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by (W) Louise Simonson; Chris Claremont (A) Walter Simonson; Terry Shoemaker (CA) Marc Silvestri
The entire incendiary X-epic in one red-hot hardcover!When mad geneticist Mister Sinister and the demonic N’astirh set their respective master plans in motion, an Inferno engulfs the Marvel Universe! The flames are fanned as Sinister’s Marauders attack the X-Men, while a demonic horde preys upon New York’s helpless, horrified populace — and Illyana Rasputin battles for her soul! But it’s Cyclops’ estranged wife — Madelyne Pryor, now the Goblin Queen — who might turn Earth into a hellish wasteland! The X-Men, X-Factor and the New Mutants face their most harrowing ordeal — with Spider-Man, Daredevil, the Avengers and more fighting the fires!COLLECTING: X-Factor (1986) #33-40; X-Terminators (1988) #1-4; Uncanny X-Men (1981) #239-243; New Mutants (1983) #71-73; Power Pack (1984) #40, 42-44; Avengers (1963) #298-300; Fantastic Four (1961) #322-324; Amazing Spider-Man (1963) #311-313; Spectacular Spider-Man (1976) #146-148; Web of Spider-Man (1985) #47-48; Daredevil (1964) #262-263, 265; Excalibur (1988) #6-7; Mutant Misadventures of Cloak and Dagger (1988) #4, material from X-Factor Annual (1986) #4Written by: Louise Simonson, Chris Claremont, Jon Bogdanove, Walter Simonson, Steve Englehart, David Michelinie, Gerry Conway, Ann Nocenti, Terry Austin & morePenciled by: Walter Simonson, Terry Shoemaker, Rob Liefeld, Jon Bogdanove, Marc Silvestri, Bret Blevins, Sal Velluto, John Buscema, Keith Pollard, Todd McFarlane, Sal Buscema, Alex Saviuk, John Romita Jr., Alan Davis, Mike Vosburg & more
Rated T
Writer and editor Louise Simonson launched Power Pack and Web of Spider-Man and wrote memorable runs on New Mutants and X-Factor — helping map out the “Mutant Massacre,†“Inferno†and “X-Tinction Agenda†crossovers. Her major editorial credits include Star Wars and Uncanny X-Men. At DC, she wrote multiple Superman titles and became one of the main creative forces behind the “Death of Superman†saga; her scripts also appeared in Detective Comics, New Titans and more. She returned to Marvel to write the Galactus the Devourer limited series and 1999-2000’s Warlock, starring characters from New Mutants. Her later Marvel work includes the limited series Jean Grey and Power Pack: Into the Storm.Industry legend Chris Claremont is best known for his epic sixteen-year run on Uncanny X-Men. Claremont’s focus on the themes of prejudice and tolerance struck at the hearts of comics fans, and he built an unparalleled following during the next three decades. Under his pen, the X-Men franchise spawned a vast array of spin-offs, many of them written by Claremont himself. His other credits include Iron Fist, Ms. Marvel, Power Man and Spider-Woman. Claremont has returned to the X-Men universe in New Exiles, GeNext, X-Men Forever, Chaos War: X-Men and Nightcrawler.Jon Bogdanove began as the penciler, and eventually became the writer, of Power Pack. He also illustrated the acclaimed Fantastic Four vs. the X-Men miniseries and contributed to several other X-comics before migrating to DC in the early 1990s and beginning a lengthy run on Superman: The Man of Steel.After achieving industry acclaim for DC’s award-winning “Manhunter†feature in Detective Comics, Walter Simonson moved to Marvel where he introduced multiple characters and concepts from both myth and outer space during his revered run scripting and penciling Thor. He collaborated with his wife, Louise, on both X-Factor and Wildstorm’s World of Warcraft, later returning to Marvel to illustrate Brian Michael Bendis’ Avengers.Steve Englehart’s history-making contributions to the Marvel Universe began with the Beast’s solo feature in Amazing Adventures, in which the eloquent X-Man first assumed furry form. As Avengers writer, he masterminded such major events as “The Avengers/Defenders War†(in both teams’ titles) and “The Celestial Madonna Saga.