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by (W) Roy Thomas; Archie Goodwin (A) Howard Chaykin; Carmine Infantino (CA) Howard Chaykin
The original Star Wars comic book returns! As the phenomenon dawned in 1977, Marvel Comics published the very first Star Wars comic-book series. Now, the House of Ideas is re-presenting those original adventures in its wampa-sized Omnibus format! It's the return of the Jedi to Marvel in an opening volume that begins with A New Hope and ends with The Empire Strikes Back. In between, the rebels face a wealth of new perils -- from space pirate Crimson Jack to the bounty hunter Beilert Valance, as well as a surprisingly svelte Jabba the Hut (one "t"). Luke goes back to Tatooine, Leia battles alone, Han and Chewie play the deadly Big Game, and Darth Vader hunts for answers! With all your old favorites and plenty of fresh faces -- hello, Jaxxon! -- there's no doubt, the Force is strong with this one!
Rated T
Roy Thomas joined the Marvel Bullpen as a writer and editor under Stan Lee, scripting key runs of nearly every title of the time: Amazing Spider-Man, Avengers, Daredevil, Doctor Strange, Sub-Mariner, Thor, X-Men and more. He wrote the first 10 years of Marvel’s Conan the Barbarian and Savage Sword of Conan; and launched such series as Defenders, Iron Fist, Invaders and Warlock. At DC, he developed All-Star Squadron, Infinity Inc. and related titles, proving instrumental in reviving the Golden Age Justice Society of America. Thomas later became editor of Alter Ego, a magazine devoted to comic-book history, and co-scripted the sword-and-sorcery films Fire and Ice and Conan the Destroyer.Artist Howard Chaykin has been an industry legend for more than three decades. After introducing Dominic Fortune in Bizarre Adventuresand drawing Marvel’s Star Wars adaptation, he revamped DC’s Blackhawk and lent his unique perspective on past decades to American Century, Twilight, Pulp Fantastic and City of Tomorrow, among others. Chaykin’s seminal work writing and illustrating the politically charged series American Flagg! has influenced a generation of writers and artists. He remains a leading creative force in the industry, having illustrated Punisher War Journal, Wolverine, Blade and more for Marvel Comics.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Uscita: 16/03/27
Ordinabile fino al 05/10/26
By Roy Thomas. Artist Howard Chaykin. Cover by Howard Chaykin.
Prezzo di copertina: USD 125,00
Prezzo HoVistoCose: EUR 112,81
Data di uscita: 16/03/27
Final Order Cutoff: 05/10/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
![Star Wars: The Original Marvel Years Omnibus Vol. 1 Howard Chaykin Cover [New Printing]](/img/loading.gif)
by (W) Roy Thomas; Archie Goodwin (A) Howard Chaykin; Carmine Infantino (CA) Greg Hildebrandt
The original Star Wars comic book returns! As the phenomenon dawned in 1977, Marvel Comics published the very first Star Wars comic-book series. Now, the House of Ideas is re-presenting those original adventures in its wampa-sized Omnibus format! It's the return of the Jedi to Marvel in an opening volume that begins with A New Hope and ends with The Empire Strikes Back. In between, the rebels face a wealth of new perils -- from space pirate Crimson Jack to the bounty hunter Beilert Valance, as well as a surprisingly svelte Jabba the Hut (one "t"). Luke goes back to Tatooine, Leia battles alone, Han and Chewie play the deadly Big Game, and Darth Vader hunts for answers! With all your old favorites and plenty of fresh faces -- hello, Jaxxon! -- there's no doubt, the Force is strong with this one!
Rated T
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Uscita: 16/03/27
Ordinabile fino al 05/10/26
By Roy Thomas. Artist Howard Chaykin. Cover by Greg Hildebrandt.
Prezzo di copertina: USD 125,00
Prezzo HoVistoCose: EUR 112,81
Data di uscita: 16/03/27
Final Order Cutoff: 05/10/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Louise Simonson; Chris Claremont (A) Walter Simonson; Terry Shoemaker (CA) Marc Silvestri
The entire incendiary X-epic in one red-hot hardcover!When mad geneticist Mister Sinister and the demonic N’astirh set their respective master plans in motion, an Inferno engulfs the Marvel Universe! The flames are fanned as Sinister’s Marauders attack the X-Men, while a demonic horde preys upon New York’s helpless, horrified populace — and Illyana Rasputin battles for her soul! But it’s Cyclops’ estranged wife — Madelyne Pryor, now the Goblin Queen — who might turn Earth into a hellish wasteland! The X-Men, X-Factor and the New Mutants face their most harrowing ordeal — with Spider-Man, Daredevil, the Avengers and more fighting the fires!COLLECTING: X-Factor (1986) #33-40; X-Terminators (1988) #1-4; Uncanny X-Men (1981) #239-243; New Mutants (1983) #71-73; Power Pack (1984) #40, 42-44; Avengers (1963) #298-300; Fantastic Four (1961) #322-324; Amazing Spider-Man (1963) #311-313; Spectacular Spider-Man (1976) #146-148; Web of Spider-Man (1985) #47-48; Daredevil (1964) #262-263, 265; Excalibur (1988) #6-7; Mutant Misadventures of Cloak and Dagger (1988) #4, material from X-Factor Annual (1986) #4Written by: Louise Simonson, Chris Claremont, Jon Bogdanove, Walter Simonson, Steve Englehart, David Michelinie, Gerry Conway, Ann Nocenti, Terry Austin & morePenciled by: Walter Simonson, Terry Shoemaker, Rob Liefeld, Jon Bogdanove, Marc Silvestri, Bret Blevins, Sal Velluto, John Buscema, Keith Pollard, Todd McFarlane, Sal Buscema, Alex Saviuk, John Romita Jr., Alan Davis, Mike Vosburg & more
Rated T
Writer and editor Louise Simonson launched Power Pack and Web of Spider-Man and wrote memorable runs on New Mutants and X-Factor — helping map out the “Mutant Massacre,†“Inferno†and “X-Tinction Agenda†crossovers. Her major editorial credits include Star Wars and Uncanny X-Men. At DC, she wrote multiple Superman titles and became one of the main creative forces behind the “Death of Superman†saga; her scripts also appeared in Detective Comics, New Titans and more. She returned to Marvel to write the Galactus the Devourer limited series and 1999-2000’s Warlock, starring characters from New Mutants. Her later Marvel work includes the limited series Jean Grey and Power Pack: Into the Storm.Industry legend Chris Claremont is best known for his epic sixteen-year run on Uncanny X-Men. Claremont’s focus on the themes of prejudice and tolerance struck at the hearts of comics fans, and he built an unparalleled following during the next three decades. Under his pen, the X-Men franchise spawned a vast array of spin-offs, many of them written by Claremont himself. His other credits include Iron Fist, Ms. Marvel, Power Man and Spider-Woman. Claremont has returned to the X-Men universe in New Exiles, GeNext, X-Men Forever, Chaos War: X-Men and Nightcrawler.Jon Bogdanove began as the penciler, and eventually became the writer, of Power Pack. He also illustrated the acclaimed Fantastic Four vs. the X-Men miniseries and contributed to several other X-comics before migrating to DC in the early 1990s and beginning a lengthy run on Superman: The Man of Steel.After achieving industry acclaim for DC’s award-winning “Manhunter†feature in Detective Comics, Walter Simonson moved to Marvel where he introduced multiple characters and concepts from both myth and outer space during his revered run scripting and penciling Thor. He collaborated with his wife, Louise, on both X-Factor and Wildstorm’s World of Warcraft, later returning to Marvel to illustrate Brian Michael Bendis’ Avengers.Steve Englehart’s history-making contributions to the Marvel Universe began with the Beast’s solo feature in Amazing Adventures, in which the eloquent X-Man first assumed furry form. As Avengers writer, he masterminded such major events as “The Avengers/Defenders War†(in both teams’ titles) and “The Celestial Madonna Saga.†In Captain America, he identified and solved the “mystery†of the 1950s Captain America (later revived by Ed Brubaker), and gave the true Cap the alternate identity of Nomad. Englehart’s Dr. Strange storyline in Marvel Premiere established the character as Sorcerer Supreme and covered the creation of the universe itself. At DC, he helped revamp Batman, Green Lantern, Superman and other major heroes for the 1970s. Back at Marvel, he wrote the first few years of West Coast Avengers and Silver Surfer. His published novels include Countdown to Flight, Hellstorm (part of the TALON Force series), Majorca, The Point Man and, with wife Terry Beach, books in the DNAgers young-adult series. Englehart has also written TV episodes and designed video games.After beginning his writing career on DC horror titles, David Michelinie moved to Marvel. He and co-writer/inker Bob Layton established Iron Man’s battle with alcoholism, use of specialized armor variants and vendetta against Doctor Doom, as well as other aspects of the character that endure to this day. Michelinie’s unique blend of action, suspense and humor distinguished not only Iron Man, but also Amazing Spider-Man. With artist Todd McFarlane, he introduced the vicious vigilante Venom; he also wrote the first Venom limited series, Lethal Protector. Michelinie’s run as Amazing writer was second in length only to that of Stan Lee himself, while he also authored tie-in titles Spectacular Spider-Man, Web of Spider-Man and Spider-Man. He moved from Marvel’s flagship character to DC’s with a stint on Superman’s Action Comics, later returning to the world of Tony Stark for writing collaborations with Bob Layton on Iron Man: Legacy of Doom and Iron Man: The End.Gerry Conway wrote Daredevil, Incredible Hulk, Iron Man and others. He was instrumental in Marvel’s 1970s horror boom with work on Man-Thing, Tomb of Dracula and Werewolf by Night. His years on Amazing Spider-Man yielded such historic highlights as the groundbreaking death of Gwen Stacy and the debut of the Punisher. He also wrote DC’s Batman, Superman, Wonder Woman and Legion of Super-Heroes. For TV, he has written and produced episodes of Diagnosis: Murder, Hercules: The Legendary Journeys, Huntress and Matlock.Journalist, editor, filmmaker and more, Ann Nocenti has a long history in comics, both as a writer and an editor. As an editor at Marvel, she oversaw such titles as New Mutants and Uncanny X-Men. As a writer, she has worked for both Marvel (Longshot, Spectacular Spider-Man, Wolverine) and DC (Batman, Kid Eternity, Green Arrow, Catwoman), but is probably best known for her groundbreaking run with John Romita Jr. on Daredevil.Terry Austin won Eagle, Inkpot and Comics Buyer’s Guide Fan Awards for ink work on Chris Claremont and John Byrne’s legendary Uncanny X-Men run. Elsewhere in the mutant franchise, he penciled New Mutants and wrote occasional stories for various X-Men titles, along with Cloak and Dagger. At DC, he reunited with John Byrne to ink Superman; he also embellished Green Lantern, Justice League America and 66 issues of Superman Adventures, and penciled half the Camelot 3000 miniseries.After achieving industry acclaim for DC’s award-winning “Manhunter†feature in Detective Comics, Walter Simonson moved to Marvel where he introduced multiple characters and concepts from both myth and outer space during his revered run scripting and penciling Thor. He collaborated with his wife, Louise, on both X-Factor and Wildstorm’s World of Warcraft, later returning to Marvel to illustrate Brian Michael Bendis’ Avengers.In addition to illustrating annuals for New Mutants, X-Factor and X-Force, Terry Shoemaker helped conclude the “Heroes Reborn†version of Iron Man and contributed to the armored Avenger’s subsequent relaunch. He also penciled Tales of the Legion of Super-Heroes for DC, CyberRad for Continuity and Zealot for Image, as well as several Wildstorm stories.Reimagining New Mutants into X-Force was only the start for Rob Liefeld, one of the leaders of the 1990s comics revolution. After introducing both Cable and Deadpool, he launched an even bigger collaboration as one of the founders of Image Comics with his original property Youngblood. In 1996, he participated in Marvel’s multi-title Heroes Reborn event. Liefeld returned to Marvel fo an X-Force limited series and then revisited Heroes Reborn in Onslaught Reborn. Liefeld returned to his most famous co-creation with the graphic novel Deadpool: Bad Blood, its limited series sequel Deadpool: Badder Blood and the blockbuster Deadpool Team-Up, and introduced a new sensation in Major X.Jon Bogdanove began as the penciler, and eventually became the writer, of Power Pack. He also illustrated the acclaimed Fantastic Four vs. the X-Men miniseries and contributed to several other X-comics before migrating to DC in the early 1990s and beginning a lengthy run on Superman: The Man of Steel.Industry giant Marc Silvestri entered the upper echelon of comics innovators in the late ’80s during fan-favorite, record-breaking runs on Uncanny X-Men and Wolverine. Silvestri left Marvel in 1992 to co-found Image Comics; his imprint, Top Cow, is one of its four longstanding autonomous studios. At Image, Silvestri created some of today’s most popular properties — including Cyberforce, Witchblade, Weapon Zero and The Darkness. Silvestri has returned to the world of Marvel’s mutants on New X-Men and X-Men: Messiah Complex.Two-time Emmy Award-winner Bret Blevins’ early Marvel work included adaptations of films such as The Dark Crystal, Krull and The Last Starfighter. Moving into the Marvel Universe, he drew Strange Tales’ Cloak and Dagger feature, and penciled much of Louise Simonson’s New Mutants run. In 1996, he moved into TV animation, storyboarding for Batman Beyond, Justice League and New Batman/Superman Adventures. He now divides time between oil painting and freelance storyboarding.Sal Velluto penciled several issues of Marc Spector: Moon Knight and most of Christopher Priest’s Black Panther run, the latter with his friend and frequent collaborator Bob Almond on inks; later, he contributed to the limited series Doctor Voodoo. At DC, he drew Firebrand and Justice League Task Force. His additional work includes Acclaim's Bloodshot, Continuity's Armor, Now's Green Hornet and Penny-Farthing's Captain Gravity. John Buscema (1927-2002) literally wrote the book on being a Marvel artist — namely, How To Draw Comics the Marvel Way — and few were better qualified. His career dated back to the Timely/Atlas era of the late ’40s and early ’50s. Soon after beginning the Marvel Age of Comics, Stan Lee recruited Buscema from the advertising field to the Marvel Bullpen. Buscema followed a long run on Avengers with the long-anticipated first Silver Surfer series. He subsequently succeeded Jack Kirby on Fantastic Four, Thor and other titles. By the time of his retirement in 1996, Buscema had penciled nearly every Marvel title — including his personal favorite, Conan the Barbarian.Keith Pollard drew simultaneous runs on three of Marvel’s longest-running titles: Amazing Spider-Man, Fantastic Four and Thor, including Roy Thomas and Mark Gruenwald’s “Eternals Saga.