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by (W) Tim Seeley (A) Philip Tan; Michael Sta. Maria; Roi Mercado (CA) R.B. Silva
Cable assembles a new squad!Cable returns from the future with a handful of clues — and gaping holes in his memory. An assassination is at hand, and he needs a new team to follow him into the fire. Hellverine, Archangel and OG X-Forcer Boom-Boom will be by his side — but who are they after, and what secret does Cable’s faulty memory hide? As Hellverine must face demonic temptation, thankfully Boom-Boom is one of Cable’s most trusted allies — or is she? A mission into a secret safehouse reveals a startling seed of doubt, and a hidden agent is stalking X-Force from the shadows. The mysteries deepen, and the action amplifies as the true mission comes into focus. Can X-Force get their target before their own assassin catches up with them?
Rated T+
Writer/artist Tim Seeley has penciled New Exiles and Weapon X: First Class, and wrote and drew Ant-Man & Wasp. He has also written and illustrated various G.I. Joe series for Image and Devil’s Due. Other credits include Hack/Slash and Loaded Bible, as well as the webcomic Colt Noble and the Megalords.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels (in preordine)
Uscita: 19/01/27
Ordinabile fino al 09/11/26
By Tim Seeley. Artist Philip Tan. Cover by R.B. Silva.
Prezzo di copertina: USD 24,99
Prezzo HoVistoCose: EUR 22,55
serie
Data di uscita: 19/01/27
Final Order Cutoff: 09/11/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Todd Dezago; J.M. DeMatteis (A) Steven Butler; Mark Bagley (CA) Mark Bagley
Chaos breaks out as the epic Clone Saga hits high gear!While Peter Parker and Ben Reilly each reckon with revelations about their respective identities, the Jackal unleashes the next phase of his terrible plan — releasing the deadly Carrion virus, the lethal Spidercide and a whole army of Spider-Clones! As Spider-Men go to war, the Punisher sets his own sights on the Jackal, and the New Warriors are drawn into the fray — but which wall-crawler will join them? Plus: Peter and Ben must put aside their own differences — and their feelings for Venom — to defend Earth from an alien invasion that threatens to turn it into a planet of the symbiotes!COLLECTING: Web of Spider-Man (1985) #127, Amazing Spider-Man (1963) #404, Spider-Man (1990) #61, Spectacular Spider-Man (1976) #227, Spider-Man: The Jackal Files (1995) #1, Spider-Man: Maximum Clonage Alpha (1995) #1, Spider-Man: Maximum Clonage Omega (1995) #1, New Warriors (1990) #61-62; material from Amazing Spider-Man Super Special (1995) #1, Spider-Man Super Special (1995) #1, Venom Super Special (1995) #1, Spectacular Spider-Man Super Special (1995) #1, Web of Spider-Man Super Special (1995) #1Written by Todd DeZago, J.M. DeMatteis, Howard Mackie, Tom DeFalco, David Michelinie, Evan SkolnickPenciled by Steven Butler, Mark Bagley, Tom Lyle, Eliot Brown, Ron Lim, Sal Buscema, Patch Zircher, Dave Hoover, Joe St. Pierre, Kyle Hotz, Darick Robertson, Steve Lightle & more
Rated T
Writer Todd Dezago began his career on X-Factor. He then penned several Clone Saga-era Spider-books, including a lengthy Spectacular Spider-Man run. Dezago soon moved to Sensational Spider-Man, where he teamed with artist Mike Wieringo. For DC Comics, Dezago co-created Young Justice, wrote the JLA: World Without Grown-Ups miniseries and penned an acclaimed run on Impulse. In 1999, Dezago and Wieringo re-teamed to create the Image Comics fantasy series Tellos, and he co-created the Perhapanauts with artist Craig Rousseau in 2003. Dezago has written several stories for Marvel’s all-ages titles, including Marvel Age Spider-Man and Super Hero Squad.A native New Yorker, writer J.M. DeMatteis has been one of comics’ most respected writers for nearly three decades. Ranging from the introspective psychological drama of Moonshadow to the offbeat comedy of Justice League to the autobiographical Brooklyn Dreams, he’s written from nearly every perspective in graphic storytelling. His long list of credits includes Captain America, Defenders, Justice League International, the groundbreaking Spider-Man storyline “Kraven’s Last Hunt," Spectre and more. His recent work