OCT26P387 - EAN 9781302971328
by (W) Chris Claremont; Steve Gerber (A) John Buscema; Tom Sutton (CA) Walter Simonson
The classic anthology is collected in its complete form!As Marvel approached its 50th anniversary, the company launched a bold new series that echoed the variety and excitement of its earliest comics. MARVEL COMICS PRESENTS delivered a twice-monthly burst of high-energy storytelling, showcasing characters from across the Marvel pantheon. Top creators fueled the anthology: Claremont and Buscema unleashed signature Wolverine action  while Gerber, Moench and McGregor returned to Man-Thing, Shang-Chi and the Black Panther, respectively. The series also surprised readers with rare work from legends like Steve Ditko and Dave Cockrum and gave heroes such as Havok and Colossus room to shine. Fast, experimental and packed with surprises, MARVEL COMICS PRESENTS defined late-’80s Marvel. This series has never been collected in its complete form, and our continuing series of Omnibus will reprint every page!COLLECTING: Marvel Comics Presents (1988) #1-25Written by: Chris Claremont, Steve Gerber, Doug Moench, Ann Nocenti, Don McGregor, Bob Harras & Howard Mackie with Al Milgrom, John Byrne, Fabian Nicieza & morePenciled by: John Buscema, Tom Sutton, Tom Grindberg, Rick Leonardi, Gene Colan, Ron Lim & Rich Buckler with Steve Ditko, Al Milgrom, Bob Layton, John Byrne, Mark Badger, Dave Cockrum & more
Rated T
Industry legend Chris Claremont is best known for his epic sixteen-year run on Uncanny X-Men. Claremont’s focus on the themes of prejudice and tolerance struck at the hearts of comics fans, and he built an unparalleled following during the next three decades. Under his pen, the X-Men franchise spawned a vast array of spin-offs, many of them written by Claremont himself. His other credits include Iron Fist, Ms. Marvel, Power Man and Spider-Woman. Claremont has returned to the X-Men universe in New Exiles, GeNext, X-Men Forever, Chaos War: X-Men and Nightcrawler.Steve Gerber (1947-2008) first came to attention writing Defenders, in which he gave the non-team a non-traditional outlook equaled by few. In Adventure of Fear, he introduced Howard the Duck. Gerber’s other 1970s contributions included scripts for Iron Man, Sub-Mariner and more. Elsewhere, he is equally well-remembered for DC’s Phantom Zone, Eclipse’s Destroyer Duck and others.In addition to runs on Fantastic Four and Thor, original Moon Knight scribe Doug Moench specialized in writing features outside the Marvel mainstream  including Adventure into Fear’s Morbius, Frankenstein, Inhumans, Ka-Zar: Lord of the Hidden Jungle, Master of Kung Fu, Werewolf by Night and Astonishing Tales’ Deathlok. Proving his eclectic abilities, he also wrote the full run of Godzilla, most of Shogun Warriors and stories for virtually every Marvel black-and-white magazine of the 1970s. He expanded on his Star-Lord and Weirdworld sagas in multiple anthology titles. At DC, he wrote memorable runs on Batman, Detective Comics and Legends of the Dark Knight  along with numerous Batman one-shots, cross-company crossovers and Elseworlds sagas. He further contributed such short-lived but unique series as Electric Warrior, Lords of the Ultra-Realm, Slash Maraud, Wanderers and Xenobrood.Bob Harras edited several titles as Ralph Macchio’s assistant, mostly tie-ins such as Micronauts, Rom, Saga of Crystar and U.S. 1. He subsequently became chief editor of the X-Men titles and wrote for multiple series, including a three-year run on Avengers. Graduating to editor in chief, he oversaw well-received runs of Captain America, Daredevil, Deadpool and other titles, as well as the controversial second Clone Saga in the 1990s’ Spider-Man titles. Harras has since worked as contributing editor at WildStorm and collected editions editor for DC Comics. He began a decade-long stint as DC’s editor in chief in 2010.Howard Mackie got his start at Marvel during the late 1980s as an editor and then a