†During the 1990s, he singlehandedly penciled hundreds of characters for the Official Handbook of the Marvel Universe: Master Edition.After a stint on Incredible Hulk with writer Peter David, artist Todd McFarlane moved to Amazing Spider-Man, where he and writer David Michelinie introduced Venom. Achieving a devoted following with his then-experimental style of unconventional panel layouts, extreme close-ups and other innovations, McFarlane became both writer and artist on a new series, titled simply Spider-Man. He later joined several fellow industry prodigies to form Image Comics. McFarlane’s major contribution was Spawn, the demonic mercenary whose first-issue sales of 1.7 million copies remain a benchmark for an independent. His other industry credits include DC’s Infinity Inc. and “Batman: Year Two†in Detective Comics. He has earned the Inkpot Award, the National Cartoonists Society’s Award for Best Comic Book and the NFL’s Artist of the Year Award for designing the Baltimore Ravens’ program covers. In addition to the Image subsidiary Todd McFarlane Productions, he heads McFarlane Toys and Todd McFarlane Entertainment, and is producer of a Spawn film and an award-winning animated series.After a start as inker to his older brother John, Sal Buscema penciled Captain America, Defenders, Incredible Hulk and more. Famed for his ability to meet tight deadlines, he spread his talents across multiple genres. His 1970s work ranged from Ms. Marvel and Nova to Sub-Mariner and Spider-Woman’s first appearance in Marvel Spotlight. He was the uninterrupted artist on Spectacular Spider-Man for more than a hundred issues and penciled the web-slinger’s adventures in Marvel Team-Up, in which he and writer Bill Mantlo introduced Captain Jean DeWolff. After handling more team-ups in the Thing’s Marvel Two-in-One, he reunited with brother John on Steve Englehart’s Fantastic Four. He later provided inks for Tom DeFalco’s Spider-Girl titles and Thunderstrike miniseries.Alex Saviuk established himself as a major Marvel artist with a seven-year run on Web of Spider-Man. He also worked on the animated-series tie-in Spider-Man Adventures and drew the Amazing Spider-Man comic strip from scripts by Stan Lee and Larry Lieber. At DC, he penciled and inked Flash, Green Lantern, Superman and other titles. John Romita Jr. is a modern-day comic-art master, following in his legendary father’s footsteps. Timeless runs on Iron Man, Uncanny X-Men, Amazing Spider-Man and Daredevil established him as his own man artistically, and his work on Wolverine and World War Hulk is among the most explosive comic art of the 21st century. In addition to Eternals with writer Neil Gaiman, JRJR teamed with Mark Millar on the creator-owned Kick-Ass, later developed into a blockbuster feature film starring Nicolas Cage. Spidey fans rejoiced at the artist’s return to Amazing Spider-Man with the “Brand New Day†storylines “New Ways To Die†and “Character Assassination.†He later helped relaunch Avengers with writer Brian Michael Bendis and Captain America with Rick Remender, and contributed to the blockbuster crossover Avengers vs. X-Men. For DC Comics, he drew big-name characters such as Superman, Batman and the Suicide Squad before making a welcome return home to Marvel and Amazing Spider-Man.The career of British-born artist Alan Davis took off like a rocket after his humble beginnings at Marvel UK, where he impressed with an acclaimed run on Captain Britain. Davis broke into U.S. comics with runs on Batman and the Outsiders and Detective Comics. Hired by Marvel U.S. in 1986, Davis launched Excalibur with Chris Claremont, and the book quickly became one of mutantdom’s most unique and humorous titles. When Davis took over as writer, he continued many plot threads from his Captain Britain run. After a lengthy arc writing and drawing X-Men, Davis illustrated writer Brian Michael Bendis’ Avengers Prime and contributed to the status-quo-changing X-Men: Schism.Mike Vosburg’s career at Marvel started in the now-rare black-and-white magazines of the 1970s, including Deadly Hands of Kung Fu and Vampire Tales. He was the regular penciler for Savage She-Hulk, Cloak and Dagger and other series, also doing work in the Epic and New Universe lines. Vosburg is equally at home in horror and romance genres; his later work includes art for Acclaim, Caliber and Hamster Press.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels (in preordine)
Uscita: 25/05/27
Ordinabile fino al 14/12/26
By Louise Simonson. Artist Walter Simonson. Cover by Marc Silvestri.
Prezzo di copertina: USD 125,00
Prezzo HoVistoCose: EUR 112,81
Data di uscita: 25/05/27
Final Order Cutoff: 14/12/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Joe Kelly; James Felder (A) Ed McGuinness; Aaron Lopresti (CA) Ed McGuinness
Joe Kelly's hilarious, brutal, twisted and definitive take on Deadpool! Wade Wilson is a self-loathing killer for hire - but he dreams of being a hero. So when an interdimensional organization reveals his destiny to save the world, is it the chance for redemption Deadpool has longed for - or is it too good to be true? Either way, with reluctant allies like Siryn, Monty, Weasel and Blind Al and formidable foes like Taskmaster, Typhoid Mary and T-Ray - who carries a soul-shattering secret that could destroy Deadpool - the odds are stacked against the Merc with a Mouth! DP locks horns with Daredevil - and locks lips with Death! Plus: A time-torn Wade crashes a classic issue of AMAZING SPIDER-MAN - and shares a modern-day team-up with the web-slinger! Collecting DEADPOOL (1997) #1-33, #-1 and #0; DAREDEVIL/DEADPOOL ANNUAL '97; DEADPOOL/DEATH ANNUAL '98; BABY'S FIRST DEADPOOL BOOK (1998); AMAZING SPIDER-MAN (1963) #47 and #611; and material from DEADPOOL (2009) #900. RATED PARENTAL ADVISORY.
Rated T+
Joe Kelly broke into Marvel in 1997, adding his own style of irreverence to Deadpool and turning the title into a cult sensation. After runs on Daredevil and X-Men, Kelly departed for DC Comics, where he delivered award-winning work on Action Comics and Superboy. He subsequently returned to Marvel, collaborating with the “Spider-Man Brain Trust†and penning several memorable arcs on Amazing Spider-Man. Kelly combined the two Marvel characters with which he is most closely associated in the riotous team-up series Spider-Man/Deadpool. Along with several fellow comic creators, Kelly established Man of Action, the studio that has produced the Ben 10 animated series.Best known as an editor, James Felder wrote stories for several Marvel anthology titles, including Marvel: Shadows and Light, Marvel Comics Presents and What If? After co-plotting issues of Deadpool with Joe Kelly, he wrote the Deadpool Team-Up one-shot, in which the Merc with a Mouth encountered the infamous Beyonder.Writer/editor Stan Lee (1922-2018) made comic-book history together with Jack Kirby in 1961 with Fantastic Four #1. The monumental popularity of its new style inspired Lee to develop similarly themed characters — including the Hulk and X-Men with Kirby, Spider-Man and Doctor Strange with Steve Ditko, and Daredevil with Bill Everett. After shepherding his creations through dozens of issues — in some cases a hundred or more — Lee allowed other writers to take over, but he maintained steady editorial control. Eventually, he helped expand Marvel into a multimedia empire. In recent years, his frequent cameo appearances in Marvel’s films established Lee as one of the world’s most famous faces.Artist Ed McGuinness came to prominence with his work on Harris Comics’ Vampirella and Marvel’s Deadpool. At Awesome Entertainment, McGuinness participated in a Fighting American revamp with writer Jeph Loeb, who would become a longtime collaborator. A short run on WildStorm’s Mr. Majestic led to a longer one on DC Comics’ Superman and the launch of Superman/Batman with Loeb. Back at Marvel, McGuinness reunited with Loeb for Fallen Son: The Death of Captain America, Hulk and Avengers: X-Sanction before launching Amazing X-Men with Jason Aaron. McGuinness has reteamed with his Deadpool scribe Joe Kelly for Spider-Man/Deadpool and with Aaron on a blockbuster relaunch of Avengers.Born in Portland, Oregon, Aaron Lopresti studied business and briefly worked in the film industry before starting a career as a commercial artist at Art Farm Studios. He broke into comics in 1993 as the artist of Malibu’s Sludge series for the Ultraverse line, later acquired by Marvel. Lopresti has since drawn projects featuring Batman, Wonder Woman, Flash, Green Lantern, Mister Terrific, Plastic Man, Superboy, Gen¹³, Mystic, Xena and Star Trek for various publishers, as well as the self-published Atomic Toybox and CHIX. His many Marvel/Malibu credits include Amazing Spider-Man, Captain Marvel, Elven, Generation X, New X-Men, Rogue, Sentinel Squad O*N*E, Uncanny X-Men, What The--?! and What If?, plus longer runs on Excalibur, Incredible Hulk and Ms. Marvel.Bernard Chang broke into comics at Valiant, earning acclaim for his art on The Second Life of Dr. Mirage and The Visitor. Chang subsequently drew the New Mutants: Truth or Death miniseries for Marvel; at DC, he has contributed to Supergirl, Superman and Wonder Woman, as well as the New 52 titles DC Universe Presents and Demon Knights. Outside comics, Chang has designed several award-winning Disney attractions and provided illustrations for a number of books, including Jenna Jameson’s autobiography.Shannon Denton began his comics career contributing art to various Image titles. After a short stint illustrating Deadpool, Denton wrote and drew the Antarctic Press one-shots Big Game and Actionopolis, and cowrote several titles with Keith Giffen, including Common Foe, Grunts and Gutwrencher. In 2000, Denton founded independent publisher Komikwerks. Denton also works in the animation field and has contributed to several Fox Kids shows — including the X-Men, Spider-Man and Silver Surfer — as well as the film Jimmy Neutron: Boy Genius.After getting his start as an intern at WildStorm Productions, artist Pete Woods went on to illustrate such WildStorm titles as StormWatch, Wetworks and Backlash. Moving to Marvel, he drew issues of Excalibur before joining writer Joe Kelly on Deadpool. At DC, he penciled a four-year run on Robin, later working on Action Comics with writers Geoff Johns and Paul Cornell, and the miniseries Superman: Last Stand of New Krypton with cowriters James Robinson and Sterling Gates.Walter McDaniel’s Marvel output includes annuals for Gambit, Ka-Zar and Wolverine, along with stints on Deadpool and Deathlok. Elsewhere, he has drawn Earth 4 for Continuity Comics, as well as Crush and Pact for Image. Steve Harris has penciled Deadpool/Death 1998 Annual and issues of Generation X. He has also worked for Warren Publishing and Willyprods.After his start on Action Force and Transformers for Marvel UK, Anthony Williams penciled Marvel’s Squadron Supreme: New World Order one-shot, Hokum and Hex (a Clive Barker creation), and DC’s Fate. In the pages of 2000 AD, he collaborated with Dan Abnett, Garth Ennis, Mark Millar and Grant Morrison, among other noted British writers.Artist David Brewer began his career at Marvel, contributing fill-in art on various titles and drawing several issues of 2099: World of Tomorrow and Incredible Hulk. For DC, Brewer illustrated several annuals before moving to Chaos! Comics, where he drew the Dead King and Lady Demon miniseries, as well as several Evil Ernie comics, including the Depraved and War of the Dead spinoffs.John Romita was born in 1930 and drew for Atlas Era Marvel Comics across many genres. By the time Stan Lee, Jack Kirby and Steve Ditko were defining the look and feel of the Marvel Age of Comics during the 1960s, Romita had made the move to DC Comics, where he was working exclusively behind the boards of the company’s many romance comics. It wasn’t until 1966 that he returned to Marvel Comics and the super-hero genre, drawing Daredevil before taking over from Ditko on what was fast becoming Marvel’s most important book, Amazing Spider-Man. Romita’s slick, clean craftsmanship would be a hallmark of his tenure, and his years of drawing beautiful women in DC’s romance books paid off with iconic renderings of Gwen Stacy, Mary Jane Watson and the other women in Peter Parker’s life.Reimagining New Mutants into X-Force was only the start for Rob Liefeld, one of the leaders of the 1990s comics revolution. After introducing both Cable and Deadpool, he launched an even bigger collaboration as one of the founders of Image Comics with his original property Youngblood. In 1996, he participated in Marvel’s multi-title Heroes Reborn event. Liefeld returned to Marvel fo an X-Force limited series and then revisited Heroes Reborn in Onslaught Reborn. Liefeld returned to his most famous co-creation with the graphic novel Deadpool: Bad Blood, its limited series sequel Deadpool: Badder Blood and the blockbuster Deadpool Team-Up, and introduced a new sensation in Major X.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Uscita: 30/03/27
Ordinabile fino al 19/10/26
By Joe Kelly. Artist Ed McGuinness. Cover by Ed McGuinness.