includes the acclaimed children's novel Imaginalis and the popular comics-prose hybrid Abadazad books.Howard Mackie got his start at Marvel during the late 1980s as an editor and then a writer. One of his first series as full-time scribe was 1990’s massively popular Ghost Rider, which introduced the alter ego Danny Ketch to the mythos of the Spirit of Vengeance. He also wrote prolifically in the Spider-Man and X-Men titles of the ’90s.Tom DeFalco’s earliest comic-book scripts were for Archie and DC; he soon moved to Marvel, where he wrote Avengers, Machine Man and other titles, also launching Dazzler, a hit series of the early ’80s. In addition to writing long and well-received runs on Amazing Spider-Man and Thor, DeFalco edited many titles, eventually becoming editor in chief. During the 1980s, he headed the creative team that provided fictional biographies for G.I. Joe members, originally included with Hasbro’s toys and later used as the basis for multiple storylines on the animated series. Perhaps his best-known work is multi-title character Spider-Girl, whom he introduced in 1998. DeFalco has authored multiple books, including Ultimate Guides for Avengers, Fantastic Four, Hulk and Spider-Man.After beginning his writing career on DC horror titles, David Michelinie moved to Marvel. He and co-writer/inker Bob Layton established Iron Man’s battle with alcoholism, use of specialized armor variants and vendetta against Doctor Doom, as well as other aspects of the character that endure to this day. Michelinie’s unique blend of action, suspense and humor distinguished not only Iron Man, but also Amazing Spider-Man. With artist Todd McFarlane, he introduced the vicious vigilante Venom; he also wrote the first Venom limited series, Lethal Protector. Michelinie’s run as Amazing writer was second in length only to that of Stan Lee himself, while he also authored tie-in titles Spectacular Spider-Man, Web of Spider-Man and Spider-Man. He moved from Marvel’s flagship character to DC’s with a stint on Superman’s Action Comics, later returning to the world of Tony Stark for writing collaborations with Bob Layton on Iron Man: Legacy of Doom and Iron Man: The End.Writer, editor and colorist Evan Skolnick worked on an array of Marvel Comics titles, with his most prominent assignment as a scribe being his lengthy run on New Warriors. He also wrote Doctor Strange, Sorcerer Supreme and 2099 Unlimited, among others. Now a prominent video-game writer, his credits include Mafia III and Star Wars: Battlefront.Hired on the strength of his Official Marvel Tryout penciling submission, Mark Bagley rose to prominence as the artist of 1990s sleeper hit New Warriors. Following an acclaimed run on Amazing Spider-Man, he worked with writer Kurt Busiek on Thunderbolts. When Marvel launched its Ultimate line, Bagley and Brian Michael Bendis led the way with Ultimate Spider-Man, whose years of success made the pair the longest-running creative team in Marvel history. Bendis and Bagley have also collaborated on Avengers Assemble and the creator-owned Brilliant. His subsequent credits include Fantastic Four, Cataclysm: The Ultimates’ Last Stand, Hulk, All-New X-Men and Venom.For over 20 years, few if any projects have diagramed super-hero costumes and technology without input from professional engineer Eliot R. Brown. Iron Man's armor, Moon Knight's helicopters, the Punisher's guns, Avengers Mansion, the Guardians of the Galaxy's spaceship, all have had their secrets revealed by Brown's expert penciling. He is also known for his work with photographic art. After establishing himself on Eternity’s Ex-Mutants and First’s Badger, Ron Lim went cosmic with a six-year penciling run on Silver Surfer, followed by a collaboration with Jim Starlin on the Warlock/Thanos Infinity multi-miniseries saga. With writer Tom DeFalco, he helped create the look and characters of the MC2 universe, while he explored a different Marvel future during a 35-issue run on X-Men 2099. Lim’s other Marvel credits include Captain America, Spider-Man Unlimited and Venom: Lethal Protector.After a start as inker to his older brother John, Sal Buscema penciled Captain America, Defenders, Incredible Hulk and more. Famed