26/10/26
By Stan Lee. Artist Gene Colan. Cover by Marie Severin.
Prezzo di copertina: USD 54,99
Prezzo HoVistoCose: EUR 49,62
Data di uscita: 05/01/27
Final Order Cutoff: 26/10/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Gerry Conway; Marv Wolfman (A) Ross Andru; Keith Pollard (CA) Gil Kane
The classic stories that defined the Punisher!When the mob killed his family, Frank Castle went to war. But before he became the scourge of the underworld, the Punisher set his sights on a certain world-famous wall-crawler — on behalf of the maniacal Jackal! Witness Frank’s earliest encounters with Spider-Man — during which Tarantula, Nightcrawler, the Hitman, Cloak & Dagger and the Kingpin of Crime all find themselves in the line of fire! For the Punisher, Captain America’s shield is target practice — but when Frank meets Daredevil, vigilante ideologies clash and a rivalry for the ages begins! Plus: In his earliest solo tales, Frank’s relentless war on crime begins in earnestCOLLECTING: Amazing Spider-Man (1963) #129, 134-135, 161-162, 174-175, 201-202; Amazing Spider-Man Annual (1964) #15; Giant-Size Spider-Man (1974) #4; Captain America (1968) #241; Daredevil (1964) #183-184; Peter Parker, the Spectacular Spider-Man (1976) #81-83; material from Marvel Preview (1975) #2, Marvel Super Action (1976) #1Written by: Gerry Conway, Marv Wolfman, Dennis O’Neill, Mike Barr, Roger McKenzie, Frank Miller, Bill Mantlo & Archie GoodwinPenciled by: Ross Andru, Keith Pollard, Frank Miller, Frank Springer, Al Milgrom, Greg LaRocque & Tony DeZuniga
Rated T+
Gerry Conway wrote Daredevil, Incredible Hulk, Iron Man and others. He was instrumental in Marvel’s 1970s horror boom with work on Man-Thing, Tomb of Dracula and Werewolf by Night. His years on Amazing Spider-Man yielded such historic highlights as the groundbreaking death of Gwen Stacy and the debut of the Punisher. He also wrote DC’s Batman, Superman, Wonder Woman and Legion of Super-Heroes. For TV, he has written and produced episodes of Diagnosis: Murder, Hercules: The Legendary Journeys, Huntress and Matlock.An award-winning writer since 1973, Marv Wolfman succeeded mentor Roy Thomas as Marvel’s editor in chief. Well-remembered for his Tomb of Dracula scripts, he also enjoyed runs on Dr. Strange, Fantastic Four and Nova, among other titles. New Teen Titans, his 1980s collaboration with George Pérez, became DC Comics’ biggest hit in years. Wolfman and Pérez literally rewrote DC history with Crisis on Infinite Earths. He subsequently penned episodes for such animated TV series as G.I. Joe, Transformers and others.Multiple Eisner Award-winner Frank Miller broke into the comics business during the late 1970s, landing a choice assignment on the series Daredevil. His work quickly made the title one of Marvel’s best-selling series, as well as establishing Miller as a fan-favorite superstar. During his tenure on Daredevil, he introduced the assassin Elektra, who became a major Marvel character in her own right. After completing his initial run, Miller returned to Daredevil as writer of the acclaimed “Born Again†run with artist David Mazzucchelli; he then collaborated with John Romita Jr. for the Daredevil: Man Without Fear limited series. Miller has also had monumental success with his work on other iconic characters. In 1986, he made a splash at DC with the wildly popular and hugely influential Batman: The Dark Knight Returns, which told the tale of an older Batman still fighting crime decades after his prime. The following year, Miller reteamed with David Mazzucchelli for Batman: Year One, putting a modern spin on Batman’s classic origin story. Miller writes All Star Batman & Robin with artist Jim Lee, continuing to put his distinctive mark on the Dark Knight. Miller has parlayed his talents as a comic-book creator to major success in Hollywood. In 2005, Miller collaborated with Robert Rodriquez to co-direct Sin City, a film that was widely praised by both fans and critics. Two years later, Miller’s 300 met with similar success, breaking multiple box-office records. Miller wrote and directed The Spirit, based on Will Eisner’s classic hero.Bill Mantlo began his Marvel career on Deadly Hands of Kung Fu, in which he introduced White Tiger, one of the industry’s earliest Hispanic super heroes. Eventually writing stories for almost every Marvel title, he did some of his most fondly remembered work on Incredible Hulk and Spectacular Spider-Man. He also created Rocket Raccoon, launched Cloak & Dagger in a pair of miniseries and guided Alpha Flight through some of its most harrowing ordeals. Mantlo excelled at integrating licensed properties into the Marvel Universe, as demonstrated by Micronauts and Rom, both of which he wrote from start to finish. At DC, he wrote the Invasion miniseries for one of the company’s biggest crossover events.As both writer and artist, Archie Goodwin (d. 1998) got his start in comic strips and cartoons before moving to Warren Publishing’s Vampirella — and from there to Marvel, where he eventually succeeded Gerry Conway as editor in chief. He has been credited with saving Marvel from financial ruin, with Roy Thomas, by securing adaptation rights to the legendary Star Wars franchise, perceiving its potential long before later merchandisers. He also wrote comic-book adaptations of Alien, Blade Runner and other hit films. He created both Marvel’s Graphic Novel line and its Epic Comics imprint — where, as editor, he occasionally appeared in caricature as alien, elf or other. He also edited early English translations of the Akira series and the works of Moebius. At DC Comics, he guided the destinies of Batman and Starman; one of his most memorable bodies of work was his collaboration with Walter Simonson on the “Manhunter†backup feature in Detective Comics, which won five Shazam Awards.In 1976, Ross Andru (1927-1993) made comic-book history by penciling the first large-scale intercompany crossover, Superman vs. the Amazing Spider-Man, having spent years illustrating both characters in various titles. He also made Marvel history in Marvel Feature, drawing the Defenders’ first appearance. At DC, he spent nine years collaborating with Bob Kanigher on Wonder Woman. With Marv Wolfman and Mike Esposito, he co-created Vigilante (Adrian Chase).Keith Pollard drew simultaneous runs on three of Marvel’s longest-running titles: Amazing Spider-Man, Fantastic Four and Thor, including Roy Thomas and Mark Gruenwald’s “Eternals Saga.†During the 1990s, he singlehandedly penciled hundreds of characters for the Official Handbook of the Marvel Universe: Master Edition.Multiple Eisner Award-winner Frank Miller broke into the comics business during the late 1970s, landing a choice assignment on the series Daredevil. His work quickly made the title one of Marvel’s best-selling series, as well as establishing Miller as a fan-favorite superstar. During his tenure on Daredevil, he introduced the assassin Elektra, who became a major Marvel character in her own right. After completing his initial run, Miller returned to Daredevil as writer of the acclaimed “Born Again†run with artist David Mazzucchelli; he then collaborated with John Romita Jr. for the Daredevil: Man Without Fear limited series. Miller has also had monumental success with his work on other iconic characters. In 1986, he made a splash at DC with the wildly popular and hugely influential Batman: The Dark Knight Returns, which told the tale of an older Batman still fighting crime decades after his prime. The following year, Miller reteamed with David Mazzucchelli for Batman: Year One, putting a modern spin on Batman’s classic origin story. Miller writes All Star Batman & Robin with artist Jim Lee, continuing to put his distinctive mark on the Dark Knight. Miller has parlayed his talents as a comic-book creator to major success in Hollywood. In 2005, Miller collaborated with Robert Rodriquez to co-direct Sin City, a film that was widely praised by both fans and critics. Two years later, Miller’s 300 met with similar success, breaking multiple box-office records. Miller wrote and directed The Spirit, based on Will Eisner’s classic hero.Frank Springer (1929-2009) provided artwork for multiple Dell Comics series before joining the Marvel Bullpen. He illustrated several stories for the black-and-white magazines of the 1970s, and then moved from title to title to pencil Avengers, Captain America, Spider-Woman and others. He later worked on Marvel tie-in properties Conan the Barbarian, G.I. Joe and Transformers. At DC, he co-created the Secret Six in House of Mystery, later returning to the concept in Action Comics Weekly. Springer also drew several comic strips, including Adventures of Hedley Kase, Rex Morgan MD, The Virtue of Hedley Kase and Marvel’s own Incredible Hulk.Al Milgrom, A.K.A. “Editori-Al,†is renowned as writer, editor, penciler and inker — and held most of those positions on Spectacular Spider-Man. He also contributed to SSM’s sibling Amazing Spider-Man. He penciled West Coast Avengers for four years and inked X-Factor for eight. His artwork has also appeared in Avengers, Captain America, Thor and most X-titles, including the classic Kitty Pryde and Wolverine. As editor, he oversaw Marvel’s Epic imprint and the sixty-issue run of Marvel Fanfare, where his satirical self-portraits made his face as recognizable as any super hero’s mask. At DC, he co-created Firestorm the Nuclear Man with Gerry Conway.Artist Greg LaRocque is best known for his DC Comics work on titles including Legion of Super-Heroes and Flash. At Marvel, he helped bring the long-running Marvel Team-Up to a close and launched the replacement series Web of Spider-Man. His other credits include Avengers and Power Man and Iron Fist.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels (in preordine)
Uscita: 02/03/27
Ordinabile fino al 21/12/26
By Gerry Conway. Artist Ross Andru. Cover by Gil Kane.