Prezzo di copertina: USD 125,00
Prezzo HoVistoCose: EUR 112,81
Data di uscita: 30/03/27
Final Order Cutoff: 19/10/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Mark Waid; Ron Garney (A) Ron Garney; Dale Eaglesham (CA) Ron Garney
One of the most celebrated runs in Captain America history!The world believes Cap dead, but his life is saved by his greatest love — and his deadliest enemy! Will America celebrate his return, or will he become a man without a country? After facing Onslaught, Cap will find himself reborn once more — only to lose his shield! But there’s no slowing down for the Sentinel of Liberty as he takes on Hydra, Skrulls, A.I.M. and more; unites with Iron Man against M.O.D.O.K.; and battles Korvac and the Red Skull for the fate of the future! Plus: tales from World War II and other eras of the Sentinel of Liberty’s star-studded history!COLLECTING: Captain America (1968) #444-454; Captain America (1998) #1-23; Iron Man/Captain America Annual '98; Captain America: Sentinel of Liberty (1998) #1-12, Rough Cut; material from Captain America: The Legend (1996); Captain America: Red, White & Blue (2002)Written by Mark Waid, Ron Garney, Roger Stern, James Felder & morePenciled by Ron Garney, Dale Eaglesham, Andy Kubert, Patch Zircher, Doug Braithwaite, Lee Weeks, Ron Frenz, Steve Mannion & more
Rated T+
New York Times best-selling author Mark Waid has worked for every major company in the comics industry in a nearly three-decade-long career, writing thousands of issues, including runs of Amazing Spider-Man, X-Men, Ka-Zar and Fantastic Four. His other works of note include his collaboration with painter Alex Ross on Kingdom Come, which earned an Eisner Award for Best Limited Series. Waid enjoyed his greatest outpouring of critical acclaim with the Eisner Award-winning Daredevil — which included a revered collaboration with frequent artistic partner Chris Samnee. He later took on such diverse pop-cultural icons as Princess Leia and Archie, and ushered in a new era of greatness for Earth’s Mightiest Heroes in All-New, All-Different Avengers. His Marvel work continued with Avengers, Black Widow, Captain America, Champions and Doctor Strange.Having begun his career on G.I. Joe, Eisner Award-nominated artist Ron Garney is known for well-received runs on Captain America and Amazing Spider-Man. He has teamed with writer Jason Aaron on Wolverine, Wolverine Weapon X and Ultimate Captain America. Garney has also contributed design work to such films as Will Smith’s I Am Legend and Nicolas Cage’s The Sorcerer’s Apprentice. His later Marvel work includes Uncanny X-Force and a collaboration with Charles Soule on Daredevil. Garney reunited with Aaron on Thor: God of Thunder and then the creator-owned Men of Wrath for Marvel’s Icon imprint.Roger Stern enjoyed well-regarded runs on Amazing Spider-Man, in which he introduced Captain Marvel (Monica Rambeau) and the Hobgoblin; Avengers; and Captain America. He launched West Coast Avengers and wrote numerous tie-in miniseries starring Earth’s Mightiest Heroes. At DC, he relaunched Atom and co-created Starman (Will Payton) before participating in one of comics’ most shocking events: the 1992 “Death of Superman.†He later returned to Marvel to write Amazing Spider-Man and related titles.Best known as an editor, James Felder wrote stories for several Marvel anthology titles, including Marvel: Shadows and Light, Marvel Comics Presents and What If? After co-plotting issues of Deadpool with Joe Kelly, he wrote the Deadpool Team-Up one-shot, in which the Merc with a Mouth encountered the infamous Beyonder.Having begun his career on G.I. Joe, Eisner Award-nominated artist Ron Garney is known for well-received runs on Captain America and Amazing Spider-Man. He has teamed with writer Jason Aaron on Wolverine, Wolverine Weapon X and Ultimate Captain America. Garney has also contributed design work to such films as Will Smith’s I Am Legend and Nicolas Cage’s The Sorcerer’s Apprentice. His later Marvel work includes Uncanny X-Force and a collaboration with Charles Soule on Daredevil. Garney reunited with Aaron on Thor: God of Thunder and then the creator-owned Men of Wrath for Marvel’s Icon imprint.Dale Eaglesham started out penciling series peripheral to the mainstream Marvel Universe: Guardians of the Galaxy, Savage Sword of Conan, What If? and others. When he moved to DC, his artwork appeared in Justice Society of America and spin-off miniseries Thy Kingdom Come, and multiple Batman titles — including Detective Comics, Gotham Knights, Legends of the Dark Knight and Shadow of the Bat. He returned to Marvel to illustrate Jonathan Hickman’s Fantastic Four, Captain America in the Steve Rogers: Super-Soldier limited series and the complete run of the relaunched Alpha Flight. Elsewhere, he has penciled Eternal Warrior at Acclaim, Sigil at CrossGen and the Creep feature in Dark Horse Presents.After an artistic apprenticeship under famed father Joe Kubert, Andy Kubert got his start on DC’s space-opera variations Adam Strange and Warlord, as well as the best-selling crossover Batman vs. Predator in collaboration with brother Adam. Kubert’s Marvel career began with a six-year stint on X-Men — continuing into Thor, Ka-Zar, Ghost Rider and others. He collaborated with Orson Scott Card on Ultimate Iron Man, Neil Gaiman on Marvel 1602 and Paul Jenkins on Wolverine: Origin.Patrick “Patch†Zircher got his start illustrating RPG-based comics for Eclipse and 3D comics for Blackthorne during the late 1980s, and drew Now Comics’ Green Hornet. He has been an artist in demand ever since. His notable Marvel credits across the decades include New Warriors, Venom: Along Came a Spider, Star Trek: Early Voyages, Iron Man: The Iron Age, Thunderbolts, Cable & Deadpool, Iron Man, Hulk, Mystery Men and Savage Avengers.Following his start at the U.K.’s 2000 AD, Doug Braithwaite moved to Marvel. He illustrated writer Garth Ennis’ Punisher Kills the Marvel Universe one-shot, after which he joined Jim Krueger and Alex Ross to continue the Earth X saga in Universe X and Paradise X. After penciling part of Bruce Jones’ Incredible Hulk run, he reunited with Ennis on the Punisher MAX title. At DC, he has drawn iconic characters Batman, Superman, Wonder Woman and others. He also rejoined Krueger and Ross on Justice.Lee Weeks is an acclaimed penciler who has illustrated runs on Daredevil and Incredible Hulk. Among his extensive Marvel credits are Civil War and World War Hulk tie-ins, Fantastic Four and Invaders one-shots, and multiple Spider-Man series — including the web-slinger’s team-up with Daredevil in the Mysterio Manifesto. Weeks provided both script and artwork for Spider-Man: Death and Destiny, which revisited the death of Gwen Stacy, and has written stories for various Marvel anthologies. Elsewhere, he has illustrated Dark Horse’s Comics’ Greatest World, Eclipse’s New DNAgents and more.Few can match Ron Frenz’s record of substantial stints on two of comicdom’s most influential and revered characters, Spider-Man and Superman, both of whom he provided with controversial new looks. Frenz succeeded John Romita Jr. on Amazing Spider-Man, and his artwork was favorably compared to Steve Ditko’s original web-slinger. With Roger Stern, he introduced the Hobgoblin, covering the mysterious villain’s debut and revealing his identity more than a decade later in Hobgoblin Lives. With writer Tom DeFalco on Thor, Frenz debuted a new look and identity for Marvel’s Thunder God, eventually branching into Thunderstrike. Later, Frenz and DeFalco launched the MC2 Universe, home of Spider-Girl, the only Marvel heroine to reach one hundred consecutive issues.In additional to Captain America art for Marvel, Steve Mannion has contributed to multiple “Big Books†from DC’s Paradox Press, including The Big Book of Bad, The Big Book of Grimm, The Big Book of Martyrs, The Big Book of Scandals and The Big Book of Vice, among others. He wrote, penciled, inked and colored Fearless Dawn for Asylum Press.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels (in preordine)
Uscita: 15/06/27
Ordinabile fino al 21/12/26
By Mark Waid. Artist Ron Garney. Cover by Ron Garney.
Prezzo di copertina: USD 150,00
Prezzo HoVistoCose: EUR 135,37
Data di uscita: 15/06/27
Final Order Cutoff: 21/12/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Roy Thomas (A) Howard Chaykin (CA) Howard Chaykin
The original comic adaptation of the greatest space-fantasy film of all!Weeks before George Lucas’ first Star Wars film hit theatres, Marvel gave fans their first look at Luke Skywalker, boldly asking: “Will he save the galaxy, or destroy it?†You may know the answer, but that doesn’t spoil the fun of seeing A New Hope like never before — including scenes that never made the silver screen! When the Empire takes Princess Leia prisoner, Luke, Obi-Wan Kenobi, Han Solo, Chewbacca, C-3PO and R2-D2 ride to the rescue and take on Darth Vader in his awesome Death Star. It’s six against a galaxy — one that’s far, far away and a long time ago! May the Force be with you, in the mighty Marvel manner!COLLECTING: Star Wars (1977) #1-6
Rated T
Roy Thomas joined the Marvel Bullpen as a writer and editor under Stan Lee, scripting key runs of nearly every title of the time: Amazing Spider-Man, Avengers, Daredevil, Doctor Strange, Sub-Mariner, Thor, X-Men and more. He wrote the first 10 years of Marvel’s Conan the Barbarian and Savage Sword of Conan; and launched such series as Defenders, Iron Fist, Invaders and Warlock. At DC, he developed All-Star Squadron, Infinity Inc. and related titles, proving instrumental in reviving the Golden Age Justice Society of America. Thomas later became editor of Alter Ego, a magazine devoted to comic-book history, and co-scripted the sword-and-sorcery films Fire and Ice and Conan the Destroyer.Artist Howard Chaykin has been an industry legend for more than three decades. After introducing Dominic Fortune in Bizarre Adventuresand drawing Marvel’s Star Wars adaptation, he revamped DC’s Blackhawk and lent his unique perspective on past decades to American Century, Twilight, Pulp Fantastic and City of Tomorrow, among others. Chaykin’s seminal work writing and illustrating the politically charged series American Flagg! has influenced a generation of writers and artists. He remains a leading creative force in the industry, having illustrated Punisher War Journal, Wolverine, Blade and more for Marvel Comics.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Uscita: 27/04/27
Ordinabile fino al 16/11/26
By Roy Thomas. Artist Howard Chaykin. Cover by Howard Chaykin.
Prezzo di copertina: USD 29,99
Prezzo HoVistoCose: EUR 27,06
Data di uscita: 27/04/27
Final Order Cutoff: 16/11/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Tom Taylor (A) Leonard Kirk; Juann Cabal; Marco Failla (CA) Adam Kubert
Laura Kinney proves herself worthy of the mantle! From the stars comes death! An alien ship. A dying passenger. And two words that will forever change Laura's life. It's a nonstop race against a deadly transformative disease as Wolverine faces a battle in a quarantined city against a mysterious villain. Can the Guardians of the Galaxy help turn the tide? Then Daken, Logan's enigmatic son, is kidnapped - and it's up to his "sister" to find him! But when the trail leads Wolverine back to the facility where she was created and tortured, she'll find new horrors waiting for her! When Gabby makes a shocking discovery, she turns to the only person she can trust: Deadpool?! But will Wade Wilson help Gabby on her mission of vengeance, or will he only make matters worse? And what will tomorrow bring for...Old Woman Laura? Years from now, Laura is living in a utopia where super heroes have ushered in worldwide peace. So what simmering evil could force Wolverine out of retirement? Collecting ALL-NEW WOLVERINE (2015) #19-35 and GENERATIONS: WOLVERINE & ALL-NEW WOLVERINE (2017) #1.