†In Captain America, he identified and solved the “mystery†of the 1950s Captain America (later revived by Ed Brubaker), and gave the true Cap the alternate identity of Nomad. Englehart’s Dr. Strange storyline in Marvel Premiere established the character as Sorcerer Supreme and covered the creation of the universe itself. At DC, he helped revamp Batman, Green Lantern, Superman and other major heroes for the 1970s. Back at Marvel, he wrote the first few years of West Coast Avengers and Silver Surfer. His published novels include Countdown to Flight, Hellstorm (part of the TALON Force series), Majorca, The Point Man and, with wife Terry Beach, books in the DNAgers young-adult series. Englehart has also written TV episodes and designed video games.After beginning his writing career on DC horror titles, David Michelinie moved to Marvel. He and co-writer/inker Bob Layton established Iron Man’s battle with alcoholism, use of specialized armor variants and vendetta against Doctor Doom, as well as other aspects of the character that endure to this day. Michelinie’s unique blend of action, suspense and humor distinguished not only Iron Man, but also Amazing Spider-Man. With artist Todd McFarlane, he introduced the vicious vigilante Venom; he also wrote the first Venom limited series, Lethal Protector. Michelinie’s run as Amazing writer was second in length only to that of Stan Lee himself, while he also authored tie-in titles Spectacular Spider-Man, Web of Spider-Man and Spider-Man. He moved from Marvel’s flagship character to DC’s with a stint on Superman’s Action Comics, later returning to the world of Tony Stark for writing collaborations with Bob Layton on Iron Man: Legacy of Doom and Iron Man: The End.Gerry Conway wrote Daredevil, Incredible Hulk, Iron Man and others. He was instrumental in Marvel’s 1970s horror boom with work on Man-Thing, Tomb of Dracula and Werewolf by Night. His years on Amazing Spider-Man yielded such historic highlights as the groundbreaking death of Gwen Stacy and the debut of the Punisher. He also wrote DC’s Batman, Superman, Wonder Woman and Legion of Super-Heroes. For TV, he has written and produced episodes of Diagnosis: Murder, Hercules: The Legendary Journeys, Huntress and Matlock.Journalist, editor, filmmaker and more, Ann Nocenti has a long history in comics, both as a writer and an editor. As an editor at Marvel, she oversaw such titles as New Mutants and Uncanny X-Men. As a writer, she has worked for both Marvel (Longshot, Spectacular Spider-Man, Wolverine) and DC (Batman, Kid Eternity, Green Arrow, Catwoman), but is probably best known for her groundbreaking run with John Romita Jr. on Daredevil.Terry Austin won Eagle, Inkpot and Comics Buyer’s Guide Fan Awards for ink work on Chris Claremont and John Byrne’s legendary Uncanny X-Men run. Elsewhere in the mutant franchise, he penciled New Mutants and wrote occasional stories for various X-Men titles, along with Cloak and Dagger. At DC, he reunited with John Byrne to ink Superman; he also embellished Green Lantern, Justice League America and 66 issues of Superman Adventures, and penciled half the Camelot 3000 miniseries.After achieving industry acclaim for DC’s award-winning “Manhunter†feature in Detective Comics, Walter Simonson moved to Marvel where he introduced multiple characters and concepts from both myth and outer space during his revered run scripting and penciling Thor. He collaborated with his wife, Louise, on both X-Factor and Wildstorm’s World of Warcraft, later returning to Marvel to illustrate Brian Michael Bendis’ Avengers.In addition to illustrating annuals for New Mutants, X-Factor and X-Force, Terry Shoemaker helped conclude the “Heroes Reborn†version of Iron Man and contributed to the armored Avenger’s subsequent relaunch. He also penciled Tales of the Legion of Super-Heroes for DC, CyberRad for Continuity and Zealot for Image, as well as several Wildstorm stories.Reimagining New Mutants into X-Force was only the start for Rob Liefeld, one of the leaders of the 1990s comics revolution. After introducing both Cable and Deadpool, he launched an even bigger collaboration as one of the founders of Image Comics with his original property Youngblood. In 1996, he participated in Marvel’s multi-title Heroes Reborn event. Liefeld returned to Marvel fo an X-Force limited series and then revisited Heroes Reborn in Onslaught Reborn. Liefeld returned to his most famous co-creation with the graphic novel Deadpool: Bad Blood, its limited series sequel Deadpool: Badder Blood and the blockbuster Deadpool Team-Up, and introduced a new sensation in Major X.Jon Bogdanove began as the penciler, and eventually became the writer, of Power Pack. He also illustrated the acclaimed Fantastic Four vs. the X-Men miniseries and contributed to several other X-comics before migrating to DC in the early 1990s and beginning a lengthy run on Superman: The Man of Steel.Industry giant Marc Silvestri entered the upper echelon of comics