Prezzo di copertina: USD 54,99
Prezzo HoVistoCose: EUR 49,62
Data di uscita: 02/03/27
Final Order Cutoff: 21/12/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Dan Slott; Fred Van Lente (A) Humberto Ramos; Stefano Caselli (CA) Humberto Ramos
One of the 21st century's most celebrated AMAZING SPIDER-MAN runs!Peter Parker has finally hit the Big Time. He's a full-fledged Avenger, he just landed a high-paying science job, and he has an amazing new girlfriend. But big-time living means big-time pressure! When the Hobgoblin returns, Spidey will need a slick new edge to defeat him. And when the Scorpion targets J. Jonah Jameson and his loved ones, Spider-Man must grapple with matters of life and death in a moving and compelling tale. Then, Spidey joins the Fantastic Four, adding even greater responsibilities to his already overfull plate. Will all his new commitments prove too much to handle? Meanwhile, a new and strangely familiar Venom makes his debut! And when Manhattan’s residents suddenly wake up with Peter’s amazing powers — but none of the responsibility — can Spidey and his allies save Spider-Island from itself?!COLLECTING: Amazing Spider-Man (1999) #648-673, 654.1; Free Comic Book Day 2011 (Spider-Man) #1; Venom (2011) #6-9; Spider-Island: Avengers (2011) #1; Spider-Island: Deadly Foes (2011) #1; Spider-Island: Heroes For Hire (2011) #1; Spider-Island: I Love New York City (2011) #1; Spider-Island: Spider-Woman (2011) #1; Spider-Island: Amazing Spider-Girl (2011) #1-3; Spider-Island: Cloak & Dagger (2011) #1-3; Spider-Island: Deadly Hands of Kung Fu (2011) #1-3; Herc (2011) #7-8; Black Panther: The Most Dangerous Man Alive (2011) #524; Spider-Island: Emergence of Evil - Jackal & Hobgoblin (2011) #1 (framing story)Written by: Dan Slott, Fred Van Lente, Christos Gage, Rick Remender, Dan Abnett, Andy Lanning, Skottie Young, Paul Tobin, Nick Spencer, Antony Johnston, Greg Pak, David Liss and morePenciled by: Humberto Ramos, Stefano Caselli, Marcos Martin, Javier Pulido, Reilly Brown, Giuseppe Camuncoli, Ryan Stegman, Tom Fowler, Mike McKone, Kyle Hotz, Pepe Larraz, Emma Rios, Sebastián Fiumara, June Brigman, Francesco Francavilla and more
Rated T+
Dan Slott has built a loyal fan base by combining old-school fun with stories and characterizations friendly to new readers. Following his run on She-Hulk, Slott moved into the upper echelon of Marvel writers, launching Avengers: The Initiative and taking the reins on Mighty Avengers from Brian Michael Bendis. When Marvel gave Spider-Man a fresh start in 2008, Slott was one of several rotating writers on the thrice-monthly Amazing Spider-Man. Slott became the writer most closely identified with the web-slinger’s “Brand New Day†era, and the title hit the “Big Time†when he took over as full-time writer for a decade-long run. Slott has also turned his talents to other iconic Marvel heroes — including soaring the spaceways with Silver Surfer; helming Tony Stark: Iron Man toward Iron Man 2020; and masterminding the glorious return of Fantastic Four, leading to his long-awaited “Reckoning War.†In 2022, Slott made his way back to the Spider-Verse, teaming with legendary penciler Mark Bagley on Spider-Man and introducing the sidekick sensation Spider-Boy. Fred Van Lente has been a comics fan as long as he can remember, initially hooked by his father’s copy of Jules Feiffer’s landmark anthology The Great Comic Book Heroes. Van Lente joined Syracuse University’s comic-book club and met artist Steve Ellis, with whom he created indie super-crime comic The Silencers. That work got noticed by Marvel, where Van Lente was soon hired and introduced a heroic new Scorpion in Amazing Fantasy. Since then, the versatile Van Lente’s many Marvel assignments have included three New York Times-best-selling entries in the Marvel Zombies series, as well as Amazing Spider-Man, Incredible Hercules, X-Men Noir, Iron Man Legacy, Chaos War, Herc and Alpha Flight.Christos Gage sold his first screenplay in 1997 and has been working steadily ever since; he started writing comics in 2004 with DC’s Deadshot miniseries, featuring the sharpshooting antihero from Suicide Squad. He then began co-writing Avengers: The Initiative with Dan Slott, which led to him becoming the sole writer on the book and its successor, Avengers Academy. His additional Marvel credits include Civil War: Casualties of War, House of M: Avengers, Iron Man, Union Jack and World War Hulk: X-Men, as well as a prominent run on X-Men: Legacy.Beginning his career in animation working on such films as The Iron Giant, Anastasia and Titan A.E., Rick Remender has become a comic-book triple threat — writing, penciling and inking numerous fan-favorite series. Remender served as writer on hit video games Dead Space and Bulletstorm, while providing art for punk/metal bands like NOFX and 3 Inches of Blood. He’s co-created many popular independent titles, including the critically acclaimed Fear Agent with longtime collaborators Tony Moore and Jerome Opeña. His time at Marvel started on Punisher, and has since led to well-received runs on Uncanny X-Force, Venom, Captain America and Uncanny Avengers. Remender made headlines by promoting Sam Wilson, the Falcon, to full-fledged shield-slinger in All-New Captain America.Award-winning British author Dan Abnett has been a New York Times best-seller seven times and won the Best Comic Writer award in 2003. He has written more than fifty books — including best-selling Warhammer 40,000 novels and tie-in fiction for Doctor Who, Torchwood and Primeval. He co-created Death’s Head and Knights of Pendragon for Marvel UK in the 1980s, and contributed extensively to the UK’s illustrious 2000AD. He has also written Iron Man, New Mutants, Doctor Strange and Punisher for Marvel, and worked on some of Marvel’s epic cosmic comics including the Annihilation and War of Kings events, and the Nova and Guardians of the Galaxy series. Abnett is also known for his work on major games such as Alien: Isolation and Shadow of Mordor. He has returned to Marvel’s cosmos on Guardians 3000 and Guardians of Infinity.Andy Lanning is probably best known for his work co-writing Marvel's cosmic characters in Nova, various Annihilation series and Guardians of the Galaxy. During a career spanning decades, his writing credits also include Heroes for Hire, New Mutants and Punisher at Marvel; Resurrection Man, Legion of Superheroes and Superman/Batman at DC Comics; The Authority at WildStorm; and the creator-owned Hypernaturals at BOOM! Along with co-writer Alan Cowsill, he revived Marvel UK’s super heroes in Revolutionary War. Lanning is also a celebrated inker, best known for his work with Phil Jimenez on New X-Men and Amazing Spider-Man. He has worked with a dazzling array of talented artists including Mike McKone (Fantastic Four, Amazing Spider-Man), Dave Gibbons (Secret Service), Mark Bagley (Fearless, Ultimate Spider-Man) and Ivan Reis (Justice League, Aquaman).Skottie Young has worked in both comics and animation for Warner Bros., Universal, Spike TV, Mattel, Fisher Price, Marvel, Dark Horse, Image and more. His distinctively stylized artwork graced runs on Human Torch, Venom, Spider-Man: Legend of the Spider-Clan and a revamp of New Warriors. He also drew the X-Men/Runaways team-up for Free Comic Book Day 2006 and a run of New X-Men. Young won acclaim from fans and critics alike with Marvel’s series of New York Times-best-selling and Eisner Award-winning adaptations of L. Frank Baum’s Oz novels with writer Eric Shanower. His Young Marvel variant covers became a sensation, leading to their own Secret Wars limited series, Giant-Size Little Marvel: AVX. Also a flourishing writer, Young brought his flair for madcap antics delivered in his trademark kinetic style to Marvel’s Rocket Raccoon and Deadpool, as well as acclaimed creator-owned series I Hate Fairyland, Middlewest and The Me You Love In The Dark. He lives in Kansas with his wife, two sons, and two dogs.Nick Spencer broke into the comic-book industry with Existence 2.0, published by Image in 2009 and slated for adaptation into a feature film by Paramount Pictures. He has since worked on a sequel, Existence 3.0, and the ongoing series Morning Glories and Bedlam for Image, as well as T.H.U.N.D.E.R. Agents for DC. For Marvel, he wrote Secret Avengers, Iron Man 2.0 and Ultimate Comics X-Men before relaunching Secret Avengers and launching the villain-centric Superior Foes of Spider-Man for Marvel NOW! Spencer brought the comedic-underdog tone of the latter book to the pages of Ant-Man, and then shocked readers by turning the Sentinel of Liberty against the world in the pages of Captain America: Steve Rogers, Captain America: Sam Wilson and the event series Secret Empire.Antony Johnston is an award-winning, New York Times best-selling author of comics, graphic novels, video games and books, with titles including Wasteland, Daredevil, Dead Space, Julius and Frightening Curves. He has also adapted books by best-selling novelist Anthony Horowitz, collaborated with comics legend Alan Moore and reinvented Marvel’s flagship character Wolverine for manga. His titles have been translated throughout the world and optioned for film. He lives and works in England.Film director and screenwriter Greg Pak’s first feature, the sci-fi anthology Robot Stories, won 35 awards; he broke into the comics industry when his agent sent Marvel the screenplay. After writing a Warlock reboot, Pak made a splash with the X-Men: Phoenix — Endsong limited series and a lengthy run on Incredible Hulk, highlighted by the “Planet Hulk†storyline and the World War Hulk crossover. In addition to the acclaimed Magneto: Testament and Red Skull: Incarnate limited series, a War Machine revival and the retitled Incredible Hulks, Pak has written Dynamite’s Battlestar Galactica and contributed to Secret Identities: The Asian American Superhero Anthology. His efforts with co-writer Fred Van Lente include Incredible Hercules, Herc, Heroic Age: Prince of Power, an Alpha Flight relaunch and the Chaos War crossover. Pak introduced Amadeus Cho as a new Green Goliath in The Totally Awesome Hulk and delivered mutant mayhem in Weapon X.David Liss is the best-selling, Edgar Award-winning author of A Conspiracy of Paper, The Coffee Trader, A Spectacle of Corruption, The Whiskey Rebels, The Devil’s Company and The Twelfth Enchantment. For Marvel, he has written the series Black Panther: The Most Dangerous Man Alive and the critically acclaimed pulp-noir miniseries Mystery Men.Artist Humberto Ramos made his American comics debut in 1994 with DC’s Impulse, featuring the Flash’s brash grandson. In 1998, Ramos launched the creator-owned Crimson under Wildstorm’s Cliffhanger imprint, illustrating the title for more than two years. He then moved to Marvel, becoming one of the most recognizable and innovative talents in comics. Seamlessly blending both Eastern and Western styles, the artist’s artist has worked on many of Marvel’s most iconic characters — including Spider-Man, Wolverine and the X-Men — in addition to a run on the fan-favorite Runaways. Ramos brought his kinetic artwork to the pages of Extraordinary X-Men and Champions, as well as a magical collaboration with Skottie Young on Strange Academy.Italian illustrator Stefano Caselli broke into American comics during the early 2000s with work on titles including Marvel’s Mutant X and Thunderbolts. He enhanced his reputation on series such as Avengers: The Initiative, Secret Warriors and Avengers Assemble before playing a key role in the rotating art team on Dan Slott’s Amazing Spider-Man and joining Jonathan Hickman on Avengers. Caselli collaborated with Brian Michael Bendis on a groundbreaking Invincible Iron Man run featuring Riri Williams as a new armored hero, and joined Gerry Duggan on the seafaring X-series Marauders.Marcos Martin’s clean, fluid style became an instant hit on DC’s Batgirl: Year One. He next worked on Breach and illustrated a brief Green Arrow run. At Marvel, Martin collaborated with writer Brian K. Vaughan on Doctor Strange: The Oath and became part of the rotating team of artists drawing Amazing Spider-Man. Martin played his part on the Eisner Award-winning Daredevil relaunch written by Mark Waid, and claimed both an Eisner and Harvey Award for his reunion with Vaughan on the creator-owned digital comic The Private Eye.A comics artist since the late ’90s, Javier Pulido has impressed readers with his graphic style and compelling storytelling on titles such as Amazing Spider-Man, Hawkeye and She-Hulk.After interning at Marvel in 2002 and showing his samples at a convention, Reilly Brown was hired to work on 2005’s Marvel Holiday Special, pitting the Avengers against an evil robotic Santa Claus. He later became the artist of Cable & Deadpool, co-writing the final issues of that title with Fabian Nicieza.Artist Giuseppe Camuncoli made his Marvel Comics debut in 2002 on Spider-Man’s Tangled Web. His subsequent Marvel credits include the limited series X-Infernus, which re-established Illyana Rasputin as a central character in the X-Universe. He later helped launch Wolverine’s son into his own title with Daken: Dark Wolverine, and teamed with writer Dan Slott on Amazing Spider-Man and Superior Spider-Man. Camuncoli illustrated the entire 25-issue run of writer Charles Soule’s Star Wars: Darth Vader.The pencils of Ryan Stegman first gained rave reviews in the Marvel adaptation of Raymond E. Feist’s Magician Apprentice and Riftwar. The popularity of his work there led to assignments on Incredible Hulk, Marvel Adventures Spider-Man, Incredible Hercules and She-Hulks. With writer Christopher Yost, he launched a new incarnation of Scarlet Spider; with Dan Slott, he shocked fans with Superior Spider-Man; and with Gerry Conway, he offered a different take on the wall-crawler and his family in Amazing Spider-Man: Renew Your Vows. Stegman’s other Marvel credits include Wolverine, Inhuman and Uncanny Avengers as well as his smash-hit run on Venom.Cartoonist and illustrator Tom Fowler has worked in comics, advertising, and film and game concept design for such varied clients as Disney, Hasbro, MAD, DC Comics and Marvel. He is best known for his work on the feature strip “Monroe†for MAD Magazine and his critically acclaimed series Mysterius the Unfathomable with writer Jeff Parker. For Marvel, he has illustrated the Spider-Man spinoff series Venom and the original graphic novel Hulk: Season One.Artist Mike McKone was pegged as a future industry superstar when his first work was published in DC’s JLA and Legion. In 2001, McKone collaborated with writer Judd Winick to launch Marvel’s Exiles, a surprise hit among X-fans. Two years later, he teamed with writer Geoff Johns to revamp Teen Titans for DC. Since signing an exclusive contract with Marvel, McKone’s credits include Fantastic Four, Amazing Spider-Man and Avengers Academy.Well regarded as a modern master of the macabre, artist Kyle Hotz is best known for his uniquely creepy art style. Hotz first gained notice during the 1990s with extensive credentials on a long list of horror comics. Since then, he has gone on to illustrate Incredible Hulk, Ghost Rider and Venom for Marvel Comics, as well as The Hood in collaboration with writer Brian K. Vaughan. Hotz thrilled fans of the “living dead†genre with Zombie, a four-part limited series modernizing the classic ’70s-era Marvel horror character, and its sequel, The Zombie: Simon Garth.Artist Pepe Larraz penciled Spider-Island: The Amazing Spider-Girl and pitted ’90s rivals against each other in Deadpool vs. X-Force. Larraz worked on titles including Wolverine & the X-Men, Uncanny Avengers, Avengers and the Star Wars: Kanan before proving himself among the industry’s finest talents with House of X. His thrilling artwork made him the ideal illustrator for the blockbuster 2021 relaunch of X-Men with writer Gerry Duggan.Though a professional illustrator and architect in her native Spain, Emma Rios would rather you call her a comic artist. Her first American work, for Mark Waid’s BOOM! Studios title Hexed, went so well Waid drafted her to draw his Marvel miniseries Strange — starring the titular Master of the Mystic Arts, Doctor Strange. She has also collaborated with Sean McKeever on his Firestar one-shot, Zeb Wells on Shadowland: Elektra and Amazing Spider-Man, Kelly Sue DeConnick on Osborn, and Nick Spencer on Spider-Island: Cloak and Dagger.Argentinean artist Sebastián Fiumara introduced himself to comics fans in 2004, illustrating the Avatar Press adaptation of Alan Moore’s Hypothetical Lizard. He followed that with more Avatar work, including Friday the 13th: Jason X and George Romero’s Night of the Living Dead. After contributing to the DC Infinite Halloween Special, he moved to Marvel, where his first series work was on the Marvel Illustrated adaptation of The Picture of Dorian Gray. His next project was another series outside the scope of the Marvel Universe, an adaptation of Orson Scott Card’s Ender’s Shadow: Battle School, in tandem with writer Mike Carey. June Brigman helped launch Power Pack, and penciled the adventures of Cloak and Dagger in both their own title and Strange Tales. Her art appeared throughout Marvel’s 1980s team titles — including Alpha Flight, New Mutants and Uncanny X-Men. She penciled one of DC’s many Supergirl series, worked with Pack writer Louise Simonson on Dark Horse’s Star Wars: River of Chaos miniseries and served as artist on long-running comic strip Brenda Starr. She has taught at the Kubert School, as well as the Atlanta branch of the Savannah College of Art and Design. Italian comics and storyboard artist Francesco Francavilla got his start working on series including Black Coat: A Call to Arms from Ape Entertainment and Left on Mission from Boom! Studios. He brought his unique artistic flair to the pages of Image Comics' Sorrow, Dynamite’s Zorro and DC’s Detective Comics before making his Marvel debut on Black Panther: The Man Without Fear. Francavilla launched his creation, The Black Beetle, with Dark Horse Comics.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels (in preordine)
Uscita: 18/05/27
Ordinabile fino al 07/12/26
By Dan Slott. Artist Humberto Ramos. Cover by Humberto Ramos.