Rated T+
Tom Taylor is a multi-award-winning and New York Times best-selling comic book author, playwright and screenwriter. He is well known for his work on Superior Iron Man, Injustice: Gods Among Us, Earth 2, various Star Wars titles and his graphic-novel series The Deep. Taylor continued X-23’s adventures in All-New Wolverine and brought her into the cast of X-Men Red, featuring the newly returned Jean Grey. He then put the focus on Peter Parker and his home in Friendly Neighborhood Spider-Man. Taylor has enjoyed further success at DC with books including DCeased and Suicide Squad.The cult hit Agents of Atlas helped artist Leonard Kirk cultivate a rabid fan base, but he was guaranteed pop-culture immortality following years of work on multiple Star Trek tie-ins. His collaboration with industry legend Peter David in a years-long stint on Supergirl and his role as penciler on Detective Comics during DC’s One Year Later initiative further cemented his reputation in the industry, leading to a critically acclaimed run on Captain Britain and MI13. His other Marvel credits include another collaboration with David on X-Factor, as well as runs on Fantastic Four, Squadron Supreme and All-New Wolverine.Juann Cabal was already familiar with Laura Kinney from X-23 before working on All-New Wolverine. He enjoyed a further collaboration with Tom Taylor on Friendly Neighborhood Spider-Man, and Cabal’s other Marvel credits include Elektra and Guardians of the Galaxy.One of artist Marco Failla’s earliest Marvel assignments involved teaming up two of the company’s iconic properties in the series Spider-Man & the X-Men. He has gone on to work on Captain Marvel and Moon Girl and Devil Dinosaur; his other credits include such diverse and famous characters as He-Man, Harley Quinn and the Toxic Avenger.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Uscita: 29/12/26
Ordinabile fino al 19/10/26
By Tom Taylor. Artist Leonard Kirk. Cover by Adam Kubert.
Prezzo di copertina: USD 49,99
Prezzo HoVistoCose: EUR 45,11
serie
Data di uscita: 29/12/26
Final Order Cutoff: 19/10/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) David Michelinie; Bob Layton (A) John Romita Jr.; Bob Layton (CA) John Romita Jr.
One of the all-time great Iron Man runs, in one invincible Omnibus!Up-and-coming talents David Michelinie, Bob Layton and John Romita Jr. joined forces to take on Marvel’s Golden Avenger in 1978 — and captured lighting in a bottle! From Tony Stark’s taboo-shattering struggle with alcoholism to Iron Man’s legendary clash with Doctor Doom during King Arthur’s time, this one’s got it all — including Justin Hammer’s introduction; a brutal battle against the Hulk; and the menaces of Madame Masque, the Melter, Blizzard, Whiplash, the Dreadnoughts and the Titanium Man! Plus: the debut of Tony’s fan-favorite outer space and stealth armors! Guest-starring Ant-Man, Namor and more!COLLECTING: Iron Man (1968) #115-157Written by: David Michelinie, Bob Layton, Bill Mantlo & morePenciled by: John Romita Jr., Bob Layton, John Byrne, Carmine Infantino, Sal Buscema, Jerry Bingham, Alan Weiss, Joe Brozowski, Luke McDonnell & Alan Kupperberg
Rated T+
After beginning his writing career on DC horror titles, David Michelinie moved to Marvel. He and co-writer/inker Bob Layton established Iron Man’s battle with alcoholism, use of specialized armor variants and vendetta against Doctor Doom, as well as other aspects of the character that endure to this day. Michelinie’s unique blend of action, suspense and humor distinguished not only Iron Man, but also Amazing Spider-Man. With artist Todd McFarlane, he introduced the vicious vigilante Venom; he also wrote the first Venom limited series, Lethal Protector. Michelinie’s run as Amazing writer was second in length only to that of Stan Lee himself, while he also authored tie-in titles Spectacular Spider-Man, Web of Spider-Man and Spider-Man. He moved from Marvel’s flagship character to DC’s with a stint on Superman’s Action Comics, later returning to the world of Tony Stark for writing collaborations with Bob Layton on Iron Man: Legacy of Doom and Iron Man: The End.Bob Layton began as a prolific and popular inker for Charlton, Marvel and DC Comics, where he first teamed with longtime collaborator David Michelinie on Claw the Unconquered and Star Hunters. The Michelinie-Layton duo’s writing work on Iron Man (1978-1982 and 1987-1989) is one of the most popular and influential interpretations of that character. Leaving Marvel in 1990, he became a key writer/artist/editor at Valiant Comics, where he co-created characters such as X-O Manowar and rose to the post of editor in chief before departing. He still does occasional freelance work for DC and Marvel, notably Michelinie-Layton reunion projects Iron Man: Bad Blood (2000), Iron Man: Legacy of Doom (2008) and Iron Man: The End (2009).Bill Mantlo began his Marvel career on Deadly Hands of Kung Fu, in which he introduced White Tiger, one of the industry’s earliest Hispanic super heroes. Eventually writing stories for almost every Marvel title, he did some of his most fondly remembered work on Incredible Hulk and Spectacular Spider-Man. He also created Rocket Raccoon, launched Cloak & Dagger in a pair of miniseries and guided Alpha Flight through some of its most harrowing ordeals. Mantlo excelled at integrating licensed properties into the Marvel Universe, as demonstrated by Micronauts and Rom, both of which he wrote from start to finish. At DC, he wrote the Invasion miniseries for one of the company’s biggest crossover events.John Romita Jr. is a modern-day comic-art master, following in his legendary father’s footsteps. Timeless runs on Iron Man, Uncanny X-Men, Amazing Spider-Man and Daredevil established him as his own man artistically, and his work on Wolverine and World War Hulk is among the most explosive comic art of the 21st century. In addition to Eternals with writer Neil Gaiman, JRJR teamed with Mark Millar on the creator-owned Kick-Ass, later developed into a blockbuster feature film starring Nicolas Cage. Spidey fans rejoiced at the artist’s return to Amazing Spider-Man with the “Brand New Day†storylines “New Ways To Die†and “Character Assassination.†He later helped relaunch Avengers with writer Brian Michael Bendis and Captain America with Rick Remender, and contributed to the blockbuster crossover Avengers vs. X-Men. For DC Comics, he drew big-name characters such as Superman, Batman and the Suicide Squad before making a welcome return home to Marvel and Amazing Spider-Man.Bob Layton began as a prolific and popular inker for Charlton, Marvel and DC Comics, where he first teamed with longtime collaborator David Michelinie on Claw the Unconquered and Star Hunters. The Michelinie-Layton duo’s writing work on Iron Man (1978-1982 and 1987-1989) is one of the most popular and influential interpretations of that character. Leaving Marvel in 1990, he became a key writer/artist/editor at Valiant Comics, where he co-created characters such as X-O Manowar and rose to the post of editor in chief before departing. He still does occasional freelance work for DC and Marvel, notably Michelinie-Layton reunion projects Iron Man: Bad Blood (2000), Iron Man: Legacy of Doom (2008) and Iron Man: The End (2009).John Byrne has worked continuously in the comics industry as both writer and artist since 1975. After he initially collaborated with writer Chris Claremont on Iron Fist, Byrne and Claremont moved on to X-Men for a run still regarded as one of the title’s finest. Byrne contributed an equally famed stint on Fantastic Four, earning comparisons to the original Lee/Kirby issues for his imaginative plotlines and dynamic artwork. He also spun Alpha Flight into its own title. In 1986, he revamped DC’s flagship hero, Superman, reimagining the Man of Steel in a historic project heralded by a Time magazine cover. His remarkable contribution to the Marvel Universe extends to memorable associations with virtually every major hero, including celebrated runs on Captain America, Iron Man, Sensational She-Hulk, Namor the Sub-Mariner and Thing. In the 21st century, Byrne’s considerable body of work includes IDW’s Star Trek and Angel.Following Golden Age work at Marvel predecessor Timely Comics — as well as at Fawcett, Hillman and others — Carmine Infantino (d. 2013) made history at DC Comics, helping usher in the industry’s Silver Age with the reintroduction of the Flash, within whose title he cocreated the Elongated Man and several members of the hero’s famed Rogues’ Gallery. His 1961 story “Flash of Two Worlds,†which literally reshaped the DC Universe by introducing the Earth-1/Earth-2 concept, won Infantino two of his eventual 12 Alley Awards. After serving as DC’s art director and publisher, Infantino returned to penciling on several titles; for Marvel, he provided notable runs on Nova, Spider-Woman and Star Wars, along with brief stints on Daredevil, Ghost Rider and Iron Man. He also drew Superman vs. the Amazing Spider-Man, the historic first Marvel/DC crossover.John Buscema (1927-2002) literally wrote the book on being a Marvel artist — namely, How To Draw Comics the Marvel Way — and few were better qualified. His career dated back to the Timely/Atlas era of the late ’40s and early ’50s. Soon after beginning the Marvel Age of Comics, Stan Lee recruited Buscema from the advertising field to the Marvel Bullpen. Buscema followed a long run on Avengers with the long-anticipated first Silver Surfer series. He subsequently succeeded Jack Kirby on Fantastic Four, Thor and other titles. By the time of his retirement in 1996, Buscema had penciled nearly every Marvel title — including his personal favorite, Conan the Barbarian.Jerry Bingham has penciled covers and/or stories for Black Panther, Iron Man and several Spider-Man titles. At DC, he penciled, inked and colored Mike Barr’s controversial Batman: Son of the Demon graphic novel, and penciled covers for Spectre, Warlord and DC’s Babylon 5 adaptation. He has also illustrated stories for Batman Confidential and First Comics’ Warp. During the 1990s, he became a production artist in the film industry, designing props and special effects.Alan Weiss was a popular contributor to Avengers and Captain Marvel throughout the 1970s and 1980s. More recently, he rendered a tale of a Civil War-era Batman in Batman: The Blue, the Grey and the Bat.Luke McDonnell penciled a long stint on Iron Man, encompassing the controversial storyline in which Tony Stark ceded the Iron Man armor to his friend James Rhodes. McDonnell’s work also appeared in Daredevil, Spectacular Spider-Man, What If? and elsewhere. At DC, he penciled most of John Ostrander’s Suicide Squad and its spinoff miniseries Deadshot, as well as a Justice League of America stint during its “Detroit JLA†phase. Eclipso, Green Lantern: Mosaic and Secret Origins are only a few of the other titles benefiting from his work. From his early work as letterer at Seaboard-Atlas, Alan Kupperberg went on to contribute to Marvel’s black-and-white magazines — including Crazy, for which he wrote and illustrated the sardonic shenanigans of Obnoxio the Clown. The regular artist on Roy Thomas’ Invaders, Kupperberg contributed as both writer and artist to Avengers, Captain America, Iron Man, Thor, What If? and multiple Spider-Man titles. He also illustrated the Howard the Duck and Incredible Hulk comic strips; and wrote, penciled, inked, colored and lettered Obnoxio the Clown vs. the X-Men. At DC, he penciled Blue Devil, Fury of Firestorm, Justice League of America and more. He has also worked on animation projects for Don Bluth Studios and Nickelodeon.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Uscita: 13/04/27
Ordinabile fino al 02/11/26
By David Michelinie. Artist John Romita Jr.. Cover by John Romita Jr..