for his ability to meet tight deadlines, he spread his talents across multiple genres. His 1970s work ranged from Ms. Marvel and Nova to Sub-Mariner and Spider-Woman’s first appearance in Marvel Spotlight. He was the uninterrupted artist on Spectacular Spider-Man for more than a hundred issues and penciled the web-slinger’s adventures in Marvel Team-Up, in which he and writer Bill Mantlo introduced Captain Jean DeWolff. After handling more team-ups in the Thing’s Marvel Two-in-One, he reunited with brother John on Steve Englehart’s Fantastic Four. He later provided inks for Tom DeFalco’s Spider-Girl titles and Thunderstrike miniseries.Patrick “Patch†Zircher got his start illustrating RPG-based comics for Eclipse and 3D comics for Blackthorne during the late 1980s, and drew Now Comics’ Green Hornet. He has been an artist in demand ever since. His notable Marvel credits across the decades include New Warriors, Venom: Along Came a Spider, Star Trek: Early Voyages, Iron Man: The Iron Age, Thunderbolts, Cable & Deadpool, Iron Man, Hulk, Mystery Men and Savage Avengers.Well regarded as a modern master of the macabre, artist Kyle Hotz is best known for his uniquely creepy art style. Hotz first gained notice during the 1990s with extensive credentials on a long list of horror comics. Since then, he has gone on to illustrate Incredible Hulk, Ghost Rider and Venom for Marvel Comics, as well as The Hood in collaboration with writer Brian K. Vaughan. Hotz thrilled fans of the “living dead†genre with Zombie, a four-part limited series modernizing the classic ’70s-era Marvel horror character, and its sequel, The Zombie: Simon Garth.Artist Darick Robertson illustrated all sixty issues of Transmetropolitan with writer Warren Ellis. In the Fury limited series for Marvel, Robertson and Garth Ennis presented a graphically realistic vision of what it means to be the leader of the world’s biggest spy organization. He and Ennis next collaborated on the Marvel Knights Punisher series and later launched the controversial creator-owned series The Boys, now a smash-hit streaming series. In addition to his lengthy run on New Warriors, Robertson’s other Marvel credits include Wolverine, Nightcrawler and Toxin.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels (in preordine)
Uscita: 09/02/27
Ordinabile fino al 30/11/26
By Todd Dezago. Artist Steven Butler. Cover by Mark Bagley.
Prezzo di copertina: USD 54,99
Prezzo HoVistoCose: EUR 49,62
Data di uscita: 09/02/27
Final Order Cutoff: 30/11/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Peter David; Bob Harras (A) Jeff Purves; Dan Reed (CA) Jeff Purves
Bruce Banner’s most startling transformation yet!Someone is trying to take down the biggest mob boss in Las Vegas. But the gangster’s bodyguard is big and angry, with gray skin — all of which “Mr. Fixit†has in common with the currently missing Hulk! Soon Hulk’s life as a Vegas leg breaker is interrupted by a circle of cyborgs and the Amazing Spider-Man! Next up is the triple threat of the Thing, Doctor Doom and...the green Hulk?! Magical wizards and Maggia goons keep Joe’s oversized hands full, and the golden god-man Glorian wants to give Hulk an emotional makeover — but the mysterious Mister Cloot thinks they’d both look better in demon red! As things take a hellish turn, the nightmares and despair continue in a battle for Betty Ross’ soul! Peter David’s remarkable run continues as the Hulk goes after gangsters, ghouls and the Grey Gargoyle! Guest-starring Iron Man and Werewolf by Night!COLLECTING:  Incredible Hulk (1968) #347-363, Web of Spider-Man (1985) #44, Fantastic Four (1961) #320; material from Marvel Comics Presents (1988) #26, 45Written by Peter David, Bob Harras, Steve EnglehartPenciled by Jeff Purves, Dan Reed, Alex Saviuk, Keith Pollard & Herb Trimpe
Rated T