innovators in the late ’80s during fan-favorite, record-breaking runs on Uncanny X-Men and Wolverine. Silvestri left Marvel in 1992 to co-found Image Comics; his imprint, Top Cow, is one of its four longstanding autonomous studios. At Image, Silvestri created some of today’s most popular properties — including Cyberforce, Witchblade, Weapon Zero and The Darkness. Silvestri has returned to the world of Marvel’s mutants on New X-Men and X-Men: Messiah Complex.Two-time Emmy Award-winner Bret Blevins’ early Marvel work included adaptations of films such as The Dark Crystal, Krull and The Last Starfighter. Moving into the Marvel Universe, he drew Strange Tales’ Cloak and Dagger feature, and penciled much of Louise Simonson’s New Mutants run. In 1996, he moved into TV animation, storyboarding for Batman Beyond, Justice League and New Batman/Superman Adventures. He now divides time between oil painting and freelance storyboarding.Sal Velluto penciled several issues of Marc Spector: Moon Knight and most of Christopher Priest’s Black Panther run, the latter with his friend and frequent collaborator Bob Almond on inks; later, he contributed to the limited series Doctor Voodoo. At DC, he drew Firebrand and Justice League Task Force. His additional work includes Acclaim's Bloodshot, Continuity's Armor, Now's Green Hornet and Penny-Farthing's Captain Gravity. John Buscema (1927-2002) literally wrote the book on being a Marvel artist — namely, How To Draw Comics the Marvel Way — and few were better qualified. His career dated back to the Timely/Atlas era of the late ’40s and early ’50s. Soon after beginning the Marvel Age of Comics, Stan Lee recruited Buscema from the advertising field to the Marvel Bullpen. Buscema followed a long run on Avengers with the long-anticipated first Silver Surfer series. He subsequently succeeded Jack Kirby on Fantastic Four, Thor and other titles. By the time of his retirement in 1996, Buscema had penciled nearly every Marvel title — including his personal favorite, Conan the Barbarian.Keith Pollard drew simultaneous runs on three of Marvel’s longest-running titles: Amazing Spider-Man, Fantastic Four and Thor, including Roy Thomas and Mark Gruenwald’s “Eternals Saga.†During the 1990s, he singlehandedly penciled hundreds of characters for the Official Handbook of the Marvel Universe: Master Edition.After a stint on Incredible Hulk with writer Peter David, artist Todd McFarlane moved to Amazing Spider-Man, where he and writer David Michelinie introduced Venom. Achieving a devoted following with his then-experimental style of unconventional panel layouts, extreme close-ups and other innovations, McFarlane became both writer and artist on a new series, titled simply Spider-Man. He later joined several fellow industry prodigies to form Image Comics. McFarlane’s major contribution was Spawn, the demonic mercenary whose first-issue sales of 1.7 million copies remain a benchmark for an independent. His other industry credits include DC’s Infinity Inc. and “Batman: Year Two†in Detective Comics. He has earned the Inkpot Award, the National Cartoonists Society’s Award for Best Comic Book and the NFL’s Artist of the Year Award for designing the Baltimore Ravens’ program covers. In addition to the Image subsidiary Todd McFarlane Productions, he heads McFarlane Toys and Todd McFarlane Entertainment, and is producer of a Spawn film and an award-winning animated series.After a start as inker to his older brother John, Sal Buscema penciled Captain America, Defenders, Incredible Hulk and more. Famed for his ability to meet tight deadlines, he spread his talents across multiple genres. His 1970s work ranged from Ms. Marvel and Nova to Sub-Mariner and Spider-Woman’s first appearance in Marvel Spotlight. He was the uninterrupted artist on Spectacular Spider-Man for more than a hundred issues and penciled the web-slinger’s adventures in Marvel Team-Up, in which he and writer Bill Mantlo introduced Captain Jean DeWolff. After handling more team-ups in the Thing’s Marvel Two-in-One, he reunited with brother John on Steve Englehart’s Fantastic Four. He later provided inks for Tom DeFalco’s Spider-Girl titles and Thunderstrike miniseries.Alex Saviuk established himself as a major Marvel artist with a seven-year run on Web of Spider-Man. He also worked on the animated-series tie-in Spider-Man Adventures and drew the Amazing Spider-Man comic strip from scripts by Stan Lee and Larry Lieber. At DC, he penciled and inked