Prezzo di copertina: USD 125,00
Prezzo HoVistoCose: EUR 112,81
Data di uscita: 13/04/27
Final Order Cutoff: 02/11/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
Bring the excitement and wonder of the Marvel Universe to your collection with Hasbro Marvel Legends Valentina Allegra de Fontaine and Marvel's The Void action figures! These collectible 6 inch scale Marvel figures are detailed to look like the New Avengers characters' appearance in Marvel Studios' Thunderbolts*. Figures are fully articulated with premium design and poseable head, arms, and legs. Marvel action figure set comes with 9 accessories. Marvel's The Void figure includes 2 alternate hands. Valentina figure includes alternate head, 4 alternate hands, cell phone and weapon accessory. Hasbro Marvel action figures' 6 inch scale make them great for displaying in fans' collections. Reimagine movie inspired scenes on your shelf with Marvel Legends action figures and Marvel collectibles. (immagine) Categoria: Toys and models
Ordinabile fino al 22/10/26
Prezzo di copertina: USD 43,56
Prezzo HoVistoCose: EUR 55,87
Data di uscita: 30/09/26
Final Order Cutoff: 22/10/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) G. Willow Wilson (A) Gleb Melnikov; Andres Genolet (CA) Adam Hughes
Writer G. Willow Wilson (MS. MARVEL) unleashes the hero hidden deep inside the Black Cat!Felicia Hardy is the world’s slyest and most skilled super-thief! She loves a good score. The longer the odds, the better! But her entire world has been turned upside down, so now Felicia is turning over a new leaf as New York City’s newest…super hero?! The first villains on her agenda include the Lizard, Sandman and Tombstone — but the list’s getting longer by the day, and it’s only a matter of time before those nine lives of hers run out. But why would fighting crimes rather than committing them land Felicia in jail and turn friends, enemies and even public opinion against her? Plus: Here comes Daredevil! Mary Jane Watson, A.K.A. Venom helps pull an interdimensional heist! And Felicia ends up in the sights of the Punisher!COLLECTING: Black Cat (2025) #1-10
Rated T+
G. Willow Wilson is the Eisner Award-nominated author of the ongoing series Air and the graphic novel Cairo (both with artist M.K. Perker). Her first nonfiction book, which contains no pictures whatsoever, The Butterfly Mosque, was released in June 2010 from Grove/Atlantic. Besides being a critically acclaimed author, Wilson describes herself as a professional genre-bender, casual gamer and student of religion. Her phenomenal success with Ms. Marvel led her to a stint on X-Men and a collaboration with fellow writer Marguerite Bennett, together assembling Marvel’s female heroes into A-Force.Gleb Melnikov has worked on stories from DC Comics including Batman, Robin and Superman.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Uscita: 12/01/27
Ordinabile fino al 02/11/26
By G. Willow Wilson. Artist Gleb Melnikov. Cover by Adam Hughes.
Prezzo di copertina: USD 24,99
Prezzo HoVistoCose: EUR 22,55
serie
Data di uscita: 12/01/27
Final Order Cutoff: 02/11/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Archie Goodwin; David Michelinie (A) Carmine Infantino; Walt Simonson (CA) Gene Day
The very first Star Wars comic book continues!After the events of The Empire Strikes Back, Han Solo is lost, frozen in carbonite. But as the search for Solo begins, Imperial forces and other troubles keep getting in the way. Princess Leia clashes with Darth Vader! Luke Skywalker goes on trial for treason! C-3PO and R2-D2 face danger on a droid moon! Lando Calrissian finds Cloud City deserted! If the Crimson Forever doesn’t get the rebels, maybe the new Imperial super-weapon will! And a new member joins the gang, with a crush on a certain handsome Jedi! Meanwhile, the discovery of a gold statue of Han reveals a hidden story from his and Chewbacca’s past. And who are the Hoojibs? It’s Star Wars in the Mighty Marvel Manner!COLLECTING: Star Wars (1977) #45-78, Star Wars Annual (1979) #2Written by: Archie Goodwin, David Michelinie, Jo Duffy, Walter Simonson, J.M. DeMatteis, Larry Hama, Mike W. Barr, Chris Claremont, Michael Fleisher, Louise Simonson & Bob LaytonPenciled by: Carmine Infantino, Walter Simonson, Ron Frenz, Tom Palmer, Al Williamson, Joe Brozowski, Gene Day, Kerry Gamill & Luke McDonnell
Rated T
As both writer and artist, Archie Goodwin (d. 1998) got his start in comic strips and cartoons before moving to Warren Publishing’s Vampirella — and from there to Marvel, where he eventually succeeded Gerry Conway as editor in chief. He has been credited with saving Marvel from financial ruin, with Roy Thomas, by securing adaptation rights to the legendary Star Wars franchise, perceiving its potential long before later merchandisers. He also wrote comic-book adaptations of Alien, Blade Runner and other hit films. He created both Marvel’s Graphic Novel line and its Epic Comics imprint — where, as editor, he occasionally appeared in caricature as alien, elf or other. He also edited early English translations of the Akira series and the works of Moebius. At DC Comics, he guided the destinies of Batman and Starman; one of his most memorable bodies of work was his collaboration with Walter Simonson on the “Manhunter†backup feature in Detective Comics, which won five Shazam Awards.Following Golden Age work at Marvel predecessor Timely Comics — as well as at Fawcett, Hillman and others — Carmine Infantino (d. 2013) made history at DC Comics, helping usher in the industry’s Silver Age with the reintroduction of the Flash, within whose title he cocreated the Elongated Man and several members of the hero’s famed Rogues’ Gallery. His 1961 story “Flash of Two Worlds,†which literally reshaped the DC Universe by introducing the Earth-1/Earth-2 concept, won Infantino two of his eventual 12 Alley Awards. After serving as DC’s art director and publisher, Infantino returned to penciling on several titles; for Marvel, he provided notable runs on Nova, Spider-Woman and Star Wars, along with brief stints on Daredevil, Ghost Rider and Iron Man. He also drew Superman vs. the Amazing Spider-Man, the historic first Marvel/DC crossover.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Uscita: 11/05/27
Ordinabile fino al 30/11/26
By Archie Goodwin. Artist Carmine Infantino. Cover by Gene Day.
Prezzo di copertina: USD 125,00
Prezzo HoVistoCose: EUR 112,81
Data di uscita: 11/05/27
Final Order Cutoff: 30/11/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Jo Duffy; Archie Goodwin (A) Ron Frenz; Cynthia Martin (CA) Tom Palmer
The original Star Wars comic book concludes!Savor an all-action adaptation of Return of the Jedi and find out what happens after the Battle of Endor! Luke, Leia and their allies seek to establish a new galactic government — but Imperial forces still stand in the way. When Darth Vader falls, a Dark Lady will rise! Meanwhile, Han Solo and Chewbacca head to Wookiee World! The Ewoks go to war! And tragedy strikes close to C-3PO — could it be that even a droid can cry? Plus: a cornucopia of Star Wars rarities — including exclusive stories only published in the UK!COLLECTING: Star Wars (1977) #79-107, Star Wars Annual (1979) #3, Star Wars: Return of the Jedi (1983) #1-4; material from Pizzazz (1977) #1-16; Star Wars Weekly (1978) #60, 94-99, 104-115; Empire Strikes Back Monthly (1980) #149, 151, 153-157; Star Wars Monthly (1982) #159Written by: Jo Duffy, Archie Goodwin, Linda Grant, Roy Richardson, Randy Stradley, Ann Nocenti, Roy Thomas, Chris Claremont, Steve Moore & Steve ParkhousePenciled by: Ron Frenz, Cynthia Martin, Bob McLeod, Al Williamson, Klaus Janson, David Mazzucchelli, Brett Blevins, Tony Salmons, Jan Duursema, Sal Buscema, Steve Leialoha, Tom Palmer, Howard Chaykin, Tony DeZuniga, Walter Simonson, Dave Cockrum, Carmine Infantino, John Stokes, Adolfo Buylla & Alan Davis
Rated T
Also renowned as an editor on both long-running and short-lived series, Jo Duffy has written runs of Power Man and Iron Fist, Marvel Team-Up, Wolverine and others. In addition, she regularly penned Marvel’s adaptations of Star Wars, Conan the Barbarian and Akira. Duffy wrote the New Mutants tie-in miniseries Fallen Angels and cowrote several Speedball stories from Steve Ditko’s plots. Her later work includes DC’s Catwoman and Image’s Glory.Few can match Ron Frenz’s record of substantial stints on two of comicdom’s most influential and revered characters, Spider-Man and Superman, both of whom he provided with controversial new looks. Frenz succeeded John Romita Jr. on Amazing Spider-Man, and his artwork was favorably compared to Steve Ditko’s original web-slinger. With Roger Stern, he introduced the Hobgoblin, covering the mysterious villain’s debut and revealing his identity more than a decade later in Hobgoblin Lives. With writer Tom DeFalco on Thor, Frenz debuted a new look and identity for Marvel’s Thunder God, eventually branching into Thunderstrike. Later, Frenz and DeFalco launched the MC2 Universe, home of Spider-Girl, the only Marvel heroine to reach one hundred consecutive issues.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels (in preordine)
Uscita: 08/06/27
Ordinabile fino al 21/12/26
By Jo Duffy. Artist Ron Frenz. Cover by Tom Palmer.
Prezzo di copertina: USD 125,00
Prezzo HoVistoCose: EUR 112,81
Data di uscita: 08/06/27
Final Order Cutoff: 21/12/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Kevin Smith; David Mack (A) Joe Quesada; Rob Haynes (CA) Joe Quesada
Daredevil enters the modern era with the creative reinvigoration of Marvel Knights!In 1998, filmmaker Kevin Smith (Clerks, Chasing Amy) joined with superstar artist Joe Quesada to relaunch DAREDEVIL — and together they delivered a modern classic! A scared teenager on the run. An infant child some say is humanity’s savior. A former lover whose life is now hobbled by a terrible secret. A law partner accused of a horrible crime. A city overcome by an inscrutable menace. They need a guardian. Someone to protect them. Someone with faith in them. They need the Man Without Fear: Daredevil! Then, brilliant creator David Mack takes the writing baton, introducing Maya Lopez — A.K.A. Echo — into Matt Murdock’s life! Though they’re seemingly kindred souls, their secret identities are very much at odds. Maya seeks her father’s killer — whom the Kingpin identifies as Daredevil! Can Matt clear his name before his new love becomes his executioner?COLLECTING: Daredevil (1998) #0-15, 1/2Written by Kevin Smith, David Mack, Jimmy Palmiotti & Joe QuesadaPenciled by Joe Quesada & Rob Haynes
Rated T+
While working at a convenience store in Leonardo, New Jersey, Kevin Smith wrote and directed Clerks, a low-budget independent film financed in part by the sale of his own comic-book collection. Clerks went on to become the surprise indie hit of 1994, grossing more than $1 million and earning Smith a distribution deal with Miramax. Since Clerks, Smith has written and directed more than a half-dozen hit movies — including Chasing Amy, Mallrats, Jersey Girl, Dogma and Clerks 2. A lifelong comics fan, Smith jumped at the opportunity to adapt his Clerks movie characters into a comic-book series for Oni Press, writing Clerks: The Comic Book and a four-issue Jay and Silent Bob miniseries. In 1998, Smith’s longtime friendship with newly appointed Marvel Knights editors Joe Quesada and Jimmy Palmiotti led to his critically acclaimed eight-issue run on Daredevil — garnering Smith a Wizard Fan Award, a Harvey Award and an Eagle Award for Best Writer. Smith followed up his debut with a successful revamp of the original Green Arrow for DC Comics in a story hailed as “exhilarating†by Entertainment Weekly. Smith also scripted another famous Marvel icon with Spider-Man/Black Cat: The Evil That Men Do. Smith lives in the Hollywood Hills with his wife, Jennifer, and daughter, Harley.David Mack submitted his first Kabuki collection while still in college as his senior writing thesis. (He got an A on the project.) Combining innovative storytelling, painting techniques and page design, Mack has won nearly every major comic-industry award, including the prestigious Eisner Award for Best Painter, and garnered praise from such luminaries as Jim Steranko and The Washington Times. Marvel fans first witnessed Mack’s stylings when his covers graced the legendary Daredevil storyline “Parts of a Hole,†which he also wrote. A few years after teaming with then-new Daredevil writer Brian Michael Bendis on the “Wake Up†arc, he returned to the title for the “Echo: Vision Quest†storyline, which reintroduced readers to the unique character he created in “Parts of a Hole.†Mack continues to write and illustrate his creator-owned series, New York Times Best Seller Kabuki, now published by Marvel’s Icon imprint, and has been nominated for several Eisner, Kirby and Harvey awards. He is also serving as the visual designer and co-producer on the forthcoming Kabuki feature film. Mack wrote the adaptation of Philip K. Dick’s Electric Ant for Marvel, and was nominated for a Writers Guild Award and a Producers Guild Award for his work on Showtime’s Dexter.Classically trained at New York’s prestigious High School of Art and Design, Jimmy Palmiotti began his career as a comic-book inker, gaining a reputation as not only talented, but fast. Collaborating with fellow artist Joe Quesada, Palmiotti lent his skills to such projects as Batman: Sword of Azrael, The Ray and Ninjak. In 1995, Palmiotti and Quesada founded Event Comics, creating the memorable titles Ash and Painkiller Jane. This led to an offer from Marvel Comics to revamp several heroes under the Marvel Knights banner. With writer Kevin Smith and Quesada, Palmiotti’s work on Daredevil became a monumental success. Palmiotti later began to take on comic-book writing chores with a lengthy run on Harley Quinn along with his creator-owned books.Joe Quesada became Marvel’s editor in chief in 2000, instilling an excitement and buzz that had been lacking for years. Quesada began as an artist at Valiant and DC during the early 1990s and soon co-founded Event Comics, introducing original characters Ash and Painkiller Jane. By 1998, Quesada’s reputation as both artist and publisher led to the founding of Marvel’s groundbreaking Marvel Knights imprint, with Quesada illustrating the flagship book, Daredevil. Marvel Knights’ critical and sales success led to Quesada’s appointment as editor in chief and later chief creative officer. In addition to overseeing Marvel’s creative output, Quesada remained an active writer and artist on projects including the Daredevil: Father miniseries and the Spider-Man “One More Day†crossover.Joe Quesada became Marvel’s editor in chief in 2000, instilling an excitement and buzz that had been lacking for years. Quesada began as an artist at Valiant and DC during the early 1990s and soon co-founded Event Comics, introducing original characters Ash and Painkiller Jane. By 1998, Quesada’s reputation as both artist and publisher led to the founding of Marvel’s groundbreaking Marvel Knights imprint, with Quesada illustrating the flagship book, Daredevil. Marvel Knights’ critical and sales success led to Quesada’s appointment as editor in chief and later chief creative officer. In addition to overseeing Marvel’s creative output, Quesada remained an active writer and artist on projects including the Daredevil: Father miniseries and the Spider-Man “One More Day†crossover.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels (in preordine)
Uscita: 23/02/27
Ordinabile fino al 14/12/26
By Kevin Smith. Artist Joe Quesada. Cover by Joe Quesada.