Peter David is one of the industry’s most prolific and versatile writers whose record-breaking stint on Incredible Hulk remains a fan-favorite to this day. His similarly long-running — and critically acclaimed — association with X-Factor began in the early 1990s and continued in 2005 and 2014. His other Marvel work includes Captain Marvel, two lengthy stints on Spider-Man 2099, Ben Reilly: Scarlet Spider and the smash-hit Symbiote Spider-Man limited series and its sequels with artist Greg Land. David is also a novelist and screenwriter. Among his credits are some forty Star Trek tie-ins; original novels such as Sir Apropos of Nothing, Howling Mad and Knight Life; movies Trancers 4 and Trancers 5; and episodes of Babylon 5 and Crusade. He also co-created the TV show Space Cases with actor-writer Bill Mumy.Bob Harras edited several titles as Ralph Macchio’s assistant, mostly tie-ins such as Micronauts, Rom, Saga of Crystar and U.S. 1. He subsequently became chief editor of the X-Men titles and wrote for multiple series, including a three-year run on Avengers. Graduating to editor in chief, he oversaw well-received runs of Captain America, Daredevil, Deadpool and other titles, as well as the controversial second Clone Saga in the 1990s’ Spider-Man titles. Harras has since worked as contributing editor at WildStorm and collected editions editor for DC Comics. He began a decade-long stint as DC’s editor in chief in 2010.Steve Englehart’s history-making contributions to the Marvel Universe began with the Beast’s solo feature in Amazing Adventures, in which the eloquent X-Man first assumed furry form. As Avengers writer, he masterminded such major events as “The Avengers/Defenders War†(in both teams’ titles) and “The Celestial Madonna Saga.†In Captain America, he identified and solved the “mystery†of the 1950s Captain America (later revived by Ed Brubaker), and gave the true Cap the alternate identity of Nomad. Englehart’s Dr. Strange storyline in Marvel Premiere established the character as Sorcerer Supreme and covered the creation of the universe itself. At DC, he helped revamp Batman, Green Lantern, Superman and other major heroes for the 1970s. Back at Marvel, he wrote the first few years of West Coast Avengers and Silver Surfer. His published novels include Countdown to Flight, Hellstorm (part of the TALON Force series), Majorca, The Point Man and, with wife Terry Beach, books in the DNAgers young-adult series. Englehart has also written TV episodes and designed video games.Jeff Purves was born in Japan in 1961; his family later moved to the United States, settling in Cheyenne, Wyoming. While studying as an artist, Purves got a job at Marvel Productions in California doing storyboard cleanup, beginning his successful career in animation working for studios including Warner Brothers, Walt Disney and Hanna-Barbera. In comics, he is best remembered for his lengthy collaboration with Peter David on Incredible Hulk.Alex Saviuk established himself as a major Marvel artist with a seven-year run on Web of Spider-Man. He also worked on the animated-series tie-in Spider-Man Adventures and drew the Amazing Spider-Man comic strip from scripts by Stan Lee and Larry Lieber. At DC, he penciled and inked Flash, Green Lantern, Superman and other titles. Keith Pollard drew simultaneous runs on three of Marvel’s longest-running titles: Amazing Spider-Man, Fantastic Four and Thor, including Roy Thomas and Mark Gruenwald’s “Eternals Saga.†During the 1990s, he singlehandedly penciled hundreds of characters for the Official Handbook of the Marvel Universe: Master Edition.Beginning as Stan Lee’s production assistant, Herb Trimpe (1939-2015) went on to pencil a seven-year run on Marvel mainstay Incredible Hulk — during which he debuted the future X-Man, Wolverine — as well as 1970s classics Marvel Team-Up, Shogun Warriors and Godzilla. He was equally prolific during the 1980s on Nick Fury, The ’Nam and G.I. Joe; the 1990s saw him illustrate Marvel’s First Family on Fantastic Four Unlimited. Trimpe’s war-story credits also include the introduction of the Phantom Eagle, the WWI aviator hero whose adventures were later chronicled by Garth Ennis.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels (in preordine)
Uscita: 26/01/27
Ordinabile fino al 16/11/26
By Peter David. Artist Jeff Purves. Cover by Jeff Purves.
Prezzo di copertina: USD 54,99
Prezzo HoVistoCose: EUR 49,62
Data di uscita: 26/01/27
Final Order Cutoff: 16/11/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) David Michelinie; Bob Layton (A) John Romita Jr.; Bob Layton (CA) John Romita Jr.