writer. One of his first series as full-time scribe was 1990’s massively popular Ghost Rider, which introduced the alter ego Danny Ketch to the mythos of the Spirit of Vengeance. He also wrote prolifically in the Spider-Man and X-Men titles of the ’90s.Al Milgrom, A.K.A. “Editori-Al,†is renowned as writer, editor, penciler and inker  and held most of those positions on Spectacular Spider-Man. He also contributed to SSM’s sibling Amazing Spider-Man. He penciled West Coast Avengers for four years and inked X-Factor for eight. His artwork has also appeared in Avengers, Captain America, Thor and most X-titles, including the classic Kitty Pryde and Wolverine. As editor, he oversaw Marvel’s Epic imprint and the sixty-issue run of Marvel Fanfare, where his satirical self-portraits made his face as recognizable as any super hero’s mask. At DC, he co-created Firestorm the Nuclear Man with Gerry Conway.John Byrne has worked continuously in the comics industry as both writer and artist since 1975. After he initially collaborated with writer Chris Claremont on Iron Fist, Byrne and Claremont moved on to X-Men for a run still regarded as one of the title’s finest. Byrne contributed an equally famed stint on Fantastic Four, earning comparisons to the original Lee/Kirby issues for his imaginative plotlines and dynamic artwork. He also spun Alpha Flight into its own title. In 1986, he revamped DC’s flagship hero, Superman, reimagining the Man of Steel in a historic project heralded by a Time magazine cover. His remarkable contribution to the Marvel Universe extends to memorable associations with virtually every major hero, including celebrated runs on Captain America, Iron Man, Sensational She-Hulk, Namor the Sub-Mariner and Thing. In the 21st century, Byrne’s considerable body of work includes IDW’s Star Trek and Angel.Since his start on the New Universe’s Psi-Force and backup stories in Classic X-Men, Fabian Nicieza has written most of Marvel’s major super-teams  including Alpha Flight, the Avengers, the New Warriors, the Thunderbolts and the X-Men. Together with artist Rob Liefeld, Nicieza transformed New Mutants into the blockbuster X-Force. The writer also tackled solo heroes ranging from Cable and Deadpool (later combined in Cable & Deadpool) to Gambit and Nomad. He edited Marvel’s Star imprint, contributed to multititle X-events like “X-Cutioner’s Song†and “Phalanx Covenant,†and wrote various “pre-modern†limited series such as Adventures of Captain America and Citizen V and the V-Battalion. Elsewhere, he has written both JLA and Justice League Adventures, The 99, Turok, X-Files, and others.John Buscema (1927-2002) literally wrote the book on being a Marvel artist  namely, How To Draw Comics the Marvel Way  and few were better qualified. His career dated back to the Timely/Atlas era of the late ’40s and early ’50s. Soon after beginning the Marvel Age of Comics, Stan Lee recruited Buscema from the advertising field to the Marvel Bullpen. Buscema followed a long run on Avengers with the long-anticipated first Silver Surfer series. He subsequently succeeded Jack Kirby on Fantastic Four, Thor and other titles. By the time of his retirement in 1996, Buscema had penciled nearly every Marvel title  including his personal favorite, Conan the Barbarian.The industry lost an icon with the passing of Tom Sutton (1937-2002), best remembered as the original artist of the cult-classic icon Vampirella. Having begun his career with the comic strip Johnny Craig and contributions to underground comics, Sutton worked in multiple genres at Marvel  including Western (Kid Colt Outlaw, Rawhide Kid), humor (Arrgh, Crazy, Not Brand Ecch), super heroes (Doctor Strange, Ghost Rider), and the licensed Planet of the Apes titles. During a run on Amazing Adventures, he and writer Steve Englehart revamped the X-Men’s Beast into his better-known furry form. Moving to DC Comics, he penciled nearly every issue of the 1984-1988 series Star Trek and, with