Flash, Green Lantern, Superman and other titles. John Romita Jr. is a modern-day comic-art master, following in his legendary father’s footsteps. Timeless runs on Iron Man, Uncanny X-Men, Amazing Spider-Man and Daredevil established him as his own man artistically, and his work on Wolverine and World War Hulk is among the most explosive comic art of the 21st century. In addition to Eternals with writer Neil Gaiman, JRJR teamed with Mark Millar on the creator-owned Kick-Ass, later developed into a blockbuster feature film starring Nicolas Cage. Spidey fans rejoiced at the artist’s return to Amazing Spider-Man with the “Brand New Day†storylines “New Ways To Die†and “Character Assassination.†He later helped relaunch Avengers with writer Brian Michael Bendis and Captain America with Rick Remender, and contributed to the blockbuster crossover Avengers vs. X-Men. For DC Comics, he drew big-name characters such as Superman, Batman and the Suicide Squad before making a welcome return home to Marvel and Amazing Spider-Man.The career of British-born artist Alan Davis took off like a rocket after his humble beginnings at Marvel UK, where he impressed with an acclaimed run on Captain Britain. Davis broke into U.S. comics with runs on Batman and the Outsiders and Detective Comics. Hired by Marvel U.S. in 1986, Davis launched Excalibur with Chris Claremont, and the book quickly became one of mutantdom’s most unique and humorous titles. When Davis took over as writer, he continued many plot threads from his Captain Britain run. After a lengthy arc writing and drawing X-Men, Davis illustrated writer Brian Michael Bendis’ Avengers Prime and contributed to the status-quo-changing X-Men: Schism.Mike Vosburg’s career at Marvel started in the now-rare black-and-white magazines of the 1970s, including Deadly Hands of Kung Fu and Vampire Tales. He was the regular penciler for Savage She-Hulk, Cloak and Dagger and other series, also doing work in the Epic and New Universe lines. Vosburg is equally at home in horror and romance genres; his later work includes art for Acclaim, Caliber and Hamster Press.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels (in preordine)
Uscita: 25/05/27
Ordinabile fino al 14/12/26
By Louise Simonson. Artist Walter Simonson. Cover by Marc Silvestri.
Prezzo di copertina: USD 125,00
Prezzo HoVistoCose: EUR 112,81
Data di uscita: 25/05/27
Final Order Cutoff: 14/12/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Dennis O'Neill; Danny Fingeroth (A) Rich Buckler; Sal Buscema (CA) Mark D. Bright
Tony Stark faces his greatest struggle against archrival Obadiah Stane!Who will wear the Iron Man armor? James Rhodes? Tony Stark? The diabolical Doctor Demonicus?! The answer is all three, but there soon will be only one Shell-Head standing: the invincible original! But as he reclaims the mantle of Iron Man, Tony will need an upgraded suit to face corporate nemesis Obadiah Stane, who’s wearing his own fearsome armor. Get ready for the Silver Centurion vs. the Iron Monger! In the wake of that fateful battle, Iron Man resumes rivalries with old foes — including Fixer, Madame Masque, M.O.D.O.K., Spymaster and the Living Laser! But when the sorceress Morgan le Fay possesses the sister of Werewolf by Night, Tony Stark and Jack Russell must team up to save the day! Guest-starring the West Coast Avengers and X-Factor!COLLECTING: Iron Man (1968) #196-214, Iron Man Annual (1970) #8Written by: Dennis O’Neill, Danny Fingeroth, Dennis Mallonee, Howard Mackie & Bob HarrasPenciled by: Rich Buckler, Sal Buscema, Herb Trimpe, Mark Bright, Paul Ryan, Rick Hoberg, Alex Saviuk, Dwayne Turner, Javier Saltares, Tom Morgan & Paul Neary
Rated T+
From a start at short-lived Atlas/Seaboard, Danny Fingeroth moved to Marvel to edit multiple Spider-Man titles; and write for Avengers, Dazzler and What If? During the 1990s, he scripted all fifty issues of Darkhawk, as well as Spider-Man’s Deadly Foes and Lethal Foes miniseries. Leaving Marvel in 1995, he became Virtual Comics’ editor in chief and then Visionary Media’s senior vice president for creative production; he has also taught comic-book writing courses at select universities. In the prose field, he has written several nonfiction books about the comic-book field, as well as children’s books on noted actors.Howard Mackie got his start at Marvel during the late 1980s as an editor and then a writer. One of his first series as full-time scribe was 1990’s massively popular Ghost