Prezzo di copertina: USD 150,00
Prezzo HoVistoCose: EUR 135,37
Data di uscita: 18/05/27
Final Order Cutoff: 07/12/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Todd Dezago; J.M. DeMatteis (A) Steven Butler; Mark Bagley (CA) Mark Bagley
Chaos breaks out as the epic Clone Saga hits high gear!While Peter Parker and Ben Reilly each reckon with revelations about their respective identities, the Jackal unleashes the next phase of his terrible plan — releasing the deadly Carrion virus, the lethal Spidercide and a whole army of Spider-Clones! As Spider-Men go to war, the Punisher sets his own sights on the Jackal, and the New Warriors are drawn into the fray — but which wall-crawler will join them? Plus: Peter and Ben must put aside their own differences — and their feelings for Venom — to defend Earth from an alien invasion that threatens to turn it into a planet of the symbiotes!COLLECTING: Web of Spider-Man (1985) #127, Amazing Spider-Man (1963) #404, Spider-Man (1990) #61, Spectacular Spider-Man (1976) #227, Spider-Man: The Jackal Files (1995) #1, Spider-Man: Maximum Clonage Alpha (1995) #1, Spider-Man: Maximum Clonage Omega (1995) #1, New Warriors (1990) #61-62; material from Amazing Spider-Man Super Special (1995) #1, Spider-Man Super Special (1995) #1, Venom Super Special (1995) #1, Spectacular Spider-Man Super Special (1995) #1, Web of Spider-Man Super Special (1995) #1Written by Todd DeZago, J.M. DeMatteis, Howard Mackie, Tom DeFalco, David Michelinie, Evan SkolnickPenciled by Steven Butler, Mark Bagley, Tom Lyle, Eliot Brown, Ron Lim, Sal Buscema, Patch Zircher, Dave Hoover, Joe St. Pierre, Kyle Hotz, Darick Robertson, Steve Lightle & more
Rated T
Writer Todd Dezago began his career on X-Factor. He then penned several Clone Saga-era Spider-books, including a lengthy Spectacular Spider-Man run. Dezago soon moved to Sensational Spider-Man, where he teamed with artist Mike Wieringo. For DC Comics, Dezago co-created Young Justice, wrote the JLA: World Without Grown-Ups miniseries and penned an acclaimed run on Impulse. In 1999, Dezago and Wieringo re-teamed to create the Image Comics fantasy series Tellos, and he co-created the Perhapanauts with artist Craig Rousseau in 2003. Dezago has written several stories for Marvel’s all-ages titles, including Marvel Age Spider-Man and Super Hero Squad.A native New Yorker, writer J.M. DeMatteis has been one of comics’ most respected writers for nearly three decades. Ranging from the introspective psychological drama of Moonshadow to the offbeat comedy of Justice League to the autobiographical Brooklyn Dreams, he’s written from nearly every perspective in graphic storytelling. His long list of credits includes Captain America, Defenders, Justice League International, the groundbreaking Spider-Man storyline “Kraven’s Last Hunt," Spectre and more. His recent work includes the acclaimed children's novel Imaginalis and the popular comics-prose hybrid Abadazad books.Howard Mackie got his start at Marvel during the late 1980s as an editor and then a writer. One of his first series as full-time scribe was 1990’s massively popular Ghost Rider, which introduced the alter ego Danny Ketch to the mythos of the Spirit of Vengeance. He also wrote prolifically in the Spider-Man and X-Men titles of the ’90s.Tom DeFalco’s earliest comic-book scripts were for Archie and DC; he soon moved to Marvel, where he wrote Avengers, Machine Man and other titles, also launching Dazzler, a hit series of the early ’80s. In addition to writing long and well-received runs on Amazing Spider-Man and Thor, DeFalco edited many titles, eventually becoming editor in chief. During the 1980s, he headed the creative team that provided fictional biographies for G.I. Joe members, originally included with Hasbro’s toys and later used as the basis for multiple storylines on the animated series. Perhaps his best-known work is multi-title character Spider-Girl, whom he introduced in 1998. DeFalco has authored multiple books, including Ultimate Guides for Avengers, Fantastic Four, Hulk and Spider-Man.After beginning his writing career on DC horror titles, David Michelinie moved to Marvel. He and co-writer/inker Bob Layton established Iron Man’s battle with alcoholism, use of specialized armor variants and vendetta against Doctor Doom, as well as other aspects of the character that endure to this day. Michelinie’s unique blend of action, suspense and humor distinguished not only Iron Man, but also Amazing Spider-Man. With artist Todd McFarlane, he introduced the vicious vigilante Venom; he also wrote the first Venom limited series, Lethal Protector. Michelinie’s run as Amazing writer was second in length only to that of Stan Lee himself, while he also authored tie-in titles Spectacular Spider-Man, Web of Spider-Man and Spider-Man. He moved from Marvel’s flagship character to DC’s with a stint on Superman’s Action Comics, later returning to the world of Tony Stark for writing collaborations with Bob Layton on Iron Man: Legacy of Doom and Iron Man: The End.Writer, editor and colorist Evan Skolnick worked on an array of Marvel Comics titles, with his most prominent assignment as a scribe being his lengthy run on New Warriors. He also wrote Doctor Strange, Sorcerer Supreme and 2099 Unlimited, among others. Now a prominent video-game writer, his credits include Mafia III and Star Wars: Battlefront.Hired on the strength of his Official Marvel Tryout penciling submission, Mark Bagley rose to prominence as the artist of 1990s sleeper hit New Warriors. Following an acclaimed run on Amazing Spider-Man, he worked with writer Kurt Busiek on Thunderbolts. When Marvel launched its Ultimate line, Bagley and Brian Michael Bendis led the way with Ultimate Spider-Man, whose years of success made the pair the longest-running creative team in Marvel history. Bendis and Bagley have also collaborated on Avengers Assemble and the creator-owned Brilliant. His subsequent credits include Fantastic Four, Cataclysm: The Ultimates’ Last Stand, Hulk, All-New X-Men and Venom.For over 20 years, few if any projects have diagramed super-hero costumes and technology without input from professional engineer Eliot R. Brown. Iron Man's armor, Moon Knight's helicopters, the Punisher's guns, Avengers Mansion, the Guardians of the Galaxy's spaceship, all have had their secrets revealed by Brown's expert penciling. He is also known for his work with photographic art. After establishing himself on Eternity’s Ex-Mutants and First’s Badger, Ron Lim went cosmic with a six-year penciling run on Silver Surfer, followed by a collaboration with Jim Starlin on the Warlock/Thanos Infinity multi-miniseries saga. With writer Tom DeFalco, he helped create the look and characters of the MC2 universe, while he explored a different Marvel future during a 35-issue run on X-Men 2099. Lim’s other Marvel credits include Captain America, Spider-Man Unlimited and Venom: Lethal Protector.After a start as inker to his older brother John, Sal Buscema penciled Captain America, Defenders, Incredible Hulk and more. Famed for his ability to meet tight deadlines, he spread his talents across multiple genres. His 1970s work ranged from Ms. Marvel and Nova to Sub-Mariner and Spider-Woman’s first appearance in Marvel Spotlight. He was the uninterrupted artist on Spectacular Spider-Man for more than a hundred issues and penciled the web-slinger’s adventures in Marvel Team-Up, in which he and writer Bill Mantlo introduced Captain Jean DeWolff. After handling more team-ups in the Thing’s Marvel Two-in-One, he reunited with brother John on Steve Englehart’s Fantastic Four. He later provided inks for Tom DeFalco’s Spider-Girl titles and Thunderstrike miniseries.Patrick “Patch†Zircher got his start illustrating RPG-based comics for Eclipse and 3D comics for Blackthorne during the late 1980s, and drew Now Comics’ Green Hornet. He has been an artist in demand ever since. His notable Marvel credits across the decades include New Warriors, Venom: Along Came a Spider, Star Trek: Early Voyages, Iron Man: The Iron Age, Thunderbolts, Cable & Deadpool, Iron Man, Hulk, Mystery Men and Savage Avengers.Well regarded as a modern master of the macabre, artist Kyle Hotz is best known for his uniquely creepy art style. Hotz first gained notice during the 1990s with extensive credentials on a long list of horror comics. Since then, he has gone on to illustrate Incredible Hulk, Ghost Rider and Venom for Marvel Comics, as well as The Hood in collaboration with writer Brian K. Vaughan. Hotz thrilled fans of the “living dead†genre with Zombie, a four-part limited series modernizing the classic ’70s-era Marvel horror character, and its sequel, The Zombie: Simon Garth.Artist Darick Robertson illustrated all sixty issues of Transmetropolitan with writer Warren Ellis. In the Fury limited series for Marvel, Robertson and Garth Ennis presented a graphically realistic vision of what it means to be the leader of the world’s biggest spy organization. He and Ennis next collaborated on the Marvel Knights Punisher series and later launched the controversial creator-owned series The Boys, now a smash-hit streaming series. In addition to his lengthy run on New Warriors, Robertson’s other Marvel credits include Wolverine, Nightcrawler and Toxin.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Uscita: 09/02/27
Ordinabile fino al 30/11/26
By Todd Dezago. Artist Steven Butler. Cover by Mark Bagley.