One of the all-time great Iron Man runs, in one invincible Omnibus!Up-and-coming talents David Michelinie, Bob Layton and John Romita Jr. joined forces to take on Marvel’s Golden Avenger in 1978 — and captured lighting in a bottle! From Tony Stark’s taboo-shattering struggle with alcoholism to Iron Man’s legendary clash with Doctor Doom during King Arthur’s time, this one’s got it all — including Justin Hammer’s introduction; a brutal battle against the Hulk; and the menaces of Madame Masque, the Melter, Blizzard, Whiplash, the Dreadnoughts and the Titanium Man! Plus: the debut of Tony’s fan-favorite outer space and stealth armors! Guest-starring Ant-Man, Namor and more!COLLECTING: Iron Man (1968) #115-157Written by: David Michelinie, Bob Layton, Bill Mantlo & morePenciled by: John Romita Jr., Bob Layton, John Byrne, Carmine Infantino, Sal Buscema, Jerry Bingham, Alan Weiss, Joe Brozowski, Luke McDonnell & Alan Kupperberg
Rated T+
After beginning his writing career on DC horror titles, David Michelinie moved to Marvel. He and co-writer/inker Bob Layton established Iron Man’s battle with alcoholism, use of specialized armor variants and vendetta against Doctor Doom, as well as other aspects of the character that endure to this day. Michelinie’s unique blend of action, suspense and humor distinguished not only Iron Man, but also Amazing Spider-Man. With artist Todd McFarlane, he introduced the vicious vigilante Venom; he also wrote the first Venom limited series, Lethal Protector. Michelinie’s run as Amazing writer was second in length only to that of Stan Lee himself, while he also authored tie-in titles Spectacular Spider-Man, Web of Spider-Man and Spider-Man. He moved from Marvel’s flagship character to DC’s with a stint on Superman’s Action Comics, later returning to the world of Tony Stark for writing collaborations with Bob Layton on Iron Man: Legacy of Doom and Iron Man: The End.Bob Layton began as a prolific and popular inker for Charlton, Marvel and DC Comics, where he first teamed with longtime collaborator David Michelinie on Claw the Unconquered and Star Hunters. The Michelinie-Layton duo’s writing work on Iron Man (1978-1982 and 1987-1989) is one of the most popular and influential interpretations of that character. Leaving Marvel in 1990, he became a key writer/artist/editor at Valiant Comics, where he co-created characters such as X-O Manowar and rose to the post of editor in chief before departing. He still does occasional freelance work for DC and Marvel, notably Michelinie-Layton reunion projects Iron Man: Bad Blood (2000), Iron Man: Legacy of Doom (2008) and Iron Man: The End (2009).Bill Mantlo began his Marvel career on Deadly Hands of Kung Fu, in which he introduced White Tiger, one of the industry’s earliest Hispanic super heroes. Eventually writing stories for almost every Marvel title, he did some of his most fondly remembered work on Incredible Hulk and Spectacular Spider-Man. He also created Rocket Raccoon, launched Cloak & Dagger in a pair of miniseries and guided Alpha Flight through some of its most harrowing ordeals. Mantlo excelled at integrating licensed properties into the Marvel Universe, as demonstrated by Micronauts and Rom, both of which he wrote from start to finish. At DC, he wrote the Invasion miniseries for one of the company’s biggest crossover events.John Romita Jr. is a modern-day comic-art master, following in his legendary father’s footsteps. Timeless runs on Iron Man, Uncanny X-Men, Amazing Spider-Man and Daredevil established him as his own man artistically, and his work on Wolverine and World War Hulk is among the most explosive comic art of the 21st century. In addition to Eternals with writer Neil Gaiman, JRJR teamed with Mark Millar on the creator-owned Kick-Ass, later developed into a blockbuster feature film starring Nicolas Cage. Spidey fans rejoiced at the artist’s return to Amazing Spider-Man with the “Brand New Day†storylines “New Ways To Die†and “Character Assassination.†He later helped relaunch Avengers with writer Brian Michael Bendis and Captain America with Rick Remender, and contributed to the blockbuster crossover Avengers vs. X-Men. For DC Comics, he drew big-name characters such as Superman, Batman and the Suicide Squad before making a welcome return home to Marvel and Amazing Spider-Man.Bob Layton began as a prolific and popular inker for Charlton, Marvel and DC Comics, where he first teamed with longtime collaborator David Michelinie on Claw the Unconquered and Star Hunters. The Michelinie-Layton duo’s writing work on Iron Man (1978-1982 and 1987-1989) is one of the most popular and influential interpretations of that character. Leaving Marvel in 1990, he became a key writer/artist/editor at Valiant Comics, where he co-created characters such as X-O Manowar and rose