J.M. DeMatteis, co-created “I, Vampire†for House of Mystery before returning to Marvel to pencil a Man-Thing serial in Marvel Comics Presents. Sutton’s additional body of work includes art for Charlton Comics, Eros Comics, First Comics and Skywald Publications.Three different incarnations of Cloak and Dagger were only a few of Rick Leonardi’s artistic achievements for Marvel. His other credits include Uncanny X-Men, New Mutants and Spider-Man 2099. At DC, he drew Batman family titles Batgirl and Nightwing, as well as comic/film crossover Green Lantern vs. Aliens. At Event Comics, he penciled Painkiller Jane.The unique, shadowy style of Gene Colan (1926-2011) most memorably appeared in long stints on Captain America and Daredevil, and all 70 issues of Tomb of Dracula  among the dozens of other Marvel titles he has drawn. His DC work on Detective Comics and Night Force is equally well remembered. During the Golden Age, he drew multiple war stories for Marvel and DC alike. Colan has earned several Eagle Awards and had professional art showings in New York City. His work on Ed Brubaker’s Captain America at the age of 82 drew well-deserved raves.After establishing himself on Eternity’s Ex-Mutants and First’s Badger, Ron Lim went cosmic with a six-year penciling run on Silver Surfer, followed by a collaboration with Jim Starlin on the Warlock/Thanos Infinity multi-miniseries saga. With writer Tom DeFalco, he helped create the look and characters of the MC2 universe, while he explored a different Marvel future during a 35-issue run on X-Men 2099. Lim’s other Marvel credits include Captain America, Spider-Man Unlimited and Venom: Lethal Protector.His place in Marvel history assured when he helped introduce Deathlok in the pages of Astonishing Tales, Rich Buckler also penciled several storylines in Peter Parker, the Spectacular Spider-Man  along with runs on Jungle Action’s Black Panther, Fantastic Four, Thor and other monthly titles, as well as Roy Thomas’s miniseries Saga of the Sub-Mariner and Saga of the Original Human Torch. Buckler’s 1970s DC work includes Lois Lane, Secret Society of Super-Villains and World’s Finest, as well as the groundbreaking Superman vs. Shazam. During the 1980s, he and Thomas collaborated on All-Star Squadron. He worked in the barbarian and horror genres for both Marvel and DC, illustrated Archie’s Mighty Crusaders, and contributed to black-and-white magazines for both Marvel and Warren Publishing. He was editor of the short-lived Solson Publications and wrote two books on comic-book art.Steve Ditko (1927-2018) began his comics career in the anthologies of the 1950s, where his unique style and perspective quickly earned recognition and respect. Recruited to join Stan Lee’s Atlas Comics, later Marvel, in 1958, his nuances contrasted well with Jack Kirby’s bombast. In 1962, in the pages of Amazing Fantasy, Ditko and Lee brought to life Peter Parker, the Amazing Spider-Man, changing the industry forever. The pair’s other iconic co-creation, Doctor Strange, debuted in Strange Tales. Ditko returned to Marvel during the late 1970s and remained for much of the 1980s  co-creating Speedball, Squirrel Girl and other characters.Al Milgrom, A.K.A. “Editori-Al,†is renowned as writer, editor, penciler and inker  and held most of those positions on Spectacular Spider-Man. He also contributed to SSM’s sibling Amazing Spider-Man. He penciled West Coast Avengers for four years and inked X-Factor for eight. His artwork has also appeared in Avengers, Captain America, Thor and most X-titles, including the classic Kitty Pryde and Wolverine. As editor, he oversaw Marvel’s Epic imprint and the sixty-issue run of Marvel Fanfare, where his satirical self-portraits made his face as recognizable as any super hero’s mask. At DC, he co-created Firestorm the Nuclear Man with Gerry Conway.Bob Layton began as a prolific and popular inker for Charlton, Marvel and DC Comics, where he first teamed with longtime collaborator