Prezzo di copertina: USD 54,99
Prezzo HoVistoCose: EUR 49,62
Data di uscita: 09/02/27
Final Order Cutoff: 30/11/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Jimmy Palmiotti; Buddy Scalera (A) Paul Chadwick; Paul Lopez (CA) Arthur Adams
An action-packed era for the Merc With A Mouth!It’s a cruel summer when Deadpool takes on the mob! Hired by a dirty cop to kill six Mafia dons, Deadpool soon falls for his contact: a beautiful tattoo artist. But all is not as it seems. Then Wade Wilson gets an unwelcome sidekick — the youthful Pool Boy — and his shapeshifting ex-girlfriend Copycat returns, insane with jealousy! And blood and bullets fly when Deadpool accepts a contract on the Punisher’s life! But when the new Weapon X Program comes knocking, they won’t take no for an answer! So it’s a good thing Deadpool’s okay with becoming a secret agent — even alongside a cutthroat band of villains and lunatics — because they’ve offered him the one thing he wants most in the world: a cure for his ravaged face! How far will Wade go to hold on to his good looks? And what happens when Weapon X starts crossing lines even he isn’t comfortable crossing? The funeral of Deadpool, that’s what! All that plus the final showdown with T-Ray!COLLECTING: Deadpool (1997) #46-64, material from X-Men Unlimited (1993) 28.Written by Jimmy Palmiotti, Buddy Scalera & Frank TieriPenciled by Paul Chadwick, Michael Lopez, Darick Robertson, Anthony Williams, Georges Jeanty, Karl Kerschl, Jim Calafiore & Liam Sharp
Rated T+
Classically trained at New York’s prestigious High School of Art and Design, Jimmy Palmiotti began his career as a comic-book inker, gaining a reputation as not only talented, but fast. Collaborating with fellow artist Joe Quesada, Palmiotti lent his skills to such projects as Batman: Sword of Azrael, The Ray and Ninjak. In 1995, Palmiotti and Quesada founded Event Comics, creating the memorable titles Ash and Painkiller Jane. This led to an offer from Marvel Comics to revamp several heroes under the Marvel Knights banner. With writer Kevin Smith and Quesada, Palmiotti’s work on Daredevil became a monumental success. Palmiotti later began to take on comic-book writing chores with a lengthy run on Harley Quinn along with his creator-owned books.After co-creating Image Comics’ Hyperkinetic with Howard M. Shum, Matteo Scalera moved to Marvel to pencil and ink issues of Deadpool Corps, Deadpool Team-Up and related titles before shifting to such team books as Secret Avengers and Wolverine & the X-Men. At Boom! Studios, he has provided art for Chris Roberson’s Starborn and Michael Alan Nelson’s Valen the Outcast, as well as covers for Mark Waid’s Irredeemable and Incorruptible.Frank Tieri entered the early part of the new century as writer on diverse titles such as Wolverine, Iron Man and Weapon X. His Hercules limited series cast the Avenger as a reality-TV star reliving his twelve trials, continuing the lighthearted legacy of Olympus’ favorite son. Tieri’s Underworld and Civil War: War Crimes explored the effects of the heroes’ registration fight on Marvel’s criminal element. World War Hulk: Gamma Corps followed the next generation of gamma-irradiated superhumans as they sought to kill the Hulk. And Dark Reign: Lethal Legion charted the crash-and-burn exploits of an ad hoc team of bad guys as they vainly sought to topple Norman Osborn from power. Tieri, whose Marvel credits also includes New Excalibur, explored Weirdworld in the pages of Black Knight.Artist Darick Robertson illustrated all sixty issues of Transmetropolitan with writer Warren Ellis. In the Fury limited series for Marvel, Robertson and Garth Ennis presented a graphically realistic vision of what it means to be the leader of the world’s biggest spy organization. He and Ennis next collaborated on the Marvel Knights Punisher series and later launched the controversial creator-owned series The Boys, now a smash-hit streaming series. In addition to his lengthy run on New Warriors, Robertson’s other Marvel credits include Wolverine, Nightcrawler and Toxin.After his start on Action Force and Transformers for Marvel UK, Anthony Williams penciled Marvel’s Squadron Supreme: New World Order one-shot, Hokum and Hex (a Clive Barker creation), and DC’s Fate. In the pages of 2000 AD, he collaborated with Dan Abnett, Garth Ennis, Mark Millar and Grant Morrison, among other noted British writers.Georges Jeanty helped build the popularity of mutants Bishop and Gambit on their respective solo series in the 1990s, and went on to further acclaim with The American Way for DC Comics’ Wildstorm imprint. Hi other Marvel credits include Deadpool and Weapon X. Jeanty demonstrated his flair for media tie-in work as the artist for the comic-book continuation of the beloved TV series Buffy the Vampire Slayer, a skill set he utilized to great effect on Marvel’s adaptation of Star Wars: The Mandalorian.In addition to Deadpool, multitalented penciler, inker and writer Jim Calafiore has worked on many issues of Exiles during its lengthy run, and has an extensive list of credits for both Marvel and DC Comics.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Uscita: 12/01/27
Ordinabile fino al 02/11/26
By Jimmy Palmiotti. Artist Paul Chadwick. Cover by Arthur Adams.
Prezzo di copertina: USD 54,99
Prezzo HoVistoCose: EUR 49,62
Data di uscita: 12/01/27
Final Order Cutoff: 02/11/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Chris Claremont; Tom DeFalco (A) Marc Silvestri; Kerry Gammill (CA) Marc Silvestri
The X-Men are believed dead — and living in the Australian Outback!The vicious Marauders have already massacred the tunnel-dwelling Morlocks; now they plan to kill Cyclops’ estranged wife, Madelyne Pryor. And if that means taking on the X-Men, that’s fine with them! Meanwhile, Freedom Force are also out to arrest the X-Men — while Storm embarks on a quest to find Forge. But when Ororo discovers the evil Adversary pulling their strings, the X-Men must sacrifice their lives to stop him! The mutants may have fallen, but they’re not dead: They only want the world to think that! Instead, they’re on the other side of the planet, forging new lives in Australia — and facing more deadly threats, including the cyborg Reavers and the remorseless alien Brood! Chris Claremont’s epic run takes its next evolutionary step — with the blockbuster artwork of Marc Silvestri!COLLECTING: Uncanny X-Men (1981) #220-234, X-Men Annual (1970) #11-12, Best of Marvel Comics (1987)Written by: Chris Claremont & Tom Defalco Penciled by: Marc Silvestri, Kerry Gammill, Rick Leonardi, Alan Davis, Arthur Adams & Marshall Rogers
Rated T
Industry legend Chris Claremont is best known for his epic sixteen-year run on Uncanny X-Men. Claremont’s focus on the themes of prejudice and tolerance struck at the hearts of comics fans, and he built an unparalleled following during the next three decades. Under his pen, the X-Men franchise spawned a vast array of spin-offs, many of them written by Claremont himself. His other credits include Iron Fist, Ms. Marvel, Power Man and Spider-Woman. Claremont has returned to the X-Men universe in New Exiles, GeNext, X-Men Forever, Chaos War: X-Men and Nightcrawler.Tom DeFalco’s earliest comic-book scripts were for Archie and DC; he soon moved to Marvel, where he wrote Avengers, Machine Man and other titles, also launching Dazzler, a hit series of the early ’80s. In addition to writing long and well-received runs on Amazing Spider-Man and Thor, DeFalco edited many titles, eventually becoming editor in chief. During the 1980s, he headed the creative team that provided fictional biographies for G.I. Joe members, originally included with Hasbro’s toys and later used as the basis for multiple storylines on the animated series. Perhaps his best-known work is multi-title character Spider-Girl, whom he introduced in 1998. DeFalco has authored multiple books, including Ultimate Guides for Avengers, Fantastic Four, Hulk and Spider-Man.Industry giant Marc Silvestri entered the upper echelon of comics innovators in the late ’80s during fan-favorite, record-breaking runs on Uncanny X-Men and Wolverine. Silvestri left Marvel in 1992 to co-found Image Comics; his imprint, Top Cow, is one of its four longstanding autonomous studios. At Image, Silvestri created some of today’s most popular properties — including Cyberforce, Witchblade, Weapon Zero and The Darkness. Silvestri has returned to the world of Marvel’s mutants on New X-Men and X-Men: Messiah Complex.Kerry Gammill has illustrated Fantastic Four and Power Man and Iron Fist for Marvel, and DC’s Superman. In Marvel Team-Up, he and J.M. DeMatteis introduced Frog-Man and the White Rabbit, and he penciled Louise Simonson’s scripts on Fallen Angels. Moving to the film industry, Gammill served as a special-effects artist, character designer and storyboard artist on such projects as Species II and Tremors: The Series. He also became one of the guiding minds behind Monster Kid Magazine, a publication focusing on classic monster movies of another era.Three different incarnations of Cloak and Dagger were only a few of Rick Leonardi’s artistic achievements for Marvel. His other credits include Uncanny X-Men, New Mutants and Spider-Man 2099. At DC, he drew Batman family titles Batgirl and Nightwing, as well as comic/film crossover Green Lantern vs. Aliens. At Event Comics, he penciled Painkiller Jane.The career of British-born artist Alan Davis took off like a rocket after his humble beginnings at Marvel UK, where he impressed with an acclaimed run on Captain Britain. Davis broke into U.S. comics with runs on Batman and the Outsiders and Detective Comics. Hired by Marvel U.S. in 1986, Davis launched Excalibur with Chris Claremont, and the book quickly became one of mutantdom’s most unique and humorous titles. When Davis took over as writer, he continued many plot threads from his Captain Britain run. After a lengthy arc writing and drawing X-Men, Davis illustrated writer Brian Michael Bendis’ Avengers Prime and contributed to the status-quo-changing X-Men: Schism.Since his beginnings with Ann Nocenti in Longshot (which earned him a Russ Manning Award), Arthur Adams has most often displayed his distinctive and detail-intensive art in miniseries or one-shots (including several Uncanny X-Men Annuals) — along with brief but memorable stints on Fantastic Four, X-Factor and other titles. He co-created “Jonni Future†for Alan Moore’s Tom Strong’s Terrific Tales, and Dark Horse Comics has published his creator-owned Monkeyman and O’Brien. Renowned for cover art at Marvel, DC and elsewhere, Adams has also illustrated trading cards, posters and shirts, among other products; his art can be found in toy design, film advertisements and a series of X-Men-themed Campbell Soup labels. Jeph Loeb’s Hulk series featured a string of issues in which Adams provided interior art.Marshall Rogers (1950-2007) provided pencils for Deadly Hands of Kung Fu, Doctor Strange, G.I. Joe and Silver Surfer. His best-known non-Marvel work is an acclaimed run, with writer Steve Englehart, on Detective Comics and other Batman titles; when a Batman newspaper comic strip debuted in 1989, Rogers was chosen as the strip’s artist.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Uscita: 19/01/27
Ordinabile fino al 09/11/26
By Chris Claremont. Artist Marc Silvestri. Cover by Marc Silvestri.