Prezzo di copertina: USD 49,99
Prezzo HoVistoCose: EUR 45,11
Data di uscita: 23/02/27
Final Order Cutoff: 14/12/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Dan Slott; Fred Van Lente (A) Humberto Ramos; Stefano Caselli (CA) Humberto Ramos
One of the 21st century's most celebrated AMAZING SPIDER-MAN runs!Peter Parker has finally hit the Big Time. He's a full-fledged Avenger, he just landed a high-paying science job, and he has an amazing new girlfriend. But big-time living means big-time pressure! When the Hobgoblin returns, Spidey will need a slick new edge to defeat him. And when the Scorpion targets J. Jonah Jameson and his loved ones, Spider-Man must grapple with matters of life and death in a moving and compelling tale. Then, Spidey joins the Fantastic Four, adding even greater responsibilities to his already overfull plate. Will all his new commitments prove too much to handle? Meanwhile, a new and strangely familiar Venom makes his debut! And when Manhattan’s residents suddenly wake up with Peter’s amazing powers — but none of the responsibility — can Spidey and his allies save Spider-Island from itself?!COLLECTING: Amazing Spider-Man (1999) #648-673, 654.1; Free Comic Book Day 2011 (Spider-Man) #1; Venom (2011) #6-9; Spider-Island: Avengers (2011) #1; Spider-Island: Deadly Foes (2011) #1; Spider-Island: Heroes For Hire (2011) #1; Spider-Island: I Love New York City (2011) #1; Spider-Island: Spider-Woman (2011) #1; Spider-Island: Amazing Spider-Girl (2011) #1-3; Spider-Island: Cloak & Dagger (2011) #1-3; Spider-Island: Deadly Hands of Kung Fu (2011) #1-3; Herc (2011) #7-8; Black Panther: The Most Dangerous Man Alive (2011) #524; Spider-Island: Emergence of Evil - Jackal & Hobgoblin (2011) #1 (framing story)Written by: Dan Slott, Fred Van Lente, Christos Gage, Rick Remender, Dan Abnett, Andy Lanning, Skottie Young, Paul Tobin, Nick Spencer, Antony Johnston, Greg Pak, David Liss and morePenciled by: Humberto Ramos, Stefano Caselli, Marcos Martin, Javier Pulido, Reilly Brown, Giuseppe Camuncoli, Ryan Stegman, Tom Fowler, Mike McKone, Kyle Hotz, Pepe Larraz, Emma Rios, Sebastián Fiumara, June Brigman, Francesco Francavilla and more
Rated T+
Dan Slott has built a loyal fan base by combining old-school fun with stories and characterizations friendly to new readers. Following his run on She-Hulk, Slott moved into the upper echelon of Marvel writers, launching Avengers: The Initiative and taking the reins on Mighty Avengers from Brian Michael Bendis. When Marvel gave Spider-Man a fresh start in 2008, Slott was one of several rotating writers on the thrice-monthly Amazing Spider-Man. Slott became the writer most closely identified with the web-slinger’s “Brand New Day†era, and the title hit the “Big Time†when he took over as full-time writer for a decade-long run. Slott has also turned his talents to other iconic Marvel heroes — including soaring the spaceways with Silver Surfer; helming Tony Stark: Iron Man toward Iron Man 2020; and masterminding the glorious return of Fantastic Four, leading to his long-awaited “Reckoning War.†In 2022, Slott made his way back to the Spider-Verse, teaming with legendary penciler Mark Bagley on Spider-Man and introducing the sidekick sensation Spider-Boy. Fred Van Lente has been a comics fan as long as he can remember, initially hooked by his father’s copy of Jules Feiffer’s landmark anthology The Great Comic Book Heroes. Van Lente joined Syracuse University’s comic-book club and met artist Steve Ellis, with whom he created indie super-crime comic The Silencers. That work got noticed by Marvel, where Van Lente was soon hired and introduced a heroic new Scorpion in Amazing Fantasy. Since then, the versatile Van Lente’s many Marvel assignments have included three New York Times-best-selling entries in the Marvel Zombies series, as well as Amazing Spider-Man, Incredible Hercules, X-Men Noir, Iron Man Legacy, Chaos War, Herc and Alpha Flight.Christos Gage sold his first screenplay in 1997 and has been working steadily ever since; he started writing comics in 2004 with DC’s Deadshot miniseries, featuring the sharpshooting antihero from Suicide Squad. He then began co-writing Avengers: The Initiative with Dan Slott, which led to him becoming the sole writer on the book and its successor, Avengers Academy. His additional Marvel credits include Civil War: Casualties of War, House of M: Avengers, Iron Man, Union Jack and World War Hulk: X-Men, as well as a prominent run on X-Men: Legacy.Beginning his career in animation working on such films as The Iron Giant, Anastasia and Titan A.E., Rick Remender has become a comic-book triple threat — writing, penciling and inking numerous fan-favorite series. Remender served as writer on hit video games Dead Space and Bulletstorm, while providing art for punk/metal bands like NOFX and 3 Inches of Blood. He’s co-created many popular independent titles, including the critically acclaimed Fear Agent with longtime collaborators Tony Moore and Jerome Opeña. His time at Marvel started on Punisher, and has since led to well-received runs on Uncanny X-Force, Venom, Captain America and Uncanny Avengers. Remender made headlines by promoting Sam Wilson, the Falcon, to full-fledged shield-slinger in All-New Captain America.Award-winning British author Dan Abnett has been a New York Times best-seller seven times and won the Best Comic Writer award in 2003. He has written more than fifty books — including best-selling Warhammer 40,000 novels and tie-in fiction for Doctor Who, Torchwood and Primeval. He co-created Death’s Head and Knights of Pendragon for Marvel UK in the 1980s, and contributed extensively to the UK’s illustrious 2000AD. He has also written Iron Man, New Mutants, Doctor Strange and Punisher for Marvel, and worked on some of Marvel’s epic cosmic comics including the Annihilation and War of Kings events, and the Nova and Guardians of the Galaxy series. Abnett is also known for his work on major games such as Alien: Isolation and Shadow of Mordor. He has returned to Marvel’s cosmos on Guardians 3000 and Guardians of Infinity.Andy Lanning is probably best known for his work co-writing Marvel's cosmic characters in Nova, various Annihilation series and Guardians of the Galaxy. During a career spanning decades, his writing credits also include Heroes for Hire, New Mutants and Punisher at Marvel; Resurrection Man, Legion of Superheroes and Superman/Batman at DC Comics; The Authority at WildStorm; and the creator-owned Hypernaturals at BOOM! Along with co-writer Alan Cowsill, he revived Marvel UK’s super heroes in Revolutionary War. Lanning is also a celebrated inker, best known for his work with Phil Jimenez on New X-Men and Amazing Spider-Man. He has worked with a dazzling array of talented artists including Mike McKone (Fantastic Four, Amazing Spider-Man), Dave Gibbons (Secret Service), Mark Bagley (Fearless, Ultimate Spider-Man) and Ivan Reis (Justice League, Aquaman).Skottie Young has worked in both comics and animation for Warner Bros., Universal, Spike TV, Mattel, Fisher Price, Marvel, Dark Horse, Image and more. His distinctively stylized artwork graced runs on Human Torch, Venom, Spider-Man: Legend of the Spider-Clan and a revamp of New Warriors. He also drew the X-Men/Runaways team-up for Free Comic Book Day 2006 and a run of New X-Men. Young won acclaim from fans and critics alike with Marvel’s series of New York Times-best-selling and Eisner Award-winning adaptations of L. Frank Baum’s Oz novels with writer Eric Shanower. His Young Marvel variant covers became a sensation, leading to their own Secret Wars limited series, Giant-Size Little Marvel: AVX. Also a flourishing writer, Young brought his flair for madcap antics delivered in his trademark kinetic style to Marvel’s Rocket Raccoon and Deadpool, as well as acclaimed creator-owned series I Hate Fairyland, Middlewest and The Me You Love In The Dark. He lives in Kansas with his wife, two sons, and two dogs.Nick Spencer broke into the comic-book industry with Existence 2.0, published by Image in 2009 and slated for adaptation into a feature film by Paramount Pictures. He has since worked on a sequel, Existence 3.0, and the ongoing series Morning Glories and Bedlam for Image, as well as T.H.U.N.D.E.R. Agents for DC. For Marvel, he wrote Secret Avengers, Iron Man 2.0 and Ultimate Comics X-Men before relaunching Secret Avengers and launching the villain-centric Superior Foes of Spider-Man for Marvel NOW! Spencer brought the comedic-underdog tone of the latter book to the pages of Ant-Man, and then shocked readers by turning the Sentinel of Liberty against the world in the pages of Captain America: Steve Rogers, Captain America: Sam Wilson and the event series Secret Empire.Antony Johnston is an award-winning, New York Times best-selling author of comics, graphic novels, video games and books, with titles including Wasteland, Daredevil, Dead Space, Julius and Frightening Curves. He has also adapted books by best-selling novelist Anthony Horowitz, collaborated with comics legend Alan Moore and reinvented Marvel’s flagship character Wolverine for manga. His titles have been translated throughout the world and optioned for film. He lives and works in England.Film director and screenwriter Greg Pak’s first feature, the sci-fi anthology Robot Stories, won 35 awards; he broke into the comics industry when his agent sent Marvel the screenplay. After writing a Warlock reboot, Pak made a splash with the X-Men: Phoenix — Endsong limited series and a lengthy run on Incredible Hulk, highlighted by the “Planet Hulk†storyline and the World War Hulk crossover. In addition to the acclaimed Magneto: Testament and Red Skull: Incarnate limited series, a War Machine revival and the retitled Incredible Hulks, Pak has written Dynamite’s Battlestar Galactica and contributed to Secret Identities: The Asian American Superhero Anthology. His efforts with co-writer Fred Van Lente include Incredible Hercules, Herc, Heroic Age: Prince of Power, an Alpha Flight relaunch and the Chaos War crossover. Pak introduced Amadeus Cho as a new Green Goliath in The Totally Awesome Hulk and delivered mutant mayhem in Weapon X.David Liss is the best-selling, Edgar Award-winning author of A Conspiracy of Paper, The Coffee Trader, A Spectacle of Corruption, The Whiskey Rebels, The Devil’s Company and The Twelfth Enchantment. For Marvel, he has written the series Black Panther: The Most Dangerous Man Alive and the critically acclaimed pulp-noir miniseries Mystery Men.Artist Humberto Ramos made his American comics debut in 1994 with DC’s Impulse, featuring the Flash’s brash grandson. In 1998, Ramos launched the creator-owned Crimson under Wildstorm’s Cliffhanger imprint, illustrating the title for more than two years. He then moved to Marvel, becoming one of the most recognizable and innovative talents in comics. Seamlessly blending both Eastern and Western styles, the artist’s artist has worked on many of Marvel’s most iconic characters — including Spider-Man, Wolverine and the X-Men — in addition to a run on the fan-favorite Runaways. Ramos brought his kinetic artwork to the pages of Extraordinary X-Men and Champions, as well as a magical collaboration with Skottie Young on Strange Academy.Italian illustrator Stefano Caselli broke into American comics during the early 2000s with work on titles including Marvel’s Mutant X and Thunderbolts. He enhanced his reputation on series such as Avengers: The Initiative, Secret Warriors and Avengers Assemble before playing a key role in the rotating art team on Dan Slott’s Amazing Spider-Man and joining Jonathan Hickman on Avengers. Caselli collaborated with Brian Michael Bendis on a groundbreaking Invincible Iron Man run featuring Riri Williams as a new armored hero, and joined Gerry Duggan on the seafaring X-series Marauders.Marcos Martin’s clean, fluid style became an instant hit on DC’s Batgirl: Year One. He next worked on Breach and illustrated a brief Green Arrow run. At Marvel, Martin collaborated with writer Brian K. Vaughan on Doctor Strange: The Oath and became part of the rotating team of artists drawing Amazing Spider-Man. Martin played his part on the Eisner Award-winning Daredevil relaunch written by Mark Waid, and claimed both an Eisner and Harvey Award for his reunion with Vaughan on the creator-owned digital comic The Private Eye.A comics artist since the late ’90s, Javier Pulido has impressed readers with his graphic style and compelling storytelling on titles such as Amazing Spider-Man, Hawkeye and She-Hulk.After interning at Marvel in 2002 and showing his samples at a convention, Reilly Brown was hired to work on 2005’s Marvel Holiday Special, pitting the Avengers against an evil robotic Santa Claus. He later became the artist of Cable & Deadpool, co-writing the final issues of that title with Fabian Nicieza.Artist Giuseppe Camuncoli made his Marvel Comics debut in 2002 on Spider-Man’s Tangled Web. His subsequent Marvel credits include the limited series X-Infernus, which re-established Illyana Rasputin as a central character in the X-Universe. He later helped launch Wolverine’s son into his own title with Daken: Dark Wolverine, and teamed with writer Dan Slott on Amazing Spider-Man and Superior Spider-Man. Camuncoli illustrated the entire 25-issue run of writer Charles Soule’s Star Wars: Darth Vader.The pencils of Ryan Stegman first gained rave reviews in the Marvel adaptation of Raymond E. Feist’s Magician Apprentice and Riftwar. The popularity of his work there led to assignments on Incredible Hulk, Marvel Adventures Spider-Man, Incredible Hercules and She-Hulks. With writer Christopher Yost, he launched a new incarnation of Scarlet Spider; with Dan Slott, he shocked fans with Superior Spider-Man; and with Gerry Conway, he offered a different take on the wall-crawler and his family in Amazing Spider-Man: Renew Your Vows. Stegman’s other Marvel credits include Wolverine, Inhuman and Uncanny Avengers as well as his smash-hit run on Venom.Cartoonist and illustrator Tom Fowler has worked in comics, advertising, and film and game concept design for such varied clients as Disney, Hasbro, MAD, DC Comics and Marvel. He is best known for his work on the feature strip “Monroe†for MAD Magazine and his critically acclaimed series Mysterius the Unfathomable with writer Jeff Parker. For Marvel, he has illustrated the Spider-Man spinoff series Venom and the original graphic novel Hulk: Season One.Artist Mike McKone was pegged as a future industry superstar when his first work was published in DC’s JLA and Legion. In 2001, McKone collaborated with writer Judd Winick