Rider, which introduced the alter ego Danny Ketch to the mythos of the Spirit of Vengeance. He also wrote prolifically in the Spider-Man and X-Men titles of the ’90s.Bob Harras edited several titles as Ralph Macchio’s assistant, mostly tie-ins such as Micronauts, Rom, Saga of Crystar and U.S. 1. He subsequently became chief editor of the X-Men titles and wrote for multiple series, including a three-year run on Avengers. Graduating to editor in chief, he oversaw well-received runs of Captain America, Daredevil, Deadpool and other titles, as well as the controversial second Clone Saga in the 1990s’ Spider-Man titles. Harras has since worked as contributing editor at WildStorm and collected editions editor for DC Comics. He began a decade-long stint as DC’s editor in chief in 2010.His place in Marvel history assured when he helped introduce Deathlok in the pages of Astonishing Tales, Rich Buckler also penciled several storylines in Peter Parker, the Spectacular Spider-Man — along with runs on Jungle Action’s Black Panther, Fantastic Four, Thor and other monthly titles, as well as Roy Thomas’s miniseries Saga of the Sub-Mariner and Saga of the Original Human Torch. Buckler’s 1970s DC work includes Lois Lane, Secret Society of Super-Villains and World’s Finest, as well as the groundbreaking Superman vs. Shazam. During the 1980s, he and Thomas collaborated on All-Star Squadron. He worked in the barbarian and horror genres for both Marvel and DC, illustrated Archie’s Mighty Crusaders, and contributed to black-and-white magazines for both Marvel and Warren Publishing. He was editor of the short-lived Solson Publications and wrote two books on comic-book art.After a start as inker to his older brother John, Sal Buscema penciled Captain America, Defenders, Incredible Hulk and more. Famed for his ability to meet tight deadlines, he spread his talents across multiple genres. His 1970s work ranged from Ms. Marvel and Nova to Sub-Mariner and Spider-Woman’s first appearance in Marvel Spotlight. He was the uninterrupted artist on Spectacular Spider-Man for more than a hundred issues and penciled the web-slinger’s adventures in Marvel Team-Up, in which he and writer Bill Mantlo introduced Captain Jean DeWolff. After handling more team-ups in the Thing’s Marvel Two-in-One, he reunited with brother John on Steve Englehart’s Fantastic Four. He later provided inks for Tom DeFalco’s Spider-Girl titles and Thunderstrike miniseries.Beginning as Stan Lee’s production assistant, Herb Trimpe (1939-2015) went on to pencil a seven-year run on Marvel mainstay Incredible Hulk — during which he debuted the future X-Man, Wolverine — as well as 1970s classics Marvel Team-Up, Shogun Warriors and Godzilla. He was equally prolific during the 1980s on Nick Fury, The ’Nam and G.I. Joe; the 1990s saw him illustrate Marvel’s First Family on Fantastic Four Unlimited. Trimpe’s war-story credits also include the introduction of the Phantom Eagle, the WWI aviator hero whose adventures were later chronicled by Garth Ennis.Formerly a regular artist on Solo Avengers, as well as West Coast, Mark Bright is noted for working with writer Christopher Priest on Falcon, Power Man and Iron Fist, Quantum and Woody and other titles. He has also drawn Marvel’s incarnation of G.I. Joe and several DC flagship characters in Action Comics Weekly, Batman and Green Lantern.Paul Ryan collaborated with Mark Gruenwald on Squadron Supreme, D.P. 7, Quasar and other titles. His #356-414 run on Fantastic Four is rivaled in length only by John Byrne and Jack Kirby. At DC, he penciled Batman, Flash and multiple Superman titles. He spent years penciling the Amazing Spider-Man comic strip, and penciled and inked the daily comic strip The Phantom for King Features Syndicate from 2005 until his death in 2016.The main contribution of artist and animator Rick Hoberg to Marvel Comics came in the pages of What If? He has also illustrated issues of Invaders, Star Wars and Iron Man, among others. Hoberg went on to pencil a long run on Green Arrow for DC. His extensive animation credits include Spider-Man and his Amazing Friends, Incredible Hulk, X-Men, Avengers: Earth’s Mightiest Heroes and Ultimate Spider-Man.Alex Saviuk established himself as a major Marvel artist with a seven-year run on Web of Spider-Man. He also worked on the animated-series tie-in Spider-Man Adventures and drew the Amazing Spider-Man comic strip from scripts by Stan Lee and Larry Lieber. At DC, he penciled and inked