to the post of editor in chief before departing. He still does occasional freelance work for DC and Marvel, notably Michelinie-Layton reunion projects Iron Man: Bad Blood (2000), Iron Man: Legacy of Doom (2008) and Iron Man: The End (2009).John Byrne has worked continuously in the comics industry as both writer and artist since 1975. After he initially collaborated with writer Chris Claremont on Iron Fist, Byrne and Claremont moved on to X-Men for a run still regarded as one of the title’s finest. Byrne contributed an equally famed stint on Fantastic Four, earning comparisons to the original Lee/Kirby issues for his imaginative plotlines and dynamic artwork. He also spun Alpha Flight into its own title. In 1986, he revamped DC’s flagship hero, Superman, reimagining the Man of Steel in a historic project heralded by a Time magazine cover. His remarkable contribution to the Marvel Universe extends to memorable associations with virtually every major hero, including celebrated runs on Captain America, Iron Man, Sensational She-Hulk, Namor the Sub-Mariner and Thing. In the 21st century, Byrne’s considerable body of work includes IDW’s Star Trek and Angel.Following Golden Age work at Marvel predecessor Timely Comics — as well as at Fawcett, Hillman and others — Carmine Infantino (d. 2013) made history at DC Comics, helping usher in the industry’s Silver Age with the reintroduction of the Flash, within whose title he cocreated the Elongated Man and several members of the hero’s famed Rogues’ Gallery. His 1961 story “Flash of Two Worlds,†which literally reshaped the DC Universe by introducing the Earth-1/Earth-2 concept, won Infantino two of his eventual 12 Alley Awards. After serving as DC’s art director and publisher, Infantino returned to penciling on several titles; for Marvel, he provided notable runs on Nova, Spider-Woman and Star Wars, along with brief stints on Daredevil, Ghost Rider and Iron Man. He also drew Superman vs. the Amazing Spider-Man, the historic first Marvel/DC crossover.John Buscema (1927-2002) literally wrote the book on being a Marvel artist — namely, How To Draw Comics the Marvel Way — and few were better qualified. His career dated back to the Timely/Atlas era of the late ’40s and early ’50s. Soon after beginning the Marvel Age of Comics, Stan Lee recruited Buscema from the advertising field to the Marvel Bullpen. Buscema followed a long run on Avengers with the long-anticipated first Silver Surfer series. He subsequently succeeded Jack Kirby on Fantastic Four, Thor and other titles. By the time of his retirement in 1996, Buscema had penciled nearly every Marvel title — including his personal favorite, Conan the Barbarian.Jerry Bingham has penciled covers and/or stories for Black Panther, Iron Man and several Spider-Man titles. At DC, he penciled, inked and colored Mike Barr’s controversial Batman: Son of the Demon graphic novel, and penciled covers for Spectre, Warlord and DC’s Babylon 5 adaptation. He has also illustrated stories for Batman Confidential and First Comics’ Warp. During the 1990s, he became a production artist in the film industry, designing props and special effects.Alan Weiss was a popular contributor to Avengers and Captain Marvel throughout the 1970s and 1980s. More recently, he rendered a tale of a Civil War-era Batman in Batman: The Blue, the Grey and the Bat.Luke McDonnell penciled a long stint on Iron Man, encompassing the controversial storyline in which Tony Stark ceded the Iron Man armor to his friend James Rhodes. McDonnell’s work also appeared in Daredevil, Spectacular Spider-Man, What If? and elsewhere. At DC, he penciled most of John Ostrander’s Suicide Squad and its spinoff miniseries Deadshot, as well as a Justice League of America stint during its “Detroit JLA†phase. Eclipso, Green Lantern: Mosaic and Secret Origins are only a few of the other titles benefiting from his work. From his early work as letterer at Seaboard-Atlas, Alan Kupperberg went on to contribute to Marvel’s black-and-white magazines — including Crazy, for which he wrote and illustrated the sardonic shenanigans of Obnoxio the Clown. The regular artist on Roy Thomas’ Invaders, Kupperberg contributed as both writer and artist to Avengers, Captain America, Iron Man, Thor, What If? and multiple Spider-Man titles. He also illustrated the Howard the Duck and Incredible Hulk comic strips; and wrote, penciled, inked, colored and lettered Obnoxio the Clown vs. the X-Men. At DC, he penciled Blue Devil, Fury of Firestorm, Justice League of America and more. He has also worked on animation projects for Don Bluth Studios and Nickelodeon.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels (in preordine)
Uscita: 13/04/27
Ordinabile fino al 02/11/26
By David Michelinie. Artist John Romita Jr.. Cover by John Romita Jr..