Prezzo di copertina: USD 54,99
Prezzo HoVistoCose: EUR 49,62
Data di uscita: 19/01/27
Final Order Cutoff: 09/11/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Dennis O'Neill; Danny Fingeroth (A) Rich Buckler; Sal Buscema (CA) Mark D. Bright
Tony Stark faces his greatest struggle against archrival Obadiah Stane!Who will wear the Iron Man armor? James Rhodes? Tony Stark? The diabolical Doctor Demonicus?! The answer is all three, but there soon will be only one Shell-Head standing: the invincible original! But as he reclaims the mantle of Iron Man, Tony will need an upgraded suit to face corporate nemesis Obadiah Stane, who’s wearing his own fearsome armor. Get ready for the Silver Centurion vs. the Iron Monger! In the wake of that fateful battle, Iron Man resumes rivalries with old foes — including Fixer, Madame Masque, M.O.D.O.K., Spymaster and the Living Laser! But when the sorceress Morgan le Fay possesses the sister of Werewolf by Night, Tony Stark and Jack Russell must team up to save the day! Guest-starring the West Coast Avengers and X-Factor!COLLECTING: Iron Man (1968) #196-214, Iron Man Annual (1970) #8Written by: Dennis O’Neill, Danny Fingeroth, Dennis Mallonee, Howard Mackie & Bob HarrasPenciled by: Rich Buckler, Sal Buscema, Herb Trimpe, Mark Bright, Paul Ryan, Rick Hoberg, Alex Saviuk, Dwayne Turner, Javier Saltares, Tom Morgan & Paul Neary
Rated T+
From a start at short-lived Atlas/Seaboard, Danny Fingeroth moved to Marvel to edit multiple Spider-Man titles; and write for Avengers, Dazzler and What If? During the 1990s, he scripted all fifty issues of Darkhawk, as well as Spider-Man’s Deadly Foes and Lethal Foes miniseries. Leaving Marvel in 1995, he became Virtual Comics’ editor in chief and then Visionary Media’s senior vice president for creative production; he has also taught comic-book writing courses at select universities. In the prose field, he has written several nonfiction books about the comic-book field, as well as children’s books on noted actors.Howard Mackie got his start at Marvel during the late 1980s as an editor and then a writer. One of his first series as full-time scribe was 1990’s massively popular Ghost Rider, which introduced the alter ego Danny Ketch to the mythos of the Spirit of Vengeance. He also wrote prolifically in the Spider-Man and X-Men titles of the ’90s.Bob Harras edited several titles as Ralph Macchio’s assistant, mostly tie-ins such as Micronauts, Rom, Saga of Crystar and U.S. 1. He subsequently became chief editor of the X-Men titles and wrote for multiple series, including a three-year run on Avengers. Graduating to editor in chief, he oversaw well-received runs of Captain America, Daredevil, Deadpool and other titles, as well as the controversial second Clone Saga in the 1990s’ Spider-Man titles. Harras has since worked as contributing editor at WildStorm and collected editions editor for DC Comics. He began a decade-long stint as DC’s editor in chief in 2010.His place in Marvel history assured when he helped introduce Deathlok in the pages of Astonishing Tales, Rich Buckler also penciled several storylines in Peter Parker, the Spectacular Spider-Man — along with runs on Jungle Action’s Black Panther, Fantastic Four, Thor and other monthly titles, as well as Roy Thomas’s miniseries Saga of the Sub-Mariner and Saga of the Original Human Torch. Buckler’s 1970s DC work includes Lois Lane, Secret Society of Super-Villains and World’s Finest, as well as the groundbreaking Superman vs. Shazam. During the 1980s, he and Thomas collaborated on All-Star Squadron. He worked in the barbarian and horror genres for both Marvel and DC, illustrated Archie’s Mighty Crusaders, and contributed to black-and-white magazines for both Marvel and Warren Publishing. He was editor of the short-lived Solson Publications and wrote two books on comic-book art.After a start as inker to his older brother John, Sal Buscema penciled Captain America, Defenders, Incredible Hulk and more. Famed for his ability to meet tight deadlines, he spread his talents across multiple genres. His 1970s work ranged from Ms. Marvel and Nova to Sub-Mariner and Spider-Woman’s first appearance in Marvel Spotlight. He was the uninterrupted artist on Spectacular Spider-Man for more than a hundred issues and penciled the web-slinger’s adventures in Marvel Team-Up, in which he and writer Bill Mantlo introduced Captain Jean DeWolff. After handling more team-ups in the Thing’s Marvel Two-in-One, he reunited with brother John on Steve Englehart’s Fantastic Four. He later provided inks for Tom DeFalco’s Spider-Girl titles and Thunderstrike miniseries.Beginning as Stan Lee’s production assistant, Herb Trimpe (1939-2015) went on to pencil a seven-year run on Marvel mainstay Incredible Hulk — during which he debuted the future X-Man, Wolverine — as well as 1970s classics Marvel Team-Up, Shogun Warriors and Godzilla. He was equally prolific during the 1980s on Nick Fury, The ’Nam and G.I. Joe; the 1990s saw him illustrate Marvel’s First Family on Fantastic Four Unlimited. Trimpe’s war-story credits also include the introduction of the Phantom Eagle, the WWI aviator hero whose adventures were later chronicled by Garth Ennis.Formerly a regular artist on Solo Avengers, as well as West Coast, Mark Bright is noted for working with writer Christopher Priest on Falcon, Power Man and Iron Fist, Quantum and Woody and other titles. He has also drawn Marvel’s incarnation of G.I. Joe and several DC flagship characters in Action Comics Weekly, Batman and Green Lantern.Paul Ryan collaborated with Mark Gruenwald on Squadron Supreme, D.P. 7, Quasar and other titles. His #356-414 run on Fantastic Four is rivaled in length only by John Byrne and Jack Kirby. At DC, he penciled Batman, Flash and multiple Superman titles. He spent years penciling the Amazing Spider-Man comic strip, and penciled and inked the daily comic strip The Phantom for King Features Syndicate from 2005 until his death in 2016.The main contribution of artist and animator Rick Hoberg to Marvel Comics came in the pages of What If? He has also illustrated issues of Invaders, Star Wars and Iron Man, among others. Hoberg went on to pencil a long run on Green Arrow for DC. His extensive animation credits include Spider-Man and his Amazing Friends, Incredible Hulk, X-Men, Avengers: Earth’s Mightiest Heroes and Ultimate Spider-Man.Alex Saviuk established himself as a major Marvel artist with a seven-year run on Web of Spider-Man. He also worked on the animated-series tie-in Spider-Man Adventures and drew the Amazing Spider-Man comic strip from scripts by Stan Lee and Larry Lieber. At DC, he penciled and inked Flash, Green Lantern, Superman and other titles. Dwayne Turner’s early Marvel work included Avengers Spotlight and Transformers before launching the 1990s series Cage and teaming with writer Don McGregor on the limited series Black Panther: Panther’s Prey. Turner has illustrated a number of Todd McFarlane’s Spawn titles, including a lengthy run on Curse of the Spawn, and has subsequently worked extensively in the video game and film industries with credits including Tron: Legacy, The Jungle Book and the Halo franchise.Javier Saltares created a name for himself as both an inker and a pencil artist. His comics career started on New Universe titles such as Psi-Force, Justice and D.P. 7 — but in 1990, with penciler and future brother-in-law Mark Texeira, Saltares helped create the intense visual style that made Ghost Rider one of the most popular comics of the decade. In recent years, after a turn drawing G.I. Joe for Devil’s Due, Saltares returned to Marvel, re-teaming with Texeira on Wolverine and the Ghost Rider revival by writer Daniel Way.Tom Morgan started his comics career at Marvel in the mid-1980s. He contributed inks, pencils and cover art to a variety of series, including several Spider-Man and New Universe titles. Morgan next illustrated short runs on Captain America, Power Pack and Alpha Flight, along with the miniseries The War and two Excalibur special editions. During the early 1990s, Morgan landed his first long-term assignment as penciler of Punisher 2099. He went on to illustrate several Iron Man issues, an Extreme Justice arc for DC Comics and Topps Comics’ licensed miniseries Xena: Warrior Princess vs. Callisto. In 2008, Morgan illustrated IDW’s comic biography Presidential Material: Barack Obama.After stints on Warren Publishing’s Eerie and IPC’s 2000 AD, Paul Neary moved to Marvel UK as artist on the imprint’s Hulk and Nick Fury features, as well as multiple Doctor Who sagas. With then-newcomer Alan Davis, he migrated to more mainstream titles, inking Davis’ pencils on Uncanny X-Men and Captain Britain, as well as on DC’s Detective Comics. Returning to Marvel UK as editor in chief, Neary launched Death’s Head II, Motormouth, Warheads and other 1990s titles. He has since returned to art, inking Bryan Hitch’s pencils on Wildstorm’s Authority; and Marvel’s Fantastic Four, Ultimates and more.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels (in preordine)
Uscita: 09/03/27
Ordinabile fino al 21/12/26
By Dennis O'Neill. Artist Rich Buckler. Cover by Mark D. Bright.
Prezzo di copertina: USD 54,99
Prezzo HoVistoCose: EUR 49,62
Data di uscita: 09/03/27
Final Order Cutoff: 21/12/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Chris Claremont; Steve Gerber (A) John Buscema; Tom Sutton (CA) Walter Simonson
The classic anthology is collected in its complete form!As Marvel approached its 50th anniversary, the company launched a bold new series that echoed the variety and excitement of its earliest comics. MARVEL COMICS PRESENTS delivered a twice-monthly burst of high-energy storytelling, showcasing characters from across the Marvel pantheon. Top creators fueled the anthology: Claremont and Buscema unleashed signature Wolverine action — while Gerber, Moench and McGregor returned to Man-Thing, Shang-Chi and the Black Panther, respectively. The series also surprised readers with rare work from legends like Steve Ditko and Dave Cockrum and gave heroes such as Havok and Colossus room to shine. Fast, experimental and packed with surprises, MARVEL COMICS PRESENTS defined late-’80s Marvel. This series has never been collected in its complete form, and our continuing series of Omnibus will reprint every page!COLLECTING: Marvel Comics Presents (1988) #1-25Written by: Chris Claremont, Steve Gerber, Doug Moench, Ann Nocenti, Don McGregor, Bob Harras & Howard Mackie with Al Milgrom, John Byrne, Fabian Nicieza & morePenciled by: John Buscema, Tom Sutton, Tom Grindberg, Rick Leonardi, Gene Colan, Ron Lim & Rich Buckler with Steve Ditko, Al Milgrom, Bob Layton, John Byrne, Mark Badger, Dave Cockrum & more
Rated T