David Michelinie on Claw the Unconquered and Star Hunters. The Michelinie-Layton duo’s writing work on Iron Man (1978-1982 and 1987-1989) is one of the most popular and influential interpretations of that character. Leaving Marvel in 1990, he became a key writer/artist/editor at Valiant Comics, where he co-created characters such as X-O Manowar and rose to the post of editor in chief before departing. He still does occasional freelance work for DC and Marvel, notably Michelinie-Layton reunion projects Iron Man: Bad Blood (2000), Iron Man: Legacy of Doom (2008) and Iron Man: The End (2009).John Byrne has worked continuously in the comics industry as both writer and artist since 1975. After he initially collaborated with writer Chris Claremont on Iron Fist, Byrne and Claremont moved on to X-Men for a run still regarded as one of the title’s finest. Byrne contributed an equally famed stint on Fantastic Four, earning comparisons to the original Lee/Kirby issues for his imaginative plotlines and dynamic artwork. He also spun Alpha Flight into its own title. In 1986, he revamped DC’s flagship hero, Superman, reimagining the Man of Steel in a historic project heralded by a Time magazine cover. His remarkable contribution to the Marvel Universe extends to memorable associations with virtually every major hero, including celebrated runs on Captain America, Iron Man, Sensational She-Hulk, Namor the Sub-Mariner and Thing. In the 21st century, Byrne’s considerable body of work includes IDW’s Star Trek and Angel.Mark Badger’s magic-oriented Marvel work includes the Defenders’ Gargoyle miniseries and the Greenberg the Vampire graphic novel, both written by fellow mysticism enthusiast J.M. DeMatteis; he also penciled Roger Stern’s Doctor Strange/Doctor Doom graphic novel. At DC, he illustrated adventures of two very different detectives, Batman and Martian Manhunter. His work elsewhere includes Dark Horse Presents and First Comics’ American Flagg.As a boy, artist Dave Cockrum (1943-2006) dreamed of working in the comic-book industry; after a six-year stint in the Navy, he headed straight for the big time. With a natural talent for illustrating super heroes, Cockrum landed a gig on Legion of Super-Heroes for DC Comics. Soon after his debut, Cockrum showcased his knack for innovative costume designs, becoming the first artist to revamp the look of the classic futuristic super-hero team since its original Silver Age debut. After leaving Legion in 1975, Cockrum collaborated with writer Len Wein to create a new lineup of X-Men – including Wolverine, Nightcrawler and Colossus. Cockrum’s bold new mutants quickly caught the attention of comic-book fans, transforming X-Men into a best-selling title. Although Cockrum has reduced his artistic output in recent years, his strong influence on modern creators remains steadfast – as evidenced by the release of The Uncanny Cockrum Tribute Book in 2004, boasting contributions from more than 75 notable writers and artists.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels (in preordine)
Uscita: 20/04/27
Ordinabile fino al 09/11/26
By Chris Claremont. Artist John Buscema. Cover by Walter Simonson.
Prezzo di copertina: USD 125,00
Prezzo HoVistoCose: EUR 112,81
Altri dettagli per materiale USA
Data di uscita: 20/04/27
Final Order Cutoff: 09/11/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
(torna su)
![Godzilla: Escape the Deadzone [Kai-Sei Era]--Manga Style Edition](https://imsrv.hovistocose.it//id/Penguin/AUG26/P195_xn.jpg#Godzilla%3A+Escape+the+Deadzone+%5BKai-Sei+Era%5D--Manga+Style+Edition)
![Godzilla [Kai-Sei Era]: End of the Reign--Manga Style Edition](https://imsrv.hovistocose.it//id/Penguin/AUG26/P194_xn.jpg#Godzilla+%5BKai-Sei+Era%5D%3A+End+of+the+Reign--Manga+Style+Edition)
![Starship Godzilla [Kai-Sei Era]: First Wars--Manga Style Edition](https://imsrv.hovistocose.it//id/Penguin/AUG26/P241_xn.jpg#Starship+Godzilla+%5BKai-Sei+Era%5D%3A+First+Wars--Manga+Style+Edition)