Prezzo di copertina: USD 125,00
Prezzo HoVistoCose: EUR 112,81
Data di uscita: 13/04/27
Final Order Cutoff: 02/11/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
by (W) Ron Marz; Michael Friedman (A) Tom Grindberg; Scot Eaton (CA) Tom Grindberg
Cosmic adventures of the Silver Surfer collected for the first time!The Sentinel of the Spaceways returns to Earth with sad news for the Fantastic Four about the death of Nova and faces the flaming-mad fury of a grief-stricken Human Torch! But soon the Surfer and the FF must join forces to face shocking enemies beneath Monster Island! What does all that have to do with the Hulk?! Life takes a happy turn when the Surfer and Nova are reunited! As they return to the stars, will he finally pledge his soul to her? Or will Norrin Radd’s hopes of happiness be shattered once again? Things won’t get any better when he returns to Zenn-La to find Shalla-Bal in the arms of another! His torment too much to bear, he turns to Galactus, but will the World-Eater grant him his wish to be the Silver Surfer no more? If he won’t, maybe Doctor Doom will. COLLECTING: Silver Surfer (1987) #93-110, material from Cosmic Powers Unlimited (1995) #1Written by: Ron Marz, Michael Friedman, Mike Lackey & Glenn GreenbergPenciled by: Tom Grindberg, Scot Eaton, Jim Hall, Tom Morgan, John Buscema & More
Rated T
Ron Marz broke into comics in the early '90s with a lengthy run on Marvel’s Silver Surfer, followed by a stint on DC’s Green Lantern, where he co-created Kyle Rayner. In 2000, Marz joined the creative team at CrossGen, working on Sojourn, Mystic, The Path and Scion, among others. He also had an acclaimed run on Top Cow’s Witchblade which lasted nearly a decade. He has recently returned to Marvel, writing Silver Surfer: Rebirth.The comic-art career of Scot Eaton stretches back to the early ’90s, with work on Doctor Fate and Scarab for DC Comics, as well as a brief tenure drawing Jim Starlin’s Dreadstar for First Comics. After a run illustrating Sigil for CrossGen, he worked steadily at Marvel. His credits include Rogue, Friendly Neighborhood Spider-Man and Black Panther, most notably the wedding of Storm and T’Challa. He has been a stalwart of the X-Universe, drawing New Excalibur, several chapters of the “Endangered Species†saga, X-Factor, X-Men: Legacy and Wolverine: Origins. Other Marvel credits include Doomwar, Iron Man/Thor and Secret Avengers.Tom Morgan started his comics career at Marvel in the mid-1980s. He contributed inks, pencils and cover art to a variety of series, including several Spider-Man and New Universe titles. Morgan next illustrated short runs on Captain America, Power Pack and Alpha Flight, along with the miniseries The War and two Excalibur special editions. During the early 1990s, Morgan landed his first long-term assignment as penciler of Punisher 2099. He went on to illustrate several Iron Man issues, an Extreme Justice arc for DC Comics and Topps Comics’ licensed miniseries Xena: Warrior Princess vs. Callisto. In 2008, Morgan illustrated IDW’s comic biography Presidential Material: Barack Obama.John Buscema (1927-2002) literally wrote the book on being a Marvel artist — namely, How To Draw Comics the Marvel Way — and few were better qualified. His career dated back to the Timely/Atlas era of the late ’40s and early ’50s. Soon after beginning the Marvel Age of Comics, Stan Lee recruited Buscema from the advertising field to the Marvel Bullpen. Buscema followed a long run on Avengers with the long-anticipated first Silver Surfer series. He subsequently succeeded Jack Kirby on Fantastic Four, Thor and other titles. By the time of his retirement in 1996, Buscema had penciled nearly every Marvel title — including his personal favorite, Conan the Barbarian.
RESTRICTIONS: World (immagine)
Categoria: Books: graphic novels (in preordine)
Uscita: 12/01/27
Ordinabile fino al 02/11/26
By Ron Marz. Artist Tom Grindberg. Cover by Tom Grindberg.
Prezzo di copertina: USD 54,99
Prezzo HoVistoCose: EUR 49,62
Data di uscita: 12/01/27
Final Order Cutoff: 02/11/26 (se ordinato entro questa data - un paio di giorni prima per permetterci di ordinarlo - le possibilità che l'ordine verrà soddisfatto sono molto alte)
$24,99
$54,99
$54,99
$125,00
$54,99