Industry legend Chris Claremont is best known for his epic sixteen-year run on Uncanny X-Men. Claremont’s focus on the themes of prejudice and tolerance struck at the hearts of comics fans, and he built an unparalleled following during the next three decades. Under his pen, the X-Men franchise spawned a vast array of spin-offs, many of them written by Claremont himself. His other credits include Iron Fist, Ms. Marvel, Power Man and Spider-Woman. Claremont has returned to the X-Men universe in New Exiles, GeNext, X-Men Forever, Chaos War: X-Men and Nightcrawler.Steve Gerber (1947-2008) first came to attention writing Defenders, in which he gave the non-team a non-traditional outlook equaled by few. In Adventure of Fear, he introduced Howard the Duck. Gerber’s other 1970s contributions included scripts for Iron Man, Sub-Mariner and more. Elsewhere, he is equally well-remembered for DC’s Phantom Zone, Eclipse’s Destroyer Duck and others.In addition to runs on Fantastic Four and Thor, original Moon Knight scribe Doug Moench specialized in writing features outside the Marvel mainstream — including Adventure into Fear’s Morbius, Frankenstein, Inhumans, Ka-Zar: Lord of the Hidden Jungle, Master of Kung Fu, Werewolf by Night and Astonishing Tales’ Deathlok. Proving his eclectic abilities, he also wrote the full run of Godzilla, most of Shogun Warriors and stories for virtually every Marvel black-and-white magazine of the 1970s. He expanded on his Star-Lord and Weirdworld sagas in multiple anthology titles. At DC, he wrote memorable runs on Batman, Detective Comics and Legends of the Dark Knight — along with numerous Batman one-shots, cross-company crossovers and Elseworlds sagas. He further contributed such short-lived but unique series as Electric Warrior, Lords of the Ultra-Realm, Slash Maraud, Wanderers and Xenobrood.Bob Harras edited several titles as Ralph Macchio’s assistant, mostly tie-ins such as Micronauts, Rom, Saga of Crystar and U.S. 1. He subsequently became chief editor of the X-Men titles and wrote for multiple series, including a three-year run on Avengers. Graduating to editor in chief, he oversaw well-received runs of Captain America, Daredevil, Deadpool and other titles, as well as the controversial second Clone Saga in the 1990s’ Spider-Man titles. Harras has since worked as contributing editor at WildStorm and collected editions editor for DC Comics. He began a decade-long stint as DC’s editor in chief in 2010.Howard Mackie got his start at Marvel during the late 1980s as an editor and then a writer. One of his first series as full-time scribe was 1990’s massively popular Ghost Rider, which introduced the alter ego Danny Ketch to the mythos of the Spirit of Vengeance. He also wrote prolifically in the Spider-Man and X-Men titles of the ’90s.Al Milgrom, A.K.A. “Editori-Al,†is renowned as writer, editor, penciler and inker — and held most of those positions on Spectacular Spider-Man. He also contributed to SSM’s sibling Amazing Spider-Man. He penciled West Coast Avengers for four years and inked X-Factor for eight. His artwork has also appeared in Avengers, Captain America, Thor and most X-titles, including the classic Kitty Pryde and Wolverine. As editor, he oversaw Marvel’s Epic imprint and the sixty-issue run of Marvel Fanfare, where his satirical self-portraits made his face as recognizable as any super hero’s mask. At DC, he co-created Firestorm the Nuclear Man with Gerry Conway.John Byrne has worked continuously in the comics industry as both writer and artist since 1975. After he initially collaborated with writer Chris Claremont on Iron Fist, Byrne and Claremont moved on to X-Men for a run still regarded as one of the title’s finest. Byrne contributed an equally famed stint on Fantastic Four, earning comparisons to the original Lee/Kirby issues for his imaginative plotlines and dynamic artwork. He also spun Alpha Flight into its own title. In 1986, he revamped DC’s flagship hero, Superman, reimagining the Man of Steel in a historic project heralded by a Time magazine cover. His remarkable contribution to the Marvel Universe extends to memorable associations with virtually every major hero, including celebrated runs on Captain America, Iron Man, Sensational She-Hulk, Namor the Sub-Mariner and Thing. In the 21st century, Byrne’s considerable body of work includes IDW’s Star Trek and Angel.Since his start on the New Universe’s Psi-Force and backup stories in Classic X-Men, Fabian Nicieza has written most of Marvel’s major super-teams — including Alpha Flight, the Avengers, the New Warriors, the Thunderbolts and the X-Men. Together with artist Rob Liefeld, Nicieza transformed New Mutants into the blockbuster X-Force. The writer also tackled solo heroes ranging from Cable and Deadpool (later combined in Cable & Deadpool) to Gambit and Nomad. He edited Marvel’s Star imprint, contributed to multititle X-events like “X-Cutioner’s Song†and “Phalanx Covenant,†and wrote various “pre-modern†limited series such as Adventures of Captain America and Citizen V and the V-Battalion. Elsewhere, he has written both JLA and Justice League Adventures, The 99, Turok, X-Files, and others.John Buscema (1927-2002) literally wrote the book on being a Marvel artist — namely, How To Draw Comics the Marvel Way — and few were better qualified. His career dated back to the Timely/Atlas era of the late ’40s and early ’50s. Soon after beginning the Marvel Age of Comics, Stan Lee recruited Buscema from the advertising field to the Marvel Bullpen. Buscema followed a long run on Avengers with the long-anticipated first Silver Surfer series. He subsequently succeeded Jack Kirby on Fantastic Four, Thor and other titles. By the time of his retirement in 1996, Buscema had penciled nearly every Marvel title — including his personal favorite, Conan the Barbarian.The industry lost an icon with the passing of Tom Sutton (1937-2002), best remembered as the original artist of the cult-classic icon Vampirella. Having begun his career with the comic strip Johnny Craig and contributions to underground comics, Sutton worked in multiple genres at Marvel — including Western (Kid Colt Outlaw, Rawhide Kid), humor (Arrgh, Crazy, Not Brand Ecch), super heroes (Doctor Strange, Ghost Rider), and the licensed Planet of the Apes titles. During a run on Amazing Adventures, he and writer Steve Englehart revamped the X-Men’s Beast into his better-known furry form. Moving to DC Comics, he penciled nearly every issue of the 1984-1988 series Star Trek and, with J.M. DeMatteis, co-created “I, Vampire†for House of Mystery before returning to Marvel to pencil a Man-Thing serial in Marvel Comics Presents. Sutton’s additional body of work includes art for Charlton Comics, Eros Comics, First Comics and Skywald Publications.Three different incarnations of Cloak and Dagger were only a few of Rick Leonardi’s artistic achievements for Marvel. His other credits include Uncanny X-Men, New Mutants and Spider-Man 2099. At DC, he drew Batman family titles Batgirl and Nightwing, as well as comic/film crossover Green Lantern vs. Aliens. At Event Comics, he penciled Painkiller Jane.The unique, shadowy style of Gene Colan (1926-2011) most memorably appeared in long stints on Captain America and Daredevil, and all 70 issues of Tomb of Dracula — among the dozens of other Marvel titles he has drawn. His DC work on Detective Comics and Night Force is equally well remembered. During the Golden Age, he drew multiple war stories for Marvel and DC alike. Colan has earned several Eagle Awards and had professional art showings in New York City. His work on Ed Brubaker’s Captain America at the age of 82 drew well-deserved raves.After establishing himself on Eternity’s Ex-Mutants and First’s Badger, Ron Lim went cosmic with a six-year penciling run on Silver Surfer, followed by a collaboration with Jim Starlin on the Warlock/Thanos Infinity multi-miniseries saga. With writer Tom DeFalco, he helped create the look and characters of the MC2 universe, while he explored a different Marvel future during a 35-issue run on X-Men 2099. Lim’s other Marvel credits include Captain America, Spider-Man Unlimited and Venom: Lethal Protector.His place in Marvel history assured when he helped introduce Deathlok in the pages of Astonishing Tales, Rich Buckler also penciled several storylines in Peter Parker, the Spectacular Spider-Man — along with runs on Jungle Action’s Black Panther, Fantastic Four, Thor and other monthly titles, as well as Roy Thomas’s miniseries Saga of the Sub-Mariner and Saga of the Original Human Torch. Buckler’s 1970s DC work includes Lois Lane, Secret Society of Super-Villains and World’s Finest, as well as the groundbreaking Superman vs. Shazam. During the 1980s, he and Thomas collaborated on All-Star Squadron. He worked in the barbarian and horror genres for both Marvel and DC, illustrated Archie’s Mighty Crusaders, and contributed to black-and-white magazines for both Marvel and Warren Publishing. He was editor of the short-lived Solson Publications and wrote two books on comic-book art.Steve Ditko (1927-2018) began his comics career in the anthologies of the 1950s, where his unique style and perspective quickly earned recognition and respect. Recruited to join Stan Lee’s Atlas Comics, later Marvel, in 1958, his nuances contrasted well with Jack Kirby’s bombast. In 1962, in the pages of Amazing Fantasy, Ditko and Lee brought to life Peter Parker, the Amazing Spider-Man, changing the industry forever. The pair’s other iconic co-creation, Doctor Strange, debuted in Strange Tales. Ditko returned to Marvel during the late 1970s and remained for much of the 1980s — co-creating Speedball, Squirrel Girl and other characters.Al Milgrom, A.K.A. “Editori-Al,†is renowned as writer, editor, penciler and inker — and held most of those positions on Spectacular Spider-Man. He also contributed to SSM’s sibling Amazing Spider-Man. He penciled West Coast Avengers for four years and inked X-Factor for eight. His artwork has also appeared in Avengers, Captain America, Thor and most X-titles, including the classic Kitty Pryde and Wolverine. As editor, he oversaw Marvel’s Epic imprint and the sixty-issue run of Marvel Fanfare, where his satirical self-portraits made his face as recognizable as any super hero’s mask. At DC, he co-created Firestorm the Nuclear Man with Gerry Conway.Bob Layton began as a prolific and popular inker for Charlton, Marvel and DC Comics, where he first teamed with longtime collaborator David Michelinie on Claw the Unconquered and Star Hunters. The Michelinie-Layton duo’s writing work on Iron Man (1978-1982 and 1987-1989) is one of the most popular and influential interpretations of that character. Leaving Marvel in 1990, he became a key writer/artist/editor at Valiant Comics, where he co-created characters such as X-O Manowar and rose to the post of editor in chief before departing. He still does occasional freelance work for DC and Marvel, notably Michelinie-Layton reunion projects Iron Man: Bad Blood (2000), Iron Man: Legacy of Doom (2008) and Iron Man: The End (2009).John Byrne has worked continuously in the comics industry as both writer and artist since 1975. After he initially collaborated with writer Chris Claremont on Iron Fist, Byrne and Claremont moved on to X-Men for a run still regarded as one of the title’s finest. Byrne contributed an equally famed stint on Fantastic Four, earning comparisons to the original Lee/Kirby issues for his imaginative plotlines and dynamic artwork. He also spun Alpha Flight into its own title. In 1986, he revamped DC’s flagship hero, Superman, reimagining the Man of Steel in a historic project heralded by a Time magazine cover. His remarkable contribution to the Marvel Universe extends to memorable associations with virtually every major hero, including celebrated runs on Captain America, Iron Man, Sensational She-Hulk, Namor the Sub-Mariner and Thing. In the 21st century, Byrne’s considerable body of work includes IDW’s Star Trek and Angel.Mark Badger’s magic-oriented Marvel work includes the Defenders’ Gargoyle miniseries and the Greenberg the Vampire graphic novel, both written by fellow mysticism enthusiast J.M. DeMatteis; he also penciled Roger Stern’s Doctor Strange/Doctor Doom graphic novel. At DC, he illustrated adventures of two very different detectives, Batman and Martian Manhunter. His work elsewhere includes Dark Horse Presents and First Comics’ American Flagg.As a boy, artist Dave Cockrum (1943-2006) dreamed of working in the comic-book industry; after a six-year stint in the Navy, he headed straight for the big time. With a natural talent for illustrating super heroes, Cockrum landed a gig on Legion of Super-Heroes for DC Comics. Soon after his debut, Cockrum showcased his knack for innovative costume designs, becoming the first artist to revamp the look of the classic futuristic super-hero team since its original Silver Age debut. After leaving Legion in 1975, Cockrum collaborated with writer Len Wein to create a new lineup of X-Men – including Wolverine, Nightcrawler and Colossus. Cockrum’s bold new mutants quickly caught the attention of comic-book fans, transforming X-Men into a best-selling title. Although Cockrum has reduced his artistic output in recent years, his strong influence on modern creators remains steadfast – as evidenced by the release of The Uncanny Cockrum Tribute Book in 2004, boasting contributions from more than 75 notable writers and artists.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Uscita: 20/04/27
Ordinabile fino al 09/11/26
By Chris Claremont. Artist John Buscema. Cover by Walter Simonson.