to launch Marvel’s Exiles, a surprise hit among X-fans. Two years later, he teamed with writer Geoff Johns to revamp Teen Titans for DC. Since signing an exclusive contract with Marvel, McKone’s credits include Fantastic Four, Amazing Spider-Man and Avengers Academy.Well regarded as a modern master of the macabre, artist Kyle Hotz is best known for his uniquely creepy art style. Hotz first gained notice during the 1990s with extensive credentials on a long list of horror comics. Since then, he has gone on to illustrate Incredible Hulk, Ghost Rider and Venom for Marvel Comics, as well as The Hood in collaboration with writer Brian K. Vaughan. Hotz thrilled fans of the “living dead†genre with Zombie, a four-part limited series modernizing the classic ’70s-era Marvel horror character, and its sequel, The Zombie: Simon Garth.Artist Pepe Larraz penciled Spider-Island: The Amazing Spider-Girl and pitted ’90s rivals against each other in Deadpool vs. X-Force. Larraz worked on titles including Wolverine & the X-Men, Uncanny Avengers, Avengers and the Star Wars: Kanan before proving himself among the industry’s finest talents with House of X. His thrilling artwork made him the ideal illustrator for the blockbuster 2021 relaunch of X-Men with writer Gerry Duggan.Though a professional illustrator and architect in her native Spain, Emma Rios would rather you call her a comic artist. Her first American work, for Mark Waid’s BOOM! Studios title Hexed, went so well Waid drafted her to draw his Marvel miniseries Strange — starring the titular Master of the Mystic Arts, Doctor Strange. She has also collaborated with Sean McKeever on his Firestar one-shot, Zeb Wells on Shadowland: Elektra and Amazing Spider-Man, Kelly Sue DeConnick on Osborn, and Nick Spencer on Spider-Island: Cloak and Dagger.Argentinean artist Sebastián Fiumara introduced himself to comics fans in 2004, illustrating the Avatar Press adaptation of Alan Moore’s Hypothetical Lizard. He followed that with more Avatar work, including Friday the 13th: Jason X and George Romero’s Night of the Living Dead. After contributing to the DC Infinite Halloween Special, he moved to Marvel, where his first series work was on the Marvel Illustrated adaptation of The Picture of Dorian Gray. His next project was another series outside the scope of the Marvel Universe, an adaptation of Orson Scott Card’s Ender’s Shadow: Battle School, in tandem with writer Mike Carey. June Brigman helped launch Power Pack, and penciled the adventures of Cloak and Dagger in both their own title and Strange Tales. Her art appeared throughout Marvel’s 1980s team titles — including Alpha Flight, New Mutants and Uncanny X-Men. She penciled one of DC’s many Supergirl series, worked with Pack writer Louise Simonson on Dark Horse’s Star Wars: River of Chaos miniseries and served as artist on long-running comic strip Brenda Starr. She has taught at the Kubert School, as well as the Atlanta branch of the Savannah College of Art and Design. Italian comics and storyboard artist Francesco Francavilla got his start working on series including Black Coat: A Call to Arms from Ape Entertainment and Left on Mission from Boom! Studios. He brought his unique artistic flair to the pages of Image Comics' Sorrow, Dynamite’s Zorro and DC’s Detective Comics before making his Marvel debut on Black Panther: The Man Without Fear. Francavilla launched his creation, The Black Beetle, with Dark Horse Comics.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels (in preordine)
Uscita: 18/05/27
Ordinabile fino al 07/12/26
By Dan Slott. Artist Humberto Ramos. Cover by Humberto Ramos.
Prezzo di copertina: USD 150,00
Prezzo HoVistoCose: EUR 135,37
Data di uscita: 18/05/27
Final Order Cutoff: 07/12/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Stan Lee; Roy Thomas (A) Gene Colan; Bill Everett (CA) Marie Severin
Sub-Mariner gets his own title in the heyday of the Marvel Age! It's undersea action at its finest as a roster of legendary creators guides the Sub-Mariner to glory! First, Stan Lee and Gene Colan continue their triumphant TALES TO ASTONISH run as Namor is driven to madness - first by the Puppet Master, then by political intrigue with Warlord Krang. Next, Namor becomes the prime target of the shadowy Secret Empire in an astonishing crossover with the Incredible Hulk. Another clash with Iron Man further elevates these iconic tales, featuring art by Jack "King" Kirby himself! Sub-Mariner creator Bill Everett makes a celebrated return to illustrate an epic war against Attuma. And finally, Roy Thomas and "Big" John Buscema launch Namor into his solo series with a historic team-up alongside the Inhumans' Triton! COLLECTING TALES TO ASTONISH #77-101, TALES OF SUSPENSE #79-80, IRON MAN AND SUB-MARINER #1, SUB-MARINER #1-3 AND MATERIAL FROM NOT BRAND ECHH #1, #4, #9 & #11.
All Ages
Writer/editor Stan Lee (1922-2018) made comic-book history together with Jack Kirby in 1961 with Fantastic Four #1. The monumental popularity of its new style inspired Lee to develop similarly themed characters — including the Hulk and X-Men with Kirby, Spider-Man and Doctor Strange with Steve Ditko, and Daredevil with Bill Everett. After shepherding his creations through dozens of issues — in some cases a hundred or more — Lee allowed other writers to take over, but he maintained steady editorial control. Eventually, he helped expand Marvel into a multimedia empire. In recent years, his frequent cameo appearances in Marvel’s films established Lee as one of the world’s most famous faces.Roy Thomas joined the Marvel Bullpen as a writer and editor under Stan Lee, scripting key runs of nearly every title of the time: Amazing Spider-Man, Avengers, Daredevil, Doctor Strange, Sub-Mariner, Thor, X-Men and more. He wrote the first 10 years of Marvel’s Conan the Barbarian and Savage Sword of Conan; and launched such series as Defenders, Iron Fist, Invaders and Warlock. At DC, he developed All-Star Squadron, Infinity Inc. and related titles, proving instrumental in reviving the Golden Age Justice Society of America. Thomas later became editor of Alter Ego, a magazine devoted to comic-book history, and co-scripted the sword-and-sorcery films Fire and Ice and Conan the Destroyer.As both writer and artist, Archie Goodwin (d. 1998) got his start in comic strips and cartoons before moving to Warren Publishing’s Vampirella — and from there to Marvel, where he eventually succeeded Gerry Conway as editor in chief. He has been credited with saving Marvel from financial ruin, with Roy Thomas, by securing adaptation rights to the legendary Star Wars franchise, perceiving its potential long before later merchandisers. He also wrote comic-book adaptations of Alien, Blade Runner and other hit films. He created both Marvel’s Graphic Novel line and its Epic Comics imprint — where, as editor, he occasionally appeared in caricature as alien, elf or other. He also edited early English translations of the Akira series and the works of Moebius. At DC Comics, he guided the destinies of Batman and Starman; one of his most memorable bodies of work was his collaboration with Walter Simonson on the “Manhunter†backup feature in Detective Comics, which won five Shazam Awards.Guaranteed immortality for introducing Johnny Blaze, the Ghost Rider, Gary Friedrich also played a pivotal role in Marvel’s 1970s Western and war comics, penning memorable tales of Sgt. Fury and launching the Marine series Captain Savage. In addition, Friedrich wrote issues of Incredible Hulk, Captain America, Captain Marvel, Daredevil, X-Men and more. With Steve Ditko, he co-created Charlton’s Blue Beetle, now a DC character. With Len Brown, he has written a series of books on popular music.Arnold Drake (1924-2007) helped shape the Silver Age both at Marvel with Captain Marvel and X-Men; and at DC with Batman, Doom Patrol and “Stanley and His Monster.†His media tie-in work ranged from Star Trek to Bob Hope and Jerry Lewis. He wrote, produced and directed the 1964 horror film The Flesh Eaters, and wrote lyrics for several musicals. He won 1967 Alley Awards for Best Full-Length Story and Best New Strip (both for Deadman in Strange Adventures), as well as the Bill Finger Award for Excellence in Comics Writing.The unique, shadowy style of Gene Colan (1926-2011) most memorably appeared in long stints on Captain America and Daredevil, and all 70 issues of Tomb of Dracula — among the dozens of other Marvel titles he has drawn. His DC work on Detective Comics and Night Force is equally well remembered. During the Golden Age, he drew multiple war stories for Marvel and DC alike. Colan has earned several Eagle Awards and had professional art showings in New York City. His work on Ed Brubaker’s Captain America at the age of 82 drew well-deserved raves.An unparalleled talent, Bill Everett created Prince Namor, the Sub-Mariner, comics’ original anti-hero, whose ongoing adventures set the bar for sophisticated comic-book serials. Equally as skilled at illustrating horror and war comics, Everett continued as one of Timely’s top artists until 1957. Once the Marvel Age kicked off, Stan Lee brought Everett back into the fold to co-create Daredevil and return once more to his signature creation, the Sub-Mariner.John Buscema (1927-2002) literally wrote the book on being a Marvel artist — namely, How To Draw Comics the Marvel Way — and few were better qualified. His career dated back to the Timely/Atlas era of the late ’40s and early ’50s. Soon after beginning the Marvel Age of Comics, Stan Lee recruited Buscema from the advertising field to the Marvel Bullpen. Buscema followed a long run on Avengers with the long-anticipated first Silver Surfer series. He subsequently succeeded Jack Kirby on Fantastic Four, Thor and other titles. By the time of his retirement in 1996, Buscema had penciled nearly every Marvel title — including his personal favorite, Conan the Barbarian.During the 1960s, when males dominated the industry, Marie Severin earned the respect of her peers with her seemingly limitless talents in every facet of comic-book production — from penciling to inking to lettering to coloring. Her earliest recorded work was for EC Comics in 1949, and she went on to contribute coloring across the famous publisher’s line before moving to Marvel’s predecessor Atlas Comics. In the Silver Age of comics, Severin made her mark in the Bullpen, drawing the adventures of Doctor Strange and becoming the company’s head colorist before going on to concentrate on penciling. Her extensive contribution to Marvel across a wide array of titles includes providing the original design for Spider-Woman. Severin was inducted into the Will Eisner Comics Hall of Fame in 2001.Dan Adkins (1937-2013) worked on comic books and science-fiction magazines from an early age; as the Silver Age of comics dawned, he joined the Wally Wood Studio as Wood’s assistant, their collaborations including stories in such titles as Creepy and Eerie. Adkins arrived at Marvel in 1967 and worked primarily as an inker on an array of titles, including an extensive run on Conan the Barbarian. He also penciled the adventures of Doctor Strange, Ka-Zar and others. Also famed for his cover paintings, Adkins was inducted into the Joe Sinnott Hall of Fame in the Inkwell Awards of 2019.Born Jacob Kurtzberg in 1917 to Jewish-Austrian parents on New York’s Lower East Side, Jack Kirby came of age at the birth of the American comic book industry. Beginning his career during the rising tide of Nazism, Kirby and fellow artist Joe Simon created the patriotic hero Captain America. Cap’s exploits on the comic book page entertained millions of American readers at home and inspired U.S. troops fighting the enemy abroad. When World War II ended, the public’s interest in super heroes waned; Kirby turned his artistic talents during the 1950s to other genres, such as monsters, Westerns and crime — as well as the first-of-its-kind Young Romance Comics. In 1961, Kirby returned to super heroes to illustrate what would become the defining issue in Marvel Comics history: Fantastic Four #1. Written by Stan Lee, the team’s debut revolutionized the industry overnight. In contrast to the staid artwork of his predecessors, Kirby’s illustrations seemed to leap off the page with eye-popping action and drama. For the next decade, Kirby and Lee would introduce a mind-boggling array of new characters — including the Avengers, the Hulk, Thor, Iron Man, the Silver Surfer and the X-Men. Taken together, Kirby’s groundbreaking work with Lee formed the foundation of the Marvel Universe. In the early 1970s, Kirby moved to DC Comics, where his boundless creativity continued. He returned to Marvel in 1975, writing and illustrating Captain America and introducing his final major concept, the Eternals. With the explosion of TV animation during the 1980s, Kirby’s talents turned to the small screen. Comic fans quickly recognized his work on such series as Thundarr the Barbarian and Turbo Teen. Kirby died in 1994, but his influence on the comic book industry is as strong as ever. His work has inspired a generation of professional artists and modern writers who continue to explore his vast universe of concepts and characters.The industry lost an icon with the passing of Tom Sutton (1937-2002), best remembered as the original artist of the cult-classic icon Vampirella. Having begun his career with the comic strip Johnny Craig and contributions to underground comics, Sutton worked in multiple genres at Marvel — including Western (Kid Colt Outlaw, Rawhide Kid), humor (Arrgh, Crazy, Not Brand Ecch), super heroes (Doctor Strange, Ghost Rider), and the licensed Planet of the Apes titles. During a run on Amazing Adventures, he and writer Steve Englehart revamped the X-Men’s Beast into his better-known furry form. Moving to DC Comics, he penciled nearly every issue of the 1984-1988 series Star Trek and, with J.M. DeMatteis, co-created “I, Vampire†for House of Mystery before returning to Marvel to pencil a Man-Thing serial in Marvel Comics Presents. Sutton’s additional body of work includes art for Charlton Comics, Eros Comics, First Comics and Skywald Publications.In 1976, Ross Andru (1927-1993) made comic-book history by penciling the first large-scale intercompany crossover, Superman vs. the Amazing Spider-Man, having spent years illustrating both characters in various titles. He also made Marvel history in Marvel Feature, drawing the Defenders’ first appearance. At DC, he spent nine years collaborating with Bob Kanigher on Wonder Woman. With Marv Wolfman and Mike Esposito, he co-created Vigilante (Adrian Chase).