Flash, Green Lantern, Superman and other titles. Dwayne Turner’s early Marvel work included Avengers Spotlight and Transformers before launching the 1990s series Cage and teaming with writer Don McGregor on the limited series Black Panther: Panther’s Prey. Turner has illustrated a number of Todd McFarlane’s Spawn titles, including a lengthy run on Curse of the Spawn, and has subsequently worked extensively in the video game and film industries with credits including Tron: Legacy, The Jungle Book and the Halo franchise.Javier Saltares created a name for himself as both an inker and a pencil artist. His comics career started on New Universe titles such as Psi-Force, Justice and D.P. 7 — but in 1990, with penciler and future brother-in-law Mark Texeira, Saltares helped create the intense visual style that made Ghost Rider one of the most popular comics of the decade. In recent years, after a turn drawing G.I. Joe for Devil’s Due, Saltares returned to Marvel, re-teaming with Texeira on Wolverine and the Ghost Rider revival by writer Daniel Way.Tom Morgan started his comics career at Marvel in the mid-1980s. He contributed inks, pencils and cover art to a variety of series, including several Spider-Man and New Universe titles. Morgan next illustrated short runs on Captain America, Power Pack and Alpha Flight, along with the miniseries The War and two Excalibur special editions. During the early 1990s, Morgan landed his first long-term assignment as penciler of Punisher 2099. He went on to illustrate several Iron Man issues, an Extreme Justice arc for DC Comics and Topps Comics’ licensed miniseries Xena: Warrior Princess vs. Callisto. In 2008, Morgan illustrated IDW’s comic biography Presidential Material: Barack Obama.After stints on Warren Publishing’s Eerie and IPC’s 2000 AD, Paul Neary moved to Marvel UK as artist on the imprint’s Hulk and Nick Fury features, as well as multiple Doctor Who sagas. With then-newcomer Alan Davis, he migrated to more mainstream titles, inking Davis’ pencils on Uncanny X-Men and Captain Britain, as well as on DC’s Detective Comics. Returning to Marvel UK as editor in chief, Neary launched Death’s Head II, Motormouth, Warheads and other 1990s titles. He has since returned to art, inking Bryan Hitch’s pencils on Wildstorm’s Authority; and Marvel’s Fantastic Four, Ultimates and more.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels (in preordine)
Uscita: 09/03/27
Ordinabile fino al 21/12/26
By Dennis O'Neill. Artist Rich Buckler. Cover by Mark D. Bright.
Prezzo di copertina: USD 54,99
Prezzo HoVistoCose: EUR 49,62
Data di uscita: 09/03/27
Final Order Cutoff: 21/12/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Steve Foxe (A) Salva Espin (CA) Todd Nauck
Setting the stage for the second season of the smash-hit Disney+ animated series!Extinction day has come and gone, and your favorite X-Men are lost in time! Can they survive? And just where — or when — are they now?! Leading directly from the end of season one to the start of season two, no X-MEN ’97 fan can miss this one! Cable was raised with one purpose: to destroy Apocalypse! But with the X-Men gone, who will he recruit to the cause? And will these new soldiers fall in line with Cable’s lethal methods? The future freedom fighter will need to turn them into an effective team quickly as Pestilence, one of Apocalypse’s Four Horsemen, is loose in Madripoor. When the ensuing the battle culminates to reveal a much deeper threat, can Cable rally his X-Force to face the unimaginable? Or will they fall to Apocalypse’s looming shadow?COLLECTING: X-Men '97: Season Two (2026) #1-5
Rated T
Artist Salva Espin worked in animation and video-game design before making his Marvel debut on World War Hulk: Damage Control; he also provided cover and interior artwork for Wolverine: First Class and Incredible Hercules early in his Marvel career. Espin has since been the series artist on Exiles with writer Jeff Parker, Generation Hope with Kieron Gillen and Deadpool with Daniel Way. He returned to the Merc with a Mouth with Deadpool vs. Carnage and Deadpool & the Mercs for Money.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels (in preordine)
Uscita: 02/03/27
Ordinabile fino al 21/12/26
By Steve Foxe. Artist Salva Espin. Cover by Todd Nauck.
Prezzo di copertina: USD 17,99
Prezzo HoVistoCose: EUR 16,23
serie
Data di uscita: 02/03/27
Final Order Cutoff: 21/12/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
$125,00
$54,99
$17,99