Prezzo di copertina: USD 125,00
Prezzo HoVistoCose: EUR 112,81
Data di uscita: 20/04/27
Final Order Cutoff: 09/11/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Dennis O'Neil; Steven Grant (A) David Mazzucchelli; William Johnson (CA) David Mazzucchelli
BORN AGAIN artist David Mazzucchelli makes his DAREDEVIL debut!Daredevil enters a bold new era under writer Dennis O’Neil with a gritty, character-driven tone that explores humankind’s temptations and broken aspirations while pushing Matt Murdock to the limit. As we race toward issue #200, Kingpin enters an alliance with the Yakuza to rebuild Bullseye’s shattered spine with adamantium, and Daredevil teams with Wolverine and heads to Japan for a landmark showdown with Elektra’s killer. This volume also marks the debut of soon-to-be-legendary artist David Mazzucchelli and the saga of Micah Synn, a ruthless new foe who uncovers DD’s identity and challenges both Kingpin and Daredevil for control of New York. Plus: a story by sci-fi master Harlan Ellison, the debut of Glorianna O’Breen and a brutal experience for Foggy and Debbie Nelson.COLLECTING: Daredevil (1964) #194-215Written by Dennis O’Neil with Steven Grant, Harlan Ellison, Arthur Byron Cover, David Mazzucchelli & Mike CarlinPenciled by David Mazzucchelli & William Johnson with Klaus Janson, Luke McDonnell, Geof Isherwood & Larry Hama
Rated T
With a writing resume stretching across the romance, sword-and-sorcery, and Western genres, Denny O’Neil wrote four years of Iron Man — including some of the title’s most sweeping changes. His additional Marvel work includes runs on Amazing Spider-Man, Daredevil and Power Man and Iron Fist, as well as the one-shot X-Men: Heroes for Hope. At DC, his groundbreaking Green Lantern/Green Arrow run earned him four Shazam Awards. He also wrote and often revamped such mainstays as Batman (where he co-created Ra’s al Ghul), Flash, Superman and Wonder Woman, as well as adaptations of classic pulp heroes Doc Savage, Justice, Inc. and The Shadow. During the 1980s, he oversaw the groundbreaking death of Robin (Jason Todd). He has written multiple Batman graphic novels and novelizations, as well as The DC Comics Guide to Writing Comics.Steven Grant has written Captain America, Incredible Hulk, Master of Kung Fu, Spidey Super Stories and more. In 1985, he penned the first Punisher miniseries, revisiting the character in several Holiday Special stories and the graphic novel Return to Big Nothing. Grant has also written First Comics’ American Flagg, Shatter and his creator-owned Whisper.Harlan Ellison’s co-development of the microscopic world of K’ai is only one of his many contributions to comicdom, including classic tales of Daredevil, Batman and others. As a writer of speculative fiction, he is famed for such stories as “A Boy and His Dog,†“The Deathbird,†“I Have No Mouth and I Must Scream†and far too many others to list here. He also edited the controversial Dangerous Visions anthologies. As a screenwriter, he penned episodes of The Outer Limits, Star Trek, Tales from the Darkside and several other TV series; he also acted as creative consultant on the ’80s version of Twilight Zone and Babylon 5.Artist David Mazzucchelli begin working in comics during the early 1980s. In short order, he became the regular artist on Daredevil, first collaborating with writer Frank Miller on the character-defining “Born Again†story arc. Later, he re-teamed with Miller on the equally influential “Batman: Year One.†Subsequent projects have included Mazzucchelli’s independent anthology, Rubber Blanket; an adaptation of Paul Auster’s City of Glass; short stories for a number of alternative comics collections; and illustration work for publications such as The New Yorker. He is currently writing and drawing an original graphic novel.Longtime editor Mike Carlin has written runs on a diverse range of Marvel titles — from Captain America to The Thing and Masters of the Universe to Peter Porker, the Spectacular Spider-Ham. In addition, he penned the infamous Marvel Team-Up issue featuring Aunt May vs. Galactus.Artist David Mazzucchelli begin working in comics during the early 1980s. In short order, he became the regular artist on Daredevil, first collaborating with writer Frank Miller on the character-defining “Born Again†story arc. Later, he re-teamed with Miller on the equally influential “Batman: Year One.†Subsequent projects have included Mazzucchelli’s independent anthology, Rubber Blanket; an adaptation of Paul Auster’s City of Glass; short stories for a number of alternative comics collections; and illustration work for publications such as The New Yorker. He is currently writing and drawing an original graphic novel.Klaus Janson is a veteran comic-book artist best known as a distinctive and respected inker, but also a talented penciler and colorist. His long artistic collaboration with Frank Miller on Daredevil remains one on the most celebrated runs in comics, and the pair reunited on the similarly revered Batman: The Dark Knight Returns. Janson has also enjoyed a long and successful professional relationship with John Romita Jr., inking the penciler’s pages on projects including Amazing Spider-Man, Wolverine, World War Hulk and Avengers. A scholar of the medium, Janson teaches sequential storytelling at the School of Visual Arts in New York City, and wrote both The DC Comics Guide to Penciling Comics and The DC Comics Guide to Inking Comics.Luke McDonnell penciled a long stint on Iron Man, encompassing the controversial storyline in which Tony Stark ceded the Iron Man armor to his friend James Rhodes. McDonnell’s work also appeared in Daredevil, Spectacular Spider-Man, What If? and elsewhere. At DC, he penciled most of John Ostrander’s Suicide Squad and its spinoff miniseries Deadshot, as well as a Justice League of America stint during its “Detroit JLA†phase. Eclipso, Green Lantern: Mosaic and Secret Origins are only a few of the other titles benefiting from his work. Writer/artist Larry Hama got his start as a penciler before becoming a respected editor and later a writer during the ’80s with his career-defining work on G.I. Joe and a memorable run on Wolverine. Through the years, Hama proved his versatility writing Avengers, Blaze, Elektra, Generation X, The Punisher: War Zone and multiple Venom miniseries. When Devil’s Due, IDW and Image Comics in turn obtained the G.I. Joe license, Hama revisited his iconic Marvel run, continuing where he had left off years earlier and bringing the series to — and past — a record-breaking three hundred issues. At Continuity Comics, he created Bucky O’Hare, launching a franchise that extended to animation, video games and a toy line. Hama recently revisited his era helming the adventures of Logan with the Wolverine: Patch limited series.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels (in preordine)
Uscita: 09/03/27
Ordinabile fino al 21/12/26
By Dennis O'Neil. Artist David Mazzucchelli. Cover by David Mazzucchelli.
Prezzo di copertina: USD 54,99
Prezzo HoVistoCose: EUR 49,62
Data di uscita: 09/03/27
Final Order Cutoff: 21/12/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Kieron Gillen (A) Salvador Larroca; Giuseppe Camuncoli; Andrea Broccardo (CA) David Marquez
The rebel crew fights to liberate Mon Cala, ocean-planet home of Admiral Ackbar!The Rebel Alliance is determined to strengthen its forces by growing its numbers, but with more recruits comes discord and dissidence. Can Princess Leia, with help from Han and Luke, forge one true alliance from the many factions? On a mission to Mon Cala, Leia has a nearly impossible plan to ally the besieged planet with the rebellion — one that hinges on the unique skills and cultural know-how of C-3PO! And with the Empire temporarily weakened, the Alliance is poised to rise up in defiance. Could their ultimate victory be imminent? Or will Darth Vader find the rebel base and regain the upper hand? In the wake of disaster, our heroes will find themselves on the run — and despite the desperate times, romance might be in the air!COLLECTING: Star Wars (2015) #44-61Written by: Kieron GillenPenciled by: Salvador Larroca, Giuseppe Camuncoli, Andrea Broccardo & Angel Unzueta Galarza
Rated T
An award-winning critic and journalist, Kieron Gillen turned his attention to comics on titles including the critically lauded Phonogram with frequent creative partner Jamie McKelvie — as well as Thor, S.W.O.R.D. and Generation Hope. Gillen relaunched two longstanding Marvel series in Uncanny X-Men and Journey into Mystery before again teaming with McKelvie for an acclaimed take on Young Avengers. Gillen wrote Iron Man for Marvel NOW! — and he explored the galaxy far, far away in the pages of Darth Vader, Doctor Aphra and Star Wars. Gillen returned to Marvel with thoughtful runs on Immortal X-Men and Eternals.Working for the Marvel UK imprint led Spanish artist Salvador Larroca to a regular gig on Ghost Rider. He graduated to Fantastic Four, alongside one of his favorite writers, Chris Claremont. From 2000 to 2006, Larroca depicted Marvel’s mutants across Uncanny X-Men, X-Men and X-Treme X-Men. Following a stint on Amazing Spider-Man, Larroca brought his maturing style to a lengthy run on Invincible Iron Man and the X-Men: No More Humans original graphic novel. Upon the return of Star Wars to Marvel, Larroca turned to the dark side with Darth Vader before taking on the flagship Star Wars title.Artist Giuseppe Camuncoli made his Marvel Comics debut in 2002 on Spider-Man’s Tangled Web. His subsequent Marvel credits include the limited series X-Infernus, which re-established Illyana Rasputin as a central character in the X-Universe. He later helped launch Wolverine’s son into his own title with Daken: Dark Wolverine, and teamed with writer Dan Slott on Amazing Spider-Man and Superior Spider-Man. Camuncoli illustrated the entire 25-issue run of writer Charles Soule’s Star Wars: Darth Vader.Artist Andrea Broccardo quickly found his feet at Marvel on projects including Kanan and the “Amazing Grace†storyline of Amazing Spider-Man. His work hit the big leagues in the high-profile event tie-in book Civil War II: X-Men, and he has illustrated multiple Star Wars projects, including Star Wars: Doctor Aphra. He has also worked on Marvel’s foray into another iconic sci-fi galaxy in the pages of Alien.Angel Unzueta has demonstrated his flair for super hero action with iconic Avengers, illustrating Captain America: Sam Wilson, Iron Man and the team-up book Captain America/Iron Man. His credits also include Marvel’s Star Wars series and a lengthy run on Star Wars: Poe Dameron.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels (in preordine)
Uscita: 16/02/27
Ordinabile fino al 07/12/26
By Kieron Gillen. Artist Salvador Larroca. Cover by David Marquez.