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Uscita: 05/01/27
Ordinabile fino al 26/10/26
By Stan Lee. Artist Gene Colan. Cover by Marie Severin.
Prezzo di copertina: USD 54,99
Prezzo HoVistoCose: EUR 49,62
Data di uscita: 05/01/27
Final Order Cutoff: 26/10/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Todd Dezago; J.M. DeMatteis (A) Steven Butler; Mark Bagley (CA) Mark Bagley
Chaos breaks out as the epic Clone Saga hits high gear!While Peter Parker and Ben Reilly each reckon with revelations about their respective identities, the Jackal unleashes the next phase of his terrible plan — releasing the deadly Carrion virus, the lethal Spidercide and a whole army of Spider-Clones! As Spider-Men go to war, the Punisher sets his own sights on the Jackal, and the New Warriors are drawn into the fray — but which wall-crawler will join them? Plus: Peter and Ben must put aside their own differences — and their feelings for Venom — to defend Earth from an alien invasion that threatens to turn it into a planet of the symbiotes!COLLECTING: Web of Spider-Man (1985) #127, Amazing Spider-Man (1963) #404, Spider-Man (1990) #61, Spectacular Spider-Man (1976) #227, Spider-Man: The Jackal Files (1995) #1, Spider-Man: Maximum Clonage Alpha (1995) #1, Spider-Man: Maximum Clonage Omega (1995) #1, New Warriors (1990) #61-62; material from Amazing Spider-Man Super Special (1995) #1, Spider-Man Super Special (1995) #1, Venom Super Special (1995) #1, Spectacular Spider-Man Super Special (1995) #1, Web of Spider-Man Super Special (1995) #1Written by Todd DeZago, J.M. DeMatteis, Howard Mackie, Tom DeFalco, David Michelinie, Evan SkolnickPenciled by Steven Butler, Mark Bagley, Tom Lyle, Eliot Brown, Ron Lim, Sal Buscema, Patch Zircher, Dave Hoover, Joe St. Pierre, Kyle Hotz, Darick Robertson, Steve Lightle & more
Rated T
Writer Todd Dezago began his career on X-Factor. He then penned several Clone Saga-era Spider-books, including a lengthy Spectacular Spider-Man run. Dezago soon moved to Sensational Spider-Man, where he teamed with artist Mike Wieringo. For DC Comics, Dezago co-created Young Justice, wrote the JLA: World Without Grown-Ups miniseries and penned an acclaimed run on Impulse. In 1999, Dezago and Wieringo re-teamed to create the Image Comics fantasy series Tellos, and he co-created the Perhapanauts with artist Craig Rousseau in 2003. Dezago has written several stories for Marvel’s all-ages titles, including Marvel Age Spider-Man and Super Hero Squad.A native New Yorker, writer J.M. DeMatteis has been one of comics’ most respected writers for nearly three decades. Ranging from the introspective psychological drama of Moonshadow to the offbeat comedy of Justice League to the autobiographical Brooklyn Dreams, he’s written from nearly every perspective in graphic storytelling. His long list of credits includes Captain America, Defenders, Justice League International, the groundbreaking Spider-Man storyline “Kraven’s Last Hunt," Spectre and more. His recent work includes the acclaimed children's novel Imaginalis and the popular comics-prose hybrid Abadazad books.Howard Mackie got his start at Marvel during the late 1980s as an editor and then a writer. One of his first series as full-time scribe was 1990’s massively popular Ghost Rider, which introduced the alter ego Danny Ketch to the mythos of the Spirit of Vengeance. He also wrote prolifically in the Spider-Man and X-Men titles of the ’90s.Tom DeFalco’s earliest comic-book scripts were for Archie and DC; he soon moved to Marvel, where he wrote Avengers, Machine Man and other titles, also launching Dazzler, a hit series of the early ’80s. In addition to writing long and well-received runs on Amazing Spider-Man and Thor, DeFalco edited many titles, eventually becoming editor in chief. During the 1980s, he headed the creative team that provided fictional biographies for G.I. Joe members, originally included with Hasbro’s toys and later used as the basis for multiple storylines on the animated series. Perhaps his best-known work is multi-title character Spider-Girl, whom he introduced in 1998. DeFalco has authored multiple books, including Ultimate Guides for Avengers, Fantastic Four, Hulk and Spider-Man.After beginning his writing career on DC horror titles, David Michelinie moved to Marvel. He and co-writer/inker Bob Layton established Iron Man’s battle with alcoholism, use of specialized armor variants and vendetta against Doctor Doom, as well as other aspects of the character that endure to this day. Michelinie’s unique blend of action, suspense and humor distinguished not only Iron Man, but also Amazing Spider-Man. With artist Todd McFarlane, he introduced the vicious vigilante Venom; he also wrote the first Venom limited series, Lethal Protector. Michelinie’s run as Amazing writer was second in length only to that of Stan Lee himself, while he also authored tie-in titles Spectacular Spider-Man, Web of Spider-Man and Spider-Man. He moved from Marvel’s flagship character to DC’s with a stint on Superman’s Action Comics, later returning to the world of Tony Stark for writing collaborations with Bob Layton on Iron Man: Legacy of Doom and Iron Man: The End.Writer, editor and colorist Evan Skolnick worked on an array of Marvel Comics titles, with his most prominent assignment as a scribe being his lengthy run on New Warriors. He also wrote Doctor Strange, Sorcerer Supreme and 2099 Unlimited, among others. Now a prominent video-game writer, his credits include Mafia III and Star Wars: Battlefront.Hired on the strength of his Official Marvel Tryout penciling submission, Mark Bagley rose to prominence as the artist of 1990s sleeper hit New Warriors. Following an acclaimed run on Amazing Spider-Man, he worked with writer Kurt Busiek on Thunderbolts. When Marvel launched its Ultimate line, Bagley and Brian Michael Bendis led the way with Ultimate Spider-Man, whose years of success made the pair the longest-running creative team in Marvel history. Bendis and Bagley have also collaborated on Avengers Assemble and the creator-owned Brilliant. His subsequent credits include Fantastic Four, Cataclysm: The Ultimates’ Last Stand, Hulk, All-New X-Men and Venom.For over 20 years, few if any projects have diagramed super-hero costumes and technology without input from professional engineer Eliot R. Brown. Iron Man's armor, Moon Knight's helicopters, the Punisher's guns, Avengers Mansion, the Guardians of the Galaxy's spaceship, all have had their secrets revealed by Brown's expert penciling. He is also known for his work with photographic art. After establishing himself on Eternity’s Ex-Mutants and First’s Badger, Ron Lim went cosmic with a six-year penciling run on Silver Surfer, followed by a collaboration with Jim Starlin on the Warlock/Thanos Infinity multi-miniseries saga. With writer Tom DeFalco, he helped create the look and characters of the MC2 universe, while he explored a different Marvel future during a 35-issue run on X-Men 2099. Lim’s other Marvel credits include Captain America, Spider-Man Unlimited and Venom: Lethal Protector.After a start as inker to his older brother John, Sal Buscema penciled Captain America, Defenders, Incredible Hulk and more. Famed for his ability to meet tight deadlines, he spread his talents across multiple genres. His 1970s work ranged from Ms. Marvel and Nova to Sub-Mariner and Spider-Woman’s first appearance in Marvel Spotlight. He was the uninterrupted artist on Spectacular Spider-Man for more than a hundred issues and penciled the web-slinger’s adventures in Marvel Team-Up, in which he and writer Bill Mantlo introduced Captain Jean DeWolff. After handling more team-ups in the Thing’s Marvel Two-in-One, he reunited with brother John on Steve Englehart’s Fantastic Four. He later provided inks for Tom DeFalco’s Spider-Girl titles and Thunderstrike miniseries.Patrick “Patch†Zircher got his start illustrating RPG-based comics for Eclipse and 3D comics for Blackthorne during the late 1980s, and drew Now Comics’ Green Hornet. He has been an artist in demand ever since. His notable Marvel credits across the decades include New Warriors, Venom: Along Came a Spider, Star Trek: Early Voyages, Iron Man: The Iron Age, Thunderbolts, Cable & Deadpool, Iron Man, Hulk, Mystery Men and Savage Avengers.Well regarded as a modern master of the macabre, artist Kyle Hotz is best known for his uniquely creepy art style. Hotz first gained notice during the 1990s with extensive credentials on a long list of horror comics. Since then, he has gone on to illustrate Incredible Hulk, Ghost Rider and Venom for Marvel Comics, as well as The Hood in collaboration with writer Brian K. Vaughan. Hotz thrilled fans of the “living dead†genre with Zombie, a four-part limited series modernizing the classic ’70s-era Marvel horror character, and its sequel, The Zombie: Simon Garth.Artist Darick Robertson illustrated all sixty issues of Transmetropolitan with writer Warren Ellis. In the Fury limited series for Marvel, Robertson and Garth Ennis presented a graphically realistic vision of what it means to be the leader of the world’s biggest spy organization. He and Ennis next collaborated on the Marvel Knights Punisher series and later launched the controversial creator-owned series The Boys, now a smash-hit streaming series. In addition to his lengthy run on New Warriors, Robertson’s other Marvel credits include Wolverine, Nightcrawler and Toxin.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels
Uscita: 09/02/27
Ordinabile fino al 30/11/26
By Todd Dezago. Artist Steven Butler. Cover by Mark Bagley.
Prezzo di copertina: USD 54,99
Prezzo HoVistoCose: EUR 49,62
Data di uscita: 09/02/27
Final Order Cutoff: 30/11/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
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