Prezzo di copertina: USD 49,99
Prezzo HoVistoCose: EUR 45,11
serie
Data di uscita: 16/02/27
Final Order Cutoff: 07/12/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Louise Simonson; Chris Claremont (A) Walter Simonson; Terry Shoemaker (CA) Marc Silvestri
The entire incendiary X-epic in one red-hot hardcover!When mad geneticist Mister Sinister and the demonic N’astirh set their respective master plans in motion, an Inferno engulfs the Marvel Universe! The flames are fanned as Sinister’s Marauders attack the X-Men, while a demonic horde preys upon New York’s helpless, horrified populace — and Illyana Rasputin battles for her soul! But it’s Cyclops’ estranged wife — Madelyne Pryor, now the Goblin Queen — who might turn Earth into a hellish wasteland! The X-Men, X-Factor and the New Mutants face their most harrowing ordeal — with Spider-Man, Daredevil, the Avengers and more fighting the fires!COLLECTING: X-Factor (1986) #33-40; X-Terminators (1988) #1-4; Uncanny X-Men (1981) #239-243; New Mutants (1983) #71-73; Power Pack (1984) #40, 42-44; Avengers (1963) #298-300; Fantastic Four (1961) #322-324; Amazing Spider-Man (1963) #311-313; Spectacular Spider-Man (1976) #146-148; Web of Spider-Man (1985) #47-48; Daredevil (1964) #262-263, 265; Excalibur (1988) #6-7; Mutant Misadventures of Cloak and Dagger (1988) #4, material from X-Factor Annual (1986) #4Written by: Louise Simonson, Chris Claremont, Jon Bogdanove, Walter Simonson, Steve Englehart, David Michelinie, Gerry Conway, Ann Nocenti, Terry Austin & morePenciled by: Walter Simonson, Terry Shoemaker, Rob Liefeld, Jon Bogdanove, Marc Silvestri, Bret Blevins, Sal Velluto, John Buscema, Keith Pollard, Todd McFarlane, Sal Buscema, Alex Saviuk, John Romita Jr., Alan Davis, Mike Vosburg & more
Rated T
Writer and editor Louise Simonson launched Power Pack and Web of Spider-Man and wrote memorable runs on New Mutants and X-Factor — helping map out the “Mutant Massacre,†“Inferno†and “X-Tinction Agenda†crossovers. Her major editorial credits include Star Wars and Uncanny X-Men. At DC, she wrote multiple Superman titles and became one of the main creative forces behind the “Death of Superman†saga; her scripts also appeared in Detective Comics, New Titans and more. She returned to Marvel to write the Galactus the Devourer limited series and 1999-2000’s Warlock, starring characters from New Mutants. Her later Marvel work includes the limited series Jean Grey and Power Pack: Into the Storm.Industry legend Chris Claremont is best known for his epic sixteen-year run on Uncanny X-Men. Claremont’s focus on the themes of prejudice and tolerance struck at the hearts of comics fans, and he built an unparalleled following during the next three decades. Under his pen, the X-Men franchise spawned a vast array of spin-offs, many of them written by Claremont himself. His other credits include Iron Fist, Ms. Marvel, Power Man and Spider-Woman. Claremont has returned to the X-Men universe in New Exiles, GeNext, X-Men Forever, Chaos War: X-Men and Nightcrawler.Jon Bogdanove began as the penciler, and eventually became the writer, of Power Pack. He also illustrated the acclaimed Fantastic Four vs. the X-Men miniseries and contributed to several other X-comics before migrating to DC in the early 1990s and beginning a lengthy run on Superman: The Man of Steel.After achieving industry acclaim for DC’s award-winning “Manhunter†feature in Detective Comics, Walter Simonson moved to Marvel where he introduced multiple characters and concepts from both myth and outer space during his revered run scripting and penciling Thor. He collaborated with his wife, Louise, on both X-Factor and Wildstorm’s World of Warcraft, later returning to Marvel to illustrate Brian Michael Bendis’ Avengers.Steve Englehart’s history-making contributions to the Marvel Universe began with the Beast’s solo feature in Amazing Adventures, in which the eloquent X-Man first assumed furry form. As Avengers writer, he masterminded such major events as “The Avengers/Defenders War†(in both teams’ titles) and “The Celestial Madonna Saga.†In Captain America, he identified and solved the “mystery†of the 1950s Captain America (later revived by Ed Brubaker), and gave the true Cap the alternate identity of Nomad. Englehart’s Dr. Strange storyline in Marvel Premiere established the character as Sorcerer Supreme and covered the creation of the universe itself. At DC, he helped revamp Batman, Green Lantern, Superman and other major heroes for the 1970s. Back at Marvel, he wrote the first few years of West Coast Avengers and Silver Surfer. His published novels include Countdown to Flight, Hellstorm (part of the TALON Force series), Majorca, The Point Man and, with wife Terry Beach, books in the DNAgers young-adult series. Englehart has also written TV episodes and designed video games.After beginning his writing career on DC horror titles, David Michelinie moved to Marvel. He and co-writer/inker Bob Layton established Iron Man’s battle with alcoholism, use of specialized armor variants and vendetta against Doctor Doom, as well as other aspects of the character that endure to this day. Michelinie’s unique blend of action, suspense and humor distinguished not only Iron Man, but also Amazing Spider-Man. With artist Todd McFarlane, he introduced the vicious vigilante Venom; he also wrote the first Venom limited series, Lethal Protector. Michelinie’s run as Amazing writer was second in length only to that of Stan Lee himself, while he also authored tie-in titles Spectacular Spider-Man, Web of Spider-Man and Spider-Man. He moved from Marvel’s flagship character to DC’s with a stint on Superman’s Action Comics, later returning to the world of Tony Stark for writing collaborations with Bob Layton on Iron Man: Legacy of Doom and Iron Man: The End.Gerry Conway wrote Daredevil, Incredible Hulk, Iron Man and others. He was instrumental in Marvel’s 1970s horror boom with work on Man-Thing, Tomb of Dracula and Werewolf by Night. His years on Amazing Spider-Man yielded such historic highlights as the groundbreaking death of Gwen Stacy and the debut of the Punisher. He also wrote DC’s Batman, Superman, Wonder Woman and Legion of Super-Heroes. For TV, he has written and produced episodes of Diagnosis: Murder, Hercules: The Legendary Journeys, Huntress and Matlock.Journalist, editor, filmmaker and more, Ann Nocenti has a long history in comics, both as a writer and an editor. As an editor at Marvel, she oversaw such titles as New Mutants and Uncanny X-Men. As a writer, she has worked for both Marvel (Longshot, Spectacular Spider-Man, Wolverine) and DC (Batman, Kid Eternity, Green Arrow, Catwoman), but is probably best known for her groundbreaking run with John Romita Jr. on Daredevil.Terry Austin won Eagle, Inkpot and Comics Buyer’s Guide Fan Awards for ink work on Chris Claremont and John Byrne’s legendary Uncanny X-Men run. Elsewhere in the mutant franchise, he penciled New Mutants and wrote occasional stories for various X-Men titles, along with Cloak and Dagger. At DC, he reunited with John Byrne to ink Superman; he also embellished Green Lantern, Justice League America and 66 issues of Superman Adventures, and penciled half the Camelot 3000 miniseries.After achieving industry acclaim for DC’s award-winning “Manhunter†feature in Detective Comics, Walter Simonson moved to Marvel where he introduced multiple characters and concepts from both myth and outer space during his revered run scripting and penciling Thor. He collaborated with his wife, Louise, on both X-Factor and Wildstorm’s World of Warcraft, later returning to Marvel to illustrate Brian Michael Bendis’ Avengers.In addition to illustrating annuals for New Mutants, X-Factor and X-Force, Terry Shoemaker helped conclude the “Heroes Reborn†version of Iron Man and contributed to the armored Avenger’s subsequent relaunch. He also penciled Tales of the Legion of Super-Heroes for DC, CyberRad for Continuity and Zealot for Image, as well as several Wildstorm stories.Reimagining New Mutants into X-Force was only the start for Rob Liefeld, one of the leaders of the 1990s comics revolution. After introducing both Cable and Deadpool, he launched an even bigger collaboration as one of the founders of Image Comics with his original property Youngblood. In 1996, he participated in Marvel’s multi-title Heroes Reborn event. Liefeld returned to Marvel fo an X-Force limited series and then revisited Heroes Reborn in Onslaught Reborn. Liefeld returned to his most famous co-creation with the graphic novel Deadpool: Bad Blood, its limited series sequel Deadpool: Badder Blood and the blockbuster Deadpool Team-Up, and introduced a new sensation in Major X.Jon Bogdanove began as the penciler, and eventually became the writer, of Power Pack. He also illustrated the acclaimed Fantastic Four vs. the X-Men miniseries and contributed to several other X-comics before migrating to DC in the early 1990s and beginning a lengthy run on Superman: The Man of Steel.Industry giant Marc Silvestri entered the upper echelon of comics innovators in the late ’80s during fan-favorite, record-breaking runs on Uncanny X-Men and Wolverine. Silvestri left Marvel in 1992 to co-found Image Comics; his imprint, Top Cow, is one of its four longstanding autonomous studios. At Image, Silvestri created some of today’s most popular properties — including Cyberforce, Witchblade, Weapon Zero and The Darkness. Silvestri has returned to the world of Marvel’s mutants on New X-Men and X-Men: Messiah Complex.Two-time Emmy Award-winner Bret Blevins’ early Marvel work included adaptations of films such as The Dark Crystal, Krull and The Last Starfighter. Moving into the Marvel Universe, he drew Strange Tales’ Cloak and Dagger feature, and penciled much of Louise Simonson’s New Mutants run. In 1996, he moved into TV animation, storyboarding for Batman Beyond, Justice League and New Batman/Superman Adventures. He now divides time between oil painting and freelance storyboarding.Sal Velluto penciled several issues of Marc Spector: Moon Knight and most of Christopher Priest’s Black Panther run, the latter with his friend and frequent collaborator Bob Almond on inks; later, he contributed to the limited series Doctor Voodoo. At DC, he drew Firebrand and Justice League Task Force. His additional work includes Acclaim's Bloodshot, Continuity's Armor, Now's Green Hornet and Penny-Farthing's Captain Gravity. John Buscema (1927-2002) literally wrote the book on being a Marvel artist — namely, How To Draw Comics the Marvel Way — and few were better qualified. His career dated back to the Timely/Atlas era of the late ’40s and early ’50s. Soon after beginning the Marvel Age of Comics, Stan Lee recruited Buscema from the advertising field to the Marvel Bullpen. Buscema followed a long run on Avengers with the long-anticipated first Silver Surfer series. He subsequently succeeded Jack Kirby on Fantastic Four, Thor and other titles. By the time of his retirement in 1996, Buscema had penciled nearly every Marvel title — including his personal favorite, Conan the Barbarian.Keith Pollard drew simultaneous runs on three of Marvel’s longest-running titles: Amazing Spider-Man, Fantastic Four and Thor, including Roy Thomas and Mark Gruenwald’s “Eternals Saga.†During the 1990s, he singlehandedly penciled hundreds of characters for the Official Handbook of the Marvel Universe: Master Edition.After a stint on Incredible Hulk with writer Peter David, artist Todd McFarlane moved to Amazing Spider-Man, where he and writer David Michelinie introduced Venom. Achieving a devoted following with his then-experimental style of unconventional panel layouts, extreme close-ups and other innovations, McFarlane became both writer and artist on a new series, titled simply Spider-Man. He later joined several fellow industry prodigies to form Image Comics. McFarlane’s major contribution was Spawn, the demonic mercenary whose first-issue sales of 1.7 million copies remain a benchmark for an independent. His other industry credits include DC’s Infinity Inc. and “Batman: Year Two†in Detective Comics. He has earned the Inkpot Award, the National Cartoonists Society’s Award for Best Comic Book and the NFL’s Artist of the Year Award for designing the Baltimore Ravens’ program covers. In addition to the Image subsidiary Todd McFarlane Productions, he heads McFarlane Toys and Todd McFarlane Entertainment, and is producer of a Spawn film and an award-winning animated series.After a start as inker to his older brother John, Sal Buscema penciled Captain America, Defenders, Incredible Hulk and more. Famed for his ability to meet tight deadlines, he spread his talents across multiple genres. His 1970s work ranged from Ms. Marvel and Nova to Sub-Mariner and Spider-Woman’s first appearance in Marvel Spotlight. He was the uninterrupted artist on Spectacular Spider-Man for more than a hundred issues and penciled the web-slinger’s adventures in Marvel Team-Up, in which he and writer Bill Mantlo introduced Captain Jean DeWolff. After handling more team-ups in the Thing’s Marvel Two-in-One, he reunited with brother John on Steve Englehart’s Fantastic Four. He later provided inks for Tom DeFalco’s Spider-Girl titles and Thunderstrike miniseries.Alex Saviuk established himself as a major Marvel artist with a seven-year run on Web of Spider-Man. He also worked on the animated-series tie-in Spider-Man Adventures and drew the Amazing Spider-Man comic strip from scripts by Stan Lee and Larry Lieber. At DC, he penciled and inked Flash, Green Lantern, Superman and other titles. John Romita Jr. is a modern-day comic-art master, following in his legendary father’s footsteps. Timeless runs on Iron Man, Uncanny X-Men, Amazing Spider-Man and Daredevil established him as his own man artistically, and his work on Wolverine and World War Hulk is among the most explosive comic art of the 21st century. In addition to Eternals with writer Neil Gaiman, JRJR teamed with Mark Millar on the creator-owned Kick-Ass, later developed into a blockbuster feature film starring Nicolas Cage. Spidey fans rejoiced at the artist’s return to Amazing Spider-Man with the “Brand New Day†storylines “New Ways To Die†and “Character Assassination.†He later helped relaunch Avengers with writer Brian Michael Bendis and Captain America with Rick Remender, and contributed to the blockbuster crossover Avengers vs. X-Men. For DC Comics, he drew big-name characters such as Superman, Batman and the Suicide Squad before making a welcome return home to Marvel and Amazing Spider-Man.The career of British-born artist Alan Davis took off like a rocket after his humble beginnings at Marvel UK, where he impressed with an acclaimed run on Captain Britain. Davis broke into U.S. comics with runs on Batman and the Outsiders and Detective Comics. Hired by Marvel U.S. in 1986, Davis launched Excalibur with Chris Claremont, and the book quickly became one of mutantdom’s most unique and humorous titles. When Davis took over as writer, he continued many plot threads from his Captain Britain run. After a lengthy arc writing and drawing X-Men, Davis illustrated writer Brian Michael Bendis’ Avengers Prime and contributed to the status-quo-changing X-Men: Schism.Mike Vosburg’s career at Marvel started in the now-rare black-and-white magazines of the 1970s, including Deadly Hands of Kung Fu and Vampire Tales. He was the regular penciler for Savage She-Hulk, Cloak and Dagger and other series, also doing work in the Epic and New Universe lines. Vosburg is equally at home in horror and romance genres; his later work includes art for Acclaim, Caliber and Hamster Press.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels (in preordine)
Uscita: 25/05/27
Ordinabile fino al 14/12/26
By Louise Simonson. Artist Walter Simonson. Cover by Marc Silvestri.
Prezzo di copertina: USD 125,00
Prezzo HoVistoCose: EUR 112,81
Data di uscita: 25/05/27
Final Order Cutoff: 14/12/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
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